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Color name
HEX #1A3C91

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A3C91 it is the complementary color #E5C36E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A3C91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A3C91 shade: #1F3C8C, #304E9F, #4160B2, #5272C5 and #6384D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A3C91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A3C91 shade: #1A3C91, #092A7E, #00186B, #000658 and #000045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A3C91 shade: #1A3C93, #1A1B93, #381A93, #591A93 and #7A1A93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A3C91 shade: #1A3C93, #1A1B93 and #1A1A93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A3C91 shade matches the following richer shades: #1A3C93 and #0B36A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A3C91 shade: #1A3C93, #284285, #364877, #444E69 and #52545B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A3C91 shade: #1A7F93, #1A5E93, #1A3E93, #1A1E93 and #361A93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1A3C91 shade: #0D1F4D, #132E70, #1A3C93, #204BB6 and #2759D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A3C91 shade: #1A3C91, #871A93 and #6E931A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A3C91 shade: #1A3C91, #931A3E and #3E931A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A3C91 shade: #1A3C91, #871A93, #936E1A and #26931A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A3C91 shade: #1A3C91, #931A7B, #936E1A and #1A9332

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 59 / 0 / 43

HEX #1A3C91

RGB 26 60 145

HSL 222.86, 0.7%, 0.34%

LAB 28.1, 21, -50.34

 

Complementary color

CMYK 0 / 15 / 52 / 10

HEX #E5C36E

RGB 229 195 110

HSL 42.86, 0.7%, 0.66%

LAB 80.07, 1.64, 46.82

 

CMYK 78 / 57 / 0 / 45

HEX #1F3C8C

RGB 31 60 140

HSL 224.04, 0.64%, 0.34%

LAB 27.89, 19.55, -47.59

 

CMYK 70 / 51 / 0 / 38

HEX #304E9F

RGB 48 78 159

HSL 223.78, 0.54%, 0.41%

LAB 35.16, 17.08, -47.37

 

CMYK 63 / 46 / 0 / 30

HEX #4160B2

RGB 65 96 178

HSL 223.54, 0.47%, 0.48%

LAB 42.31, 15.19, -47.11

 

CMYK 58 / 42 / 0 / 23

HEX #5272C5

RGB 82 114 197

HSL 223.3, 0.5%, 0.55%

LAB 49.33, 13.7, -46.88

 

CMYK 54 / 39 / 0 / 15

HEX #6384D8

RGB 99 132 216

HSL 223.08, 0.6%, 0.62%

LAB 56.2, 12.49, -46.69

 

CMYK 82 / 59 / 0 / 43

HEX #1A3C91

RGB 26 60 145

HSL 222.86, 0.7%, 0.34%

LAB 28.1, 21, -50.34

 

CMYK 93 / 67 / 0 / 51

HEX #092A7E

RGB 9 42 126

HSL 223.08, 0.87%, 0.26%

LAB 20.91, 24.53, -50.27

 

CMYK 100 / 78 / 0 / 58

HEX #00186B

RGB 0 24 107

HSL 226.54, 1%, 0.21%

LAB 13.91, 28.74, -49.57

 

CMYK 100 / 93 / 0 / 65

HEX #000658

RGB 0 6 88

HSL 235.91, 1%, 0.17%

LAB 7.54, 32.46, -47.48

 

CMYK 100 / 100 / 0 / 73

HEX #000045

RGB 0 0 69

HSL 240, 1%, 0.14%

LAB 3.88, 26.51, -40.35

 

CMYK 82 / 59 / 0 / 42

HEX #1A3C93

RGB 26 60 147

HSL 223.14, 0.7%, 0.34%

LAB 28.27, 21.8, -51.3

 

CMYK 82 / 82 / 0 / 42

HEX #1A1B93

RGB 26 27 147

HSL 239.5, 0.7%, 0.34%

LAB 20.48, 42.78, -64.11

 

CMYK 62 / 82 / 0 / 42

HEX #381A93

RGB 56 26 147

HSL 254.88, 0.7%, 0.34%

LAB 22.61, 45.81, -60.52

 

CMYK 39 / 82 / 0 / 42

HEX #591A93

RGB 89 26 147

HSL 271.24, 0.7%, 0.34%

LAB 26.65, 50.28, -53.73

 

CMYK 17 / 82 / 0 / 42

HEX #7A1A93

RGB 122 26 147

HSL 287.6, 0.7%, 0.34%

LAB 31.77, 56.02, -45.17

 

CMYK 82 / 59 / 0 / 42

HEX #1A3C93

RGB 26 60 147

HSL 223.14, 0.7%, 0.34%

LAB 28.27, 21.8, -51.3

 

CMYK 82 / 82 / 0 / 42

HEX #1A1B93

RGB 26 27 147

HSL 239.5, 0.7%, 0.34%

LAB 20.48, 42.78, -64.11

 

CMYK 82 / 82 / 0 / 42

HEX #1A1A93

RGB 26 26 147

HSL 240, 0.7%, 0.34%

LAB 20.3, 43.29, -64.4

 

CMYK 82 / 59 / 0 / 42

HEX #1A3C93

RGB 26 60 147

HSL 223.14, 0.7%, 0.34%

LAB 28.27, 21.8, -51.3

 

CMYK 93 / 66 / 0 / 37

HEX #0B36A1

RGB 11 54 161

HSL 222.8, 0.87%, 0.34%

LAB 27.53, 30.51, -61.07

 

CMYK 82 / 59 / 0 / 42

HEX #1A3C93

RGB 26 60 147

HSL 223.14, 0.7%, 0.34%

LAB 28.27, 21.8, -51.3

 

CMYK 70 / 50 / 0 / 48

HEX #284285

RGB 40 66 133

HSL 223.23, 0.54%, 0.34%

LAB 29.52, 13.96, -40.61

 

CMYK 55 / 39 / 0 / 53

HEX #364877

RGB 54 72 119

HSL 223.38, 0.38%, 0.34%

LAB 31.23, 7.66, -29.09

 

CMYK 35 / 26 / 0 / 59

HEX #444E69

RGB 68 78 105

HSL 223.78, 0.21%, 0.34%

LAB 33.35, 3.26, -16.93

 

CMYK 10 / 8 / 0 / 64

HEX #52545B

RGB 82 84 91

HSL 226.67, 0.05%, 0.34%

LAB 35.77, 0.78, -4.35

 

CMYK 82 / 14 / 0 / 42

HEX #1A7F93

RGB 26 127 147

HSL 189.92, 0.7%, 0.34%

LAB 48.89, -20.23, -18.67

 

CMYK 82 / 36 / 0 / 42

HEX #1A5E93

RGB 26 94 147

HSL 206.28, 0.7%, 0.34%

LAB 38.43, -1, -34.96

 

CMYK 82 / 58 / 0 / 42

HEX #1A3E93

RGB 26 62 147

HSL 222.15, 0.7%, 0.34%

LAB 28.83, 20.42, -50.39

 

CMYK 82 / 80 / 0 / 42

HEX #1A1E93

RGB 26 30 147

HSL 238.02, 0.7%, 0.34%

LAB 21.04, 41.16, -63.19

 

CMYK 63 / 82 / 0 / 42

HEX #361A93

RGB 54 26 147

HSL 253.88, 0.7%, 0.34%

LAB 22.41, 45.59, -60.85

 

CMYK 83 / 60 / 0 / 70

HEX #0D1F4D

RGB 13 31 77

HSL 223.13, 0.71%, 0.18%

LAB 13.24, 11.91, -30.56

 

CMYK 83 / 59 / 0 / 56

HEX #132E70

RGB 19 46 112

HSL 222.58, 0.71%, 0.26%

LAB 21.07, 16.59, -41.06

 

CMYK 82 / 59 / 0 / 42

HEX #1A3C93

RGB 26 60 147

HSL 223.14, 0.7%, 0.34%

LAB 28.27, 21.8, -51.3

 

CMYK 82 / 59 / 0 / 29

HEX #204BB6

RGB 32 75 182

HSL 222.8, 0.7%, 0.42%

LAB 35.43, 26, -60.66

 

CMYK 82 / 59 / 0 / 15

HEX #2759D8

RGB 39 89 216

HSL 223.05, 0.69%, 0.5%

LAB 42.05, 30.4, -69.6

 

CMYK 82 / 59 / 0 / 43

HEX #1A3C91

RGB 26 60 145

HSL 222.86, 0.7%, 0.34%

LAB 28.1, 21, -50.34

 

CMYK 8 / 82 / 0 / 42

HEX #871A93

RGB 135 26 147

HSL 294.05, 0.7%, 0.34%

LAB 33.98, 58.51, -41.51

 

CMYK 25 / 0 / 82 / 42

HEX #6E931A

RGB 110 147 26

HSL 78.35, 0.7%, 0.34%

LAB 56.34, -29.84, 54.27

 

CMYK 82 / 59 / 0 / 43

HEX #1A3C91

RGB 26 60 145

HSL 222.86, 0.7%, 0.34%

LAB 28.1, 21, -50.34

 

CMYK 0 / 82 / 58 / 42

HEX #931A3E

RGB 147 26 62

HSL 342.15, 0.7%, 0.34%

LAB 32.46, 50.53, 10.68

 

CMYK 58 / 0 / 82 / 42

HEX #3E931A

RGB 62 147 26

HSL 102.15, 0.7%, 0.34%

LAB 53.99, -46.69, 51.26

 

CMYK 82 / 59 / 0 / 43

HEX #1A3C91

RGB 26 60 145

HSL 222.86, 0.7%, 0.34%

LAB 28.1, 21, -50.34

 

CMYK 8 / 82 / 0 / 42

HEX #871A93

RGB 135 26 147

HSL 294.05, 0.7%, 0.34%

LAB 33.98, 58.51, -41.51

 

CMYK 0 / 25 / 82 / 42

HEX #936E1A

RGB 147 110 26

HSL 41.65, 0.7%, 0.34%

LAB 48.8, 6.74, 48.72

 

CMYK 74 / 0 / 82 / 42

HEX #26931A

RGB 38 147 26

HSL 114.05, 0.7%, 0.34%

LAB 53.33, -52.14, 50.41

 

CMYK 82 / 59 / 0 / 43

HEX #1A3C91

RGB 26 60 145

HSL 222.86, 0.7%, 0.34%

LAB 28.1, 21, -50.34

 

CMYK 0 / 82 / 16 / 42

HEX #931A7B

RGB 147 26 123

HSL 311.9, 0.7%, 0.34%

LAB 34.75, 57.21, -25.27

 

CMYK 0 / 25 / 82 / 42

HEX #936E1A

RGB 147 110 26

HSL 41.65, 0.7%, 0.34%

LAB 48.8, 6.74, 48.72

 

CMYK 82 / 0 / 66 / 42

HEX #1A9332

RGB 26 147 50

HSL 131.9, 0.7%, 0.34%

LAB 53.3, -51.85, 41.19

 

Description

Color code: HEX #1A3C91 | qconv.com Color code: HEX #1A3C91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 60 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 60 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 59 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 59% 0% 43% C M Y K

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Provide designers and agencies with accurate color values.

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