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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A3E8E it is the complementary color #E5C171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A3E8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A3E8E shade: #1F3E89, #30509C, #4162AF, #5274C2 and #6386D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A3E8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A3E8E shade: #1A3E8E, #092C7B, #001A68, #000855 and #000042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A3E8E shade: #1A3E8E, #1A1E8E, #341A8E, #531A8E and #731A8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A3E8E shade: #1A3E8E, #1A1E8E and #1A1A8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A3E8E shade matches the following richer shades: #1A3E8E and #0C389B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A3E8E shade: #1A3E8E, #274380, #354872, #424D65 and #505257

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A3E8E shade: #1A7C8E, #1A5D8E, #1A3E8E, #1A1F8E and #331A8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1A3E8E shade: #0D1F48, #132E6B, #1A3E8E, #204DB1 and #265CD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A3E8E shade: #1A3E8E, #801A8E and #6D8E1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A3E8E shade: #1A3E8E, #8E1A3E and #3E8E1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A3E8E shade: #1A3E8E, #801A8E, #8E691A and #278E1A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A3E8E shade: #1A3E8E, #8E1A78, #8E691A and #1A8E2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 56 / 0 / 44

HEX #1A3E8E

RGB 26 62 142

HSL 221.38, 0.69%, 0.33%

LAB 28.43, 18.4, -47.96

 

Complementary color

CMYK 0 / 16 / 51 / 10

HEX #E5C171

RGB 229 193 113

HSL 41.38, 0.69%, 0.67%

LAB 79.61, 2.94, 44.76

 

CMYK 77 / 55 / 0 / 46

HEX #1F3E89

RGB 31 62 137

HSL 222.45, 0.63%, 0.33%

LAB 28.23, 16.96, -45.19

 

CMYK 69 / 49 / 0 / 39

HEX #30509C

RGB 48 80 156

HSL 222.22, 0.53%, 0.4%

LAB 35.53, 14.62, -44.97

 

CMYK 63 / 44 / 0 / 31

HEX #4162AF

RGB 65 98 175

HSL 222, 0.46%, 0.47%

LAB 42.69, 12.85, -44.74

 

CMYK 58 / 40 / 0 / 24

HEX #5274C2

RGB 82 116 194

HSL 221.79, 0.48%, 0.54%

LAB 49.71, 11.46, -44.54

 

CMYK 54 / 37 / 0 / 16

HEX #6386D5

RGB 99 134 213

HSL 221.58, 0.58%, 0.61%

LAB 56.59, 10.35, -44.38

 

CMYK 82 / 56 / 0 / 44

HEX #1A3E8E

RGB 26 62 142

HSL 221.38, 0.69%, 0.33%

LAB 28.43, 18.4, -47.96

 

CMYK 93 / 64 / 0 / 52

HEX #092C7B

RGB 9 44 123

HSL 221.58, 0.86%, 0.26%

LAB 21.17, 21.85, -47.94

 

CMYK 100 / 75 / 0 / 59

HEX #001A68

RGB 0 26 104

HSL 225, 1%, 0.2%

LAB 14.05, 26.14, -47.38

 

CMYK 100 / 91 / 0 / 67

HEX #000855

RGB 0 8 85

HSL 234.35, 1%, 0.17%

LAB 7.49, 30.17, -45.52

 

CMYK 100 / 100 / 0 / 74

HEX #000042

RGB 0 0 66

HSL 240, 1%, 0.13%

LAB 3.55, 24.67, -38.75

 

CMYK 82 / 56 / 0 / 44

HEX #1A3E8E

RGB 26 62 142

HSL 221.38, 0.69%, 0.33%

LAB 28.43, 18.4, -47.96

 

CMYK 82 / 79 / 0 / 44

HEX #1A1E8E

RGB 26 30 142

HSL 237.93, 0.69%, 0.33%

LAB 20.44, 39.45, -61.06

 

CMYK 63 / 82 / 0 / 44

HEX #341A8E

RGB 52 26 142

HSL 253.45, 0.69%, 0.33%

LAB 21.66, 43.89, -58.99

 

CMYK 42 / 82 / 0 / 44

HEX #531A8E

RGB 83 26 142

HSL 269.48, 0.69%, 0.33%

LAB 25.35, 48.11, -52.78

 

CMYK 19 / 82 / 0 / 44

HEX #731A8E

RGB 115 26 142

HSL 286.03, 0.69%, 0.33%

LAB 30.25, 53.72, -44.61

 

CMYK 82 / 56 / 0 / 44

HEX #1A3E8E

RGB 26 62 142

HSL 221.38, 0.69%, 0.33%

LAB 28.43, 18.4, -47.96

 

CMYK 82 / 79 / 0 / 44

HEX #1A1E8E

RGB 26 30 142

HSL 237.93, 0.69%, 0.33%

LAB 20.44, 39.45, -61.06

 

CMYK 82 / 82 / 0 / 44

HEX #1A1A8E

RGB 26 26 142

HSL 240, 0.69%, 0.33%

LAB 19.69, 41.64, -62.32

 

CMYK 82 / 56 / 0 / 44

HEX #1A3E8E

RGB 26 62 142

HSL 221.38, 0.69%, 0.33%

LAB 28.43, 18.4, -47.96

 

CMYK 92 / 64 / 0 / 39

HEX #0C389B

RGB 12 56 155

HSL 221.54, 0.86%, 0.33%

LAB 27.5, 26.79, -57.46

 

CMYK 82 / 56 / 0 / 44

HEX #1A3E8E

RGB 26 62 142

HSL 221.38, 0.69%, 0.33%

LAB 28.43, 18.4, -47.96

 

CMYK 70 / 48 / 0 / 50

HEX #274380

RGB 39 67 128

HSL 221.12, 0.53%, 0.33%

LAB 29.42, 11.17, -37.65

 

CMYK 54 / 37 / 0 / 55

HEX #354872

RGB 53 72 114

HSL 221.31, 0.37%, 0.33%

LAB 30.89, 5.67, -26.49

 

CMYK 35 / 24 / 0 / 60

HEX #424D65

RGB 66 77 101

HSL 221.14, 0.21%, 0.33%

LAB 32.71, 2.08, -15.39

 

CMYK 8 / 6 / 0 / 66

HEX #505257

RGB 80 82 87

HSL 222.86, 0.04%, 0.33%

LAB 34.86, 0.32, -3.2

 

CMYK 82 / 13 / 0 / 44

HEX #1A7C8E

RGB 26 124 142

HSL 189.31, 0.69%, 0.33%

LAB 47.74, -20.35, -17.49

 

CMYK 82 / 35 / 0 / 44

HEX #1A5D8E

RGB 26 93 142

HSL 205.34, 0.69%, 0.33%

LAB 37.84, -2.33, -32.87

 

CMYK 82 / 56 / 0 / 44

HEX #1A3E8E

RGB 26 62 142

HSL 221.38, 0.69%, 0.33%

LAB 28.43, 18.4, -47.96

 

CMYK 82 / 78 / 0 / 44

HEX #1A1F8E

RGB 26 31 142

HSL 237.41, 0.69%, 0.33%

LAB 20.64, 38.88, -60.73

 

CMYK 64 / 82 / 0 / 44

HEX #331A8E

RGB 51 26 142

HSL 252.93, 0.69%, 0.33%

LAB 21.56, 43.78, -59.15

 

CMYK 82 / 57 / 0 / 72

HEX #0D1F48

RGB 13 31 72

HSL 221.69, 0.69%, 0.17%

LAB 12.82, 9.69, -27.79

 

CMYK 82 / 57 / 0 / 58

HEX #132E6B

RGB 19 46 107

HSL 221.59, 0.7%, 0.25%

LAB 20.65, 14.47, -38.5

 

CMYK 82 / 56 / 0 / 44

HEX #1A3E8E

RGB 26 62 142

HSL 221.38, 0.69%, 0.33%

LAB 28.43, 18.4, -47.96

 

CMYK 82 / 56 / 0 / 31

HEX #204DB1

RGB 32 77 177

HSL 221.38, 0.69%, 0.41%

LAB 35.58, 22.72, -57.47

 

CMYK 82 / 56 / 0 / 17

HEX #265CD3

RGB 38 92 211

HSL 221.27, 0.69%, 0.49%

LAB 42.41, 26.49, -66.15

 

CMYK 82 / 56 / 0 / 44

HEX #1A3E8E

RGB 26 62 142

HSL 221.38, 0.69%, 0.33%

LAB 28.43, 18.4, -47.96

 

CMYK 10 / 82 / 0 / 44

HEX #801A8E

RGB 128 26 142

HSL 292.76, 0.69%, 0.33%

LAB 32.44, 56.24, -40.96

 

CMYK 23 / 0 / 82 / 44

HEX #6D8E1A

RGB 109 142 26

HSL 77.07, 0.69%, 0.33%

LAB 54.73, -27.85, 52.8

 

CMYK 82 / 56 / 0 / 44

HEX #1A3E8E

RGB 26 62 142

HSL 221.38, 0.69%, 0.33%

LAB 28.43, 18.4, -47.96

 

CMYK 0 / 82 / 56 / 44

HEX #8E1A3E

RGB 142 26 62

HSL 341.38, 0.69%, 0.33%

LAB 31.43, 49.09, 9.11

 

CMYK 56 / 0 / 82 / 44

HEX #3E8E1A

RGB 62 142 26

HSL 101.38, 0.69%, 0.33%

LAB 52.34, -44.8, 49.72

 

CMYK 82 / 56 / 0 / 44

HEX #1A3E8E

RGB 26 62 142

HSL 221.38, 0.69%, 0.33%

LAB 28.43, 18.4, -47.96

 

CMYK 10 / 82 / 0 / 44

HEX #801A8E

RGB 128 26 142

HSL 292.76, 0.69%, 0.33%

LAB 32.44, 56.24, -40.96

 

CMYK 0 / 26 / 82 / 44

HEX #8E691A

RGB 142 105 26

HSL 40.86, 0.69%, 0.33%

LAB 46.88, 7.28, 46.77

 

CMYK 73 / 0 / 82 / 44

HEX #278E1A

RGB 39 142 26

HSL 113.28, 0.69%, 0.33%

LAB 51.67, -50.28, 48.85

 

CMYK 82 / 56 / 0 / 44

HEX #1A3E8E

RGB 26 62 142

HSL 221.38, 0.69%, 0.33%

LAB 28.43, 18.4, -47.96

 

CMYK 0 / 82 / 15 / 44

HEX #8E1A78

RGB 142 26 120

HSL 311.38, 0.69%, 0.33%

LAB 33.66, 55.64, -25.15

 

CMYK 0 / 26 / 82 / 44

HEX #8E691A

RGB 142 105 26

HSL 40.86, 0.69%, 0.33%

LAB 46.88, 7.28, 46.77

 

CMYK 82 / 0 / 67 / 44

HEX #1A8E2F

RGB 26 142 47

HSL 130.86, 0.69%, 0.33%

LAB 51.58, -50.52, 40.63

 

Description

Color code: HEX #1A3E8E | qconv.com Color code: HEX #1A3E8E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 62 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 62 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 56 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 56% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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