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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A5AA2 it is the complementary color #E5A55D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A5AA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A5AA2 shade: #1F5A9D, #306CB0, #417EC3, #5290D6 and #63A2E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A5AA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A5AA2 shade: #1A5AA2, #09488F, #00367C, #002469 and #001256

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A5AA2 shade: #1A5AA2, #1A35A2, #231AA2, #481AA2 and #6D1AA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A5AA2 shade: #1A5AA2, #1A35A2 and #1A1AA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A5AA2 shade matches the following richer shades: #1A5AA2 and #0B59B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A5AA2 shade: #1A5AA2, #295B93, #385C83, #485D74 and #575D65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A5AA2 shade: #1AA2A0, #1A80A2, #1A5CA2, #1A37A2 and #211AA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1A5AA2 shade: #0E325B, #14467E, #1A5AA2, #206EC5 and #3182DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A5AA2 shade: #1A5AA2, #7B1AA2 and #92A21A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A5AA2 shade: #1A5AA2, #A21A5C and #5CA21A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A5AA2 shade: #1A5AA2, #7B1AA2, #A2601A and #40A21A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A5AA2 shade: #1A5AA2, #A21AA0, #A2601A and #1AA21C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 44 / 0 / 36

HEX #1A5AA2

RGB 26 90 162

HSL 211.76, 0.72%, 0.37%

LAB 38.09, 7.54, -44.49

 

Complementary color

CMYK 0 / 28 / 59 / 10

HEX #E5A55D

RGB 229 165 93

HSL 31.76, 0.72%, 0.63%

LAB 72.47, 16.14, 46.11

 

CMYK 80 / 43 / 0 / 38

HEX #1F5A9D

RGB 31 90 157

HSL 211.9, 0.67%, 0.37%

LAB 37.91, 6.06, -41.79

 

CMYK 73 / 39 / 0 / 31

HEX #306CB0

RGB 48 108 176

HSL 211.88, 0.57%, 0.44%

LAB 44.92, 4.05, -41.82

 

CMYK 67 / 35 / 0 / 24

HEX #417EC3

RGB 65 126 195

HSL 211.85, 0.52%, 0.51%

LAB 51.82, 2.52, -41.83

 

CMYK 62 / 33 / 0 / 16

HEX #5290D6

RGB 82 144 214

HSL 211.82, 0.62%, 0.58%

LAB 58.6, 1.32, -41.84

 

CMYK 58 / 30 / 0 / 9

HEX #63A2E9

RGB 99 162 233

HSL 211.79, 0.75%, 0.65%

LAB 65.26, 0.36, -41.86

 

CMYK 84 / 44 / 0 / 36

HEX #1A5AA2

RGB 26 90 162

HSL 211.76, 0.72%, 0.37%

LAB 38.09, 7.54, -44.49

 

CMYK 94 / 50 / 0 / 44

HEX #09488F

RGB 9 72 143

HSL 211.79, 0.88%, 0.3%

LAB 31.06, 10.55, -44.34

 

CMYK 100 / 56 / 0 / 51

HEX #00367C

RGB 0 54 124

HSL 213.87, 1%, 0.24%

LAB 23.98, 14.49, -43.99

 

CMYK 100 / 66 / 0 / 59

HEX #002469

RGB 0 36 105

HSL 219.43, 1%, 0.21%

LAB 16.9, 19.31, -43.34

 

CMYK 100 / 79 / 0 / 66

HEX #001256

RGB 0 18 86

HSL 227.44, 1%, 0.17%

LAB 9.83, 24.25, -42.31

 

CMYK 84 / 44 / 0 / 36

HEX #1A5AA2

RGB 26 90 162

HSL 211.76, 0.72%, 0.37%

LAB 38.09, 7.54, -44.49

 

CMYK 84 / 67 / 0 / 36

HEX #1A35A2

RGB 26 53 162

HSL 228.09, 0.72%, 0.37%

LAB 27.78, 32.43, -61.25

 

CMYK 78 / 84 / 0 / 36

HEX #231AA2

RGB 35 26 162

HSL 243.97, 0.72%, 0.37%

LAB 22.67, 48.58, -69.67

 

CMYK 56 / 84 / 0 / 36

HEX #481AA2

RGB 72 26 162

HSL 260.29, 0.72%, 0.37%

LAB 25.94, 51.79, -64.16

 

CMYK 33 / 84 / 0 / 36

HEX #6D1AA2

RGB 109 26 162

HSL 276.62, 0.72%, 0.37%

LAB 30.88, 56.87, -55.87

 

CMYK 84 / 44 / 0 / 36

HEX #1A5AA2

RGB 26 90 162

HSL 211.76, 0.72%, 0.37%

LAB 38.09, 7.54, -44.49

 

CMYK 84 / 67 / 0 / 36

HEX #1A35A2

RGB 26 53 162

HSL 228.09, 0.72%, 0.37%

LAB 27.78, 32.43, -61.25

 

CMYK 84 / 84 / 0 / 36

HEX #1A1AA2

RGB 26 26 162

HSL 240, 0.72%, 0.37%

LAB 22.19, 48.11, -70.49

 

CMYK 84 / 44 / 0 / 36

HEX #1A5AA2

RGB 26 90 162

HSL 211.76, 0.72%, 0.37%

LAB 38.09, 7.54, -44.49

 

CMYK 94 / 50 / 0 / 31

HEX #0B59B1

RGB 11 89 177

HSL 211.81, 0.88%, 0.37%

LAB 38.53, 13.28, -52.7

 

CMYK 84 / 44 / 0 / 36

HEX #1A5AA2

RGB 26 90 162

HSL 211.76, 0.72%, 0.37%

LAB 38.09, 7.54, -44.49

 

CMYK 72 / 38 / 0 / 42

HEX #295B93

RGB 41 91 147

HSL 211.7, 0.56%, 0.37%

LAB 37.95, 2.88, -35.7

 

CMYK 57 / 30 / 0 / 49

HEX #385C83

RGB 56 92 131

HSL 211.2, 0.4%, 0.37%

LAB 38.08, -0.62, -25.74

 

CMYK 38 / 20 / 0 / 55

HEX #485D74

RGB 72 93 116

HSL 211.36, 0.23%, 0.37%

LAB 38.67, -1.67, -15.57

 

CMYK 14 / 8 / 0 / 60

HEX #575D65

RGB 87 93 101

HSL 214.29, 0.07%, 0.37%

LAB 39.23, -0.51, -5.38

 

CMYK 84 / 0 / 1 / 36

HEX #1AA2A0

RGB 26 162 160

HSL 179.12, 0.72%, 0.37%

LAB 60.43, -33.56, -8.72

 

CMYK 84 / 21 / 0 / 36

HEX #1A80A2

RGB 26 128 162

HSL 195, 0.72%, 0.37%

LAB 49.82, -15.51, -26

 

CMYK 84 / 43 / 0 / 36

HEX #1A5CA2

RGB 26 92 162

HSL 210.88, 0.72%, 0.37%

LAB 38.69, 6.23, -43.53

 

CMYK 84 / 66 / 0 / 36

HEX #1A37A2

RGB 26 55 162

HSL 227.21, 0.72%, 0.37%

LAB 28.28, 31.11, -60.43

 

CMYK 80 / 84 / 0 / 36

HEX #211AA2

RGB 33 26 162

HSL 243.09, 0.72%, 0.37%

LAB 22.55, 48.46, -69.87

 

CMYK 85 / 45 / 0 / 64

HEX #0E325B

RGB 14 50 91

HSL 211.95, 0.73%, 0.21%

LAB 20.56, 4.05, -28.2

 

CMYK 84 / 44 / 0 / 51

HEX #14467E

RGB 20 70 126

HSL 211.7, 0.73%, 0.29%

LAB 29.5, 5.63, -36.32

 

CMYK 84 / 44 / 0 / 36

HEX #1A5AA2

RGB 26 90 162

HSL 211.76, 0.72%, 0.37%

LAB 38.09, 7.54, -44.49

 

CMYK 84 / 44 / 0 / 23

HEX #206EC5

RGB 32 110 197

HSL 211.64, 0.72%, 0.45%

LAB 46.3, 8.98, -51.83

 

CMYK 78 / 41 / 0 / 13

HEX #3182DD

RGB 49 130 221

HSL 211.74, 0.72%, 0.53%

LAB 53.86, 7.29, -53.35

 

CMYK 84 / 44 / 0 / 36

HEX #1A5AA2

RGB 26 90 162

HSL 211.76, 0.72%, 0.37%

LAB 38.09, 7.54, -44.49

 

CMYK 24 / 84 / 0 / 36

HEX #7B1AA2

RGB 123 26 162

HSL 282.79, 0.72%, 0.37%

LAB 33.05, 59.15, -52.24

 

CMYK 10 / 0 / 84 / 36

HEX #92A21A

RGB 146 162 26

HSL 67.06, 0.72%, 0.37%

LAB 63.36, -21.9, 61.4

 

CMYK 84 / 44 / 0 / 36

HEX #1A5AA2

RGB 26 90 162

HSL 211.76, 0.72%, 0.37%

LAB 38.09, 7.54, -44.49

 

CMYK 0 / 84 / 43 / 36

HEX #A21A5C

RGB 162 26 92

HSL 330.88, 0.72%, 0.37%

LAB 36.35, 57.16, -2.86

 

CMYK 43 / 0 / 84 / 36

HEX #5CA21A

RGB 92 162 26

HSL 90.88, 0.72%, 0.37%

LAB 60.06, -43.29, 57.23

 

CMYK 84 / 44 / 0 / 36

HEX #1A5AA2

RGB 26 90 162

HSL 211.76, 0.72%, 0.37%

LAB 38.09, 7.54, -44.49

 

CMYK 24 / 84 / 0 / 36

HEX #7B1AA2

RGB 123 26 162

HSL 282.79, 0.72%, 0.37%

LAB 33.05, 59.15, -52.24

 

CMYK 0 / 41 / 84 / 36

HEX #A2601A

RGB 162 96 26

HSL 30.88, 0.72%, 0.37%

LAB 47.13, 21.6, 47.96

 

CMYK 60 / 0 / 84 / 36

HEX #40A21A

RGB 64 162 26

HSL 103.24, 0.72%, 0.37%

LAB 58.98, -51.66, 55.85

 

CMYK 84 / 44 / 0 / 36

HEX #1A5AA2

RGB 26 90 162

HSL 211.76, 0.72%, 0.37%

LAB 38.09, 7.54, -44.49

 

CMYK 0 / 84 / 1 / 36

HEX #A21AA0

RGB 162 26 160

HSL 300.88, 0.72%, 0.37%

LAB 39.51, 65.93, -40.29

 

CMYK 0 / 41 / 84 / 36

HEX #A2601A

RGB 162 96 26

HSL 30.88, 0.72%, 0.37%

LAB 47.13, 21.6, 47.96

 

CMYK 84 / 0 / 83 / 36

HEX #1AA21C

RGB 26 162 28

HSL 120.88, 0.72%, 0.37%

LAB 58.17, -58.48, 54.27

 

Description

Color code: HEX #1A5AA2 | qconv.com Color code: HEX #1A5AA2 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 90 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 90 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 44 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 44% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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