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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A641C it is the complementary color #E59BE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A641C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A641C shade: #1F6417, #30762A, #41883D, #529A50 and #63AC63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A641C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A641C shade: #1A641C, #095209, #004000, #002E00 and #001C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A641C shade: #1A651C, #2C651A, #40651A, #54651A and #65611A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A641C shade: #1A651C, #1A6530, #1A6544, #1A6559 and #1A5D65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A641C shade matches the following richer shades: #1A651C, #0F6F12 and #057908

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A641C shade: #1A651C, #245B25, #2E502F, #394639 and #433C43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A641C shade: #41651A, #2C651A, #1A651B, #1A652F and #1A6543

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1A641C shade: #092309, #114413, #1A651C, #228625 and #2BA62E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A641C shade: #1A641C, #1A5565 and #651A36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A641C shade: #1A641C, #1B1A65 and #651B1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A641C shade: #1A641C, #1A5565, #651A64 and #652A1A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A641C shade: #1A641C, #1A3E65, #651A64 and #65411A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 72 / 61

HEX #1A641C

RGB 26 100 28

HSL 121.62, 0.59%, 0.25%

LAB 36.78, -37.76, 33.09

 

Complementary color

CMYK 0 / 32 / 1 / 10

HEX #E59BE3

RGB 229 155 227

HSL 301.62, 0.59%, 0.75%

LAB 73.32, 38.87, -25.29

 

CMYK 69 / 0 / 77 / 61

HEX #1F6417

RGB 31 100 23

HSL 113.77, 0.63%, 0.24%

LAB 36.87, -37.14, 35.39

 

CMYK 59 / 0 / 64 / 54

HEX #30762A

RGB 48 118 42

HSL 115.26, 0.48%, 0.31%

LAB 43.88, -37.92, 34.51

 

CMYK 52 / 0 / 55 / 47

HEX #41883D

RGB 65 136 61

HSL 116.8, 0.38%, 0.39%

LAB 50.77, -38.18, 33.23

 

CMYK 47 / 0 / 48 / 40

HEX #529A50

RGB 82 154 80

HSL 118.38, 0.32%, 0.46%

LAB 57.54, -38.17, 31.88

 

CMYK 42 / 0 / 42 / 33

HEX #63AC63

RGB 99 172 99

HSL 120, 0.31%, 0.53%

LAB 64.21, -38.03, 30.56

 

CMYK 74 / 0 / 72 / 61

HEX #1A641C

RGB 26 100 28

HSL 121.62, 0.59%, 0.25%

LAB 36.78, -37.76, 33.09

 

CMYK 89 / 0 / 89 / 68

HEX #095209

RGB 9 82 9

HSL 120, 0.8%, 0.18%

LAB 29.69, -35.86, 33.42

 

CMYK 100 / 0 / 100 / 75

HEX #004000

RGB 0 64 0

HSL 120, 1%, 0.13%

LAB 22.54, -32.02, 30.12

 

CMYK 100 / 0 / 100 / 82

HEX #002E00

RGB 0 46 0

HSL 120, 1%, 0.09%

LAB 15.24, -25.96, 21.62

 

CMYK 100 / 0 / 100 / 89

HEX #001C00

RGB 0 28 0

HSL 120, 1%, 0.05%

LAB 7.5, -15.33, 10.95

 

CMYK 74 / 0 / 72 / 60

HEX #1A651C

RGB 26 101 28

HSL 121.6, 0.59%, 0.25%

LAB 37.13, -38.14, 33.47

 

CMYK 56 / 0 / 74 / 60

HEX #2C651A

RGB 44 101 26

HSL 105.6, 0.59%, 0.25%

LAB 37.69, -33.7, 35.12

 

CMYK 37 / 0 / 74 / 60

HEX #40651A

RGB 64 101 26

HSL 89.6, 0.59%, 0.25%

LAB 38.68, -26.55, 36.44

 

CMYK 17 / 0 / 74 / 60

HEX #54651A

RGB 84 101 26

HSL 73.6, 0.59%, 0.25%

LAB 40.03, -17.93, 38.24

 

CMYK 0 / 4 / 74 / 60

HEX #65611A

RGB 101 97 26

HSL 56.8, 0.59%, 0.25%

LAB 40.23, -7.69, 38.93

 

CMYK 74 / 0 / 72 / 60

HEX #1A651C

RGB 26 101 28

HSL 121.6, 0.59%, 0.25%

LAB 37.13, -38.14, 33.47

 

CMYK 74 / 0 / 52 / 60

HEX #1A6530

RGB 26 101 48

HSL 137.6, 0.59%, 0.25%

LAB 37.37, -35.34, 23.49

 

CMYK 74 / 0 / 33 / 60

HEX #1A6544

RGB 26 101 68

HSL 153.6, 0.59%, 0.25%

LAB 37.74, -31.21, 12.29

 

CMYK 74 / 0 / 12 / 60

HEX #1A6559

RGB 26 101 89

HSL 170.4, 0.59%, 0.25%

LAB 38.28, -25.58, 0.26

 

CMYK 74 / 8 / 0 / 60

HEX #1A5D65

RGB 26 93 101

HSL 186.4, 0.59%, 0.25%

LAB 35.96, -17.53, -10.62

 

CMYK 74 / 0 / 72 / 60

HEX #1A651C

RGB 26 101 28

HSL 121.6, 0.59%, 0.25%

LAB 37.13, -38.14, 33.47

 

CMYK 86 / 0 / 84 / 56

HEX #0F6F12

RGB 15 111 18

HSL 121.88, 0.76%, 0.25%

LAB 40.43, -44.26, 40.61

 

CMYK 96 / 0 / 93 / 53

HEX #057908

RGB 5 121 8

HSL 121.55, 0.92%, 0.25%

LAB 43.84, -48.89, 46.22

 

CMYK 74 / 0 / 72 / 60

HEX #1A651C

RGB 26 101 28

HSL 121.6, 0.59%, 0.25%

LAB 37.13, -38.14, 33.47

 

CMYK 60 / 0 / 59 / 64

HEX #245B25

RGB 36 91 37

HSL 121.09, 0.43%, 0.25%

LAB 33.96, -30.51, 25.47

 

CMYK 43 / 0 / 41 / 69

HEX #2E502F

RGB 46 80 47

HSL 121.76, 0.27%, 0.25%

LAB 30.7, -20.28, 15.67

 

CMYK 19 / 0 / 19 / 73

HEX #394639

RGB 57 70 57

HSL 120, 0.1%, 0.25%

LAB 28.24, -8.25, 6.12

 

CMYK 0 / 10 / 0 / 74

HEX #433C43

RGB 67 60 67

HSL 300, 0.06%, 0.25%

LAB 26.25, 4.55, -3.19

 

CMYK 36 / 0 / 74 / 60

HEX #41651A

RGB 65 101 26

HSL 88.8, 0.59%, 0.25%

LAB 38.74, -26.14, 36.52

 

CMYK 56 / 0 / 74 / 60

HEX #2C651A

RGB 44 101 26

HSL 105.6, 0.59%, 0.25%

LAB 37.69, -33.7, 35.12

 

CMYK 74 / 0 / 73 / 60

HEX #1A651B

RGB 26 101 27

HSL 120.8, 0.59%, 0.25%

LAB 37.13, -38.24, 33.91

 

CMYK 74 / 0 / 53 / 60

HEX #1A652F

RGB 26 101 47

HSL 136.8, 0.59%, 0.25%

LAB 37.36, -35.51, 24.03

 

CMYK 74 / 0 / 34 / 60

HEX #1A6543

RGB 26 101 67

HSL 152.8, 0.59%, 0.25%

LAB 37.72, -31.45, 12.86

 

CMYK 74 / 0 / 74 / 86

HEX #092309

RGB 9 35 9

HSL 120, 0.59%, 0.09%

LAB 11.13, -16.74, 12.54

 

CMYK 75 / 0 / 72 / 73

HEX #114413

RGB 17 68 19

HSL 122.35, 0.6%, 0.17%

LAB 24.64, -28.17, 24.14

 

CMYK 74 / 0 / 72 / 60

HEX #1A651C

RGB 26 101 28

HSL 121.6, 0.59%, 0.25%

LAB 37.13, -38.14, 33.47

 

CMYK 75 / 0 / 72 / 47

HEX #228625

RGB 34 134 37

HSL 121.8, 0.6%, 0.33%

LAB 48.91, -47.61, 42.11

 

CMYK 74 / 0 / 72 / 35

HEX #2BA62E

RGB 43 166 46

HSL 121.46, 0.59%, 0.41%

LAB 59.87, -56.09, 49.98

 

CMYK 74 / 0 / 72 / 61

HEX #1A641C

RGB 26 100 28

HSL 121.62, 0.59%, 0.25%

LAB 36.78, -37.76, 33.09

 

CMYK 74 / 16 / 0 / 60

HEX #1A5565

RGB 26 85 101

HSL 192.8, 0.59%, 0.25%

LAB 33.26, -12.97, -14.74

 

CMYK 0 / 74 / 47 / 60

HEX #651A36

RGB 101 26 54

HSL 337.6, 0.59%, 0.25%

LAB 22.9, 35.76, 1.26

 

CMYK 74 / 0 / 72 / 61

HEX #1A641C

RGB 26 100 28

HSL 121.62, 0.59%, 0.25%

LAB 36.78, -37.76, 33.09

 

CMYK 73 / 74 / 0 / 60

HEX #1B1A65

RGB 27 26 101

HSL 240.8, 0.59%, 0.25%

LAB 15.02, 27.26, -43.76

 

CMYK 0 / 73 / 74 / 60

HEX #651B1A

RGB 101 27 26

HSL 0.8, 0.59%, 0.25%

LAB 22.39, 33, 19.75

 

CMYK 74 / 0 / 72 / 61

HEX #1A641C

RGB 26 100 28

HSL 121.62, 0.59%, 0.25%

LAB 36.78, -37.76, 33.09

 

CMYK 74 / 16 / 0 / 60

HEX #1A5565

RGB 26 85 101

HSL 192.8, 0.59%, 0.25%

LAB 33.26, -12.97, -14.74

 

CMYK 0 / 74 / 1 / 60

HEX #651A64

RGB 101 26 100

HSL 300.8, 0.59%, 0.25%

LAB 25.03, 42.6, -26.43

 

CMYK 0 / 58 / 74 / 60

HEX #652A1A

RGB 101 42 26

HSL 12.8, 0.59%, 0.25%

LAB 25.25, 25.41, 23.08

 

CMYK 74 / 0 / 72 / 61

HEX #1A641C

RGB 26 100 28

HSL 121.62, 0.59%, 0.25%

LAB 36.78, -37.76, 33.09

 

CMYK 74 / 39 / 0 / 60

HEX #1A3E65

RGB 26 62 101

HSL 211.2, 0.59%, 0.25%

LAB 25.58, 1.64, -26.71

 

CMYK 0 / 74 / 1 / 60

HEX #651A64

RGB 101 26 100

HSL 300.8, 0.59%, 0.25%

LAB 25.03, 42.6, -26.43

 

CMYK 0 / 36 / 74 / 60

HEX #65411A

RGB 101 65 26

HSL 31.2, 0.59%, 0.25%

LAB 30.93, 11.63, 29.38

 

Description

Color code: HEX #1A641C | qconv.com Color code: HEX #1A641C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 100 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 100 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 72 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 72% 61% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - Tonstudio Köln: mang...
Link: http://mango-studios.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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