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Color name
HEX #1A6915

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A6915 it is the complementary color #E596EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A6915. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A6915 shade: #1F6910, #307B23, #418D36, #529F49 and #63B15C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A6915. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A6915 shade: #1A6915, #095702, #004500, #003300 and #002100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A6915 shade: #1A6A15, #316A15, #486A15, #5F6A15 and #6A5E15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A6915 shade: #1A6A15, #156A26, #156A3E, #156A55 and #15686A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A6915 shade matches the following richer shades: #1A6A15, #11740A and #077F00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A6915 shade: #1A6A15, #23601F, #2C5529, #354B33 and #3E413E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A6915 shade: #486A15, #316A15, #1A6A15, #156A26 and #156A3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1A6915 shade: #092507, #11480E, #1A6A15, #228C1B and #2BAF22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A6915 shade: #1A6915, #155F6A and #6A153C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A6915 shade: #1A6915, #151A6A and #6A151A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A6915 shade: #1A6915, #155F6A, #64156A and #6A2015

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A6915 shade: #1A6915, #15456A, #64156A and #6A3A15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 80 / 59

HEX #1A6915

RGB 26 105 21

HSL 116.43, 0.67%, 0.25%

LAB 38.51, -40.25, 37.78

 

Complementary color

CMYK 2 / 36 / 0 / 8

HEX #E596EA

RGB 229 150 234

HSL 296.43, 0.67%, 0.75%

LAB 72.5, 42.79, -30.37

 

CMYK 70 / 0 / 85 / 59

HEX #1F6910

RGB 31 105 16

HSL 109.89, 0.74%, 0.24%

LAB 38.61, -39.55, 39.65

 

CMYK 61 / 0 / 72 / 52

HEX #307B23

RGB 48 123 35

HSL 111.14, 0.56%, 0.31%

LAB 45.52, -40.65, 39.49

 

CMYK 54 / 0 / 62 / 45

HEX #418D36

RGB 65 141 54

HSL 112.41, 0.45%, 0.38%

LAB 52.33, -41.14, 38.53

 

CMYK 48 / 0 / 54 / 38

HEX #529F49

RGB 82 159 73

HSL 113.72, 0.37%, 0.45%

LAB 59.04, -41.29, 37.29

 

CMYK 44 / 0 / 48 / 31

HEX #63B15C

RGB 99 177 92

HSL 115.06, 0.35%, 0.53%

LAB 65.65, -41.26, 36

 

CMYK 75 / 0 / 80 / 59

HEX #1A6915

RGB 26 105 21

HSL 116.43, 0.67%, 0.25%

LAB 38.51, -40.25, 37.78

 

CMYK 90 / 0 / 98 / 66

HEX #095702

RGB 9 87 2

HSL 115.06, 0.96%, 0.17%

LAB 31.53, -38.02, 37.45

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 100 / 0 / 100 / 80

HEX #003300

RGB 0 51 0

HSL 120, 1%, 0.1%

LAB 17.31, -27.67, 24.2

 

CMYK 100 / 0 / 100 / 87

HEX #002100

RGB 0 33 0

HSL 120, 1%, 0.06%

LAB 9.7, -19.54, 14.13

 

CMYK 75 / 0 / 80 / 58

HEX #1A6A15

RGB 26 106 21

HSL 116.47, 0.67%, 0.25%

LAB 38.87, -40.61, 38.13

 

CMYK 54 / 0 / 80 / 58

HEX #316A15

RGB 49 106 21

HSL 100.24, 0.67%, 0.25%

LAB 39.61, -34.63, 39.1

 

CMYK 32 / 0 / 80 / 58

HEX #486A15

RGB 72 106 21

HSL 84, 0.67%, 0.25%

LAB 40.8, -26.05, 40.67

 

CMYK 10 / 0 / 80 / 58

HEX #5F6A15

RGB 95 106 21

HSL 67.76, 0.67%, 0.25%

LAB 42.45, -15.84, 42.81

 

CMYK 0 / 11 / 80 / 58

HEX #6A5E15

RGB 106 94 21

HSL 51.53, 0.67%, 0.25%

LAB 39.79, -3.78, 40.7

 

CMYK 75 / 0 / 80 / 58

HEX #1A6A15

RGB 26 106 21

HSL 116.47, 0.67%, 0.25%

LAB 38.87, -40.61, 38.13

 

CMYK 80 / 0 / 64 / 58

HEX #156A26

RGB 21 106 38

HSL 132, 0.67%, 0.25%

LAB 38.91, -39.69, 30.63

 

CMYK 80 / 0 / 42 / 58

HEX #156A3E

RGB 21 106 62

HSL 148.94, 0.67%, 0.25%

LAB 39.27, -35.52, 17.89

 

CMYK 80 / 0 / 20 / 58

HEX #156A55

RGB 21 106 85

HSL 165.18, 0.67%, 0.25%

LAB 39.79, -29.86, 4.86

 

CMYK 80 / 2 / 0 / 58

HEX #15686A

RGB 21 104 106

HSL 181.41, 0.67%, 0.25%

LAB 39.75, -22.45, -8

 

CMYK 75 / 0 / 80 / 58

HEX #1A6A15

RGB 26 106 21

HSL 116.47, 0.67%, 0.25%

LAB 38.87, -40.61, 38.13

 

CMYK 85 / 0 / 91 / 55

HEX #11740A

RGB 17 116 10

HSL 116.04, 0.84%, 0.25%

LAB 42.2, -46.08, 44.42

 

CMYK 94 / 0 / 100 / 50

HEX #077F00

RGB 7 127 0

HSL 116.69, 1%, 0.25%

LAB 45.94, -50.85, 49.69

 

CMYK 75 / 0 / 80 / 58

HEX #1A6A15

RGB 26 106 21

HSL 116.47, 0.67%, 0.25%

LAB 38.87, -40.61, 38.13

 

CMYK 64 / 0 / 68 / 62

HEX #23601F

RGB 35 96 31

HSL 116.31, 0.51%, 0.25%

LAB 35.64, -33.71, 30.5

 

CMYK 48 / 0 / 52 / 67

HEX #2C5529

RGB 44 85 41

HSL 115.91, 0.35%, 0.25%

LAB 32.24, -24.58, 21.2

 

CMYK 29 / 0 / 32 / 71

HEX #354B33

RGB 53 75 51

HSL 115, 0.19%, 0.25%

LAB 29.48, -14.08, 11.64

 

CMYK 5 / 0 / 5 / 75

HEX #3E413E

RGB 62 65 62

HSL 120, 0.02%, 0.25%

LAB 27.16, -1.93, 1.39

 

CMYK 32 / 0 / 80 / 58

HEX #486A15

RGB 72 106 21

HSL 84, 0.67%, 0.25%

LAB 40.8, -26.05, 40.67

 

CMYK 54 / 0 / 80 / 58

HEX #316A15

RGB 49 106 21

HSL 100.24, 0.67%, 0.25%

LAB 39.61, -34.63, 39.1

 

CMYK 75 / 0 / 80 / 58

HEX #1A6A15

RGB 26 106 21

HSL 116.47, 0.67%, 0.25%

LAB 38.87, -40.61, 38.13

 

CMYK 80 / 0 / 64 / 58

HEX #156A26

RGB 21 106 38

HSL 132, 0.67%, 0.25%

LAB 38.91, -39.69, 30.63

 

CMYK 80 / 0 / 43 / 58

HEX #156A3C

RGB 21 106 60

HSL 147.53, 0.67%, 0.25%

LAB 39.23, -35.94, 19

 

CMYK 76 / 0 / 81 / 85

HEX #092507

RGB 9 37 7

HSL 116, 0.68%, 0.09%

LAB 11.93, -18.16, 14.46

 

CMYK 76 / 0 / 81 / 72

HEX #11480E

RGB 17 72 14

HSL 116.9, 0.67%, 0.17%

LAB 26.12, -30.34, 28.1

 

CMYK 75 / 0 / 80 / 58

HEX #1A6A15

RGB 26 106 21

HSL 116.47, 0.67%, 0.25%

LAB 38.87, -40.61, 38.13

 

CMYK 76 / 0 / 81 / 45

HEX #228C1B

RGB 34 140 27

HSL 116.28, 0.68%, 0.33%

LAB 50.89, -50.44, 47.76

 

CMYK 75 / 0 / 81 / 31

HEX #2BAF22

RGB 43 175 34

HSL 116.17, 0.67%, 0.41%

LAB 62.75, -59.87, 56.91

 

CMYK 75 / 0 / 80 / 59

HEX #1A6915

RGB 26 105 21

HSL 116.43, 0.67%, 0.25%

LAB 38.51, -40.25, 37.78

 

CMYK 80 / 10 / 0 / 58

HEX #155F6A

RGB 21 95 106

HSL 187.76, 0.67%, 0.25%

LAB 36.71, -17.6, -12.59

 

CMYK 0 / 80 / 43 / 58

HEX #6A153C

RGB 106 21 60

HSL 332.47, 0.67%, 0.25%

LAB 23.43, 39.91, -1.99

 

CMYK 75 / 0 / 80 / 59

HEX #1A6915

RGB 26 105 21

HSL 116.43, 0.67%, 0.25%

LAB 38.51, -40.25, 37.78

 

CMYK 80 / 75 / 0 / 58

HEX #151A6A

RGB 21 26 106

HSL 236.47, 0.67%, 0.25%

LAB 15.16, 28.47, -46.82

 

CMYK 0 / 80 / 75 / 58

HEX #6A151A

RGB 106 21 26

HSL 356.47, 0.67%, 0.25%

LAB 22.57, 37.16, 20.21

 

CMYK 75 / 0 / 80 / 59

HEX #1A6915

RGB 26 105 21

HSL 116.43, 0.67%, 0.25%

LAB 38.51, -40.25, 37.78

 

CMYK 80 / 10 / 0 / 58

HEX #155F6A

RGB 21 95 106

HSL 187.76, 0.67%, 0.25%

LAB 36.71, -17.6, -12.59

 

CMYK 6 / 80 / 0 / 58

HEX #64156A

RGB 100 21 106

HSL 295.76, 0.67%, 0.25%

LAB 24.6, 45.28, -31.04

 

CMYK 0 / 70 / 80 / 58

HEX #6A2015

RGB 106 32 21

HSL 7.76, 0.67%, 0.25%

LAB 24.17, 32.34, 25.2

 

CMYK 75 / 0 / 80 / 59

HEX #1A6915

RGB 26 105 21

HSL 116.43, 0.67%, 0.25%

LAB 38.51, -40.25, 37.78

 

CMYK 80 / 35 / 0 / 58

HEX #15456A

RGB 21 69 106

HSL 206.12, 0.67%, 0.25%

LAB 28, -1.81, -26.1

 

CMYK 6 / 80 / 0 / 58

HEX #64156A

RGB 100 21 106

HSL 295.76, 0.67%, 0.25%

LAB 24.6, 45.28, -31.04

 

CMYK 0 / 45 / 80 / 58

HEX #6A3A15

RGB 106 58 21

HSL 26.12, 0.67%, 0.25%

LAB 29.77, 18.03, 31.03

 

Description

Color code: HEX #1A6915 | qconv.com Color code: HEX #1A6915 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 105 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 105 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 80 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 80% 59% C M Y K

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Provide designers and agencies with accurate color values.

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