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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A7DC4 it is the complementary color #E5823B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A7DC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A7DC4 shade: #1F7DBF, #308FD2, #41A1E5, #52B3F8 and #63C5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A7DC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A7DC4 shade: #1A7DC4, #096BB1, #00599E, #00478B and #003578

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A7DC4 shade: #197EC6, #194FC6, #1921C6, #4019C6 and #6F19C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A7DC4 shade: #197EC6, #194FC6, #1921C6 and #1919C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A7DC4 shade matches the following richer shades: #197EC6 and #0781D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A7DC4 shade: #197EC6, #2B7BB4, #3E78A2, #507590 and #62727D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A7DC4 shade: #19C6B2, #19ACC6, #197EC6, #1950C6 and #1922C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1A7DC4 shade: #104F7D, #1567A2, #197EC6, #2694E2 and #4BA6E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A7DC4 shade: #1A7DC4, #8419C6 and #C3C619

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A7DC4 shade: #1A7DC4, #C6197E and #7EC619

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A7DC4 shade: #1A7DC4, #8419C6, #C66119 and #5CC619

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A7DC4 shade: #1A7DC4, #B819C6, #C66119 and #28C619

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 36 / 0 / 23

HEX #1A7DC4

RGB 26 125 196

HSL 205.06, 0.77%, 0.44%

LAB 50.54, -1.15, -44.5

 

Complementary color

CMYK 0 / 43 / 74 / 10

HEX #E5823B

RGB 229 130 59

HSL 25.06, 0.77%, 0.56%

LAB 64.11, 32.74, 53.22

 

CMYK 84 / 35 / 0 / 25

HEX #1F7DBF

RGB 31 125 191

HSL 204.75, 0.72%, 0.44%

LAB 50.36, -2.65, -41.91

 

CMYK 77 / 32 / 0 / 18

HEX #308FD2

RGB 48 143 210

HSL 204.81, 0.64%, 0.51%

LAB 57, -4.57, -42.18

 

CMYK 72 / 30 / 0 / 10

HEX #41A1E5

RGB 65 161 229

HSL 204.88, 0.76%, 0.58%

LAB 63.57, -6.09, -42.4

 

CMYK 67 / 28 / 0 / 3

HEX #52B3F8

RGB 82 179 248

HSL 204.94, 0.92%, 0.65%

LAB 70.04, -7.3, -42.6

 

CMYK 61 / 23 / 0 / 0

HEX #63C5FF

RGB 99 197 255

HSL 202.31, 1%, 0.69%

LAB 75.95, -12.02, -37.13

 

CMYK 87 / 36 / 0 / 23

HEX #1A7DC4

RGB 26 125 196

HSL 205.06, 0.77%, 0.44%

LAB 50.54, -1.15, -44.5

 

CMYK 95 / 40 / 0 / 31

HEX #096BB1

RGB 9 107 177

HSL 205, 0.9%, 0.36%

LAB 43.87, 1.57, -44.13

 

CMYK 100 / 44 / 0 / 38

HEX #00599E

RGB 0 89 158

HSL 206.2, 1%, 0.31%

LAB 37.14, 4.96, -43.65

 

CMYK 100 / 49 / 0 / 45

HEX #00478B

RGB 0 71 139

HSL 209.35, 1%, 0.27%

LAB 30.33, 9.02, -43.06

 

CMYK 100 / 56 / 0 / 53

HEX #003578

RGB 0 53 120

HSL 213.5, 1%, 0.24%

LAB 23.35, 13.45, -42.49

 

CMYK 87 / 36 / 0 / 22

HEX #197EC6

RGB 25 126 198

HSL 204.97, 0.78%, 0.44%

LAB 50.93, -1.06, -45.02

 

CMYK 87 / 60 / 0 / 22

HEX #194FC6

RGB 25 79 198

HSL 221.27, 0.78%, 0.44%

LAB 37.62, 29.05, -66.47

 

CMYK 87 / 83 / 0 / 22

HEX #1921C6

RGB 25 33 198

HSL 237.23, 0.78%, 0.44%

LAB 27.77, 56.02, -82.73

 

CMYK 68 / 87 / 0 / 22

HEX #4019C6

RGB 64 25 198

HSL 253.53, 0.78%, 0.44%

LAB 29.06, 61.08, -80.51

 

CMYK 44 / 87 / 0 / 22

HEX #6F19C6

RGB 111 25 198

HSL 269.83, 0.78%, 0.44%

LAB 34.3, 65.44, -71.69

 

CMYK 87 / 36 / 0 / 22

HEX #197EC6

RGB 25 126 198

HSL 204.97, 0.78%, 0.44%

LAB 50.93, -1.06, -45.02

 

CMYK 87 / 60 / 0 / 22

HEX #194FC6

RGB 25 79 198

HSL 221.27, 0.78%, 0.44%

LAB 37.62, 29.05, -66.47

 

CMYK 87 / 83 / 0 / 22

HEX #1921C6

RGB 25 33 198

HSL 237.23, 0.78%, 0.44%

LAB 27.77, 56.02, -82.73

 

CMYK 87 / 87 / 0 / 22

HEX #1919C6

RGB 25 25 198

HSL 240, 0.78%, 0.44%

LAB 26.68, 59.28, -84.55

 

CMYK 87 / 36 / 0 / 22

HEX #197EC6

RGB 25 126 198

HSL 204.97, 0.78%, 0.44%

LAB 50.93, -1.06, -45.02

 

CMYK 97 / 40 / 0 / 15

HEX #0781D8

RGB 7 129 216

HSL 204.98, 0.94%, 0.44%

LAB 52.62, 3.24, -52.55

 

CMYK 87 / 36 / 0 / 22

HEX #197EC6

RGB 25 126 198

HSL 204.97, 0.78%, 0.44%

LAB 50.93, -1.06, -45.02

 

CMYK 76 / 32 / 0 / 29

HEX #2B7BB4

RGB 43 123 180

HSL 204.96, 0.61%, 0.44%

LAB 49.47, -4.29, -36.97

 

CMYK 62 / 26 / 0 / 36

HEX #3E78A2

RGB 62 120 162

HSL 205.2, 0.45%, 0.44%

LAB 48.34, -5.8, -28.22

 

CMYK 44 / 19 / 0 / 44

HEX #507590

RGB 80 117 144

HSL 205.31, 0.29%, 0.44%

LAB 47.55, -5.51, -18.79

 

CMYK 22 / 9 / 0 / 51

HEX #62727D

RGB 98 114 125

HSL 204.44, 0.12%, 0.44%

LAB 47.12, -3.35, -8.06

 

CMYK 87 / 0 / 10 / 22

HEX #19C6B2

RGB 25 198 178

HSL 173.06, 0.78%, 0.44%

LAB 72.1, -44.57, -1.44

 

CMYK 87 / 13 / 0 / 22

HEX #19ACC6

RGB 25 172 198

HSL 189.02, 0.78%, 0.44%

LAB 64.79, -26.42, -23.39

 

CMYK 87 / 36 / 0 / 22

HEX #197EC6

RGB 25 126 198

HSL 204.97, 0.78%, 0.44%

LAB 50.93, -1.06, -45.02

 

CMYK 87 / 60 / 0 / 22

HEX #1950C6

RGB 25 80 198

HSL 220.92, 0.78%, 0.44%

LAB 37.88, 28.39, -66.05

 

CMYK 87 / 83 / 0 / 22

HEX #1922C6

RGB 25 34 198

HSL 236.88, 0.78%, 0.44%

LAB 27.92, 55.57, -82.47

 

CMYK 87 / 37 / 0 / 51

HEX #104F7D

RGB 16 79 125

HSL 205.32, 0.77%, 0.28%

LAB 32.22, -1.18, -31.37

 

CMYK 87 / 36 / 0 / 36

HEX #1567A2

RGB 21 103 162

HSL 205.11, 0.77%, 0.36%

LAB 41.95, -1.2, -38.35

 

CMYK 87 / 36 / 0 / 22

HEX #197EC6

RGB 25 126 198

HSL 204.97, 0.78%, 0.44%

LAB 50.93, -1.06, -45.02

 

CMYK 83 / 35 / 0 / 11

HEX #2694E2

RGB 38 148 226

HSL 204.89, 0.76%, 0.52%

LAB 59.05, -2.64, -47.9

 

CMYK 68 / 28 / 0 / 9

HEX #4BA6E7

RGB 75 166 231

HSL 205, 0.76%, 0.6%

LAB 65.39, -6.78, -40.62

 

CMYK 87 / 36 / 0 / 23

HEX #1A7DC4

RGB 26 125 196

HSL 205.06, 0.77%, 0.44%

LAB 50.54, -1.15, -44.5

 

CMYK 33 / 87 / 0 / 22

HEX #8419C6

RGB 132 25 198

HSL 277.11, 0.78%, 0.44%

LAB 37.26, 68.11, -66.72

 

CMYK 2 / 0 / 87 / 22

HEX #C3C619

RGB 195 198 25

HSL 61.04, 0.78%, 0.44%

LAB 77.32, -18.76, 74.72

 

CMYK 87 / 36 / 0 / 23

HEX #1A7DC4

RGB 26 125 196

HSL 205.06, 0.77%, 0.44%

LAB 50.54, -1.15, -44.5

 

CMYK 0 / 87 / 36 / 22

HEX #C6197E

RGB 198 25 126

HSL 324.97, 0.78%, 0.44%

LAB 44.53, 69.41, -11.26

 

CMYK 36 / 0 / 87 / 22

HEX #7EC619

RGB 126 198 25

HSL 84.97, 0.78%, 0.44%

LAB 72.82, -46.35, 69.17

 

CMYK 87 / 36 / 0 / 23

HEX #1A7DC4

RGB 26 125 196

HSL 205.06, 0.77%, 0.44%

LAB 50.54, -1.15, -44.5

 

CMYK 33 / 87 / 0 / 22

HEX #8419C6

RGB 132 25 198

HSL 277.11, 0.78%, 0.44%

LAB 37.26, 68.11, -66.72

 

CMYK 0 / 51 / 87 / 22

HEX #C66119

RGB 198 97 25

HSL 24.97, 0.78%, 0.44%

LAB 52.54, 36.24, 54.95

 

CMYK 54 / 0 / 87 / 22

HEX #5CC619

RGB 92 198 25

HSL 96.76, 0.78%, 0.44%

LAB 71.37, -57.18, 67.36

 

CMYK 87 / 36 / 0 / 23

HEX #1A7DC4

RGB 26 125 196

HSL 205.06, 0.77%, 0.44%

LAB 50.54, -1.15, -44.5

 

CMYK 7 / 87 / 0 / 22

HEX #B819C6

RGB 184 25 198

HSL 295.14, 0.78%, 0.44%

LAB 45.58, 76.15, -52.83

 

CMYK 0 / 51 / 87 / 22

HEX #C66119

RGB 198 97 25

HSL 24.97, 0.78%, 0.44%

LAB 52.54, 36.24, 54.95

 

CMYK 80 / 0 / 87 / 22

HEX #28C619

RGB 40 198 25

HSL 114.8, 0.78%, 0.44%

LAB 70.11, -67.73, 65.78

 

Description

Color code: HEX #1A7DC4 | qconv.com Color code: HEX #1A7DC4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 125 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 125 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 36 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 36% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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