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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A7EC0 it is the complementary color #E5813F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A7EC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A7EC0 shade: #1F7EBB, #3090CE, #41A2E1, #52B4F4 and #63C6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A7EC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A7EC0 shade: #1A7EC0, #096CAD, #005A9A, #004887 and #003674

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A7EC0 shade: #1A7EC0, #1A51C0, #1A24C0, #3C1AC0 and #691AC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A7EC0 shade: #1A7EC0, #1A51C0, #1A24C0 and #1A1AC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A7EC0 shade matches the following richer shades: #1A7EC0 and #0882D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A7EC0 shade: #1A7EC0, #2C7BAF, #3D779D, #4F738B and #61707A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A7EC0 shade: #1AC0A7, #1AADC0, #1A81C0, #1A54C0 and #1A28C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1A7EC0 shade: #104F78, #15669C, #1A7EC0, #2395E1 and #47A7E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A7EC0 shade: #1A7EC0, #7B1AC0 and #C0BE1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A7EC0 shade: #1A7EC0, #C01A81 and #81C01A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A7EC0 shade: #1A7EC0, #7B1AC0, #C05A1A and #5FC01A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A7EC0 shade: #1A7EC0, #AD1AC0, #C05A1A and #2DC01A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 34 / 0 / 25

HEX #1A7EC0

RGB 26 126 192

HSL 203.86, 0.76%, 0.43%

LAB 50.63, -3.27, -42.07

 

Complementary color

CMYK 0 / 44 / 72 / 10

HEX #E5813F

RGB 229 129 63

HSL 23.86, 0.76%, 0.57%

LAB 63.93, 33.45, 51.17

 

CMYK 83 / 33 / 0 / 27

HEX #1F7EBB

RGB 31 126 187

HSL 203.46, 0.72%, 0.43%

LAB 50.45, -4.75, -39.46

 

CMYK 77 / 30 / 0 / 19

HEX #3090CE

RGB 48 144 206

HSL 203.54, 0.62%, 0.5%

LAB 57.11, -6.58, -39.77

 

CMYK 71 / 28 / 0 / 12

HEX #41A2E1

RGB 65 162 225

HSL 203.63, 0.73%, 0.57%

LAB 63.67, -8.01, -40.03

 

CMYK 66 / 26 / 0 / 4

HEX #52B4F4

RGB 82 180 244

HSL 203.7, 0.88%, 0.64%

LAB 70.15, -9.15, -40.26

 

CMYK 61 / 22 / 0 / 0

HEX #63C6FF

RGB 99 198 255

HSL 201.92, 1%, 0.69%

LAB 76.23, -12.55, -36.69

 

CMYK 86 / 34 / 0 / 25

HEX #1A7EC0

RGB 26 126 192

HSL 203.86, 0.76%, 0.43%

LAB 50.63, -3.27, -42.07

 

CMYK 95 / 38 / 0 / 32

HEX #096CAD

RGB 9 108 173

HSL 203.78, 0.9%, 0.36%

LAB 43.95, -0.65, -41.67

 

CMYK 100 / 42 / 0 / 40

HEX #005A9A

RGB 0 90 154

HSL 204.94, 1%, 0.3%

LAB 37.2, 2.65, -41.16

 

CMYK 100 / 47 / 0 / 47

HEX #004887

RGB 0 72 135

HSL 208, 1%, 0.26%

LAB 30.36, 6.61, -40.55

 

CMYK 100 / 53 / 0 / 55

HEX #003674

RGB 0 54 116

HSL 212.07, 1%, 0.23%

LAB 23.34, 10.95, -39.96

 

CMYK 86 / 34 / 0 / 25

HEX #1A7EC0

RGB 26 126 192

HSL 203.86, 0.76%, 0.43%

LAB 50.63, -3.27, -42.07

 

CMYK 86 / 58 / 0 / 25

HEX #1A51C0

RGB 26 81 192

HSL 220.12, 0.76%, 0.43%

LAB 37.68, 25.46, -62.87

 

CMYK 86 / 81 / 0 / 25

HEX #1A24C0

RGB 26 36 192

HSL 236.39, 0.76%, 0.43%

LAB 27.54, 52.79, -79.58

 

CMYK 69 / 86 / 0 / 25

HEX #3C1AC0

RGB 60 26 192

HSL 252.29, 0.76%, 0.43%

LAB 28.13, 58.85, -78.54

 

CMYK 45 / 86 / 0 / 25

HEX #691AC0

RGB 105 26 192

HSL 268.55, 0.76%, 0.43%

LAB 33.02, 63.09, -70.29

 

CMYK 86 / 34 / 0 / 25

HEX #1A7EC0

RGB 26 126 192

HSL 203.86, 0.76%, 0.43%

LAB 50.63, -3.27, -42.07

 

CMYK 86 / 58 / 0 / 25

HEX #1A51C0

RGB 26 81 192

HSL 220.12, 0.76%, 0.43%

LAB 37.68, 25.46, -62.87

 

CMYK 86 / 81 / 0 / 25

HEX #1A24C0

RGB 26 36 192

HSL 236.39, 0.76%, 0.43%

LAB 27.54, 52.79, -79.58

 

CMYK 86 / 86 / 0 / 25

HEX #1A1AC0

RGB 26 26 192

HSL 240, 0.76%, 0.43%

LAB 26.05, 57.2, -82.05

 

CMYK 86 / 34 / 0 / 25

HEX #1A7EC0

RGB 26 126 192

HSL 203.86, 0.76%, 0.43%

LAB 50.63, -3.27, -42.07

 

CMYK 96 / 38 / 0 / 18

HEX #0882D2

RGB 8 130 210

HSL 203.76, 0.93%, 0.43%

LAB 52.59, 0.35, -49.21

 

CMYK 86 / 34 / 0 / 25

HEX #1A7EC0

RGB 26 126 192

HSL 203.86, 0.76%, 0.43%

LAB 50.63, -3.27, -42.07

 

CMYK 75 / 30 / 0 / 31

HEX #2C7BAF

RGB 44 123 175

HSL 203.82, 0.6%, 0.43%

LAB 49.25, -5.98, -34.42

 

CMYK 61 / 24 / 0 / 38

HEX #3D779D

RGB 61 119 157

HSL 203.75, 0.44%, 0.43%

LAB 47.78, -7.08, -26.17

 

CMYK 43 / 17 / 0 / 45

HEX #4F738B

RGB 79 115 139

HSL 204, 0.28%, 0.43%

LAB 46.69, -6.08, -17.14

 

CMYK 20 / 8 / 0 / 52

HEX #61707A

RGB 97 112 122

HSL 204, 0.11%, 0.43%

LAB 46.36, -3.25, -7.41

 

CMYK 86 / 0 / 13 / 25

HEX #1AC0A7

RGB 26 192 167

HSL 170.96, 0.76%, 0.43%

LAB 69.97, -44.95, 1.45

 

CMYK 86 / 10 / 0 / 25

HEX #1AADC0

RGB 26 173 192

HSL 186.87, 0.76%, 0.43%

LAB 64.89, -28.81, -19.91

 

CMYK 86 / 33 / 0 / 25

HEX #1A81C0

RGB 26 129 192

HSL 202.77, 0.76%, 0.43%

LAB 51.53, -5.05, -40.64

 

CMYK 86 / 56 / 0 / 25

HEX #1A54C0

RGB 26 84 192

HSL 219.04, 0.76%, 0.43%

LAB 38.49, 23.47, -61.55

 

CMYK 86 / 79 / 0 / 25

HEX #1A28C0

RGB 26 40 192

HSL 234.94, 0.76%, 0.43%

LAB 28.23, 50.78, -78.43

 

CMYK 87 / 34 / 0 / 53

HEX #104F78

RGB 16 79 120

HSL 203.65, 0.76%, 0.27%

LAB 31.94, -3.22, -28.7

 

CMYK 87 / 35 / 0 / 39

HEX #15669C

RGB 21 102 156

HSL 204, 0.76%, 0.35%

LAB 41.32, -2.93, -35.79

 

CMYK 86 / 34 / 0 / 25

HEX #1A7EC0

RGB 26 126 192

HSL 203.86, 0.76%, 0.43%

LAB 50.63, -3.27, -42.07

 

CMYK 84 / 34 / 0 / 12

HEX #2395E1

RGB 35 149 225

HSL 204, 0.76%, 0.51%

LAB 59.24, -3.82, -47.05

 

CMYK 69 / 27 / 0 / 10

HEX #47A7E6

RGB 71 167 230

HSL 203.77, 0.76%, 0.59%

LAB 65.51, -8.26, -39.9

 

CMYK 86 / 34 / 0 / 25

HEX #1A7EC0

RGB 26 126 192

HSL 203.86, 0.76%, 0.43%

LAB 50.63, -3.27, -42.07

 

CMYK 36 / 86 / 0 / 25

HEX #7B1AC0

RGB 123 26 192

HSL 275.06, 0.76%, 0.43%

LAB 35.51, 65.39, -66.11

 

CMYK 0 / 1 / 86 / 25

HEX #C0BE1A

RGB 192 190 26

HSL 59.28, 0.76%, 0.43%

LAB 74.89, -16.03, 72.47

 

CMYK 86 / 34 / 0 / 25

HEX #1A7EC0

RGB 26 126 192

HSL 203.86, 0.76%, 0.43%

LAB 50.63, -3.27, -42.07

 

CMYK 0 / 86 / 33 / 25

HEX #C01A81

RGB 192 26 129

HSL 322.77, 0.76%, 0.43%

LAB 43.55, 68.18, -14.7

 

CMYK 33 / 0 / 86 / 25

HEX #81C01A

RGB 129 192 26

HSL 82.77, 0.76%, 0.43%

LAB 71.17, -42.7, 67.63

 

CMYK 86 / 34 / 0 / 25

HEX #1A7EC0

RGB 26 126 192

HSL 203.86, 0.76%, 0.43%

LAB 50.63, -3.27, -42.07

 

CMYK 36 / 86 / 0 / 25

HEX #7B1AC0

RGB 123 26 192

HSL 275.06, 0.76%, 0.43%

LAB 35.51, 65.39, -66.11

 

CMYK 0 / 53 / 86 / 25

HEX #C05A1A

RGB 192 90 26

HSL 23.13, 0.76%, 0.43%

LAB 50.21, 37.44, 52.32

 

CMYK 51 / 0 / 86 / 25

HEX #5FC01A

RGB 95 192 26

HSL 95.06, 0.76%, 0.43%

LAB 69.62, -54.08, 65.68

 

CMYK 86 / 34 / 0 / 25

HEX #1A7EC0

RGB 26 126 192

HSL 203.86, 0.76%, 0.43%

LAB 50.63, -3.27, -42.07

 

CMYK 10 / 86 / 0 / 25

HEX #AD1AC0

RGB 173 26 192

HSL 293.13, 0.76%, 0.43%

LAB 43.4, 73.11, -52.94

 

CMYK 0 / 53 / 86 / 25

HEX #C05A1A

RGB 192 90 26

HSL 23.13, 0.76%, 0.43%

LAB 50.21, 37.44, 52.32

 

CMYK 77 / 0 / 86 / 25

HEX #2DC01A

RGB 45 192 26

HSL 113.13, 0.76%, 0.43%

LAB 68.26, -65.23, 63.98

 

Description

Color code: HEX #1A7EC0 | qconv.com Color code: HEX #1A7EC0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 126 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 126 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 34 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 34% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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