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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A8587 it is the complementary color #E57A78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A8587. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A8587 shade: #1F8582, #309795, #41A9A8, #52BBBB and #63CDCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A8587. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A8587 shade: #1A8587, #097374, #006161, #004F4E and #003D3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A8587 shade: #1A8789, #1A6989, #1A4B89, #1A2D89 and #241A89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A8587 shade: #1A8789, #1A6989, #1A4B89, #1A2D89 and #1A1A89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A8587 shade matches the following richer shades: #1A8789 and #0C9396

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A8587 shade: #1A8789, #277A7B, #346D6E, #416061 and #4E5454

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A8587 shade: #1A894F, #1A896D, #1A8789, #1A6989 and #1A4C89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1A8587 shade: #0C4243, #136466, #1A8789, #20A9AB and #27CBCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A8587 shade: #1A8587, #321A89 and #895E1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A8587 shade: #1A8587, #891A87 and #87891A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A8587 shade: #1A8587, #321A89, #891B1A and #71891A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A8587 shade: #1A8587, #531A89, #891B1A and #4F891A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 1 / 0 / 47

HEX #1A8587

RGB 26 133 135

HSL 181.1, 0.68%, 0.32%

LAB 50.39, -27.3, -9.37

 

Complementary color

CMYK 0 / 47 / 48 / 10

HEX #E57A78

RGB 229 122 120

HSL 1.1, 0.68%, 0.68%

LAB 63.29, 41.07, 19.91

 

CMYK 77 / 0 / 2 / 48

HEX #1F8582

RGB 31 133 130

HSL 178.24, 0.62%, 0.32%

LAB 50.31, -28.32, -6.56

 

CMYK 68 / 0 / 1 / 41

HEX #309795

RGB 48 151 149

HSL 178.83, 0.52%, 0.39%

LAB 57.01, -29.11, -7.53

 

CMYK 62 / 0 / 1 / 34

HEX #41A9A8

RGB 65 169 168

HSL 179.42, 0.44%, 0.46%

LAB 63.61, -29.62, -8.38

 

CMYK 56 / 0 / 0 / 27

HEX #52BBBB

RGB 82 187 187

HSL 180, 0.44%, 0.53%

LAB 70.12, -29.95, -9.16

 

CMYK 52 / 0 / 0 / 19

HEX #63CDCE

RGB 99 205 206

HSL 180.56, 0.52%, 0.6%

LAB 76.54, -30.16, -9.87

 

CMYK 81 / 1 / 0 / 47

HEX #1A8587

RGB 26 133 135

HSL 181.1, 0.68%, 0.32%

LAB 50.39, -27.3, -9.37

 

CMYK 92 / 1 / 0 / 55

HEX #097374

RGB 9 115 116

HSL 180.56, 0.86%, 0.25%

LAB 43.63, -25.82, -8.27

 

CMYK 100 / 0 / 0 / 62

HEX #006161

RGB 0 97 97

HSL 180, 1%, 0.19%

LAB 36.77, -23.68, -6.96

 

CMYK 100 / 0 / 1 / 69

HEX #004F4E

RGB 0 79 78

HSL 179.24, 1%, 0.15%

LAB 29.77, -20.91, -5.46

 

CMYK 100 / 0 / 3 / 76

HEX #003D3B

RGB 0 61 59

HSL 178.03, 1%, 0.12%

LAB 22.49, -18.04, -3.86

 

CMYK 81 / 1 / 0 / 46

HEX #1A8789

RGB 26 135 137

HSL 181.08, 0.68%, 0.32%

LAB 51.1, -27.66, -9.47

 

CMYK 81 / 23 / 0 / 46

HEX #1A6989

RGB 26 105 137

HSL 197.3, 0.68%, 0.32%

LAB 41.42, -11.51, -24.25

 

CMYK 81 / 45 / 0 / 46

HEX #1A4B89

RGB 26 75 137

HSL 213.51, 0.68%, 0.32%

LAB 31.94, 7.42, -39.22

 

CMYK 81 / 67 / 0 / 46

HEX #1A2D89

RGB 26 45 137

HSL 229.73, 0.68%, 0.32%

LAB 23.35, 28.15, -53.16

 

CMYK 74 / 81 / 0 / 46

HEX #241A89

RGB 36 26 137

HSL 245.41, 0.68%, 0.32%

LAB 19.72, 40.73, -59.12

 

CMYK 81 / 1 / 0 / 46

HEX #1A8789

RGB 26 135 137

HSL 181.08, 0.68%, 0.32%

LAB 51.1, -27.66, -9.47

 

CMYK 81 / 23 / 0 / 46

HEX #1A6989

RGB 26 105 137

HSL 197.3, 0.68%, 0.32%

LAB 41.42, -11.51, -24.25

 

CMYK 81 / 45 / 0 / 46

HEX #1A4B89

RGB 26 75 137

HSL 213.51, 0.68%, 0.32%

LAB 31.94, 7.42, -39.22

 

CMYK 81 / 67 / 0 / 46

HEX #1A2D89

RGB 26 45 137

HSL 229.73, 0.68%, 0.32%

LAB 23.35, 28.15, -53.16

 

CMYK 81 / 81 / 0 / 46

HEX #1A1A89

RGB 26 26 137

HSL 240, 0.68%, 0.32%

LAB 19.08, 39.96, -60.21

 

CMYK 81 / 1 / 0 / 46

HEX #1A8789

RGB 26 135 137

HSL 181.08, 0.68%, 0.32%

LAB 51.1, -27.66, -9.47

 

CMYK 92 / 2 / 0 / 41

HEX #0C9396

RGB 12 147 150

HSL 181.3, 0.85%, 0.32%

LAB 55.22, -30.4, -10.83

 

CMYK 81 / 1 / 0 / 46

HEX #1A8789

RGB 26 135 137

HSL 181.08, 0.68%, 0.32%

LAB 51.1, -27.66, -9.47

 

CMYK 68 / 1 / 0 / 52

HEX #277A7B

RGB 39 122 123

HSL 180.71, 0.52%, 0.32%

LAB 46.69, -23.82, -7.81

 

CMYK 53 / 1 / 0 / 57

HEX #346D6E

RGB 52 109 110

HSL 181.03, 0.36%, 0.32%

LAB 42.45, -18.29, -6.3

 

CMYK 33 / 1 / 0 / 62

HEX #416061

RGB 65 96 97

HSL 181.88, 0.2%, 0.32%

LAB 38.47, -11, -4.21

 

CMYK 7 / 0 / 0 / 67

HEX #4E5454

RGB 78 84 84

HSL 180, 0.04%, 0.32%

LAB 35.2, -2.38, -0.83

 

CMYK 81 / 0 / 42 / 46

HEX #1A894F

RGB 26 137 79

HSL 148.65, 0.68%, 0.32%

LAB 50.31, -43.75, 22.8

 

CMYK 81 / 0 / 20 / 46

HEX #1A896D

RGB 26 137 109

HSL 164.86, 0.68%, 0.32%

LAB 50.94, -36.78, 6.59

 

CMYK 81 / 1 / 0 / 46

HEX #1A8789

RGB 26 135 137

HSL 181.08, 0.68%, 0.32%

LAB 51.1, -27.66, -9.47

 

CMYK 81 / 23 / 0 / 46

HEX #1A6989

RGB 26 105 137

HSL 197.3, 0.68%, 0.32%

LAB 41.42, -11.51, -24.25

 

CMYK 81 / 45 / 0 / 46

HEX #1A4C89

RGB 26 76 137

HSL 212.97, 0.68%, 0.32%

LAB 32.25, 6.75, -38.73

 

CMYK 82 / 1 / 0 / 74

HEX #0C4243

RGB 12 66 67

HSL 181.09, 0.7%, 0.15%

LAB 24.89, -16.27, -5.57

 

CMYK 81 / 2 / 0 / 60

HEX #136466

RGB 19 100 102

HSL 181.45, 0.69%, 0.24%

LAB 38.22, -21.91, -7.85

 

CMYK 81 / 1 / 0 / 46

HEX #1A8789

RGB 26 135 137

HSL 181.08, 0.68%, 0.32%

LAB 51.1, -27.66, -9.47

 

CMYK 81 / 1 / 0 / 33

HEX #20A9AB

RGB 32 169 171

HSL 180.86, 0.68%, 0.4%

LAB 63.03, -33.03, -11

 

CMYK 81 / 1 / 0 / 19

HEX #27CBCE

RGB 39 203 206

HSL 181.08, 0.68%, 0.48%

LAB 74.57, -37.79, -12.95

 

CMYK 81 / 1 / 0 / 47

HEX #1A8587

RGB 26 133 135

HSL 181.1, 0.68%, 0.32%

LAB 50.39, -27.3, -9.37

 

CMYK 64 / 81 / 0 / 46

HEX #321A89

RGB 50 26 137

HSL 252.97, 0.68%, 0.32%

LAB 20.92, 42.16, -57.1

 

CMYK 0 / 31 / 81 / 46

HEX #895E1A

RGB 137 94 26

HSL 36.76, 0.68%, 0.32%

LAB 43.36, 11.35, 43.32

 

CMYK 81 / 1 / 0 / 47

HEX #1A8587

RGB 26 133 135

HSL 181.1, 0.68%, 0.32%

LAB 50.39, -27.3, -9.37

 

CMYK 0 / 81 / 1 / 46

HEX #891A87

RGB 137 26 135

HSL 301.08, 0.68%, 0.32%

LAB 33.58, 56.86, -34.72

 

CMYK 1 / 0 / 81 / 46

HEX #87891A

RGB 135 137 26

HSL 61.08, 0.68%, 0.32%

LAB 55.19, -13.88, 53.95

 

CMYK 81 / 1 / 0 / 47

HEX #1A8587

RGB 26 133 135

HSL 181.1, 0.68%, 0.32%

LAB 50.39, -27.3, -9.37

 

CMYK 64 / 81 / 0 / 46

HEX #321A89

RGB 50 26 137

HSL 252.97, 0.68%, 0.32%

LAB 20.92, 42.16, -57.1

 

CMYK 0 / 80 / 81 / 46

HEX #891B1A

RGB 137 27 26

HSL 0.54, 0.68%, 0.32%

LAB 29.85, 45.24, 30.12

 

CMYK 18 / 0 / 81 / 46

HEX #71891A

RGB 113 137 26

HSL 72.97, 0.68%, 0.32%

LAB 53.47, -23.68, 51.76

 

CMYK 81 / 1 / 0 / 47

HEX #1A8587

RGB 26 133 135

HSL 181.1, 0.68%, 0.32%

LAB 50.39, -27.3, -9.37

 

CMYK 39 / 81 / 0 / 46

HEX #531A89

RGB 83 26 137

HSL 270.81, 0.68%, 0.32%

LAB 24.9, 46.87, -50.41

 

CMYK 0 / 80 / 81 / 46

HEX #891B1A

RGB 137 27 26

HSL 0.54, 0.68%, 0.32%

LAB 29.85, 45.24, 30.12

 

CMYK 42 / 0 / 81 / 46

HEX #4F891A

RGB 79 137 26

HSL 91.35, 0.68%, 0.32%

LAB 51.41, -37.29, 49.12

 

Description

Color code: HEX #1A8587 | qconv.com Color code: HEX #1A8587 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 133 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 133 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 1 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 1% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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