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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A81CB it is the complementary color #E57E34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A81CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A81CB shade: #1F81C6, #3093D9, #41A5EC, #52B7FF and #63C9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A81CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A81CB shade: #1A81CB, #096FB8, #005DA5, #004B92 and #00397F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A81CB shade: #1A81CB, #1A51CB, #1A21CB, #421ACB and #721ACB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A81CB shade: #1A81CB, #1A51CB, #1A21CB and #1A1ACB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A81CB shade matches the following richer shades: #1A81CB and #0784DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A81CB shade: #1A81CB, #2C7EB8, #3F7BA5, #527893 and #647580

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A81CB shade: #1ACBB6, #1AB0CB, #1A81CB, #1A52CB and #1A23CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1A81CB shade: #105282, #156AA6, #1A81CB, #2B96E3 and #4FA8E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A81CB shade: #1A81CB, #871ACB and #C8CB1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A81CB shade: #1A81CB, #CB1A81 and #81CB1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A81CB shade: #1A81CB, #871ACB, #CB641A and #5ECB1A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A81CB shade: #1A81CB, #BC1ACB, #CB641A and #29CB1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 36 / 0 / 20

HEX #1A81CB

RGB 26 129 203

HSL 205.08, 0.77%, 0.45%

LAB 52.1, -0.89, -46.01

 

Complementary color

CMYK 0 / 45 / 77 / 10

HEX #E57E34

RGB 229 126 52

HSL 25.08, 0.77%, 0.55%

LAB 63.2, 34.54, 55.44

 

CMYK 84 / 35 / 0 / 22

HEX #1F81C6

RGB 31 129 198

HSL 204.79, 0.73%, 0.45%

LAB 51.92, -2.41, -43.45

 

CMYK 78 / 32 / 0 / 15

HEX #3093D9

RGB 48 147 217

HSL 204.85, 0.69%, 0.52%

LAB 58.51, -4.38, -43.72

 

CMYK 72 / 30 / 0 / 7

HEX #41A5EC

RGB 65 165 236

HSL 204.91, 0.82%, 0.59%

LAB 65.03, -5.94, -43.94

 

CMYK 68 / 28 / 0 / 0

HEX #52B7FF

RGB 82 183 255

HSL 204.97, 1%, 0.66%

LAB 71.47, -7.21, -44.14

 

CMYK 61 / 21 / 0 / 0

HEX #63C9FF

RGB 99 201 255

HSL 200.77, 1%, 0.69%

LAB 77.07, -14.13, -35.39

 

CMYK 87 / 36 / 0 / 20

HEX #1A81CB

RGB 26 129 203

HSL 205.08, 0.77%, 0.45%

LAB 52.1, -0.89, -46.01

 

CMYK 95 / 40 / 0 / 28

HEX #096FB8

RGB 9 111 184

HSL 205.03, 0.91%, 0.38%

LAB 45.48, 1.85, -45.64

 

CMYK 100 / 44 / 0 / 35

HEX #005DA5

RGB 0 93 165

HSL 206.18, 1%, 0.32%

LAB 38.8, 5.25, -45.16

 

CMYK 100 / 49 / 0 / 43

HEX #004B92

RGB 0 75 146

HSL 209.18, 1%, 0.29%

LAB 32.05, 9.28, -44.58

 

CMYK 100 / 55 / 0 / 50

HEX #00397F

RGB 0 57 127

HSL 213.07, 1%, 0.25%

LAB 25.13, 13.65, -44.01

 

CMYK 87 / 36 / 0 / 20

HEX #1A81CB

RGB 26 129 203

HSL 205.08, 0.77%, 0.45%

LAB 52.1, -0.89, -46.01

 

CMYK 87 / 60 / 0 / 20

HEX #1A51CB

RGB 26 81 203

HSL 221.36, 0.77%, 0.45%

LAB 38.58, 29.73, -67.8

 

CMYK 87 / 84 / 0 / 20

HEX #1A21CB

RGB 26 33 203

HSL 237.63, 0.77%, 0.45%

LAB 28.43, 57.56, -84.55

 

CMYK 67 / 87 / 0 / 20

HEX #421ACB

RGB 66 26 203

HSL 253.56, 0.77%, 0.45%

LAB 29.93, 62.21, -81.99

 

CMYK 44 / 87 / 0 / 20

HEX #721ACB

RGB 114 26 203

HSL 269.83, 0.77%, 0.45%

LAB 35.26, 66.66, -73.01

 

CMYK 87 / 36 / 0 / 20

HEX #1A81CB

RGB 26 129 203

HSL 205.08, 0.77%, 0.45%

LAB 52.1, -0.89, -46.01

 

CMYK 87 / 60 / 0 / 20

HEX #1A51CB

RGB 26 81 203

HSL 221.36, 0.77%, 0.45%

LAB 38.58, 29.73, -67.8

 

CMYK 87 / 84 / 0 / 20

HEX #1A21CB

RGB 26 33 203

HSL 237.63, 0.77%, 0.45%

LAB 28.43, 57.56, -84.55

 

CMYK 87 / 87 / 0 / 20

HEX #1A1ACB

RGB 26 26 203

HSL 240, 0.77%, 0.45%

LAB 27.49, 60.37, -86.12

 

CMYK 87 / 36 / 0 / 20

HEX #1A81CB

RGB 26 129 203

HSL 205.08, 0.77%, 0.45%

LAB 52.1, -0.89, -46.01

 

CMYK 97 / 40 / 0 / 13

HEX #0784DD

RGB 7 132 221

HSL 204.95, 0.94%, 0.45%

LAB 53.78, 3.35, -53.51

 

CMYK 87 / 36 / 0 / 20

HEX #1A81CB

RGB 26 129 203

HSL 205.08, 0.77%, 0.45%

LAB 52.1, -0.89, -46.01

 

CMYK 76 / 32 / 0 / 28

HEX #2C7EB8

RGB 44 126 184

HSL 204.86, 0.61%, 0.45%

LAB 50.59, -4.48, -37.5

 

CMYK 62 / 25 / 0 / 35

HEX #3F7BA5

RGB 63 123 165

HSL 204.71, 0.45%, 0.45%

LAB 49.42, -6.35, -28.29

 

CMYK 44 / 18 / 0 / 42

HEX #527893

RGB 82 120 147

HSL 204.92, 0.28%, 0.45%

LAB 48.68, -5.83, -18.82

 

CMYK 22 / 9 / 0 / 50

HEX #647580

RGB 100 117 128

HSL 203.57, 0.12%, 0.45%

LAB 48.25, -3.68, -8.14

 

CMYK 87 / 0 / 10 / 20

HEX #1ACBB6

RGB 26 203 182

HSL 172.88, 0.77%, 0.45%

LAB 73.75, -45.55, -1.2

 

CMYK 87 / 13 / 0 / 20

HEX #1AB0CB

RGB 26 176 203

HSL 189.15, 0.77%, 0.45%

LAB 66.2, -26.72, -24.01

 

CMYK 87 / 36 / 0 / 20

HEX #1A81CB

RGB 26 129 203

HSL 205.08, 0.77%, 0.45%

LAB 52.1, -0.89, -46.01

 

CMYK 87 / 60 / 0 / 20

HEX #1A52CB

RGB 26 82 203

HSL 221.02, 0.77%, 0.45%

LAB 38.84, 29.07, -67.38

 

CMYK 87 / 83 / 0 / 20

HEX #1A23CB

RGB 26 35 203

HSL 236.95, 0.77%, 0.45%

LAB 28.73, 56.68, -84.05

 

CMYK 88 / 37 / 0 / 49

HEX #105282

RGB 16 82 130

HSL 205.26, 0.78%, 0.29%

LAB 33.47, -1.09, -32.48

 

CMYK 87 / 36 / 0 / 35

HEX #156AA6

RGB 21 106 166

HSL 204.83, 0.78%, 0.37%

LAB 43.09, -1.49, -38.9

 

CMYK 87 / 36 / 0 / 20

HEX #1A81CB

RGB 26 129 203

HSL 205.08, 0.77%, 0.45%

LAB 52.1, -0.89, -46.01

 

CMYK 81 / 34 / 0 / 11

HEX #2B96E3

RGB 43 150 227

HSL 205.11, 0.77%, 0.53%

LAB 59.77, -3, -47.31

 

CMYK 66 / 28 / 0 / 9

HEX #4FA8E8

RGB 79 168 232

HSL 205.1, 0.77%, 0.61%

LAB 66.13, -6.93, -40

 

CMYK 87 / 36 / 0 / 20

HEX #1A81CB

RGB 26 129 203

HSL 205.08, 0.77%, 0.45%

LAB 52.1, -0.89, -46.01

 

CMYK 33 / 87 / 0 / 20

HEX #871ACB

RGB 135 26 203

HSL 276.95, 0.77%, 0.45%

LAB 38.2, 69.32, -68.07

 

CMYK 1 / 0 / 87 / 20

HEX #C8CB1A

RGB 200 203 26

HSL 61.02, 0.77%, 0.45%

LAB 79.08, -19.08, 76.12

 

CMYK 87 / 36 / 0 / 20

HEX #1A81CB

RGB 26 129 203

HSL 205.08, 0.77%, 0.45%

LAB 52.1, -0.89, -46.01

 

CMYK 0 / 87 / 36 / 20

HEX #CB1A81

RGB 203 26 129

HSL 325.08, 0.77%, 0.45%

LAB 45.66, 70.67, -11.3

 

CMYK 36 / 0 / 87 / 20

HEX #81CB1A

RGB 129 203 26

HSL 85.08, 0.77%, 0.45%

LAB 74.48, -47.32, 70.44

 

CMYK 87 / 36 / 0 / 20

HEX #1A81CB

RGB 26 129 203

HSL 205.08, 0.77%, 0.45%

LAB 52.1, -0.89, -46.01

 

CMYK 33 / 87 / 0 / 20

HEX #871ACB

RGB 135 26 203

HSL 276.95, 0.77%, 0.45%

LAB 38.2, 69.32, -68.07

 

CMYK 0 / 51 / 87 / 20

HEX #CB641A

RGB 203 100 26

HSL 25.08, 0.77%, 0.45%

LAB 53.91, 36.73, 56.02

 

CMYK 54 / 0 / 87 / 20

HEX #5ECB1A

RGB 94 203 26

HSL 96.95, 0.77%, 0.45%

LAB 73, -58.39, 68.59

 

CMYK 87 / 36 / 0 / 20

HEX #1A81CB

RGB 26 129 203

HSL 205.08, 0.77%, 0.45%

LAB 52.1, -0.89, -46.01

 

CMYK 7 / 87 / 0 / 20

HEX #BC1ACB

RGB 188 26 203

HSL 294.92, 0.77%, 0.45%

LAB 46.63, 77.45, -54

 

CMYK 0 / 51 / 87 / 20

HEX #CB641A

RGB 203 100 26

HSL 25.08, 0.77%, 0.45%

LAB 53.91, 36.73, 56.02

 

CMYK 80 / 0 / 87 / 20

HEX #29CB1A

RGB 41 203 26

HSL 114.92, 0.77%, 0.45%

LAB 71.73, -69.04, 66.99

 

Description

Color code: HEX #1A81CB | qconv.com Color code: HEX #1A81CB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 129 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 129 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 36 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 36% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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