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Color name
HEX #1A9948

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A9948 it is the complementary color #E566B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A9948. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A9948 shade: #1F9943, #30AB56, #41BD69, #52CF7C and #63E18F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A9948. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A9948 shade: #1A9948, #098735, #007522, #00630F and #005100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A9948 shade: #199847, #199825, #309819, #529819 and #749819

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A9948 shade: #199847, #199869, #19988C, #198298 and #196098

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A9948 shade matches the following richer shades: #199847 and #0BA743

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A9948 shade: #199847, #288A4B, #367B4F, #456D53 and #535E57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A9948 shade: #319819, #199824, #199846, #199868 and #199889

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1A9948 shade: #0D5226, #137537, #199847, #1FBB58 and #2ADA6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A9948 shade: #1A9948, #195298 and #981920

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A9948 shade: #1A9948, #461998 and #984619

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A9948 shade: #1A9948, #195298, #98196C and #985F19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A9948 shade: #1A9948, #192C98, #98196C and #988519

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 53 / 40

HEX #1A9948

RGB 26 153 72

HSL 141.73, 0.71%, 0.35%

LAB 55.55, -50.89, 33.2

 

Complementary color

CMYK 0 / 55 / 20 / 10

HEX #E566B7

RGB 229 102 183

HSL 321.73, 0.71%, 0.65%

LAB 61.29, 58.31, -19.07

 

CMYK 80 / 0 / 56 / 40

HEX #1F9943

RGB 31 153 67

HSL 137.7, 0.66%, 0.36%

LAB 55.56, -51.05, 35.75

 

CMYK 72 / 0 / 50 / 33

HEX #30AB56

RGB 48 171 86

HSL 138.54, 0.56%, 0.43%

LAB 62.02, -52.05, 34.16

 

CMYK 66 / 0 / 44 / 26

HEX #41BD69

RGB 65 189 105

HSL 139.35, 0.49%, 0.5%

LAB 68.42, -52.61, 32.63

 

CMYK 60 / 0 / 40 / 19

HEX #52CF7C

RGB 82 207 124

HSL 140.16, 0.57%, 0.57%

LAB 74.75, -52.88, 31.18

 

CMYK 56 / 0 / 36 / 12

HEX #63E18F

RGB 99 225 143

HSL 140.95, 0.68%, 0.64%

LAB 81.01, -52.96, 29.83

 

CMYK 83 / 0 / 53 / 40

HEX #1A9948

RGB 26 153 72

HSL 141.73, 0.71%, 0.35%

LAB 55.55, -50.89, 33.2

 

CMYK 93 / 0 / 61 / 47

HEX #098735

RGB 9 135 53

HSL 140.95, 0.88%, 0.28%

LAB 49.06, -49.05, 34.91

 

CMYK 100 / 0 / 71 / 54

HEX #007522

RGB 0 117 34

HSL 137.44, 1%, 0.23%

LAB 42.52, -46.2, 36.46

 

CMYK 100 / 0 / 85 / 61

HEX #00630F

RGB 0 99 15

HSL 129.09, 1%, 0.19%

LAB 35.9, -42.2, 37.24

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 84 / 0 / 53 / 40

HEX #199847

RGB 25 152 71

HSL 141.73, 0.72%, 0.35%

LAB 55.19, -50.81, 33.27

 

CMYK 84 / 0 / 76 / 40

HEX #199825

RGB 25 152 37

HSL 125.67, 0.72%, 0.35%

LAB 54.86, -54.87, 48.16

 

CMYK 68 / 0 / 84 / 40

HEX #309819

RGB 48 152 25

HSL 109.13, 0.72%, 0.35%

LAB 55.23, -51.94, 52.54

 

CMYK 46 / 0 / 84 / 40

HEX #529819

RGB 82 152 25

HSL 93.07, 0.72%, 0.35%

LAB 56.41, -42.6, 54.04

 

CMYK 24 / 0 / 84 / 40

HEX #749819

RGB 116 152 25

HSL 77.01, 0.72%, 0.35%

LAB 58.26, -29.78, 56.4

 

CMYK 84 / 0 / 53 / 40

HEX #199847

RGB 25 152 71

HSL 141.73, 0.72%, 0.35%

LAB 55.19, -50.81, 33.27

 

CMYK 84 / 0 / 31 / 40

HEX #199869

RGB 25 152 105

HSL 157.8, 0.72%, 0.35%

LAB 55.77, -44.17, 15.65

 

CMYK 84 / 0 / 8 / 40

HEX #19988C

RGB 25 152 140

HSL 174.33, 0.72%, 0.35%

LAB 56.64, -34.96, -2.97

 

CMYK 84 / 14 / 0 / 40

HEX #198298

RGB 25 130 152

HSL 190.39, 0.72%, 0.35%

LAB 50.02, -20.21, -19.86

 

CMYK 84 / 37 / 0 / 40

HEX #196098

RGB 25 96 152

HSL 206.46, 0.72%, 0.35%

LAB 39.31, -0.4, -36.58

 

CMYK 84 / 0 / 53 / 40

HEX #199847

RGB 25 152 71

HSL 141.73, 0.72%, 0.35%

LAB 55.19, -50.81, 33.27

 

CMYK 93 / 0 / 60 / 35

HEX #0BA743

RGB 11 167 67

HSL 141.54, 0.88%, 0.35%

LAB 59.99, -57.53, 40.94

 

CMYK 84 / 0 / 53 / 40

HEX #199847

RGB 25 152 71

HSL 141.73, 0.72%, 0.35%

LAB 55.19, -50.81, 33.27

 

CMYK 71 / 0 / 46 / 46

HEX #288A4B

RGB 40 138 75

HSL 141.43, 0.55%, 0.35%

LAB 50.85, -42.75, 25.75

 

CMYK 56 / 0 / 36 / 52

HEX #367B4F

RGB 54 123 79

HSL 141.74, 0.39%, 0.35%

LAB 46.33, -32.5, 17.64

 

CMYK 37 / 0 / 24 / 57

HEX #456D53

RGB 69 109 83

HSL 141, 0.22%, 0.35%

LAB 42.5, -20.25, 10.15

 

CMYK 12 / 0 / 7 / 63

HEX #535E57

RGB 83 94 87

HSL 141.82, 0.06%, 0.35%

LAB 38.78, -5.81, 2.56

 

CMYK 68 / 0 / 84 / 40

HEX #319819

RGB 49 152 25

HSL 108.66, 0.72%, 0.35%

LAB 55.26, -51.72, 52.57

 

CMYK 84 / 0 / 76 / 40

HEX #199824

RGB 25 152 36

HSL 125.2, 0.72%, 0.35%

LAB 54.86, -54.95, 48.51

 

CMYK 84 / 0 / 54 / 40

HEX #199846

RGB 25 152 70

HSL 141.26, 0.72%, 0.35%

LAB 55.18, -50.96, 33.76

 

CMYK 84 / 0 / 32 / 40

HEX #199868

RGB 25 152 104

HSL 157.32, 0.72%, 0.35%

LAB 55.75, -44.4, 16.18

 

CMYK 84 / 0 / 10 / 40

HEX #199889

RGB 25 152 137

HSL 172.91, 0.72%, 0.35%

LAB 56.55, -35.83, -1.39

 

CMYK 84 / 0 / 54 / 68

HEX #0D5226

RGB 13 82 38

HSL 141.74, 0.73%, 0.19%

LAB 30.06, -31.66, 19.99

 

CMYK 84 / 0 / 53 / 54

HEX #137537

RGB 19 117 55

HSL 142.04, 0.72%, 0.27%

LAB 42.97, -41.45, 26.57

 

CMYK 84 / 0 / 53 / 40

HEX #199847

RGB 25 152 71

HSL 141.73, 0.72%, 0.35%

LAB 55.19, -50.81, 33.27

 

CMYK 83 / 0 / 53 / 27

HEX #1FBB58

RGB 31 187 88

HSL 141.92, 0.72%, 0.43%

LAB 66.93, -59.57, 39.17

 

CMYK 81 / 0 / 51 / 15

HEX #2ADA6A

RGB 42 218 106

HSL 141.82, 0.7%, 0.51%

LAB 77.09, -66.07, 42.95

 

CMYK 83 / 0 / 53 / 40

HEX #1A9948

RGB 26 153 72

HSL 141.73, 0.71%, 0.35%

LAB 55.55, -50.89, 33.2

 

CMYK 84 / 46 / 0 / 40

HEX #195298

RGB 25 82 152

HSL 213.07, 0.72%, 0.35%

LAB 35.02, 8.71, -43.42

 

CMYK 0 / 84 / 79 / 40

HEX #981920

RGB 152 25 32

HSL 356.69, 0.72%, 0.35%

LAB 32.86, 50.62, 30.66

 

CMYK 83 / 0 / 53 / 40

HEX #1A9948

RGB 26 153 72

HSL 141.73, 0.71%, 0.35%

LAB 55.55, -50.89, 33.2

 

CMYK 54 / 84 / 0 / 40

HEX #461998

RGB 70 25 152

HSL 261.26, 0.72%, 0.35%

LAB 24.53, 49.27, -60.38

 

CMYK 0 / 54 / 84 / 40

HEX #984619

RGB 152 70 25

HSL 21.26, 0.72%, 0.35%

LAB 39.79, 31.6, 41.23

 

CMYK 83 / 0 / 53 / 40

HEX #1A9948

RGB 26 153 72

HSL 141.73, 0.71%, 0.35%

LAB 55.55, -50.89, 33.2

 

CMYK 84 / 46 / 0 / 40

HEX #195298

RGB 25 82 152

HSL 213.07, 0.72%, 0.35%

LAB 35.02, 8.71, -43.42

 

CMYK 0 / 84 / 29 / 40

HEX #98196C

RGB 152 25 108

HSL 320.79, 0.72%, 0.35%

LAB 34.91, 56.66, -15.46

 

CMYK 0 / 38 / 84 / 40

HEX #985F19

RGB 152 95 25

HSL 33.07, 0.72%, 0.35%

LAB 45.54, 17.65, 46.41

 

CMYK 83 / 0 / 53 / 40

HEX #1A9948

RGB 26 153 72

HSL 141.73, 0.71%, 0.35%

LAB 55.55, -50.89, 33.2

 

CMYK 84 / 71 / 0 / 40

HEX #192C98

RGB 25 44 152

HSL 231.02, 0.72%, 0.35%

LAB 24.56, 34.44, -60.45

 

CMYK 0 / 84 / 29 / 40

HEX #98196C

RGB 152 25 108

HSL 320.79, 0.72%, 0.35%

LAB 34.91, 56.66, -15.46

 

CMYK 0 / 13 / 84 / 40

HEX #988519

RGB 152 133 25

HSL 51.02, 0.72%, 0.35%

LAB 55.6, -3.93, 55.21

 

Description

Color code: HEX #1A9948 | qconv.com Color code: HEX #1A9948 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 153 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 153 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 53 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 53% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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