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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1AAD9D it is the complementary color #E55262. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1AAD9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1AAD9D shade: #1FAD98, #30BFAB, #41D1BE, #52E3D1 and #63F5E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1AAD9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1AAD9D shade: #1AAD9D, #099B8A, #008977, #007764 and #006551

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1AAD9D shade: #19AD9D, #19AD75, #19AD4D, #19AD25 and #35AD19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1AAD9D shade: #19AD9D, #1995AD, #196DAD, #1945AD and #191EAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1AAD9D shade matches the following richer shades: #19AD9D and #09BDA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1AAD9D shade: #19AD9D, #299C90, #3A8C83, #4A7C77 and #5A6C6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1AAD9D shade: #19AD4D, #19AD74, #19AD9B, #1996AD and #196FAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1AAD9D shade: #0F655B, #14897C, #19AD9D, #1FD0BD and #38E1CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1AAD9D shade: #1AAD9D, #2619AD and #AD6019

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1AAD9D shade: #1AAD9D, #9B19AD and #AD9B19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1AAD9D shade: #1AAD9D, #2619AD, #AD192B and #A0AD19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1AAD9D shade: #1AAD9D, #5219AD, #AD192B and #74AD19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 9 / 32

HEX #1AAD9D

RGB 26 173 157

HSL 173.47, 0.74%, 0.39%

LAB 63.79, -39.47, -2.06

 

Complementary color

CMYK 0 / 64 / 57 / 10

HEX #E55262

RGB 229 82 98

HSL 353.47, 0.74%, 0.61%

LAB 55.66, 57.96, 22.3

 

CMYK 82 / 0 / 12 / 32

HEX #1FAD98

RGB 31 173 152

HSL 171.13, 0.7%, 0.4%

LAB 63.71, -40.46, 0.62

 

CMYK 75 / 0 / 10 / 25

HEX #30BFAB

RGB 48 191 171

HSL 171.61, 0.6%, 0.47%

LAB 70.06, -41.44, -0.57

 

CMYK 69 / 0 / 9 / 18

HEX #41D1BE

RGB 65 209 190

HSL 172.08, 0.61%, 0.54%

LAB 76.34, -42.13, -1.65

 

CMYK 64 / 0 / 8 / 11

HEX #52E3D1

RGB 82 227 209

HSL 172.55, 0.72%, 0.61%

LAB 82.56, -42.61, -2.62

 

CMYK 60 / 0 / 7 / 4

HEX #63F5E4

RGB 99 245 228

HSL 173.01, 0.88%, 0.67%

LAB 88.71, -42.93, -3.52

 

CMYK 85 / 0 / 9 / 32

HEX #1AAD9D

RGB 26 173 157

HSL 173.47, 0.74%, 0.39%

LAB 63.79, -39.47, -2.06

 

CMYK 94 / 0 / 11 / 39

HEX #099B8A

RGB 9 155 138

HSL 173.01, 0.89%, 0.32%

LAB 57.4, -37.9, -0.73

 

CMYK 100 / 0 / 13 / 46

HEX #008977

RGB 0 137 119

HSL 172.12, 1%, 0.27%

LAB 50.95, -35.83, 0.77

 

CMYK 100 / 0 / 16 / 53

HEX #007764

RGB 0 119 100

HSL 170.42, 1%, 0.23%

LAB 44.4, -33.3, 2.44

 

CMYK 100 / 0 / 20 / 60

HEX #006551

RGB 0 101 81

HSL 168.12, 1%, 0.2%

LAB 37.66, -30.7, 4.22

 

CMYK 86 / 0 / 9 / 32

HEX #19AD9D

RGB 25 173 157

HSL 173.51, 0.75%, 0.39%

LAB 63.78, -39.54, -2.08

 

CMYK 86 / 0 / 32 / 32

HEX #19AD75

RGB 25 173 117

HSL 157.3, 0.75%, 0.39%

LAB 62.83, -49.71, 18.71

 

CMYK 86 / 0 / 55 / 32

HEX #19AD4D

RGB 25 173 77

HSL 141.08, 0.75%, 0.39%

LAB 62.19, -57.09, 38.78

 

CMYK 86 / 0 / 79 / 32

HEX #19AD25

RGB 25 173 37

HSL 124.86, 0.75%, 0.39%

LAB 61.85, -61.35, 55.04

 

CMYK 69 / 0 / 86 / 32

HEX #35AD19

RGB 53 173 25

HSL 108.65, 0.75%, 0.39%

LAB 62.27, -57.94, 58.94

 

CMYK 86 / 0 / 9 / 32

HEX #19AD9D

RGB 25 173 157

HSL 173.51, 0.75%, 0.39%

LAB 63.78, -39.54, -2.08

 

CMYK 86 / 14 / 0 / 32

HEX #1995AD

RGB 25 149 173

HSL 189.73, 0.75%, 0.39%

LAB 56.8, -23.03, -21.58

 

CMYK 86 / 37 / 0 / 32

HEX #196DAD

RGB 25 109 173

HSL 205.95, 0.75%, 0.39%

LAB 44.46, -0.31, -40.83

 

CMYK 86 / 60 / 0 / 32

HEX #1945AD

RGB 25 69 173

HSL 222.16, 0.75%, 0.39%

LAB 32.88, 25.94, -59.5

 

CMYK 86 / 83 / 0 / 32

HEX #191EAD

RGB 25 30 173

HSL 237.97, 0.75%, 0.39%

LAB 24.17, 49.64, -73.86

 

CMYK 86 / 0 / 9 / 32

HEX #19AD9D

RGB 25 173 157

HSL 173.51, 0.75%, 0.39%

LAB 63.78, -39.54, -2.08

 

CMYK 95 / 0 / 11 / 26

HEX #09BDA9

RGB 9 189 169

HSL 173.33, 0.91%, 0.39%

LAB 68.98, -43.94, -1.1

 

CMYK 86 / 0 / 9 / 32

HEX #19AD9D

RGB 25 173 157

HSL 173.51, 0.75%, 0.39%

LAB 63.78, -39.54, -2.08

 

CMYK 74 / 0 / 8 / 39

HEX #299C90

RGB 41 156 144

HSL 173.74, 0.58%, 0.39%

LAB 58.28, -33.93, -2.8

HEX #299C90

CMYK 59 / 0 / 6 / 45

HEX #3A8C83

RGB 58 140 131

HSL 173.41, 0.41%, 0.39%

LAB 53.27, -27.06, -2.68

HEX #3A8C83

CMYK 40 / 0 / 4 / 51

HEX #4A7C77

RGB 74 124 119

HSL 174, 0.25%, 0.39%

LAB 48.51, -18.1, -2.59

HEX #4A7C77

CMYK 17 / 0 / 2 / 58

HEX #5A6C6A

RGB 90 108 106

HSL 173.33, 0.09%, 0.39%

LAB 44.15, -7.17, -1.14

HEX #5A6C6A

CMYK 86 / 0 / 55 / 32

HEX #19AD4D

RGB 25 173 77

HSL 141.08, 0.75%, 0.39%

LAB 62.19, -57.09, 38.78

 

CMYK 86 / 0 / 33 / 32

HEX #19AD74

RGB 25 173 116

HSL 156.89, 0.75%, 0.39%

LAB 62.81, -49.93, 19.23

 

CMYK 86 / 0 / 10 / 32

HEX #19AD9B

RGB 25 173 155

HSL 172.7, 0.75%, 0.39%

LAB 63.72, -40.11, -1.04

 

CMYK 86 / 13 / 0 / 32

HEX #1996AD

RGB 25 150 173

HSL 189.32, 0.75%, 0.39%

LAB 57.11, -23.55, -21.11

 

CMYK 86 / 36 / 0 / 32

HEX #196FAD

RGB 25 111 173

HSL 205.14, 0.75%, 0.39%

LAB 45.07, -1.54, -39.87

 

CMYK 85 / 0 / 10 / 60

HEX #0F655B

RGB 15 101 91

HSL 173.02, 0.74%, 0.23%

LAB 38.14, -26.4, -1.21

 

CMYK 85 / 0 / 9 / 46

HEX #14897C

RGB 20 137 124

HSL 173.33, 0.75%, 0.31%

LAB 51.26, -33.15, -1.66

 

CMYK 86 / 0 / 9 / 32

HEX #19AD9D

RGB 25 173 157

HSL 173.51, 0.75%, 0.39%

LAB 63.78, -39.54, -2.08

 

CMYK 85 / 0 / 9 / 18

HEX #1FD0BD

RGB 31 208 189

HSL 173.56, 0.74%, 0.47%

LAB 75.5, -45.45, -2.4

 

CMYK 75 / 0 / 8 / 12

HEX #38E1CE

RGB 56 225 206

HSL 173.25, 0.74%, 0.55%

LAB 81.37, -45.96, -2.83

 

CMYK 85 / 0 / 9 / 32

HEX #1AAD9D

RGB 26 173 157

HSL 173.47, 0.74%, 0.39%

LAB 63.79, -39.47, -2.06

 

CMYK 78 / 86 / 0 / 32

HEX #2619AD

RGB 38 25 173

HSL 245.27, 0.75%, 0.39%

LAB 24.08, 52.49, -73.99

 

CMYK 0 / 45 / 86 / 32

HEX #AD6019

RGB 173 96 25

HSL 28.78, 0.75%, 0.39%

LAB 48.66, 26.37, 50.25

 

CMYK 85 / 0 / 9 / 32

HEX #1AAD9D

RGB 26 173 157

HSL 173.47, 0.74%, 0.39%

LAB 63.79, -39.47, -2.06

 

CMYK 10 / 86 / 0 / 32

HEX #9B19AD

RGB 155 25 173

HSL 292.7, 0.75%, 0.39%

LAB 39.04, 66.98, -48.9

 

CMYK 0 / 10 / 86 / 32

HEX #AD9B19

RGB 173 155 25

HSL 52.7, 0.75%, 0.39%

LAB 63.67, -6.29, 62.82

 

CMYK 85 / 0 / 9 / 32

HEX #1AAD9D

RGB 26 173 157

HSL 173.47, 0.74%, 0.39%

LAB 63.79, -39.47, -2.06

 

CMYK 78 / 86 / 0 / 32

HEX #2619AD

RGB 38 25 173

HSL 245.27, 0.75%, 0.39%

LAB 24.08, 52.49, -73.99

 

CMYK 0 / 86 / 75 / 32

HEX #AD192B

RGB 173 25 43

HSL 352.7, 0.75%, 0.39%

LAB 37.4, 57.06, 30.22

 

CMYK 8 / 0 / 86 / 32

HEX #A0AD19

RGB 160 173 25

HSL 65.27, 0.75%, 0.39%

LAB 67.6, -21.37, 65.64

 

CMYK 85 / 0 / 9 / 32

HEX #1AAD9D

RGB 26 173 157

HSL 173.47, 0.74%, 0.39%

LAB 63.79, -39.47, -2.06

 

CMYK 53 / 86 / 0 / 32

HEX #5219AD

RGB 82 25 173

HSL 263.11, 0.75%, 0.39%

LAB 28.13, 56.15, -67.15

 

CMYK 0 / 86 / 75 / 32

HEX #AD192B

RGB 173 25 43

HSL 352.7, 0.75%, 0.39%

LAB 37.4, 57.06, 30.22

 

CMYK 33 / 0 / 86 / 32

HEX #74AD19

RGB 116 173 25

HSL 83.11, 0.75%, 0.39%

LAB 64.7, -39.36, 62.02

 

Description

Color code: HEX #1AAD9D | qconv.com Color code: HEX #1AAD9D | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 173 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 173 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 9 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 9% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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