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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1AB1AE it is the complementary color #E54E51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1AB1AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1AB1AE shade: #1FB1A9, #30C3BC, #41D5CF, #52E7E2 and #63F9F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1AB1AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1AB1AE shade: #1AB1AE, #099F9B, #008D88, #007B75 and #006962

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1AB1AE shade: #1AB1AE, #1AB185, #1AB15D, #1AB134 and #29B11A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1AB1AE shade: #1AB1AE, #1A8BB1, #1A63B1, #1A3AB1 and #1A1AB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1AB1AE shade matches the following richer shades: #1AB1AE and #0AC1BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1AB1AE shade: #1AB1AE, #2BA09E, #3B908E, #4C7F7E and #5C6F6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1AB1AE shade: #1AB15B, #1AB184, #1AB1AC, #1A8EB1 and #1A66B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1AB1AE shade: #0F6967, #158D8B, #1AB1AE, #1FD5D1 and #3CE1DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1AB1AE shade: #1AB1AE, #331AB1 and #B1701A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1AB1AE shade: #1AB1AE, #AC1AB1 and #B1AC1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1AB1AE shade: #1AB1AE, #331AB1, #B11A1F and #98B11A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1AB1AE shade: #1AB1AE, #601AB1, #B11A1F and #6BB11A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 2 / 31

HEX #1AB1AE

RGB 26 177 174

HSL 178.81, 0.74%, 0.4%

LAB 65.53, -36.33, -8.95

 

Complementary color

CMYK 0 / 66 / 65 / 10

HEX #E54E51

RGB 229 78 81

HSL 358.81, 0.74%, 0.6%

LAB 54.76, 58.49, 31.05

 

CMYK 82 / 0 / 5 / 31

HEX #1FB1A9

RGB 31 177 169

HSL 176.71, 0.7%, 0.41%

LAB 65.44, -37.43, -6.3

 

CMYK 75 / 0 / 4 / 24

HEX #30C3BC

RGB 48 195 188

HSL 177.14, 0.6%, 0.48%

LAB 71.75, -38.52, -7.37

 

CMYK 69 / 0 / 3 / 16

HEX #41D5CF

RGB 65 213 207

HSL 177.57, 0.64%, 0.55%

LAB 78, -39.33, -8.33

 

CMYK 65 / 0 / 2 / 9

HEX #52E7E2

RGB 82 231 226

HSL 177.99, 0.76%, 0.61%

LAB 84.19, -39.92, -9.2

 

CMYK 60 / 0 / 2 / 2

HEX #63F9F5

RGB 99 249 245

HSL 178.4, 0.93%, 0.68%

LAB 90.32, -40.35, -10

 

CMYK 85 / 0 / 2 / 31

HEX #1AB1AE

RGB 26 177 174

HSL 178.81, 0.74%, 0.4%

LAB 65.53, -36.33, -8.95

 

CMYK 94 / 0 / 3 / 38

HEX #099F9B

RGB 9 159 155

HSL 178.4, 0.89%, 0.33%

LAB 59.18, -34.66, -7.77

 

CMYK 100 / 0 / 4 / 45

HEX #008D88

RGB 0 141 136

HSL 177.87, 1%, 0.28%

LAB 52.76, -32.52, -6.44

 

CMYK 100 / 0 / 5 / 52

HEX #007B75

RGB 0 123 117

HSL 177.07, 1%, 0.24%

LAB 46.24, -29.96, -4.97

 

CMYK 100 / 0 / 7 / 59

HEX #006962

RGB 0 105 98

HSL 176, 1%, 0.21%

LAB 39.56, -27.35, -3.43

 

CMYK 85 / 0 / 2 / 31

HEX #1AB1AE

RGB 26 177 174

HSL 178.81, 0.74%, 0.4%

LAB 65.53, -36.33, -8.95

 

CMYK 85 / 0 / 25 / 31

HEX #1AB185

RGB 26 177 133

HSL 162.52, 0.74%, 0.4%

LAB 64.45, -47.49, 12.2

 

CMYK 85 / 0 / 47 / 31

HEX #1AB15D

RGB 26 177 93

HSL 146.62, 0.74%, 0.4%

LAB 63.72, -55.82, 32.64

 

CMYK 85 / 0 / 71 / 31

HEX #1AB134

RGB 26 177 52

HSL 130.33, 0.74%, 0.4%

LAB 63.27, -61.26, 51.11

 

CMYK 77 / 0 / 85 / 31

HEX #29B11A

RGB 41 177 26

HSL 114.04, 0.74%, 0.4%

LAB 63.33, -61.23, 59.57

 

CMYK 85 / 0 / 2 / 31

HEX #1AB1AE

RGB 26 177 174

HSL 178.81, 0.74%, 0.4%

LAB 65.53, -36.33, -8.95

 

CMYK 85 / 21 / 0 / 31

HEX #1A8BB1

RGB 26 139 177

HSL 195.1, 0.74%, 0.4%

LAB 53.88, -16.24, -28.37

 

CMYK 85 / 44 / 0 / 31

HEX #1A63B1

RGB 26 99 177

HSL 210.99, 0.74%, 0.4%

LAB 41.72, 7.67, -47.56

 

CMYK 85 / 67 / 0 / 31

HEX #1A3AB1

RGB 26 58 177

HSL 227.28, 0.74%, 0.4%

LAB 30.45, 34.85, -65.87

 

CMYK 85 / 85 / 0 / 31

HEX #1A1AB1

RGB 26 26 177

HSL 240, 0.74%, 0.4%

LAB 24.11, 52.74, -76.36

 

CMYK 85 / 0 / 2 / 31

HEX #1AB1AE

RGB 26 177 174

HSL 178.81, 0.74%, 0.4%

LAB 65.53, -36.33, -8.95

 

CMYK 95 / 0 / 2 / 24

HEX #0AC1BE

RGB 10 193 190

HSL 179.02, 0.9%, 0.4%

LAB 70.82, -39.59, -9.89

 

CMYK 85 / 0 / 2 / 31

HEX #1AB1AE

RGB 26 177 174

HSL 178.81, 0.74%, 0.4%

LAB 65.53, -36.33, -8.95

 

CMYK 73 / 0 / 1 / 37

HEX #2BA09E

RGB 43 160 158

HSL 178.97, 0.58%, 0.4%

LAB 60, -31.49, -8.2

 

CMYK 59 / 0 / 1 / 44

HEX #3B908E

RGB 59 144 142

HSL 178.59, 0.42%, 0.4%

LAB 54.9, -25.77, -6.62

 

CMYK 40 / 0 / 1 / 50

HEX #4C7F7E

RGB 76 127 126

HSL 178.82, 0.25%, 0.4%

LAB 49.76, -17.31, -4.86

 

CMYK 17 / 0 / 0 / 56

HEX #5C6F6F

RGB 92 111 111

HSL 180, 0.09%, 0.4%

LAB 45.35, -7.03, -2.37

 

CMYK 85 / 0 / 49 / 31

HEX #1AB15B

RGB 26 177 91

HSL 145.83, 0.74%, 0.4%

LAB 63.69, -56.16, 33.63

 

CMYK 85 / 0 / 25 / 31

HEX #1AB184

RGB 26 177 132

HSL 162.12, 0.74%, 0.4%

LAB 64.43, -47.73, 12.72

 

CMYK 85 / 0 / 3 / 31

HEX #1AB1AC

RGB 26 177 172

HSL 178.01, 0.74%, 0.4%

LAB 65.47, -36.92, -7.93

 

CMYK 85 / 20 / 0 / 31

HEX #1A8EB1

RGB 26 142 177

HSL 193.91, 0.74%, 0.4%

LAB 54.8, -17.87, -26.94

 

CMYK 85 / 42 / 0 / 31

HEX #1A66B1

RGB 26 102 177

HSL 209.8, 0.74%, 0.4%

LAB 42.61, 5.74, -46.13

 

CMYK 86 / 0 / 2 / 59

HEX #0F6967

RGB 15 105 103

HSL 178.67, 0.75%, 0.24%

LAB 39.89, -24.58, -5.97

 

CMYK 85 / 0 / 1 / 45

HEX #158D8B

RGB 21 141 139

HSL 179, 0.74%, 0.32%

LAB 53.03, -30.41, -7.76

 

CMYK 85 / 0 / 2 / 31

HEX #1AB1AE

RGB 26 177 174

HSL 178.81, 0.74%, 0.4%

LAB 65.53, -36.33, -8.95

 

CMYK 85 / 0 / 2 / 16

HEX #1FD5D1

RGB 31 213 209

HSL 178.68, 0.75%, 0.48%

LAB 77.57, -41.99, -10.1

 

CMYK 73 / 0 / 1 / 12

HEX #3CE1DE

RGB 60 225 222

HSL 178.91, 0.73%, 0.56%

LAB 81.88, -41.16, -10.56

 

CMYK 85 / 0 / 2 / 31

HEX #1AB1AE

RGB 26 177 174

HSL 178.81, 0.74%, 0.4%

LAB 65.53, -36.33, -8.95

 

CMYK 71 / 85 / 0 / 31

HEX #331AB1

RGB 51 26 177

HSL 249.93, 0.74%, 0.4%

LAB 25.61, 54.05, -73.81

 

CMYK 0 / 37 / 85 / 31

HEX #B1701A

RGB 177 112 26

HSL 34.17, 0.74%, 0.4%

LAB 52.96, 19.28, 53.76

 

CMYK 85 / 0 / 2 / 31

HEX #1AB1AE

RGB 26 177 174

HSL 178.81, 0.74%, 0.4%

LAB 65.53, -36.33, -8.95

 

CMYK 3 / 85 / 0 / 31

HEX #AC1AB1

RGB 172 26 177

HSL 298.01, 0.74%, 0.4%

LAB 42.28, 70.49, -45.91

 

CMYK 0 / 3 / 85 / 31

HEX #B1AC1A

RGB 177 172 26

HSL 58.01, 0.74%, 0.4%

LAB 68.7, -13.41, 66.88

 

CMYK 85 / 0 / 2 / 31

HEX #1AB1AE

RGB 26 177 174

HSL 178.81, 0.74%, 0.4%

LAB 65.53, -36.33, -8.95

 

CMYK 71 / 85 / 0 / 31

HEX #331AB1

RGB 51 26 177

HSL 249.93, 0.74%, 0.4%

LAB 25.61, 54.05, -73.81

 

CMYK 0 / 85 / 82 / 31

HEX #B11A1F

RGB 177 26 31

HSL 358.01, 0.74%, 0.4%

LAB 38.17, 57.56, 38.32

 

CMYK 14 / 0 / 85 / 31

HEX #98B11A

RGB 152 177 26

HSL 69.93, 0.74%, 0.4%

LAB 68.16, -26.72, 65.65

 

CMYK 85 / 0 / 2 / 31

HEX #1AB1AE

RGB 26 177 174

HSL 178.81, 0.74%, 0.4%

LAB 65.53, -36.33, -8.95

 

CMYK 46 / 85 / 0 / 31

HEX #601AB1

RGB 96 26 177

HSL 267.81, 0.74%, 0.4%

LAB 30.4, 58.47, -65.75

 

CMYK 0 / 85 / 82 / 31

HEX #B11A1F

RGB 177 26 31

HSL 358.01, 0.74%, 0.4%

LAB 38.17, 57.56, 38.32

 

CMYK 40 / 0 / 85 / 31

HEX #6BB11A

RGB 107 177 26

HSL 87.81, 0.74%, 0.4%

LAB 65.47, -44.3, 62.28

 

Description

Color code: HEX #1AB1AE | qconv.com Color code: HEX #1AB1AE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 177 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 177 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 2 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 2% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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