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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1AC478 it is the complementary color #E53B87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1AC478. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1AC478 shade: #1FC473, #30D686, #41E899, #52FAAC and #63FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1AC478. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1AC478 shade: #1AC478, #09B265, #00A052, #008E3F and #007C2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1AC478 shade: #19C679, #19C64A, #19C61C, #46C619 and #74C619

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1AC478 shade: #19C679, #19C6A7, #19B6C6, #1988C6 and #1959C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1AC478 shade matches the following richer shades: #19C679 and #07D87B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1AC478 shade: #19C679, #2BB477, #3EA275, #509073 and #627D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1AC478 shade: #19C61C, #19C64A, #19C678, #19C6A6 and #19B8C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1AC478 shade: #107D4C, #15A263, #19C679, #26E28E and #4BE7A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1AC478 shade: #1AC478, #1945C6 and #C63319

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1AC478 shade: #1AC478, #7819C6 and #C67819

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1AC478 shade: #1AC478, #1945C6, #C61967 and #C69B19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1AC478 shade: #1AC478, #2219C6, #C61967 and #BDC619

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 39 / 23

HEX #1AC478

RGB 26 196 120

HSL 153.18, 0.77%, 0.44%

LAB 70.21, -57.55, 27.08

 

Complementary color

CMYK 0 / 74 / 41 / 10

HEX #E53B87

RGB 229 59 135

HSL 333.18, 0.77%, 0.56%

LAB 53.53, 69.45, -2.69

 

CMYK 84 / 0 / 41 / 23

HEX #1FC473

RGB 31 196 115

HSL 150.55, 0.73%, 0.45%

LAB 70.18, -58.1, 29.65

 

CMYK 78 / 0 / 37 / 16

HEX #30D686

RGB 48 214 134

HSL 151.08, 0.67%, 0.51%

LAB 76.34, -59.23, 28.02

 

CMYK 72 / 0 / 34 / 9

HEX #41E899

RGB 65 232 153

HSL 151.62, 0.78%, 0.58%

LAB 82.45, -59.98, 26.51

 

CMYK 67 / 0 / 31 / 2

HEX #52FAAC

RGB 82 250 172

HSL 152.14, 0.94%, 0.65%

LAB 88.52, -60.48, 25.11

 

CMYK 61 / 0 / 25 / 0

HEX #63FFBF

RGB 99 255 191

HSL 155.38, 1%, 0.69%

LAB 90.75, -55.67, 18.57

 

CMYK 87 / 0 / 39 / 23

HEX #1AC478

RGB 26 196 120

HSL 153.18, 0.77%, 0.44%

LAB 70.21, -57.55, 27.08

 

CMYK 95 / 0 / 43 / 30

HEX #09B265

RGB 9 178 101

HSL 152.66, 0.9%, 0.37%

LAB 64.03, -55.81, 28.87

 

CMYK 100 / 0 / 49 / 37

HEX #00A052

RGB 0 160 82

HSL 150.75, 1%, 0.31%

LAB 57.8, -53.46, 30.79

 

CMYK 100 / 0 / 56 / 44

HEX #008E3F

RGB 0 142 63

HSL 146.62, 1%, 0.28%

LAB 51.5, -50.51, 32.79

 

CMYK 100 / 0 / 65 / 51

HEX #007C2C

RGB 0 124 44

HSL 141.29, 1%, 0.24%

LAB 45.08, -47.27, 34.67

 

CMYK 87 / 0 / 39 / 22

HEX #19C679

RGB 25 198 121

HSL 153.29, 0.78%, 0.44%

LAB 70.85, -58.14, 27.4

 

CMYK 87 / 0 / 63 / 22

HEX #19C64A

RGB 25 198 74

HSL 136.99, 0.78%, 0.44%

LAB 70.24, -65.51, 49.56

 

CMYK 87 / 0 / 86 / 22

HEX #19C61C

RGB 25 198 28

HSL 121.04, 0.78%, 0.44%

LAB 69.95, -69.14, 64.94

 

CMYK 65 / 0 / 87 / 22

HEX #46C619

RGB 70 198 25

HSL 104.39, 0.78%, 0.44%

LAB 70.71, -62.63, 66.52

 

CMYK 41 / 0 / 87 / 22

HEX #74C619

RGB 116 198 25

HSL 88.44, 0.78%, 0.44%

LAB 72.34, -49.8, 68.57

 

CMYK 87 / 0 / 39 / 22

HEX #19C679

RGB 25 198 121

HSL 153.29, 0.78%, 0.44%

LAB 70.85, -58.14, 27.4

 

CMYK 87 / 0 / 16 / 22

HEX #19C6A7

RGB 25 198 167

HSL 169.25, 0.78%, 0.44%

LAB 71.82, -47.53, 4.13

 

CMYK 87 / 8 / 0 / 22

HEX #19B6C6

RGB 25 182 198

HSL 185.55, 0.78%, 0.44%

LAB 67.83, -31.34, -18.77

 

CMYK 87 / 31 / 0 / 22

HEX #1988C6

RGB 25 136 198

HSL 201.5, 0.78%, 0.44%

LAB 53.91, -6.97, -40.3

 

CMYK 87 / 55 / 0 / 22

HEX #1959C6

RGB 25 89 198

HSL 217.8, 0.78%, 0.44%

LAB 40.29, 22.46, -62.11

 

CMYK 87 / 0 / 39 / 22

HEX #19C679

RGB 25 198 121

HSL 153.29, 0.78%, 0.44%

LAB 70.85, -58.14, 27.4

 

CMYK 97 / 0 / 43 / 15

HEX #07D87B

RGB 7 216 123

HSL 153.3, 0.94%, 0.44%

LAB 76.43, -64.84, 33.68

 

CMYK 87 / 0 / 39 / 22

HEX #19C679

RGB 25 198 121

HSL 153.29, 0.78%, 0.44%

LAB 70.85, -58.14, 27.4

 

CMYK 76 / 0 / 34 / 29

HEX #2BB477

RGB 43 180 119

HSL 153.28, 0.61%, 0.44%

LAB 65.35, -50.07, 21.11

 

CMYK 62 / 0 / 28 / 36

HEX #3EA275

RGB 62 162 117

HSL 153, 0.45%, 0.44%

LAB 60.02, -39.93, 14.96

 

CMYK 44 / 0 / 20 / 44

HEX #509073

RGB 80 144 115

HSL 152.81, 0.29%, 0.44%

LAB 54.96, -27.63, 9.08

 

CMYK 22 / 0 / 10 / 51

HEX #627D71

RGB 98 125 113

HSL 153.33, 0.12%, 0.44%

LAB 50.04, -12.38, 3.35

 

CMYK 87 / 0 / 86 / 22

HEX #19C61C

RGB 25 198 28

HSL 121.04, 0.78%, 0.44%

LAB 69.95, -69.14, 64.94

 

CMYK 87 / 0 / 63 / 22

HEX #19C64A

RGB 25 198 74

HSL 136.99, 0.78%, 0.44%

LAB 70.24, -65.51, 49.56

 

CMYK 87 / 0 / 39 / 22

HEX #19C678

RGB 25 198 120

HSL 152.95, 0.78%, 0.44%

LAB 70.84, -58.33, 27.9

 

CMYK 87 / 0 / 16 / 22

HEX #19C6A6

RGB 25 198 166

HSL 168.9, 0.78%, 0.44%

LAB 71.79, -47.8, 4.63

 

CMYK 87 / 7 / 0 / 22

HEX #19B8C6

RGB 25 184 198

HSL 184.86, 0.78%, 0.44%

LAB 68.43, -32.31, -17.85

 

CMYK 87 / 0 / 39 / 51

HEX #107D4C

RGB 16 125 76

HSL 153.03, 0.77%, 0.28%

LAB 46.04, -40.78, 18.81

 

CMYK 87 / 0 / 39 / 36

HEX #15A263

RGB 21 162 99

HSL 153.19, 0.77%, 0.36%

LAB 58.88, -49.71, 23.17

 

CMYK 87 / 0 / 39 / 22

HEX #19C679

RGB 25 198 121

HSL 153.29, 0.78%, 0.44%

LAB 70.85, -58.14, 27.4

 

CMYK 83 / 0 / 37 / 11

HEX #26E28E

RGB 38 226 142

HSL 153.19, 0.76%, 0.52%

LAB 80.04, -62.99, 28.83

 

CMYK 68 / 0 / 30 / 9

HEX #4BE7A1

RGB 75 231 161

HSL 153.08, 0.76%, 0.6%

LAB 82.5, -56.5, 22.48

 

CMYK 87 / 0 / 39 / 23

HEX #1AC478

RGB 26 196 120

HSL 153.18, 0.77%, 0.44%

LAB 70.21, -57.55, 27.08

 

CMYK 87 / 65 / 0 / 22

HEX #1945C6

RGB 25 69 198

HSL 224.74, 0.78%, 0.44%

LAB 35.08, 35.58, -70.63

 

CMYK 0 / 74 / 87 / 22

HEX #C63319

RGB 198 51 25

HSL 9.02, 0.78%, 0.44%

LAB 44.86, 56.51, 48.79

 

CMYK 87 / 0 / 39 / 23

HEX #1AC478

RGB 26 196 120

HSL 153.18, 0.77%, 0.44%

LAB 70.21, -57.55, 27.08

 

CMYK 39 / 87 / 0 / 22

HEX #7819C6

RGB 120 25 198

HSL 272.95, 0.78%, 0.44%

LAB 35.53, 66.54, -69.62

 

CMYK 0 / 39 / 87 / 22

HEX #C67819

RGB 198 120 25

HSL 32.95, 0.78%, 0.44%

LAB 57.57, 24.01, 58.98

 

CMYK 87 / 0 / 39 / 23

HEX #1AC478

RGB 26 196 120

HSL 153.18, 0.77%, 0.44%

LAB 70.21, -57.55, 27.08

 

CMYK 87 / 65 / 0 / 22

HEX #1945C6

RGB 25 69 198

HSL 224.74, 0.78%, 0.44%

LAB 35.08, 35.58, -70.63

 

CMYK 0 / 87 / 48 / 22

HEX #C61967

RGB 198 25 103

HSL 332.95, 0.78%, 0.44%

LAB 43.77, 67.29, 1.87

 

CMYK 0 / 22 / 87 / 22

HEX #C69B19

RGB 198 155 25

HSL 45.09, 0.78%, 0.44%

LAB 66.15, 4.92, 65.87

 

CMYK 87 / 0 / 39 / 23

HEX #1AC478

RGB 26 196 120

HSL 153.18, 0.77%, 0.44%

LAB 70.21, -57.55, 27.08

 

CMYK 83 / 87 / 0 / 22

HEX #2219C6

RGB 34 25 198

HSL 243.12, 0.78%, 0.44%

LAB 27.05, 59.56, -83.91

 

CMYK 0 / 87 / 48 / 22

HEX #C61967

RGB 198 25 103

HSL 332.95, 0.78%, 0.44%

LAB 43.77, 67.29, 1.87

 

CMYK 5 / 0 / 87 / 22

HEX #BDC619

RGB 189 198 25

HSL 63.12, 0.78%, 0.44%

LAB 76.85, -21.32, 74.14

 

Description

Color code: HEX #1AC478 | qconv.com Color code: HEX #1AC478 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 196 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 196 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 39 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 39% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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