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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ACF3F it is the complementary color #E530C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ACF3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ACF3F shade: #1FCF3A, #30E14D, #41F360, #52FF73 and #63FF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ACF3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ACF3F shade: #1ACF3F, #09BD2C, #00AB19, #009906 and #008700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ACF3F shade: #19D03F, #25D019, #57D019, #88D019 and #B9D019

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ACF3F shade: #19D03F, #19D070, #19D0A1, #19CED0 and #199CD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ACF3F shade matches the following richer shades: #19D03F and #06E334

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ACF3F shade: #19D03F, #2CBD4A, #3FAA55, #529760 and #65846C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ACF3F shade: #56D019, #26D019, #19D03E, #19D06F and #19D09F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ACF3F shade: #108728, #15AC34, #19D03F, #2EE553 and #53E972

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ACF3F shade: #1ACF3F, #1987D0 and #D0193E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ACF3F shade: #1ACF3F, #3E19D0 and #D03E19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ACF3F shade: #1ACF3F, #1987D0, #D019AC and #D06319

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ACF3F shade: #1ACF3F, #1950D0, #D019AC and #D09919

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 70 / 19

HEX #1ACF3F

RGB 26 207 63

HSL 132.27, 0.78%, 0.46%

LAB 73.03, -69.31, 57.12

 

Complementary color

CMYK 0 / 79 / 16 / 10

HEX #E530C0

RGB 229 48 192

HSL 312.27, 0.78%, 0.54%

LAB 54.63, 79.03, -34.51

 

CMYK 85 / 0 / 72 / 19

HEX #1FCF3A

RGB 31 207 58

HSL 129.2, 0.74%, 0.47%

LAB 73.04, -69.34, 59.01

 

CMYK 79 / 0 / 66 / 12

HEX #30E14D

RGB 48 225 77

HSL 129.83, 0.75%, 0.54%

LAB 79.05, -71.23, 58.15

 

CMYK 73 / 0 / 60 / 5

HEX #41F360

RGB 65 243 96

HSL 130.45, 0.88%, 0.6%

LAB 85.03, -72.58, 57.01

 

CMYK 68 / 0 / 55 / 0

HEX #52FF73

RGB 82 255 115

HSL 131.45, 1%, 0.66%

LAB 89.18, -71.53, 53.6

 

CMYK 61 / 0 / 47 / 0

HEX #63FF86

RGB 99 255 134

HSL 133.46, 1%, 0.69%

LAB 89.81, -65.78, 45.66

 

CMYK 87 / 0 / 70 / 19

HEX #1ACF3F

RGB 26 207 63

HSL 132.27, 0.78%, 0.46%

LAB 73.03, -69.31, 57.12

 

CMYK 95 / 0 / 77 / 26

HEX #09BD2C

RGB 9 189 44

HSL 131.67, 0.91%, 0.39%

LAB 67, -66.63, 57.75

 

CMYK 100 / 0 / 85 / 33

HEX #00AB19

RGB 0 171 25

HSL 128.77, 1%, 0.34%

LAB 60.95, -63.08, 57.52

 

CMYK 100 / 0 / 96 / 40

HEX #009906

RGB 0 153 6

HSL 122.35, 1%, 0.3%

LAB 54.86, -58.68, 55.85

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 88 / 0 / 70 / 18

HEX #19D03F

RGB 25 208 63

HSL 132.46, 0.79%, 0.46%

LAB 73.34, -69.68, 57.44

 

CMYK 82 / 0 / 88 / 18

HEX #25D019

RGB 37 208 25

HSL 116.07, 0.79%, 0.46%

LAB 73.27, -70.99, 68.51

 

CMYK 58 / 0 / 88 / 18

HEX #57D019

RGB 87 208 25

HSL 99.67, 0.79%, 0.46%

LAB 74.32, -62.02, 69.83

 

CMYK 35 / 0 / 88 / 18

HEX #88D019

RGB 136 208 25

HSL 83.61, 0.79%, 0.46%

LAB 76.32, -46.94, 72.32

 

CMYK 11 / 0 / 88 / 18

HEX #B9D019

RGB 185 208 25

HSL 67.54, 0.79%, 0.46%

LAB 79.33, -27.83, 76.03

 

CMYK 88 / 0 / 70 / 18

HEX #19D03F

RGB 25 208 63

HSL 132.46, 0.79%, 0.46%

LAB 73.34, -69.68, 57.44

 

CMYK 88 / 0 / 46 / 18

HEX #19D070

RGB 25 208 112

HSL 148.52, 0.79%, 0.46%

LAB 73.86, -63.25, 35.93

 

CMYK 88 / 0 / 23 / 18

HEX #19D0A1

RGB 25 208 161

HSL 164.59, 0.79%, 0.46%

LAB 74.76, -53.08, 11.57

 

CMYK 88 / 1 / 0 / 18

HEX #19CED0

RGB 25 206 208

HSL 180.66, 0.79%, 0.46%

LAB 75.39, -39.49, -12.82

 

CMYK 88 / 25 / 0 / 18

HEX #199CD0

RGB 25 156 208

HSL 197.05, 0.79%, 0.46%

LAB 60.37, -14.59, -35.8

 

CMYK 88 / 0 / 70 / 18

HEX #19D03F

RGB 25 208 63

HSL 132.46, 0.79%, 0.46%

LAB 73.34, -69.68, 57.44

 

CMYK 97 / 0 / 77 / 11

HEX #06E334

RGB 6 227 52

HSL 132.49, 0.95%, 0.46%

LAB 79.17, -76.88, 67.08

 

CMYK 88 / 0 / 70 / 18

HEX #19D03F

RGB 25 208 63

HSL 132.46, 0.79%, 0.46%

LAB 73.34, -69.68, 57.44

 

CMYK 77 / 0 / 61 / 26

HEX #2CBD4A

RGB 44 189 74

HSL 132.41, 0.62%, 0.46%

LAB 67.59, -60.6, 46.61

 

CMYK 63 / 0 / 50 / 33

HEX #3FAA55

RGB 63 170 85

HSL 132.34, 0.46%, 0.46%

LAB 62.05, -48.95, 34.79

 

CMYK 46 / 0 / 36 / 41

HEX #529760

RGB 82 151 96

HSL 132.17, 0.3%, 0.46%

LAB 56.85, -34.21, 22.38

 

CMYK 23 / 0 / 18 / 48

HEX #65846C

RGB 101 132 108

HSL 133.55, 0.13%, 0.46%

LAB 52.23, -16.17, 9.41

 

CMYK 59 / 0 / 88 / 18

HEX #56D019

RGB 86 208 25

HSL 100, 0.79%, 0.46%

LAB 74.29, -62.26, 69.79

 

CMYK 82 / 0 / 88 / 18

HEX #26D019

RGB 38 208 25

HSL 115.74, 0.79%, 0.46%

LAB 73.28, -70.88, 68.52

 

CMYK 88 / 0 / 70 / 18

HEX #19D03E

RGB 25 208 62

HSL 132.13, 0.79%, 0.46%

LAB 73.33, -69.77, 57.82

 

CMYK 88 / 0 / 47 / 18

HEX #19D06F

RGB 25 208 111

HSL 148.2, 0.79%, 0.46%

LAB 73.85, -63.42, 36.41

 

CMYK 88 / 0 / 24 / 18

HEX #19D09F

RGB 25 208 159

HSL 163.93, 0.79%, 0.46%

LAB 74.71, -53.57, 12.58

 

CMYK 88 / 0 / 70 / 47

HEX #108728

RGB 16 135 40

HSL 132.1, 0.79%, 0.3%

LAB 49, -50.08, 40.85

 

CMYK 88 / 0 / 70 / 33

HEX #15AC34

RGB 21 172 52

HSL 132.32, 0.78%, 0.38%

LAB 61.58, -60.16, 49.31

 

CMYK 88 / 0 / 70 / 18

HEX #19D03F

RGB 25 208 63

HSL 132.46, 0.79%, 0.46%

LAB 73.34, -69.68, 57.44

 

CMYK 80 / 0 / 64 / 10

HEX #2EE553

RGB 46 229 83

HSL 132.13, 0.78%, 0.54%

LAB 80.32, -72.07, 57.09

 

CMYK 64 / 0 / 51 / 9

HEX #53E972

RGB 83 233 114

HSL 132.4, 0.77%, 0.62%

LAB 82.56, -63.91, 46.05

 

CMYK 87 / 0 / 70 / 19

HEX #1ACF3F

RGB 26 207 63

HSL 132.27, 0.78%, 0.46%

LAB 73.03, -69.31, 57.12

 

CMYK 88 / 35 / 0 / 18

HEX #1987D0

RGB 25 135 208

HSL 203.93, 0.79%, 0.46%

LAB 54.12, -2.64, -45.64

 

CMYK 0 / 88 / 70 / 18

HEX #D0193E

RGB 208 25 62

HSL 347.87, 0.79%, 0.46%

LAB 44.88, 67.22, 29.22

 

CMYK 87 / 0 / 70 / 19

HEX #1ACF3F

RGB 26 207 63

HSL 132.27, 0.78%, 0.46%

LAB 73.03, -69.31, 57.12

 

CMYK 70 / 88 / 0 / 18

HEX #3E19D0

RGB 62 25 208

HSL 252.13, 0.79%, 0.46%

LAB 30.09, 63.61, -84.65

 

CMYK 0 / 70 / 88 / 18

HEX #D03E19

RGB 208 62 25

HSL 12.13, 0.79%, 0.46%

LAB 48.17, 55.76, 52.2

 

CMYK 87 / 0 / 70 / 19

HEX #1ACF3F

RGB 26 207 63

HSL 132.27, 0.78%, 0.46%

LAB 73.03, -69.31, 57.12

 

CMYK 88 / 35 / 0 / 18

HEX #1987D0

RGB 25 135 208

HSL 203.93, 0.79%, 0.46%

LAB 54.12, -2.64, -45.64

 

CMYK 0 / 88 / 17 / 18

HEX #D019AC

RGB 208 25 172

HSL 311.8, 0.79%, 0.46%

LAB 48.37, 76.82, -32.91

 

CMYK 0 / 52 / 88 / 18

HEX #D06319

RGB 208 99 25

HSL 24.26, 0.79%, 0.46%

LAB 54.45, 39.2, 57.11

 

CMYK 87 / 0 / 70 / 19

HEX #1ACF3F

RGB 26 207 63

HSL 132.27, 0.78%, 0.46%

LAB 73.03, -69.31, 57.12

 

CMYK 88 / 62 / 0 / 18

HEX #1950D0

RGB 25 80 208

HSL 221.97, 0.79%, 0.46%

LAB 38.72, 32.24, -70.46

 

CMYK 0 / 88 / 17 / 18

HEX #D019AC

RGB 208 25 172

HSL 311.8, 0.79%, 0.46%

LAB 48.37, 76.82, -32.91

 

CMYK 0 / 26 / 88 / 18

HEX #D09919

RGB 208 153 25

HSL 41.97, 0.79%, 0.46%

LAB 66.72, 10.43, 66.77

 

Description

Color code: HEX #1ACF3F | qconv.com Color code: HEX #1ACF3F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 207 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 207 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 70 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 70% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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