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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ADBBF it is the complementary color #E52440. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ADBBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ADBBF shade: #1FDBBA, #30EDCD, #41FFE0, #52FFF3 and #63FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ADBBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ADBBF shade: #1ADBBF, #09C9AC, #00B799, #00A586 and #009373

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ADBBF shade: #19DBBF, #19DB8A, #19DB56, #19DB22 and #44DB19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ADBBF shade: #19DBBF, #19C2DB, #198EDB, #195ADB and #1926DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ADBBF shade matches the following richer shades: #19DBBF and #05EECD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ADBBF shade: #19DBBF, #2DC7B0, #41B3A2, #559F94 and #688B86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ADBBF shade: #19DB56, #19DB8A, #19DBBE, #19C4DB and #1990DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ADBBF shade: #11917E, #15B69E, #19DBBF, #36E7CD and #5BEBD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ADBBF shade: #1ADBBF, #2319DB and #DB7019

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ADBBF shade: #1ADBBF, #BE19DB and #DBBE19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ADBBF shade: #1ADBBF, #2319DB, #DB1936 and #D1DB19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ADBBF shade: #1ADBBF, #5D19DB, #DB1936 and #97DB19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 13 / 14

HEX #1ADBBF

RGB 26 219 191

HSL 171.3, 0.79%, 0.48%

LAB 78.84, -49.84, 1.4

 

Complementary color

CMYK 0 / 84 / 72 / 10

HEX #E52440

RGB 229 36 64

HSL 351.3, 0.79%, 0.52%

LAB 49.85, 70.66, 34.98

 

CMYK 86 / 0 / 15 / 14

HEX #1FDBBA

RGB 31 219 186

HSL 169.47, 0.75%, 0.49%

LAB 78.75, -50.85, 3.95

 

CMYK 80 / 0 / 14 / 7

HEX #30EDCD

RGB 48 237 205

HSL 169.84, 0.84%, 0.56%

LAB 84.79, -52.05, 2.68

 

CMYK 75 / 0 / 12 / 0

HEX #41FFE0

RGB 65 255 224

HSL 170.21, 1%, 0.63%

LAB 90.79, -52.96, 1.52

 

CMYK 68 / 0 / 5 / 0

HEX #52FFF3

RGB 82 255 243

HSL 175.84, 1%, 0.66%

LAB 91.59, -46.03, -7.13

 

CMYK 61 / 0 / 0 / 0

HEX #63FFFF

RGB 99 255 255

HSL 180, 1%, 0.69%

LAB 92.31, -40.42, -12.24

 

CMYK 88 / 0 / 13 / 14

HEX #1ADBBF

RGB 26 219 191

HSL 171.3, 0.79%, 0.48%

LAB 78.84, -49.84, 1.4

 

CMYK 96 / 0 / 14 / 21

HEX #09C9AC

RGB 9 201 172

HSL 170.94, 0.91%, 0.41%

LAB 72.77, -48.17, 2.78

 

CMYK 100 / 0 / 16 / 28

HEX #00B799

RGB 0 183 153

HSL 170.16, 1%, 0.36%

LAB 66.65, -46.1, 4.3

 

CMYK 100 / 0 / 19 / 35

HEX #00A586

RGB 0 165 134

HSL 168.73, 1%, 0.32%

LAB 60.46, -43.71, 5.94

 

CMYK 100 / 0 / 22 / 42

HEX #009373

RGB 0 147 115

HSL 166.94, 1%, 0.29%

LAB 54.14, -41.26, 7.67

 

CMYK 89 / 0 / 13 / 14

HEX #19DBBF

RGB 25 219 191

HSL 171.34, 0.8%, 0.48%

LAB 78.83, -49.9, 1.39

 

CMYK 89 / 0 / 37 / 14

HEX #19DB8A

RGB 25 219 138

HSL 154.95, 0.8%, 0.48%

LAB 77.7, -62.24, 27.73

 

CMYK 89 / 0 / 61 / 14

HEX #19DB56

RGB 25 219 86

HSL 138.87, 0.8%, 0.48%

LAB 77.01, -70.54, 52.01

 

CMYK 89 / 0 / 84 / 14

HEX #19DB22

RGB 25 219 34

HSL 122.78, 0.8%, 0.48%

LAB 76.67, -74.78, 69.59

 

CMYK 69 / 0 / 89 / 14

HEX #44DB19

RGB 68 219 25

HSL 106.7, 0.8%, 0.48%

LAB 77.26, -69.72, 72.15

 

CMYK 89 / 0 / 13 / 14

HEX #19DBBF

RGB 25 219 191

HSL 171.34, 0.8%, 0.48%

LAB 78.83, -49.9, 1.39

 

CMYK 89 / 11 / 0 / 14

HEX #19C2DB

RGB 25 194 219

HSL 187.73, 0.8%, 0.48%

LAB 72.16, -30.46, -23.66

 

CMYK 89 / 35 / 0 / 14

HEX #198EDB

RGB 25 142 219

HSL 203.81, 0.8%, 0.48%

LAB 56.75, -2.63, -47.65

 

CMYK 89 / 59 / 0 / 14

HEX #195ADB

RGB 25 90 219

HSL 219.9, 0.8%, 0.48%

LAB 42.21, 29.96, -71.07

 

CMYK 89 / 83 / 0 / 14

HEX #1926DB

RGB 25 38 219

HSL 235.98, 0.8%, 0.48%

LAB 31.13, 60.15, -89.34

 

CMYK 89 / 0 / 13 / 14

HEX #19DBBF

RGB 25 219 191

HSL 171.34, 0.8%, 0.48%

LAB 78.83, -49.9, 1.39

 

CMYK 98 / 0 / 14 / 7

HEX #05EECD

RGB 5 238 205

HSL 171.5, 0.96%, 0.48%

LAB 84.79, -54.63, 2.63

 

CMYK 89 / 0 / 13 / 14

HEX #19DBBF

RGB 25 219 191

HSL 171.34, 0.8%, 0.48%

LAB 78.83, -49.9, 1.39

 

CMYK 77 / 0 / 12 / 22

HEX #2DC7B0

RGB 45 199 176

HSL 171.04, 0.63%, 0.48%

LAB 72.59, -43.92, 0.39

 

CMYK 64 / 0 / 9 / 30

HEX #41B3A2

RGB 65 179 162

HSL 171.05, 0.47%, 0.48%

LAB 66.5, -36, -0.78

 

CMYK 47 / 0 / 7 / 38

HEX #559F94

RGB 85 159 148

HSL 171.08, 0.3%, 0.48%

LAB 60.66, -25.84, -1.42

 

CMYK 25 / 0 / 4 / 45

HEX #688B86

RGB 104 139 134

HSL 171.43, 0.14%, 0.48%

LAB 55.21, -13.32, -1.32

 

CMYK 89 / 0 / 61 / 14

HEX #19DB56

RGB 25 219 86

HSL 138.87, 0.8%, 0.48%

LAB 77.01, -70.54, 52.01

 

CMYK 89 / 0 / 37 / 14

HEX #19DB8A

RGB 25 219 138

HSL 154.95, 0.8%, 0.48%

LAB 77.7, -62.24, 27.73

 

CMYK 89 / 0 / 13 / 14

HEX #19DBBE

RGB 25 219 190

HSL 171.03, 0.8%, 0.48%

LAB 78.8, -50.16, 1.88

 

CMYK 89 / 11 / 0 / 14

HEX #19C4DB

RGB 25 196 219

HSL 187.11, 0.8%, 0.48%

LAB 72.76, -31.43, -22.75

 

CMYK 89 / 34 / 0 / 14

HEX #1990DB

RGB 25 144 219

HSL 203.2, 0.8%, 0.48%

LAB 57.34, -3.8, -46.73

 

CMYK 88 / 0 / 13 / 43

HEX #11917E

RGB 17 145 126

HSL 171.09, 0.79%, 0.32%

LAB 53.9, -36.45, 1.03

 

CMYK 88 / 0 / 13 / 29

HEX #15B69E

RGB 21 182 158

HSL 171.06, 0.79%, 0.4%

LAB 66.58, -43.45, 1.46

 

CMYK 89 / 0 / 13 / 14

HEX #19DBBF

RGB 25 219 191

HSL 171.34, 0.8%, 0.48%

LAB 78.83, -49.9, 1.39

 

CMYK 77 / 0 / 11 / 9

HEX #36E7CD

RGB 54 231 205

HSL 171.19, 0.79%, 0.56%

LAB 83.1, -48.99, 0.22

 

CMYK 61 / 0 / 9 / 8

HEX #5BEBD6

RGB 91 235 214

HSL 171.25, 0.78%, 0.64%

LAB 85.25, -43.4, -1.29

 

CMYK 88 / 0 / 13 / 14

HEX #1ADBBF

RGB 26 219 191

HSL 171.3, 0.79%, 0.48%

LAB 78.84, -49.84, 1.4

 

CMYK 84 / 89 / 0 / 14

HEX #2319DB

RGB 35 25 219

HSL 243.09, 0.8%, 0.48%

LAB 29.83, 65.42, -91.5

 

CMYK 0 / 49 / 89 / 14

HEX #DB7019

RGB 219 112 25

HSL 26.91, 0.8%, 0.48%

LAB 58.71, 36.97, 61.12

 

CMYK 88 / 0 / 13 / 14

HEX #1ADBBF

RGB 26 219 191

HSL 171.3, 0.79%, 0.48%

LAB 78.84, -49.84, 1.4

 

CMYK 13 / 89 / 0 / 14

HEX #BE19DB

RGB 190 25 219

HSL 291.03, 0.8%, 0.48%

LAB 47.95, 80.56, -61.06

 

CMYK 0 / 13 / 89 / 14

HEX #DBBE19

RGB 219 190 25

HSL 51.03, 0.8%, 0.48%

LAB 77.26, -4.34, 75.55

 

CMYK 88 / 0 / 13 / 14

HEX #1ADBBF

RGB 26 219 191

HSL 171.3, 0.79%, 0.48%

LAB 78.84, -49.84, 1.4

 

CMYK 84 / 89 / 0 / 14

HEX #2319DB

RGB 35 25 219

HSL 243.09, 0.8%, 0.48%

LAB 29.83, 65.42, -91.5

 

CMYK 0 / 89 / 75 / 14

HEX #DB1936

RGB 219 25 54

HSL 351.03, 0.8%, 0.48%

LAB 47, 69.72, 37.06

 

CMYK 5 / 0 / 89 / 14

HEX #D1DB19

RGB 209 219 25

HSL 63.09, 0.8%, 0.48%

LAB 84.12, -23.12, 80.61

 

CMYK 88 / 0 / 13 / 14

HEX #1ADBBF

RGB 26 219 191

HSL 171.3, 0.79%, 0.48%

LAB 78.84, -49.84, 1.4

 

CMYK 58 / 89 / 0 / 14

HEX #5D19DB

RGB 93 25 219

HSL 261.03, 0.8%, 0.48%

LAB 34.27, 68.58, -84

 

CMYK 0 / 89 / 75 / 14

HEX #DB1936

RGB 219 25 54

HSL 351.03, 0.8%, 0.48%

LAB 47, 69.72, 37.06

 

CMYK 31 / 0 / 89 / 14

HEX #97DB19

RGB 151 219 25

HSL 81.03, 0.8%, 0.48%

LAB 80.36, -46.11, 76

 

Description

Color code: HEX #1ADBBF | qconv.com Color code: HEX #1ADBBF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 219 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 219 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 13 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 13% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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