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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ADF78 it is the complementary color #E52087. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ADF78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ADF78 shade: #1FDF73, #30F186, #41FF99, #52FFAC and #63FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ADF78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ADF78 shade: #1ADF78, #09CD65, #00BB52, #00A93F and #00972C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ADF78 shade: #1ADF78, #1ADF43, #26DF1A, #5BDF1A and #90DF1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ADF78 shade: #1ADF78, #1ADFAD, #1ADCDF, #1AA7DF and #1A71DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ADF78 shade matches the following richer shades: #1ADF78 and #06F377

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ADF78 shade: #1ADF78, #2ECB79, #42B77A, #56A37B and #6B8E7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ADF78 shade: #27DF1A, #1ADF41, #1ADF76, #1ADFAB and #1ADFDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ADF78 shade: #119550, #15BA64, #1ADF78, #3BE88D and #60ECA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ADF78 shade: #1ADF78, #1A5CDF and #DF271A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ADF78 shade: #1ADF78, #761ADF and #DF761A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ADF78 shade: #1ADF78, #1A5CDF, #DF1A83 and #DF9D1A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ADF78 shade: #1ADF78, #1A20DF, #DF1A83 and #DFD91A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 46 / 13

HEX #1ADF78

RGB 26 223 120

HSL 148.63, 0.79%, 0.49%

LAB 78.67, -66.84, 38.08

 

Complementary color

CMYK 0 / 86 / 41 / 10

HEX #E52087

RGB 229 32 135

HSL 328.63, 0.79%, 0.51%

LAB 51.2, 76.1, -6.14

 

CMYK 86 / 0 / 48 / 13

HEX #1FDF73

RGB 31 223 115

HSL 146.25, 0.76%, 0.5%

LAB 78.64, -67.32, 40.51

 

CMYK 80 / 0 / 44 / 5

HEX #30F186

RGB 48 241 134

HSL 146.74, 0.87%, 0.57%

LAB 84.62, -68.69, 38.86

 

CMYK 75 / 0 / 40 / 0

HEX #41FF99

RGB 65 255 153

HSL 147.79, 1%, 0.63%

LAB 89.37, -68.29, 35.73

 

CMYK 68 / 0 / 33 / 0

HEX #52FFAC

RGB 82 255 172

HSL 151.21, 1%, 0.66%

LAB 89.99, -62.37, 27.13

 

CMYK 61 / 0 / 25 / 0

HEX #63FFBF

RGB 99 255 191

HSL 155.38, 1%, 0.69%

LAB 90.75, -55.67, 18.57

 

CMYK 88 / 0 / 46 / 13

HEX #1ADF78

RGB 26 223 120

HSL 148.63, 0.79%, 0.49%

LAB 78.67, -66.84, 38.08

 

CMYK 96 / 0 / 51 / 20

HEX #09CD65

RGB 9 205 101

HSL 148.16, 0.92%, 0.42%

LAB 72.67, -64.88, 39.85

 

CMYK 100 / 0 / 56 / 27

HEX #00BB52

RGB 0 187 82

HSL 146.31, 1%, 0.37%

LAB 66.63, -62.33, 41.66

 

CMYK 100 / 0 / 63 / 34

HEX #00A93F

RGB 0 169 63

HSL 142.37, 1%, 0.33%

LAB 60.55, -59.23, 43.42

 

CMYK 100 / 0 / 71 / 41

HEX #00972C

RGB 0 151 44

HSL 137.48, 1%, 0.3%

LAB 54.36, -55.82, 44.85

 

CMYK 88 / 0 / 46 / 13

HEX #1ADF78

RGB 26 223 120

HSL 148.63, 0.79%, 0.49%

LAB 78.67, -66.84, 38.08

 

CMYK 88 / 0 / 70 / 13

HEX #1ADF43

RGB 26 223 67

HSL 132.49, 0.79%, 0.49%

LAB 78.11, -73.64, 60.95

 

CMYK 83 / 0 / 88 / 13

HEX #26DF1A

RGB 38 223 26

HSL 116.35, 0.79%, 0.49%

LAB 78.03, -75.11, 72.44

 

CMYK 59 / 0 / 88 / 13

HEX #5BDF1A

RGB 91 223 26

HSL 100.2, 0.79%, 0.49%

LAB 79.08, -66.08, 73.76

 

CMYK 35 / 0 / 88 / 13

HEX #90DF1A

RGB 144 223 26

HSL 84.06, 0.79%, 0.49%

LAB 81.17, -50.25, 76.36

 

CMYK 88 / 0 / 46 / 13

HEX #1ADF78

RGB 26 223 120

HSL 148.63, 0.79%, 0.49%

LAB 78.67, -66.84, 38.08

 

CMYK 88 / 0 / 22 / 13

HEX #1ADFAD

RGB 26 223 173

HSL 164.77, 0.79%, 0.49%

LAB 79.62, -55.99, 12.08

 

CMYK 88 / 1 / 0 / 13

HEX #1ADCDF

RGB 26 220 223

HSL 180.91, 0.79%, 0.49%

LAB 80.03, -41.3, -13.91

 

CMYK 88 / 25 / 0 / 13

HEX #1AA7DF

RGB 26 167 223

HSL 197.06, 0.79%, 0.49%

LAB 64.31, -15.21, -37.98

 

CMYK 88 / 49 / 0 / 13

HEX #1A71DF

RGB 26 113 223

HSL 213.5, 0.79%, 0.49%

LAB 48.71, 16.74, -62.78

 

CMYK 88 / 0 / 46 / 13

HEX #1ADF78

RGB 26 223 120

HSL 148.63, 0.79%, 0.49%

LAB 78.67, -66.84, 38.08

 

CMYK 98 / 0 / 51 / 5

HEX #06F377

RGB 6 243 119

HSL 148.61, 0.95%, 0.49%

LAB 84.73, -74.23, 46.15

 

CMYK 88 / 0 / 46 / 13

HEX #1ADF78

RGB 26 223 120

HSL 148.63, 0.79%, 0.49%

LAB 78.67, -66.84, 38.08

 

CMYK 77 / 0 / 40 / 20

HEX #2ECB79

RGB 46 203 121

HSL 148.66, 0.63%, 0.49%

LAB 72.68, -57.93, 29.86

 

CMYK 64 / 0 / 33 / 28

HEX #42B77A

RGB 66 183 122

HSL 148.72, 0.47%, 0.49%

LAB 66.85, -46.92, 21.61

 

CMYK 47 / 0 / 25 / 36

HEX #56A37B

RGB 86 163 123

HSL 148.83, 0.31%, 0.49%

LAB 61.31, -33.33, 13.54

 

CMYK 25 / 0 / 13 / 44

HEX #6B8E7C

RGB 107 142 124

HSL 149.14, 0.14%, 0.49%

LAB 56.01, -16.15, 5.63

 

CMYK 83 / 0 / 88 / 13

HEX #27DF1A

RGB 39 223 26

HSL 116.04, 0.79%, 0.49%

LAB 78.04, -75.01, 72.46

 

CMYK 88 / 0 / 71 / 13

HEX #1ADF41

RGB 26 223 65

HSL 131.88, 0.79%, 0.49%

LAB 78.1, -73.82, 61.68

 

CMYK 88 / 0 / 47 / 13

HEX #1ADF76

RGB 26 223 118

HSL 148.02, 0.79%, 0.49%

LAB 78.64, -67.17, 39.03

 

CMYK 88 / 0 / 23 / 13

HEX #1ADFAB

RGB 26 223 171

HSL 164.16, 0.79%, 0.49%

LAB 79.58, -56.46, 13.08

 

CMYK 88 / 0 / 0 / 13

HEX #1ADFDF

RGB 26 223 223

HSL 180, 0.79%, 0.49%

LAB 80.92, -42.64, -12.58

 

CMYK 89 / 0 / 46 / 42

HEX #119550

RGB 17 149 80

HSL 148.64, 0.8%, 0.33%

LAB 54.23, -48.95, 27.33

 

CMYK 89 / 0 / 46 / 27

HEX #15BA64

RGB 21 186 100

HSL 148.73, 0.8%, 0.41%

LAB 66.67, -58.11, 32.81

 

CMYK 88 / 0 / 46 / 13

HEX #1ADF78

RGB 26 223 120

HSL 148.63, 0.79%, 0.49%

LAB 78.67, -66.84, 38.08

 

CMYK 75 / 0 / 39 / 9

HEX #3BE88D

RGB 59 232 141

HSL 148.44, 0.79%, 0.57%

LAB 82.14, -63.07, 32.19

 

CMYK 59 / 0 / 31 / 7

HEX #60ECA3

RGB 96 236 163

HSL 148.71, 0.79%, 0.65%

LAB 84.55, -54.28, 24.34

 

CMYK 88 / 0 / 46 / 13

HEX #1ADF78

RGB 26 223 120

HSL 148.63, 0.79%, 0.49%

LAB 78.67, -66.84, 38.08

 

CMYK 88 / 59 / 0 / 13

HEX #1A5CDF

RGB 26 92 223

HSL 219.9, 0.79%, 0.49%

LAB 43.07, 30.25, -71.95

 

CMYK 0 / 83 / 88 / 13

HEX #DF271A

RGB 223 39 26

HSL 3.96, 0.79%, 0.49%

LAB 48.53, 67.3, 53.31

 

CMYK 88 / 0 / 46 / 13

HEX #1ADF78

RGB 26 223 120

HSL 148.63, 0.79%, 0.49%

LAB 78.67, -66.84, 38.08

 

CMYK 47 / 88 / 0 / 13

HEX #761ADF

RGB 118 26 223

HSL 268.02, 0.79%, 0.49%

LAB 37.69, 71.59, -80.54

 

CMYK 0 / 47 / 88 / 13

HEX #DF761A

RGB 223 118 26

HSL 28.02, 0.79%, 0.49%

LAB 60.53, 35.51, 62.47

 

CMYK 88 / 0 / 46 / 13

HEX #1ADF78

RGB 26 223 120

HSL 148.63, 0.79%, 0.49%

LAB 78.67, -66.84, 38.08

 

CMYK 88 / 59 / 0 / 13

HEX #1A5CDF

RGB 26 92 223

HSL 219.9, 0.79%, 0.49%

LAB 43.07, 30.25, -71.95

 

CMYK 0 / 88 / 41 / 13

HEX #DF1A83

RGB 223 26 131

HSL 328.02, 0.79%, 0.49%

LAB 49.58, 75.38, -6.26

 

CMYK 0 / 30 / 88 / 13

HEX #DF9D1A

RGB 223 157 26

HSL 39.9, 0.79%, 0.49%

LAB 69.38, 14.84, 69.35

 

CMYK 88 / 0 / 46 / 13

HEX #1ADF78

RGB 26 223 120

HSL 148.63, 0.79%, 0.49%

LAB 78.67, -66.84, 38.08

 

CMYK 88 / 86 / 0 / 13

HEX #1A20DF

RGB 26 32 223

HSL 238.17, 0.79%, 0.49%

LAB 30.83, 63.83, -92.14

 

CMYK 0 / 88 / 41 / 13

HEX #DF1A83

RGB 223 26 131

HSL 328.02, 0.79%, 0.49%

LAB 49.58, 75.38, -6.26

 

CMYK 0 / 3 / 88 / 13

HEX #DFD91A

RGB 223 217 26

HSL 58.17, 0.79%, 0.49%

LAB 84.68, -16.24, 81.36

 

Description

Color code: HEX #1ADF78 | qconv.com Color code: HEX #1ADF78 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 223 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 223 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 46 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 46% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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