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Color name
HEX #1AE4E0

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1AE4E0 it is the complementary color #E51B1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1AE4E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1AE4E0 shade: #1FE4DB, #30F6EE, #41FFFF, #52FFFF and #63FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1AE4E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1AE4E0 shade: #1AE4E0, #09D2CD, #00C0BA, #00AEA7 and #009C94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1AE4E0 shade: #19E5E1, #19E5AA, #19E573, #19E53C and #2DE519

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1AE4E0 shade: #19E5E1, #19B2E5, #197BE5, #1944E5 and #1919E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1AE4E0 shade matches the following richer shades: #19E5E1 and #04FAF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1AE4E0 shade: #19E5E1, #2ED0CD, #42BCB9, #57A7A6 and #6C9292

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1AE4E0 shade: #19E571, #19E5A8, #19E5DE, #19B5E5 and #197FE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1AE4E0 shade: #119B98, #15C0BC, #19E5E1, #3EE9E6 and #63EDEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1AE4E0 shade: #1AE4E0, #3B19E5 and #E58D19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1AE4E0 shade: #1AE4E0, #DE19E5 and #E5DE19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1AE4E0 shade: #1AE4E0, #3B19E5, #E51920 and #C3E519

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1AE4E0 shade: #1AE4E0, #7819E5, #E51920 and #86E519

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 2 / 11

HEX #1AE4E0

RGB 26 228 224

HSL 178.81, 0.8%, 0.5%

LAB 82.43, -44.55, -10.86

 

Complementary color

CMYK 0 / 88 / 86 / 10

HEX #E51B1F

RGB 229 27 31

HSL 358.81, 0.8%, 0.5%

LAB 48.93, 71.36, 51.92

 

CMYK 86 / 0 / 4 / 11

HEX #1FE4DB

RGB 31 228 219

HSL 177.26, 0.78%, 0.51%

LAB 82.32, -45.72, -8.36

 

CMYK 80 / 0 / 3 / 4

HEX #30F6EE

RGB 48 246 238

HSL 177.58, 0.92%, 0.58%

LAB 88.31, -47.05, -9.44

 

CMYK 75 / 0 / 0 / 0

HEX #41FFFF

RGB 65 255 255

HSL 180, 1%, 0.63%

LAB 91.62, -44.75, -13.33

 

CMYK 68 / 0 / 0 / 0

HEX #52FFFF

RGB 82 255 255

HSL 180, 1%, 0.66%

LAB 91.92, -42.83, -12.85

 

CMYK 61 / 0 / 0 / 0

HEX #63FFFF

RGB 99 255 255

HSL 180, 1%, 0.69%

LAB 92.31, -40.42, -12.24

 

CMYK 89 / 0 / 2 / 11

HEX #1AE4E0

RGB 26 228 224

HSL 178.81, 0.8%, 0.5%

LAB 82.43, -44.55, -10.86

 

CMYK 96 / 0 / 2 / 18

HEX #09D2CD

RGB 9 210 205

HSL 178.51, 0.92%, 0.43%

LAB 76.41, -42.77, -9.69

 

CMYK 100 / 0 / 3 / 25

HEX #00C0BA

RGB 0 192 186

HSL 178.13, 1%, 0.38%

LAB 70.35, -40.63, -8.41

 

CMYK 100 / 0 / 4 / 32

HEX #00AEA7

RGB 0 174 167

HSL 177.59, 1%, 0.34%

LAB 64.21, -38.23, -7.03

 

CMYK 100 / 0 / 5 / 39

HEX #009C94

RGB 0 156 148

HSL 176.92, 1%, 0.31%

LAB 57.96, -35.78, -5.61

 

CMYK 89 / 0 / 2 / 10

HEX #19E5E1

RGB 25 229 225

HSL 178.82, 0.8%, 0.5%

LAB 82.74, -44.75, -10.92

 

CMYK 89 / 0 / 26 / 10

HEX #19E5AA

RGB 25 229 170

HSL 162.65, 0.8%, 0.5%

LAB 81.37, -59.04, 16.13

 

CMYK 89 / 0 / 50 / 10

HEX #19E573

RGB 25 229 115

HSL 146.47, 0.8%, 0.5%

LAB 80.45, -69.67, 42.77

 

CMYK 89 / 0 / 74 / 10

HEX #19E53C

RGB 25 229 60

HSL 130.29, 0.8%, 0.5%

LAB 79.94, -76.01, 65.3

 

CMYK 80 / 0 / 89 / 10

HEX #2DE519

RGB 45 229 25

HSL 114.12, 0.8%, 0.5%

LAB 79.99, -76.08, 74.33

 

CMYK 89 / 0 / 2 / 10

HEX #19E5E1

RGB 25 229 225

HSL 178.82, 0.8%, 0.5%

LAB 82.74, -44.75, -10.92

 

CMYK 89 / 22 / 0 / 10

HEX #19B2E5

RGB 25 178 229

HSL 195, 0.8%, 0.5%

LAB 67.8, -19.04, -35.83

 

CMYK 89 / 46 / 0 / 10

HEX #197BE5

RGB 25 123 229

HSL 211.18, 0.8%, 0.5%

LAB 51.87, 12.7, -61.06

 

CMYK 89 / 70 / 0 / 10

HEX #1944E5

RGB 25 68 229

HSL 227.35, 0.8%, 0.5%

LAB 37.84, 47.48, -83.95

 

CMYK 89 / 89 / 0 / 10

HEX #1919E5

RGB 25 25 229

HSL 240, 0.8%, 0.5%

LAB 30.78, 67.9, -95.67

 

CMYK 89 / 0 / 2 / 10

HEX #19E5E1

RGB 25 229 225

HSL 178.82, 0.8%, 0.5%

LAB 82.74, -44.75, -10.92

 

CMYK 98 / 0 / 2 / 2

HEX #04FAF5

RGB 4 250 245

HSL 178.78, 0.97%, 0.5%

LAB 89.39, -48.71, -11.52

 

CMYK 89 / 0 / 2 / 10

HEX #19E5E1

RGB 25 229 225

HSL 178.82, 0.8%, 0.5%

LAB 82.74, -44.75, -10.92

 

CMYK 78 / 0 / 1 / 18

HEX #2ED0CD

RGB 46 208 205

HSL 178.89, 0.64%, 0.5%

LAB 76.13, -39.75, -10.07

 

CMYK 65 / 0 / 2 / 26

HEX #42BCB9

RGB 66 188 185

HSL 178.52, 0.48%, 0.5%

LAB 69.91, -33.76, -8.42

 

CMYK 48 / 0 / 1 / 35

HEX #57A7A6

RGB 87 167 166

HSL 179.25, 0.31%, 0.5%

LAB 63.69, -24.69, -7.08

 

CMYK 26 / 0 / 0 / 43

HEX #6C9292

RGB 108 146 146

HSL 180, 0.15%, 0.5%

LAB 57.87, -13.03, -4.27

 

CMYK 89 / 0 / 51 / 10

HEX #19E571

RGB 25 229 113

HSL 145.88, 0.8%, 0.5%

LAB 80.43, -69.97, 43.69

 

CMYK 89 / 0 / 27 / 10

HEX #19E5A8

RGB 25 229 168

HSL 162.06, 0.8%, 0.5%

LAB 81.33, -59.49, 17.12

 

CMYK 89 / 0 / 3 / 10

HEX #19E5DE

RGB 25 229 222

HSL 177.94, 0.8%, 0.5%

LAB 82.66, -45.61, -9.46

 

CMYK 89 / 21 / 0 / 10

HEX #19B5E5

RGB 25 181 229

HSL 194.12, 0.8%, 0.5%

LAB 68.69, -20.61, -34.46

 

CMYK 89 / 45 / 0 / 10

HEX #197FE5

RGB 25 127 229

HSL 210, 0.8%, 0.5%

LAB 53, 10.22, -59.25

 

CMYK 89 / 0 / 2 / 39

HEX #119B98

RGB 17 155 152

HSL 178.7, 0.8%, 0.34%

LAB 57.87, -33.33, -8

 

CMYK 89 / 0 / 2 / 25

HEX #15C0BC

RGB 21 192 188

HSL 178.6, 0.8%, 0.42%

LAB 70.52, -39.3, -9.24

 

CMYK 89 / 0 / 2 / 10

HEX #19E5E1

RGB 25 229 225

HSL 178.82, 0.8%, 0.5%

LAB 82.74, -44.75, -10.92

 

CMYK 73 / 0 / 1 / 9

HEX #3EE9E6

RGB 62 233 230

HSL 178.95, 0.8%, 0.58%

LAB 84.49, -42.28, -10.91

 

CMYK 58 / 0 / 1 / 7

HEX #63EDEB

RGB 99 237 235

HSL 179.13, 0.79%, 0.66%

LAB 86.61, -37.53, -10.29

 

CMYK 89 / 0 / 2 / 11

HEX #1AE4E0

RGB 26 228 224

HSL 178.81, 0.8%, 0.5%

LAB 82.43, -44.55, -10.86

 

CMYK 74 / 89 / 0 / 10

HEX #3B19E5

RGB 59 25 229

HSL 250, 0.8%, 0.5%

LAB 32.44, 68.96, -92.86

 

CMYK 0 / 38 / 89 / 10

HEX #E58D19

RGB 229 141 25

HSL 34.12, 0.8%, 0.5%

LAB 66.35, 25.92, 67.56

 

CMYK 89 / 0 / 2 / 11

HEX #1AE4E0

RGB 26 228 224

HSL 178.81, 0.8%, 0.5%

LAB 82.43, -44.55, -10.86

 

CMYK 3 / 89 / 0 / 10

HEX #DE19E5

RGB 222 25 229

HSL 297.94, 0.8%, 0.5%

LAB 53.9, 87.28, -56.89

 

CMYK 0 / 3 / 89 / 10

HEX #E5DE19

RGB 229 222 25

HSL 57.94, 0.8%, 0.5%

LAB 86.49, -16.19, 83.16

 

CMYK 89 / 0 / 2 / 11

HEX #1AE4E0

RGB 26 228 224

HSL 178.81, 0.8%, 0.5%

LAB 82.43, -44.55, -10.86

 

CMYK 74 / 89 / 0 / 10

HEX #3B19E5

RGB 59 25 229

HSL 250, 0.8%, 0.5%

LAB 32.44, 68.96, -92.86

 

CMYK 0 / 89 / 86 / 10

HEX #E51920

RGB 229 25 32

HSL 357.94, 0.8%, 0.5%

LAB 48.83, 71.7, 51.37

 

CMYK 15 / 0 / 89 / 10

HEX #C3E519

RGB 195 229 25

HSL 70, 0.8%, 0.5%

LAB 85.86, -33.56, 81.59

 

CMYK 89 / 0 / 2 / 11

HEX #1AE4E0

RGB 26 228 224

HSL 178.81, 0.8%, 0.5%

LAB 82.43, -44.55, -10.86

 

CMYK 48 / 89 / 0 / 10

HEX #7819E5

RGB 120 25 229

HSL 267.94, 0.8%, 0.5%

LAB 38.46, 73.37, -82.7

 

CMYK 0 / 89 / 86 / 10

HEX #E51920

RGB 229 25 32

HSL 357.94, 0.8%, 0.5%

LAB 48.83, 71.7, 51.37

 

CMYK 41 / 0 / 89 / 10

HEX #86E519

RGB 134 229 25

HSL 87.94, 0.8%, 0.5%

LAB 82.47, -56.03, 77.42

 

Description

Color code: HEX #1AE4E0 | qconv.com Color code: HEX #1AE4E0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 228 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 228 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 2 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 2% 11% C M Y K

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Provide designers and agencies with accurate color values.

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