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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1AE94E it is the complementary color #E516B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1AE94E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1AE94E shade: #1FE949, #30FB5C, #41FF6F, #52FF82 and #63FF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1AE94E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1AE94E shade: #1AE94E, #09D73B, #00C528, #00B315 and #00A102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1AE94E shade: #1BE84F, #1FE81B, #56E81B, #8DE81B and #C5E81B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1AE94E shade: #1BE84F, #1BE886, #1BE8BD, #1BDCE8 and #1BA4E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1AE94E shade matches the following richer shades: #1BE84F and #07FC44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1AE94E shade: #1BE84F, #2FD459, #44C063, #58AB6D and #6C9777

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1AE94E shade: #55E81B, #1FE81B, #1BE84E, #1BE885 and #1BE8BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1AE94E shade: #0FA134, #13C740, #1BE84F, #41EC6C and #66EF89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1AE94E shade: #1AE94E, #1B8CE8 and #E81B3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1AE94E shade: #1AE94E, #4E1BE8 and #E84E1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1AE94E shade: #1AE94E, #1B8CE8, #E81BB5 and #E8771B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1AE94E shade: #1AE94E, #1B4EE8, #E81BB5 and #E8B51B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 67 / 9

HEX #1AE94E

RGB 26 233 78

HSL 135.07, 0.82%, 0.51%

LAB 81.32, -75.52, 60.15

 

Complementary color

CMYK 0 / 90 / 23 / 10

HEX #E516B1

RGB 229 22 177

HSL 315.07, 0.82%, 0.49%

LAB 52.29, 81.99, -29.44

 

CMYK 87 / 0 / 69 / 9

HEX #1FE949

RGB 31 233 73

HSL 132.48, 0.82%, 0.52%

LAB 81.32, -75.65, 62.09

 

CMYK 81 / 0 / 63 / 2

HEX #30FB5C

RGB 48 251 92

HSL 133, 0.96%, 0.59%

LAB 87.19, -77.59, 61.04

 

CMYK 75 / 0 / 56 / 0

HEX #41FF6F

RGB 65 255 111

HSL 134.53, 1%, 0.63%

LAB 88.82, -74.62, 54.88

 

CMYK 68 / 0 / 49 / 0

HEX #52FF82

RGB 82 255 130

HSL 136.65, 1%, 0.66%

LAB 89.36, -69.49, 46.9

 

CMYK 61 / 0 / 42 / 0

HEX #63FF95

RGB 99 255 149

HSL 139.23, 1%, 0.69%

LAB 90.02, -63.47, 38.69

 

CMYK 89 / 0 / 67 / 9

HEX #1AE94E

RGB 26 233 78

HSL 135.07, 0.82%, 0.51%

LAB 81.32, -75.52, 60.15

 

CMYK 96 / 0 / 73 / 16

HEX #09D73B

RGB 9 215 59

HSL 134.56, 0.92%, 0.44%

LAB 75.44, -72.9, 61.06

 

CMYK 100 / 0 / 80 / 23

HEX #00C528

RGB 0 197 40

HSL 132.18, 1%, 0.39%

LAB 69.53, -69.55, 61.42

 

CMYK 100 / 0 / 88 / 30

HEX #00B315

RGB 0 179 21

HSL 127.04, 1%, 0.35%

LAB 63.59, -65.5, 60.75

 

CMYK 100 / 0 / 99 / 37

HEX #00A102

RGB 0 161 2

HSL 120.75, 1%, 0.32%

LAB 57.55, -61.05, 58.68

 

CMYK 88 / 0 / 66 / 9

HEX #1BE84F

RGB 27 232 79

HSL 135.22, 0.82%, 0.51%

LAB 81.02, -75.06, 59.43

 

CMYK 87 / 0 / 88 / 9

HEX #1FE81B

RGB 31 232 27

HSL 118.83, 0.82%, 0.51%

LAB 80.79, -78.19, 74.61

 

CMYK 63 / 0 / 88 / 9

HEX #56E81B

RGB 86 232 27

HSL 102.73, 0.82%, 0.51%

LAB 81.71, -70.14, 75.78

 

CMYK 39 / 0 / 88 / 9

HEX #8DE81B

RGB 141 232 27

HSL 86.63, 0.82%, 0.51%

LAB 83.68, -54.84, 78.23

 

CMYK 15 / 0 / 88 / 9

HEX #C5E81B

RGB 197 232 27

HSL 70.24, 0.82%, 0.51%

LAB 86.83, -34.09, 82.11

 

CMYK 88 / 0 / 66 / 9

HEX #1BE84F

RGB 27 232 79

HSL 135.22, 0.82%, 0.51%

LAB 81.02, -75.06, 59.43

 

CMYK 88 / 0 / 42 / 9

HEX #1BE886

RGB 27 232 134

HSL 151.32, 0.82%, 0.51%

LAB 81.66, -67.36, 34.99

 

CMYK 88 / 0 / 19 / 9

HEX #1BE8BD

RGB 27 232 189

HSL 167.41, 0.82%, 0.51%

LAB 82.71, -55.55, 8.06

 

CMYK 88 / 5 / 0 / 9

HEX #1BDCE8

RGB 27 220 232

HSL 183.51, 0.82%, 0.51%

LAB 80.32, -38.57, -18.27

 

CMYK 88 / 29 / 0 / 9

HEX #1BA4E8

RGB 27 164 232

HSL 199.9, 0.82%, 0.51%

LAB 63.84, -10.31, -43.67

 

CMYK 88 / 0 / 66 / 9

HEX #1BE84F

RGB 27 232 79

HSL 135.22, 0.82%, 0.51%

LAB 81.02, -75.06, 59.43

 

CMYK 97 / 0 / 73 / 1

HEX #07FC44

RGB 7 252 68

HSL 134.94, 0.98%, 0.51%

LAB 87.04, -82.56, 69.74

 

CMYK 88 / 0 / 66 / 9

HEX #1BE84F

RGB 27 232 79

HSL 135.22, 0.82%, 0.51%

LAB 81.02, -75.06, 59.43

 

CMYK 78 / 0 / 58 / 17

HEX #2FD459

RGB 47 212 89

HSL 135.27, 0.66%, 0.51%

LAB 75.08, -65.89, 48.51

 

CMYK 65 / 0 / 48 / 25

HEX #44C063

RGB 68 192 99

HSL 135, 0.5%, 0.51%

LAB 69.35, -54.12, 36.87

 

CMYK 49 / 0 / 36 / 33

HEX #58AB6D

RGB 88 171 109

HSL 135.18, 0.33%, 0.51%

LAB 63.59, -39.15, 24.35

 

CMYK 28 / 0 / 21 / 41

HEX #6C9777

RGB 108 151 119

HSL 135.35, 0.17%, 0.51%

LAB 58.65, -21.53, 12.22

 

CMYK 63 / 0 / 88 / 9

HEX #55E81B

RGB 85 232 27

HSL 103.02, 0.82%, 0.51%

LAB 81.69, -70.35, 75.74

 

CMYK 87 / 0 / 88 / 9

HEX #1FE81B

RGB 31 232 27

HSL 118.83, 0.82%, 0.51%

LAB 80.79, -78.19, 74.61

 

CMYK 88 / 0 / 66 / 9

HEX #1BE84E

RGB 27 232 78

HSL 134.93, 0.82%, 0.51%

LAB 81.01, -75.16, 59.82

 

CMYK 88 / 0 / 43 / 9

HEX #1BE885

RGB 27 232 133

HSL 151.02, 0.82%, 0.51%

LAB 81.64, -67.53, 35.47

 

CMYK 88 / 0 / 19 / 9

HEX #1BE8BC

RGB 27 232 188

HSL 167.12, 0.82%, 0.51%

LAB 82.69, -55.79, 8.55

 

CMYK 91 / 0 / 68 / 37

HEX #0FA134

RGB 15 161 52

HSL 135.21, 0.83%, 0.35%

LAB 57.88, -57.19, 45.32

 

CMYK 90 / 0 / 68 / 22

HEX #13C740

RGB 19 199 64

HSL 135, 0.83%, 0.43%

LAB 70.42, -67.31, 53.94

 

CMYK 88 / 0 / 66 / 9

HEX #1BE84F

RGB 27 232 79

HSL 135.22, 0.82%, 0.51%

LAB 81.02, -75.06, 59.43

 

CMYK 72 / 0 / 54 / 7

HEX #41EC6C

RGB 65 236 108

HSL 135.09, 0.82%, 0.59%

LAB 83.02, -68.82, 49.32

 

CMYK 57 / 0 / 43 / 6

HEX #66EF89

RGB 102 239 137

HSL 135.33, 0.81%, 0.67%

LAB 85.18, -58.76, 38.34

 

CMYK 89 / 0 / 67 / 9

HEX #1AE94E

RGB 26 233 78

HSL 135.07, 0.82%, 0.51%

LAB 81.32, -75.52, 60.15

 

CMYK 88 / 40 / 0 / 9

HEX #1B8CE8

RGB 27 140 232

HSL 206.93, 0.82%, 0.51%

LAB 56.9, 3.55, -54.68

 

CMYK 0 / 88 / 75 / 9

HEX #E81B3A

RGB 232 27 58

HSL 350.93, 0.82%, 0.51%

LAB 49.79, 72.85, 38.57

 

CMYK 89 / 0 / 67 / 9

HEX #1AE94E

RGB 26 233 78

HSL 135.07, 0.82%, 0.51%

LAB 81.32, -75.52, 60.15

 

CMYK 66 / 88 / 0 / 9

HEX #4E1BE8

RGB 78 27 232

HSL 254.93, 0.82%, 0.51%

LAB 34.46, 70.17, -91.17

 

CMYK 0 / 66 / 88 / 9

HEX #E84E1B

RGB 232 78 27

HSL 14.93, 0.82%, 0.51%

LAB 54.75, 57.5, 58.34

 

CMYK 89 / 0 / 67 / 9

HEX #1AE94E

RGB 26 233 78

HSL 135.07, 0.82%, 0.51%

LAB 81.32, -75.52, 60.15

 

CMYK 88 / 40 / 0 / 9

HEX #1B8CE8

RGB 27 140 232

HSL 206.93, 0.82%, 0.51%

LAB 56.9, 3.55, -54.68

 

CMYK 0 / 88 / 22 / 9

HEX #E81BB5

RGB 232 27 181

HSL 314.93, 0.82%, 0.51%

LAB 53.25, 82.38, -30.25

 

CMYK 0 / 49 / 88 / 9

HEX #E8771B

RGB 232 119 27

HSL 26.93, 0.82%, 0.51%

LAB 62.02, 38.62, 63.88

 

CMYK 89 / 0 / 67 / 9

HEX #1AE94E

RGB 26 233 78

HSL 135.07, 0.82%, 0.51%

LAB 81.32, -75.52, 60.15

 

CMYK 88 / 66 / 0 / 9

HEX #1B4EE8

RGB 27 78 232

HSL 225.07, 0.82%, 0.51%

LAB 40.42, 42.55, -81.39

 

CMYK 0 / 88 / 22 / 9

HEX #E81BB5

RGB 232 27 181

HSL 314.93, 0.82%, 0.51%

LAB 53.25, 82.38, -30.25

 

CMYK 0 / 22 / 88 / 9

HEX #E8B51B

RGB 232 181 27

HSL 45.07, 0.82%, 0.51%

LAB 76.24, 6.03, 74.9

 

Description

Color code: HEX #1AE94E | qconv.com Color code: HEX #1AE94E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 233 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 233 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 67 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 67% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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