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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1AFF70 it is the complementary color #E5008F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1AFF70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1AFF70 shade: #1FFF6B, #30FF7E, #41FF91, #52FFA4 and #63FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1AFF70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1AFF70 shade: #1AFF70, #09ED5D, #00DB4A, #00C937 and #00B724

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1AFF70 shade: #19FF6F, #19FF31, #3FFF19, #7CFF19 and #BAFF19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1AFF70 shade: #19FF6F, #19FFAD, #19FFEB, #19D4FF and #1996FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1AFF70 shade matches the following richer shades: #19FF6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1AFF70 shade: #19FF6F, #2CEC74, #3ED978, #51C77D and #63B482

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1AFF70 shade: #3FFF19, #19FF30, #19FF6D, #19FFAA and #19FFE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1AFF70 shade: #00C54A, #00EF59, #19FF6F, #42FF89 and #6CFFA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1AFF70 shade: #1AFF70, #197CFF and #FF1921

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1AFF70 shade: #1AFF70, #6D19FF and #FF6D19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1AFF70 shade: #1AFF70, #197CFF, #FF19AA and #FF9B19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1AFF70 shade: #1AFF70, #1938FF, #FF19AA and #FFE019

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 56 / 0

HEX #1AFF70

RGB 26 255 112

HSL 142.53, 1%, 0.55%

LAB 88.4, -78.12, 53.83

 

Complementary color

CMYK 0 / 100 / 38 / 10

HEX #E5008F

RGB 229 0 143

HSL 322.53, 1%, 0.45%

LAB 50.26, 80.35, -12.36

 

CMYK 88 / 0 / 58 / 0

HEX #1FFF6B

RGB 31 255 107

HSL 140.36, 1%, 0.56%

LAB 88.39, -78.47, 56.02

 

CMYK 81 / 0 / 51 / 0

HEX #30FF7E

RGB 48 255 126

HSL 142.61, 1%, 0.59%

LAB 88.76, -74.54, 47.91

 

CMYK 75 / 0 / 43 / 0

HEX #41FF91

RGB 65 255 145

HSL 145.26, 1%, 0.63%

LAB 89.25, -69.66, 39.5

 

CMYK 68 / 0 / 36 / 0

HEX #52FFA4

RGB 82 255 164

HSL 148.44, 1%, 0.66%

LAB 89.86, -63.88, 30.97

 

CMYK 61 / 0 / 28 / 0

HEX #63FFB7

RGB 99 255 183

HSL 152.31, 1%, 0.69%

LAB 90.59, -57.3, 22.43

 

CMYK 90 / 0 / 56 / 0

HEX #1AFF70

RGB 26 255 112

HSL 142.53, 1%, 0.55%

LAB 88.4, -78.12, 53.83

 

CMYK 96 / 0 / 61 / 7

HEX #09ED5D

RGB 9 237 93

HSL 142.11, 0.93%, 0.48%

LAB 82.6, -75.83, 55.37

 

CMYK 100 / 0 / 66 / 14

HEX #00DB4A

RGB 0 219 74

HSL 140.27, 1%, 0.43%

LAB 76.77, -72.97, 56.77

 

CMYK 100 / 0 / 73 / 21

HEX #00C937

RGB 0 201 55

HSL 136.42, 1%, 0.39%

LAB 70.9, -69.58, 57.85

 

CMYK 100 / 0 / 80 / 28

HEX #00B724

RGB 0 183 36

HSL 131.8, 1%, 0.36%

LAB 64.96, -65.86, 58.25

 

CMYK 90 / 0 / 56 / 0

HEX #19FF6F

RGB 25 255 111

HSL 142.43, 1%, 0.55%

LAB 88.39, -78.31, 54.25

 

CMYK 90 / 0 / 81 / 0

HEX #19FF31

RGB 25 255 49

HSL 126.26, 1%, 0.55%

LAB 87.94, -83.89, 76.25

 

CMYK 75 / 0 / 90 / 0

HEX #3FFF19

RGB 63 255 25

HSL 110.09, 1%, 0.55%

LAB 88.28, -81.18, 81.46

 

CMYK 51 / 0 / 90 / 0

HEX #7CFF19

RGB 124 255 25

HSL 94.17, 1%, 0.55%

LAB 89.8, -68.53, 83.35

 

CMYK 27 / 0 / 90 / 0

HEX #BAFF19

RGB 186 255 25

HSL 78, 1%, 0.55%

LAB 92.59, -48.42, 86.78

 

CMYK 90 / 0 / 56 / 0

HEX #19FF6F

RGB 25 255 111

HSL 142.43, 1%, 0.55%

LAB 88.39, -78.31, 54.25

 

CMYK 90 / 0 / 32 / 0

HEX #19FFAD

RGB 25 255 173

HSL 158.61, 1%, 0.55%

LAB 89.27, -67.84, 25.52

 

CMYK 90 / 0 / 8 / 0

HEX #19FFEB

RGB 25 255 235

HSL 174.78, 1%, 0.55%

LAB 90.65, -53, -4.44

 

CMYK 90 / 17 / 0 / 0

HEX #19D4FF

RGB 25 212 255

HSL 191.22, 1%, 0.55%

LAB 78.76, -27.63, -32.9

 

CMYK 90 / 41 / 0 / 0

HEX #1996FF

RGB 25 150 255

HSL 207.39, 1%, 0.55%

LAB 60.99, 6.12, -60.82

 

CMYK 90 / 0 / 56 / 0

HEX #19FF6F

RGB 25 255 111

HSL 142.43, 1%, 0.55%

LAB 88.39, -78.31, 54.25

 

CMYK 90 / 0 / 56 / 0

HEX #19FF6F

RGB 25 255 111

HSL 142.43, 1%, 0.55%

LAB 88.39, -78.31, 54.25

 

CMYK 81 / 0 / 51 / 7

HEX #2CEC74

RGB 44 236 116

HSL 142.5, 0.83%, 0.55%

LAB 82.8, -70.28, 45.24

 

CMYK 71 / 0 / 45 / 15

HEX #3ED978

RGB 62 217 120

HSL 142.45, 0.67%, 0.55%

LAB 77.28, -60.94, 36.41

 

CMYK 59 / 0 / 37 / 22

HEX #51C77D

RGB 81 199 125

HSL 142.37, 0.51%, 0.55%

LAB 72.28, -49.74, 27.4

 

CMYK 45 / 0 / 28 / 29

HEX #63B482

RGB 99 180 130

HSL 142.96, 0.35%, 0.55%

LAB 67.21, -36.19, 17.97

 

CMYK 75 / 0 / 90 / 0

HEX #3FFF19

RGB 63 255 25

HSL 110.09, 1%, 0.55%

LAB 88.28, -81.18, 81.46

 

CMYK 90 / 0 / 81 / 0

HEX #19FF30

RGB 25 255 48

HSL 126, 1%, 0.55%

LAB 87.94, -83.94, 76.49

 

CMYK 90 / 0 / 57 / 0

HEX #19FF6D

RGB 25 255 109

HSL 141.91, 1%, 0.55%

LAB 88.37, -78.56, 55.11

 

CMYK 90 / 0 / 33 / 0

HEX #19FFAA

RGB 25 255 170

HSL 157.83, 1%, 0.55%

LAB 89.22, -68.46, 26.96

 

CMYK 90 / 0 / 9 / 0

HEX #19FFE8

RGB 25 255 232

HSL 174, 1%, 0.55%

LAB 90.58, -53.8, -3

 

CMYK 100 / 0 / 62 / 23

HEX #00C54A

RGB 0 197 74

HSL 142.54, 1%, 0.39%

LAB 69.77, -66.47, 48.99

 

CMYK 100 / 0 / 63 / 6

HEX #00EF59

RGB 0 239 89

HSL 142.34, 1%, 0.47%

LAB 83.15, -77.14, 57.68

 

CMYK 90 / 0 / 56 / 0

HEX #19FF6F

RGB 25 255 111

HSL 142.43, 1%, 0.55%

LAB 88.39, -78.31, 54.25

 

CMYK 74 / 0 / 46 / 0

HEX #42FF89

RGB 66 255 137

HSL 142.54, 1%, 0.63%

LAB 89.15, -70.83, 43.25

 

CMYK 58 / 0 / 36 / 0

HEX #6CFFA3

RGB 108 255 163

HSL 142.45, 1%, 0.71%

LAB 90.48, -59.28, 32.42

 

CMYK 90 / 0 / 56 / 0

HEX #1AFF70

RGB 26 255 112

HSL 142.53, 1%, 0.55%

LAB 88.4, -78.12, 53.83

 

CMYK 90 / 51 / 0 / 0

HEX #197CFF

RGB 25 124 255

HSL 214.17, 1%, 0.55%

LAB 53.86, 22.03, -72.31

 

CMYK 0 / 90 / 87 / 0

HEX #FF1921

RGB 255 25 33

HSL 357.91, 1%, 0.55%

LAB 54.1, 78.28, 57.32

 

CMYK 90 / 0 / 56 / 0

HEX #1AFF70

RGB 26 255 112

HSL 142.53, 1%, 0.55%

LAB 88.4, -78.12, 53.83

 

CMYK 57 / 90 / 0 / 0

HEX #6D19FF

RGB 109 25 255

HSL 261.91, 1%, 0.55%

LAB 39.86, 78.32, -95.11

 

CMYK 0 / 57 / 90 / 0

HEX #FF6D19

RGB 255 109 25

HSL 21.91, 1%, 0.55%

LAB 63.56, 52.12, 67.14

 

CMYK 90 / 0 / 56 / 0

HEX #1AFF70

RGB 26 255 112

HSL 142.53, 1%, 0.55%

LAB 88.4, -78.12, 53.83

 

CMYK 90 / 51 / 0 / 0

HEX #197CFF

RGB 25 124 255

HSL 214.17, 1%, 0.55%

LAB 53.86, 22.03, -72.31

 

CMYK 0 / 90 / 33 / 0

HEX #FF19AA

RGB 255 25 170

HSL 322.17, 1%, 0.55%

LAB 56.94, 86.11, -17.79

 

CMYK 0 / 39 / 90 / 0

HEX #FF9B19

RGB 255 155 25

HSL 33.91, 1%, 0.55%

LAB 72.74, 29.39, 73.81

 

CMYK 90 / 0 / 56 / 0

HEX #1AFF70

RGB 26 255 112

HSL 142.53, 1%, 0.55%

LAB 88.4, -78.12, 53.83

 

CMYK 90 / 78 / 0 / 0

HEX #1938FF

RGB 25 56 255

HSL 231.91, 1%, 0.55%

LAB 38.3, 62.69, -97.86

 

CMYK 0 / 90 / 33 / 0

HEX #FF19AA

RGB 255 25 170

HSL 322.17, 1%, 0.55%

LAB 56.94, 86.11, -17.79

 

CMYK 0 / 12 / 90 / 0

HEX #FFE019

RGB 255 224 25

HSL 51.91, 1%, 0.55%

LAB 89.22, -6.21, 86.23

 

Description

Color code: HEX #1AFF70 | qconv.com Color code: HEX #1AFF70 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 255 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 255 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 56 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 56% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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