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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B5934 it is the complementary color #E4A6CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B5934. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B5934 shade: #20592F, #316B42, #427D55, #538F68 and #64A17B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B5934. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B5934 shade: #1B5934, #0A4721, #00350E, #002300 and #001100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B5934 shade: #1B5934, #1B5923, #24591B, #34591B and #45591B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B5934 shade: #1B5934, #1B5945, #1B5956, #1B4C59 and #1B3B59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B5934 shade matches the following richer shades: #1B5934, #126332 and #086C30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B5934 shade: #1B5934, #255036, #2E4638, #383D3A and #41333B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B5934 shade: #23591B, #1B5923, #1B5934, #1B5945 and #1B5955

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B5934 shade: #081A0F, #113A22, #1B5934, #257947 and #2E9859

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B5934 shade: #1B5934, #1B3459 and #591B1B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B5934 shade: #1B5934, #341B59 and #59341B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B5934 shade: #1B5934, #1B3459, #591B40 and #59401B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B5934 shade: #1B5934, #1B2159, #591B40 and #59531B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 42 / 65

HEX #1B5934

RGB 27 89 52

HSL 144.19, 0.53%, 0.23%

LAB 33.19, -29.24, 15.79

 

Complementary color

CMYK 0 / 27 / 11 / 11

HEX #E4A6CB

RGB 228 166 203

HSL 324.19, 0.53%, 0.77%

LAB 74.87, 28.49, -9.81

 

CMYK 64 / 0 / 47 / 65

HEX #20592F

RGB 32 89 47

HSL 135.79, 0.47%, 0.24%

LAB 33.26, -29.04, 18.89

 

CMYK 54 / 0 / 38 / 58

HEX #316B42

RGB 49 107 66

HSL 137.59, 0.37%, 0.31%

LAB 40.51, -29.05, 17.35

 

CMYK 47 / 0 / 32 / 51

HEX #427D55

RGB 66 125 85

HSL 139.32, 0.31%, 0.37%

LAB 47.6, -28.86, 15.99

 

CMYK 42 / 0 / 27 / 44

HEX #538F68

RGB 83 143 104

HSL 141, 0.27%, 0.44%

LAB 54.54, -28.6, 14.77

 

CMYK 38 / 0 / 24 / 37

HEX #64A17B

RGB 100 161 123

HSL 142.62, 0.24%, 0.51%

LAB 61.33, -28.32, 13.67

 

CMYK 70 / 0 / 42 / 65

HEX #1B5934

RGB 27 89 52

HSL 144.19, 0.53%, 0.23%

LAB 33.19, -29.24, 15.79

 

CMYK 86 / 0 / 54 / 72

HEX #0A4721

RGB 10 71 33

HSL 142.62, 0.75%, 0.16%

LAB 25.81, -28.53, 17.58

 

CMYK 100 / 0 / 74 / 79

HEX #00350E

RGB 0 53 14

HSL 135.85, 1%, 0.1%

LAB 18.27, -26.55, 19.46

 

CMYK 100 / 0 / 100 / 86

HEX #002300

RGB 0 35 0

HSL 120, 1%, 0.07%

LAB 10.57, -20.95, 15.36

 

CMYK 100 / 0 / 100 / 93

HEX #001100

RGB 0 17 0

HSL 120, 1%, 0.03%

LAB 3.62, -7.4, 5.29

 

CMYK 70 / 0 / 42 / 65

HEX #1B5934

RGB 27 89 52

HSL 144.19, 0.53%, 0.23%

LAB 33.19, -29.24, 15.79

 

CMYK 70 / 0 / 61 / 65

HEX #1B5923

RGB 27 89 35

HSL 127.74, 0.53%, 0.23%

LAB 32.92, -32.31, 25.24

 

CMYK 60 / 0 / 70 / 65

HEX #24591B

RGB 36 89 27

HSL 111.29, 0.53%, 0.23%

LAB 33.13, -30.93, 29.7

 

CMYK 42 / 0 / 70 / 65

HEX #34591B

RGB 52 89 27

HSL 95.81, 0.53%, 0.23%

LAB 33.89, -25.38, 30.73

 

CMYK 22 / 0 / 70 / 65

HEX #45591B

RGB 69 89 27

HSL 79.35, 0.53%, 0.23%

LAB 34.98, -18.21, 32.24

 

CMYK 70 / 0 / 42 / 65

HEX #1B5934

RGB 27 89 52

HSL 144.19, 0.53%, 0.23%

LAB 33.19, -29.24, 15.79

 

CMYK 70 / 0 / 22 / 65

HEX #1B5945

RGB 27 89 69

HSL 160.65, 0.53%, 0.23%

LAB 33.58, -25.13, 5.86

 

CMYK 70 / 0 / 3 / 65

HEX #1B5956

RGB 27 89 86

HSL 177.1, 0.53%, 0.23%

LAB 34.09, -20.13, -4.05

 

CMYK 70 / 15 / 0 / 65

HEX #1B4C59

RGB 27 76 89

HSL 192.58, 0.53%, 0.23%

LAB 29.72, -11.75, -12.53

 

CMYK 70 / 34 / 0 / 65

HEX #1B3B59

RGB 27 59 89

HSL 209.03, 0.53%, 0.23%

LAB 23.94, -0.91, -21.48

 

CMYK 70 / 0 / 42 / 65

HEX #1B5934

RGB 27 89 52

HSL 144.19, 0.53%, 0.23%

LAB 33.19, -29.24, 15.79

 

CMYK 82 / 0 / 49 / 61

HEX #126332

RGB 18 99 50

HSL 143.7, 0.69%, 0.23%

LAB 36.52, -35.53, 21.25

 

CMYK 93 / 0 / 56 / 58

HEX #086C30

RGB 8 108 48

HSL 144, 0.86%, 0.23%

LAB 39.56, -40.46, 26.14

 

CMYK 70 / 0 / 42 / 65

HEX #1B5934

RGB 27 89 52

HSL 144.19, 0.53%, 0.23%

LAB 33.19, -29.24, 15.79

 

CMYK 54 / 0 / 33 / 69

HEX #255036

RGB 37 80 54

HSL 143.72, 0.37%, 0.23%

LAB 30.39, -21.84, 10.85

 

CMYK 34 / 0 / 20 / 73

HEX #2E4638

RGB 46 70 56

HSL 145, 0.21%, 0.23%

LAB 27.43, -12.82, 5.51

 

CMYK 8 / 0 / 5 / 76

HEX #383D3A

RGB 56 61 58

HSL 144, 0.04%, 0.23%

LAB 25.21, -2.8, 1.12

 

CMYK 0 / 22 / 9 / 75

HEX #41333B

RGB 65 51 59

HSL 325.71, 0.12%, 0.23%

LAB 23.02, 7.91, -2.64

 

CMYK 61 / 0 / 70 / 65

HEX #23591B

RGB 35 89 27

HSL 112.26, 0.53%, 0.23%

LAB 33.1, -31.23, 29.64

 

CMYK 70 / 0 / 61 / 65

HEX #1B5923

RGB 27 89 35

HSL 127.74, 0.53%, 0.23%

LAB 32.92, -32.31, 25.24

 

CMYK 70 / 0 / 42 / 65

HEX #1B5934

RGB 27 89 52

HSL 144.19, 0.53%, 0.23%

LAB 33.19, -29.24, 15.79

 

CMYK 70 / 0 / 22 / 65

HEX #1B5945

RGB 27 89 69

HSL 160.65, 0.53%, 0.23%

LAB 33.58, -25.13, 5.86

 

CMYK 70 / 0 / 4 / 65

HEX #1B5955

RGB 27 89 85

HSL 176.13, 0.53%, 0.23%

LAB 34.05, -20.45, -3.47

 

CMYK 69 / 0 / 42 / 90

HEX #081A0F

RGB 8 26 15

HSL 143.33, 0.53%, 0.07%

LAB 7.45, -9.35, 4.52

 

CMYK 71 / 0 / 41 / 77

HEX #113A22

RGB 17 58 34

HSL 144.88, 0.55%, 0.15%

LAB 21.06, -20.95, 10.81

 

CMYK 70 / 0 / 42 / 65

HEX #1B5934

RGB 27 89 52

HSL 144.19, 0.53%, 0.23%

LAB 33.19, -29.24, 15.79

 

CMYK 69 / 0 / 41 / 53

HEX #257947

RGB 37 121 71

HSL 144.29, 0.53%, 0.31%

LAB 44.97, -37.16, 20.31

 

CMYK 70 / 0 / 41 / 40

HEX #2E9859

RGB 46 152 89

HSL 144.34, 0.54%, 0.39%

LAB 55.85, -44.63, 24.66

 

CMYK 70 / 0 / 42 / 65

HEX #1B5934

RGB 27 89 52

HSL 144.19, 0.53%, 0.23%

LAB 33.19, -29.24, 15.79

 

CMYK 70 / 42 / 0 / 65

HEX #1B3459

RGB 27 52 89

HSL 215.81, 0.53%, 0.23%

LAB 21.62, 3.94, -25.15

 

CMYK 0 / 70 / 70 / 65

HEX #591B1B

RGB 89 27 27

HSL 0, 0.53%, 0.23%

LAB 19.99, 28.51, 15.59

 

CMYK 70 / 0 / 42 / 65

HEX #1B5934

RGB 27 89 52

HSL 144.19, 0.53%, 0.23%

LAB 33.19, -29.24, 15.79

 

CMYK 42 / 70 / 0 / 65

HEX #341B59

RGB 52 27 89

HSL 264.19, 0.53%, 0.23%

LAB 16.68, 27.25, -32.96

 

CMYK 0 / 42 / 70 / 65

HEX #59341B

RGB 89 52 27

HSL 24.19, 0.53%, 0.23%

LAB 25.74, 14.01, 22.53

 

CMYK 70 / 0 / 42 / 65

HEX #1B5934

RGB 27 89 52

HSL 144.19, 0.53%, 0.23%

LAB 33.19, -29.24, 15.79

 

CMYK 70 / 42 / 0 / 65

HEX #1B3459

RGB 27 52 89

HSL 215.81, 0.53%, 0.23%

LAB 21.62, 3.94, -25.15

 

CMYK 0 / 70 / 28 / 65

HEX #591B40

RGB 89 27 64

HSL 324.19, 0.53%, 0.23%

LAB 21.12, 32.64, -8.54

 

CMYK 0 / 28 / 70 / 65

HEX #59401B

RGB 89 64 27

HSL 35.81, 0.53%, 0.23%

LAB 29.08, 6.43, 26.35

 

CMYK 70 / 0 / 42 / 65

HEX #1B5934

RGB 27 89 52

HSL 144.19, 0.53%, 0.23%

LAB 33.19, -29.24, 15.79

 

CMYK 70 / 63 / 0 / 65

HEX #1B2159

RGB 27 33 89

HSL 234.19, 0.53%, 0.23%

LAB 15.71, 17.74, -34.65

 

CMYK 0 / 70 / 28 / 65

HEX #591B40

RGB 89 27 64

HSL 324.19, 0.53%, 0.23%

LAB 21.12, 32.64, -8.54

 

CMYK 0 / 7 / 70 / 65

HEX #59531B

RGB 89 83 27

HSL 54.19, 0.53%, 0.23%

LAB 34.78, -5.28, 32.54

 

Description

Color code: HEX #1B5934 | qconv.com Color code: HEX #1B5934 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 89 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 89 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 42 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 42% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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