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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B5308 it is the complementary color #E4ACF7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B5308. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B5308 shade: #205303, #316516, #427729, #53893C and #649B4F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B5308. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B5308 shade: #1B5308, #0A4100, #002F00, #001D00 and #000B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B5308 shade: #1B5308, #2F5308, #435308, #534E08 and #533A08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B5308 shade: #1B5308, #085309, #08531D, #085332 and #085346

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B5308 shade matches the following richer shades: #1B5308 and #175A00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B5308 shade: #1B5308, #1E4C0F, #224417, #263D1E and #293525

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B5308 shade: #445308, #305308, #1C5308, #085308 and #08531C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B5308 shade: #020800, #0F2D04, #1B5308, #27790B and #339E0F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B5308 shade: #1B5308, #08534E and #53083A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B5308 shade: #1B5308, #081C53 and #53081C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B5308 shade: #1B5308, #08534E, #3F0853 and #53080D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B5308 shade: #1B5308, #084153, #3F0853 and #531908

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 90 / 67

HEX #1B5308

RGB 27 83 8

HSL 104.8, 0.82%, 0.18%

LAB 30.49, -32.64, 34.64

 

Complementary color

CMYK 8 / 30 / 0 / 3

HEX #E4ACF7

RGB 228 172 247

HSL 284.8, 0.82%, 0.82%

LAB 77.71, 33.28, -29.43

 

CMYK 61 / 0 / 96 / 67

HEX #205303

RGB 32 83 3

HSL 98.25, 0.93%, 0.17%

LAB 30.64, -31.5, 36.59

 

CMYK 51 / 0 / 78 / 60

HEX #316516

RGB 49 101 22

HSL 99.49, 0.64%, 0.24%

LAB 37.88, -32.42, 37.02

 

CMYK 45 / 0 / 66 / 53

HEX #427729

RGB 66 119 41

HSL 100.77, 0.49%, 0.31%

LAB 44.96, -32.82, 36.41

 

CMYK 39 / 0 / 56 / 46

HEX #53893C

RGB 83 137 60

HSL 102.08, 0.39%, 0.39%

LAB 51.9, -32.91, 35.29

 

CMYK 35 / 0 / 49 / 39

HEX #649B4F

RGB 100 155 79

HSL 103.42, 0.32%, 0.46%

LAB 58.71, -32.85, 34.04

 

CMYK 67 / 0 / 90 / 67

HEX #1B5308

RGB 27 83 8

HSL 104.8, 0.82%, 0.18%

LAB 30.49, -32.64, 34.64

 

CMYK 85 / 0 / 100 / 75

HEX #0A4100

RGB 10 65 0

HSL 110.77, 1%, 0.13%

LAB 23.15, -30.37, 30.82

 

CMYK 100 / 0 / 100 / 82

HEX #002F00

RGB 0 47 0

HSL 120, 1%, 0.09%

LAB 15.66, -26.3, 22.15

 

CMYK 100 / 0 / 100 / 89

HEX #001D00

RGB 0 29 0

HSL 120, 1%, 0.06%

LAB 7.94, -16.22, 11.59

 

CMYK 100 / 0 / 100 / 96

HEX #000B00

RGB 0 11 0

HSL 120, 1%, 0.02%

LAB 2.16, -4.42, 3.16

 

CMYK 67 / 0 / 90 / 67

HEX #1B5308

RGB 27 83 8

HSL 104.8, 0.82%, 0.18%

LAB 30.49, -32.64, 34.64

 

CMYK 43 / 0 / 90 / 67

HEX #2F5308

RGB 47 83 8

HSL 88.8, 0.82%, 0.18%

LAB 31.37, -25.88, 35.76

 

CMYK 19 / 0 / 90 / 67

HEX #435308

RGB 67 83 8

HSL 72.8, 0.82%, 0.18%

LAB 32.69, -17.06, 37.44

 

CMYK 0 / 6 / 90 / 67

HEX #534E08

RGB 83 78 8

HSL 56, 0.82%, 0.18%

LAB 32.49, -6.29, 37.83

 

CMYK 0 / 30 / 90 / 67

HEX #533A08

RGB 83 58 8

HSL 40, 0.82%, 0.18%

LAB 26.4, 6.14, 32.61

 

CMYK 67 / 0 / 90 / 67

HEX #1B5308

RGB 27 83 8

HSL 104.8, 0.82%, 0.18%

LAB 30.49, -32.64, 34.64

 

CMYK 90 / 0 / 89 / 67

HEX #085309

RGB 8 83 9

HSL 120.8, 0.82%, 0.18%

LAB 30.05, -36.34, 33.75

 

CMYK 90 / 0 / 65 / 67

HEX #08531D

RGB 8 83 29

HSL 136.8, 0.82%, 0.18%

LAB 30.22, -34.24, 25.19

 

CMYK 90 / 0 / 40 / 67

HEX #085332

RGB 8 83 50

HSL 153.6, 0.82%, 0.18%

LAB 30.56, -30.21, 13.43

 

CMYK 90 / 0 / 16 / 67

HEX #085346

RGB 8 83 70

HSL 169.6, 0.82%, 0.18%

LAB 31.07, -24.73, 1.58

 

CMYK 67 / 0 / 90 / 67

HEX #1B5308

RGB 27 83 8

HSL 104.8, 0.82%, 0.18%

LAB 30.49, -32.64, 34.64

 

CMYK 74 / 0 / 100 / 65

HEX #175A00

RGB 23 90 0

HSL 104.67, 1%, 0.18%

LAB 32.91, -36.75, 39.38

 

CMYK 67 / 0 / 90 / 67

HEX #1B5308

RGB 27 83 8

HSL 104.8, 0.82%, 0.18%

LAB 30.49, -32.64, 34.64

 

CMYK 61 / 0 / 80 / 70

HEX #1E4C0F

RGB 30 76 15

HSL 105.25, 0.67%, 0.18%

LAB 28.06, -28.36, 29.78

 

CMYK 50 / 0 / 66 / 73

HEX #224417

RGB 34 68 23

HSL 105.33, 0.49%, 0.18%

LAB 25.37, -22.41, 23.02

 

CMYK 38 / 0 / 51 / 76

HEX #263D1E

RGB 38 61 30

HSL 104.52, 0.34%, 0.18%

LAB 23.15, -16.13, 16.29

 

CMYK 23 / 0 / 30 / 79

HEX #293525

RGB 41 53 37

HSL 105, 0.18%, 0.18%

LAB 20.64, -8.81, 8.49

 

CMYK 18 / 0 / 90 / 67

HEX #445308

RGB 68 83 8

HSL 72, 0.82%, 0.18%

LAB 32.77, -16.59, 37.53

 

CMYK 42 / 0 / 90 / 67

HEX #305308

RGB 48 83 8

HSL 88, 0.82%, 0.18%

LAB 31.42, -25.48, 35.83

 

CMYK 66 / 0 / 90 / 67

HEX #1C5308

RGB 28 83 8

HSL 104, 0.82%, 0.18%

LAB 30.52, -32.37, 34.68

 

CMYK 90 / 0 / 90 / 67

HEX #085308

RGB 8 83 8

HSL 120, 0.82%, 0.18%

LAB 30.05, -36.41, 34.08

 

CMYK 90 / 0 / 66 / 67

HEX #08531C

RGB 8 83 28

HSL 136, 0.82%, 0.18%

LAB 30.21, -34.39, 25.7

 

CMYK 75 / 0 / 100 / 97

HEX #020800

RGB 2 8 0

HSL 105, 1%, 0.02%

LAB 1.69, -2.68, 2.47

 

CMYK 67 / 0 / 91 / 82

HEX #0F2D04

RGB 15 45 4

HSL 103.9, 0.84%, 0.1%

LAB 15.42, -20.4, 20.33

 

CMYK 67 / 0 / 90 / 67

HEX #1B5308

RGB 27 83 8

HSL 104.8, 0.82%, 0.18%

LAB 30.49, -32.64, 34.64

 

CMYK 68 / 0 / 91 / 53

HEX #27790B

RGB 39 121 11

HSL 104.73, 0.83%, 0.26%

LAB 44.42, -43.76, 46.31

 

CMYK 68 / 0 / 91 / 38

HEX #339E0F

RGB 51 158 15

HSL 104.9, 0.83%, 0.34%

LAB 57.26, -53.76, 56.69

 

CMYK 67 / 0 / 90 / 67

HEX #1B5308

RGB 27 83 8

HSL 104.8, 0.82%, 0.18%

LAB 30.49, -32.64, 34.64

 

CMYK 90 / 0 / 6 / 67

HEX #08534E

RGB 8 83 78

HSL 176, 0.82%, 0.18%

LAB 31.32, -22.17, -3.14

 

CMYK 0 / 90 / 30 / 67

HEX #53083A

RGB 83 8 58

HSL 320, 0.82%, 0.18%

LAB 17.08, 37.21, -10.64

 

CMYK 67 / 0 / 90 / 67

HEX #1B5308

RGB 27 83 8

HSL 104.8, 0.82%, 0.18%

LAB 30.49, -32.64, 34.64

 

CMYK 90 / 66 / 0 / 67

HEX #081C53

RGB 8 28 83

HSL 224, 0.82%, 0.18%

LAB 12.65, 16.29, -35.62

 

CMYK 0 / 90 / 66 / 67

HEX #53081C

RGB 83 8 28

HSL 344, 0.82%, 0.18%

LAB 15.99, 34.05, 9.44

 

CMYK 67 / 0 / 90 / 67

HEX #1B5308

RGB 27 83 8

HSL 104.8, 0.82%, 0.18%

LAB 30.49, -32.64, 34.64

 

CMYK 90 / 0 / 6 / 67

HEX #08534E

RGB 8 83 78

HSL 176, 0.82%, 0.18%

LAB 31.32, -22.17, -3.14

 

CMYK 24 / 90 / 0 / 67

HEX #3F0853

RGB 63 8 83

HSL 284, 0.82%, 0.18%

LAB 14.71, 37.07, -32.02

 

CMYK 0 / 90 / 84 / 67

HEX #53080D

RGB 83 8 13

HSL 356, 0.82%, 0.18%

LAB 15.7, 33.21, 18.8

 

CMYK 67 / 0 / 90 / 67

HEX #1B5308

RGB 27 83 8

HSL 104.8, 0.82%, 0.18%

LAB 30.49, -32.64, 34.64

 

CMYK 90 / 22 / 0 / 67

HEX #084153

RGB 8 65 83

HSL 194.4, 0.82%, 0.18%

LAB 25.13, -10.11, -15.75

 

CMYK 24 / 90 / 0 / 67

HEX #3F0853

RGB 63 8 83

HSL 284, 0.82%, 0.18%

LAB 14.71, 37.07, -32.02

 

CMYK 0 / 70 / 90 / 67

HEX #531908

RGB 83 25 8

HSL 13.6, 0.82%, 0.18%

LAB 18.15, 26.11, 23.95

 

Description

Color code: HEX #1B5308 | qconv.com Color code: HEX #1B5308 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 83 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 83 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 90 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 90% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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