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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B6EA0 it is the complementary color #E4915F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B6EA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B6EA0 shade: #206E9B, #3180AE, #4292C1, #53A4D4 and #64B6E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B6EA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B6EA0 shade: #1B6EA0, #0A5C8D, #004A7A, #003867 and #002654

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B6EA0 shade: #1B6EA1, #1B4AA1, #1B26A1, #341BA1 and #581BA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B6EA0 shade: #1B6EA1, #1B4AA1, #1B26A1 and #1B1BA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B6EA0 shade matches the following richer shades: #1B6EA1 and #0C72B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B6EA0 shade: #1B6EA1, #2A6B92, #396782, #496373 and #585F64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B6EA0 shade: #1BA18B, #1B93A1, #1B70A1, #1B4CA1 and #1B28A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B6EA0 shade: #0F3E5A, #15567E, #1B6EA1, #2187C4 and #329CDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B6EA0 shade: #1B6EA0, #671BA1 and #A19C1B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B6EA0 shade: #1B6EA0, #A11B70 and #70A11B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B6EA0 shade: #1B6EA0, #671BA1, #A14C1B and #55A11B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B6EA0 shade: #1B6EA0, #8F1BA1, #A14C1B and #2DA11B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 31 / 0 / 37

HEX #1B6EA0

RGB 27 110 160

HSL 202.56, 0.71%, 0.37%

LAB 44.12, -5.74, -33.73

 

Complementary color

CMYK 0 / 36 / 58 / 11

HEX #E4915F

RGB 228 145 95

HSL 22.56, 0.71%, 0.63%

LAB 67.7, 26.54, 39.33

 

CMYK 79 / 29 / 0 / 39

HEX #206E9B

RGB 32 110 155

HSL 201.95, 0.66%, 0.37%

LAB 43.98, -7.1, -30.98

 

CMYK 72 / 26 / 0 / 32

HEX #3180AE

RGB 49 128 174

HSL 202.08, 0.56%, 0.44%

LAB 50.86, -8.56, -31.31

 

CMYK 66 / 24 / 0 / 24

HEX #4292C1

RGB 66 146 193

HSL 202.2, 0.51%, 0.51%

LAB 57.62, -9.64, -31.59

 

CMYK 61 / 23 / 0 / 17

HEX #53A4D4

RGB 83 164 212

HSL 202.33, 0.6%, 0.58%

LAB 64.28, -10.48, -31.85

 

CMYK 57 / 21 / 0 / 9

HEX #64B6E7

RGB 100 182 231

HSL 202.44, 0.73%, 0.65%

LAB 70.83, -11.13, -32.1

 

CMYK 83 / 31 / 0 / 37

HEX #1B6EA0

RGB 27 110 160

HSL 202.56, 0.71%, 0.37%

LAB 44.12, -5.74, -33.73

 

CMYK 93 / 35 / 0 / 45

HEX #0A5C8D

RGB 10 92 141

HSL 202.44, 0.87%, 0.3%

LAB 37.19, -3.42, -33.31

 

CMYK 100 / 39 / 0 / 52

HEX #004A7A

RGB 0 74 122

HSL 203.61, 1%, 0.24%

LAB 30.16, -0.32, -32.78

 

CMYK 100 / 46 / 0 / 60

HEX #003867

RGB 0 56 103

HSL 207.38, 1%, 0.2%

LAB 23.02, 3.69, -32.11

 

CMYK 100 / 55 / 0 / 67

HEX #002654

RGB 0 38 84

HSL 212.86, 1%, 0.16%

LAB 15.62, 8.17, -31.48

 

CMYK 83 / 32 / 0 / 37

HEX #1B6EA1

RGB 27 110 161

HSL 202.84, 0.71%, 0.37%

LAB 44.17, -5.36, -34.24

 

CMYK 83 / 54 / 0 / 37

HEX #1B4AA1

RGB 27 74 161

HSL 218.96, 0.71%, 0.37%

LAB 33.36, 17.93, -51.53

 

CMYK 83 / 76 / 0 / 37

HEX #1B26A1

RGB 27 38 161

HSL 235.07, 0.71%, 0.37%

LAB 24.3, 41.5, -66.38

 

CMYK 68 / 83 / 0 / 37

HEX #341BA1

RGB 52 27 161

HSL 251.19, 0.71%, 0.37%

LAB 23.96, 49.07, -66.89

 

CMYK 45 / 83 / 0 / 37

HEX #581BA1

RGB 88 27 161

HSL 267.31, 0.71%, 0.37%

LAB 27.93, 53.19, -60.2

 

CMYK 83 / 32 / 0 / 37

HEX #1B6EA1

RGB 27 110 161

HSL 202.84, 0.71%, 0.37%

LAB 44.17, -5.36, -34.24

 

CMYK 83 / 54 / 0 / 37

HEX #1B4AA1

RGB 27 74 161

HSL 218.96, 0.71%, 0.37%

LAB 33.36, 17.93, -51.53

 

CMYK 83 / 76 / 0 / 37

HEX #1B26A1

RGB 27 38 161

HSL 235.07, 0.71%, 0.37%

LAB 24.3, 41.5, -66.38

 

CMYK 83 / 83 / 0 / 37

HEX #1B1BA1

RGB 27 27 161

HSL 240, 0.71%, 0.37%

LAB 22.27, 47.37, -69.75

 

CMYK 83 / 32 / 0 / 37

HEX #1B6EA1

RGB 27 110 161

HSL 202.84, 0.71%, 0.37%

LAB 44.17, -5.36, -34.24

 

CMYK 93 / 35 / 0 / 31

HEX #0C72B0

RGB 12 114 176

HSL 202.68, 0.87%, 0.37%

LAB 45.97, -3.02, -40.2

 

CMYK 83 / 32 / 0 / 37

HEX #1B6EA1

RGB 27 110 161

HSL 202.84, 0.71%, 0.37%

LAB 44.17, -5.36, -34.24

 

CMYK 71 / 27 / 0 / 43

HEX #2A6B92

RGB 42 107 146

HSL 202.5, 0.55%, 0.37%

LAB 42.89, -7.24, -27.32

 

CMYK 56 / 21 / 0 / 49

HEX #396782

RGB 57 103 130

HSL 202.19, 0.39%, 0.37%

LAB 41.5, -7.44, -19.82

 

CMYK 37 / 14 / 0 / 55

HEX #496373

RGB 73 99 115

HSL 202.86, 0.22%, 0.37%

LAB 40.54, -5.28, -12.11

 

CMYK 12 / 5 / 0 / 61

HEX #585F64

RGB 88 95 100

HSL 205, 0.06%, 0.37%

LAB 39.88, -1.59, -3.79

 

CMYK 83 / 0 / 14 / 37

HEX #1BA18B

RGB 27 161 139

HSL 170.15, 0.71%, 0.37%

LAB 59.51, -39.12, 1.8

 

CMYK 83 / 9 / 0 / 37

HEX #1B93A1

RGB 27 147 161

HSL 186.27, 0.71%, 0.37%

LAB 55.76, -25.85, -16.31

 

CMYK 83 / 30 / 0 / 37

HEX #1B70A1

RGB 27 112 161

HSL 201.94, 0.71%, 0.37%

LAB 44.79, -6.56, -33.26

 

CMYK 83 / 53 / 0 / 37

HEX #1B4CA1

RGB 27 76 161

HSL 218.06, 0.71%, 0.37%

LAB 33.93, 16.57, -50.6

 

CMYK 83 / 75 / 0 / 37

HEX #1B28A1

RGB 27 40 161

HSL 234.18, 0.71%, 0.37%

LAB 24.71, 40.33, -65.69

 

CMYK 83 / 31 / 0 / 65

HEX #0F3E5A

RGB 15 62 90

HSL 202.4, 0.71%, 0.21%

LAB 24.59, -4.52, -21.15

 

CMYK 83 / 32 / 0 / 51

HEX #15567E

RGB 21 86 126

HSL 202.86, 0.71%, 0.29%

LAB 34.64, -4.76, -28.15

 

CMYK 83 / 32 / 0 / 37

HEX #1B6EA1

RGB 27 110 161

HSL 202.84, 0.71%, 0.37%

LAB 44.17, -5.36, -34.24

 

CMYK 83 / 31 / 0 / 23

HEX #2187C4

RGB 33 135 196

HSL 202.45, 0.71%, 0.45%

LAB 53.64, -6.51, -39.58

 

CMYK 77 / 29 / 0 / 14

HEX #329CDC

RGB 50 156 220

HSL 202.59, 0.71%, 0.53%

LAB 61.33, -8.22, -40.96

 

CMYK 83 / 31 / 0 / 37

HEX #1B6EA0

RGB 27 110 160

HSL 202.56, 0.71%, 0.37%

LAB 44.12, -5.74, -33.73

 

CMYK 36 / 83 / 0 / 37

HEX #671BA1

RGB 103 27 161

HSL 274.03, 0.71%, 0.37%

LAB 30.01, 55.39, -56.71

 

CMYK 0 / 3 / 83 / 37

HEX #A19C1B

RGB 161 156 27

HSL 57.76, 0.71%, 0.37%

LAB 62.87, -12.16, 61.2

 

CMYK 83 / 31 / 0 / 37

HEX #1B6EA0

RGB 27 110 160

HSL 202.56, 0.71%, 0.37%

LAB 44.12, -5.74, -33.73

 

CMYK 0 / 83 / 30 / 37

HEX #A11B70

RGB 161 27 112

HSL 321.94, 0.71%, 0.37%

LAB 36.99, 58.82, -14.66

 

CMYK 30 / 0 / 83 / 37

HEX #70A11B

RGB 112 161 27

HSL 81.94, 0.71%, 0.37%

LAB 60.79, -35.48, 58.01

 

CMYK 83 / 31 / 0 / 37

HEX #1B6EA0

RGB 27 110 160

HSL 202.56, 0.71%, 0.37%

LAB 44.12, -5.74, -33.73

 

CMYK 36 / 83 / 0 / 37

HEX #671BA1

RGB 103 27 161

HSL 274.03, 0.71%, 0.37%

LAB 30.01, 55.39, -56.71

 

CMYK 0 / 53 / 83 / 37

HEX #A14C1B

RGB 161 76 27

HSL 21.94, 0.71%, 0.37%

LAB 42.5, 32.19, 43.33

 

CMYK 47 / 0 / 83 / 37

HEX #55A11B

RGB 85 161 27

HSL 94.03, 0.71%, 0.37%

LAB 59.43, -45.16, 56.28

 

CMYK 83 / 31 / 0 / 37

HEX #1B6EA0

RGB 27 110 160

HSL 202.56, 0.71%, 0.37%

LAB 44.12, -5.74, -33.73

 

CMYK 11 / 83 / 0 / 37

HEX #8F1BA1

RGB 143 27 161

HSL 291.94, 0.71%, 0.37%

LAB 36.36, 62.25, -46.12

 

CMYK 0 / 53 / 83 / 37

HEX #A14C1B

RGB 161 76 27

HSL 21.94, 0.71%, 0.37%

LAB 42.5, 32.19, 43.33

 

CMYK 72 / 0 / 83 / 37

HEX #2DA11B

RGB 45 161 27

HSL 111.94, 0.71%, 0.37%

LAB 58.16, -55.43, 54.65

 

Description

Color code: HEX #1B6EA0 | qconv.com Color code: HEX #1B6EA0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 110 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 110 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 31 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 31% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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