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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B7F53 it is the complementary color #E480AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B7F53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B7F53 shade: #207F4E, #319161, #42A374, #53B587 and #64C79A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B7F53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B7F53 shade: #1B7F53, #0A6D40, #005B2D, #00491A and #003707

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B7F53 shade: #1A7E52, #1A7E37, #1A7E1C, #337E1A and #4E7E1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B7F53 shade: #1A7E52, #1A7E6D, #1A747E, #1A597E and #1A3E7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B7F53 shade matches the following richer shades: #1A7E52, #0E8A53 and #029655

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B7F53 shade: #1A7E52, #277150, #33654F, #3F594E and #4C4C4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B7F53 shade: #1A7E1C, #1A7E36, #1A7E51, #1A7E6B and #1A757E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B7F53 shade: #0C3A25, #135C3C, #1A7E52, #21A068 and #29C27E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B7F53 shade: #1B7F53, #1A337E and #7E291A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B7F53 shade: #1B7F53, #511A7E and #7E511A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B7F53 shade: #1B7F53, #1A337E, #7E1A47 and #7E651A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B7F53 shade: #1B7F53, #1F1A7E, #7E1A47 and #797E1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 35 / 50

HEX #1B7F53

RGB 27 127 83

HSL 153.6, 0.65%, 0.3%

LAB 47.02, -38.77, 16.16

 

Complementary color

CMYK 0 / 44 / 25 / 11

HEX #E480AC

RGB 228 128 172

HSL 333.6, 0.65%, 0.7%

LAB 65.68, 43.77, -6.23

 

CMYK 75 / 0 / 39 / 50

HEX #207F4E

RGB 32 127 78

HSL 149.05, 0.6%, 0.31%

LAB 47.02, -39.11, 19.03

 

CMYK 66 / 0 / 33 / 43

HEX #319161

RGB 49 145 97

HSL 150, 0.49%, 0.38%

LAB 53.78, -39.57, 17.48

 

CMYK 60 / 0 / 29 / 36

HEX #42A374

RGB 66 163 116

HSL 150.93, 0.42%, 0.45%

LAB 60.44, -39.73, 16.11

 

CMYK 54 / 0 / 25 / 29

HEX #53B587

RGB 83 181 135

HSL 151.84, 0.4%, 0.52%

LAB 67, -39.72, 14.87

 

CMYK 50 / 0 / 23 / 22

HEX #64C79A

RGB 100 199 154

HSL 152.73, 0.47%, 0.59%

LAB 73.47, -39.61, 13.74

 

CMYK 79 / 0 / 35 / 50

HEX #1B7F53

RGB 27 127 83

HSL 153.6, 0.65%, 0.3%

LAB 47.02, -38.77, 16.16

 

CMYK 91 / 0 / 41 / 57

HEX #0A6D40

RGB 10 109 64

HSL 152.73, 0.83%, 0.23%

LAB 40.2, -37.57, 17.93

 

CMYK 100 / 0 / 51 / 64

HEX #005B2D

RGB 0 91 45

HSL 149.67, 1%, 0.18%

LAB 33.29, -35.48, 19.96

 

CMYK 100 / 0 / 64 / 71

HEX #00491A

RGB 0 73 26

HSL 141.37, 1%, 0.14%

LAB 26.27, -32.16, 22.16

 

CMYK 100 / 0 / 87 / 78

HEX #003707

RGB 0 55 7

HSL 127.64, 1%, 0.11%

LAB 19, -28.18, 23.36

 

CMYK 79 / 0 / 35 / 51

HEX #1A7E52

RGB 26 126 82

HSL 153.6, 0.66%, 0.3%

LAB 46.65, -38.72, 16.22

 

CMYK 79 / 0 / 56 / 51

HEX #1A7E37

RGB 26 126 55

HSL 137.4, 0.66%, 0.3%

LAB 46.2, -43.84, 30.55

 

CMYK 79 / 0 / 78 / 51

HEX #1A7E1C

RGB 26 126 28

HSL 121.2, 0.66%, 0.3%

LAB 45.94, -46.99, 42.54

 

CMYK 60 / 0 / 79 / 51

HEX #337E1A

RGB 51 126 26

HSL 105, 0.66%, 0.3%

LAB 46.58, -41.73, 44.11

 

CMYK 38 / 0 / 79 / 51

HEX #4E7E1A

RGB 78 126 26

HSL 88.8, 0.66%, 0.3%

LAB 47.77, -32.79, 45.67

 

CMYK 79 / 0 / 35 / 51

HEX #1A7E52

RGB 26 126 82

HSL 153.6, 0.66%, 0.3%

LAB 46.65, -38.72, 16.22

 

CMYK 79 / 0 / 13 / 51

HEX #1A7E6D

RGB 26 126 109

HSL 169.8, 0.66%, 0.3%

LAB 47.29, -31.79, 1.35

 

CMYK 79 / 8 / 0 / 51

HEX #1A747E

RGB 26 116 126

HSL 186, 0.66%, 0.3%

LAB 44.54, -21.52, -12.86

 

CMYK 79 / 29 / 0 / 51

HEX #1A597E

RGB 26 89 126

HSL 202.2, 0.66%, 0.3%

LAB 35.73, -6.04, -26.43

 

CMYK 79 / 51 / 0 / 51

HEX #1A3E7E

RGB 26 62 126

HSL 218.4, 0.66%, 0.3%

LAB 27.22, 11.86, -39.98

 

CMYK 79 / 0 / 35 / 51

HEX #1A7E52

RGB 26 126 82

HSL 153.6, 0.66%, 0.3%

LAB 46.65, -38.72, 16.22

 

CMYK 90 / 0 / 40 / 46

HEX #0E8A53

RGB 14 138 83

HSL 153.39, 0.82%, 0.3%

LAB 50.56, -44.51, 20.89

 

CMYK 99 / 0 / 43 / 41

HEX #029655

RGB 2 150 85

HSL 153.65, 0.97%, 0.3%

LAB 54.53, -49.28, 25

 

CMYK 79 / 0 / 35 / 51

HEX #1A7E52

RGB 26 126 82

HSL 153.6, 0.66%, 0.3%

LAB 46.65, -38.72, 16.22

 

CMYK 65 / 0 / 29 / 56

HEX #277150

RGB 39 113 80

HSL 153.24, 0.49%, 0.3%

LAB 42.49, -31.28, 11.73

 

CMYK 50 / 0 / 22 / 60

HEX #33654F

RGB 51 101 79

HSL 153.6, 0.33%, 0.3%

LAB 38.86, -22.66, 7.31

 

CMYK 29 / 0 / 12 / 65

HEX #3F594E

RGB 63 89 78

HSL 154.62, 0.17%, 0.3%

LAB 35.5, -12.43, 3.22

 

CMYK 0 / 0 / 0 / 70

HEX #4C4C4C

RGB 76 76 76

HSL 0, 0%, 0.3%

LAB 32.32, 0, -0

 

CMYK 79 / 0 / 78 / 51

HEX #1A7E1C

RGB 26 126 28

HSL 121.2, 0.66%, 0.3%

LAB 45.94, -46.99, 42.54

 

CMYK 79 / 0 / 57 / 51

HEX #1A7E36

RGB 26 126 54

HSL 136.8, 0.66%, 0.3%

LAB 46.19, -43.99, 31.06

 

CMYK 79 / 0 / 36 / 51

HEX #1A7E51

RGB 26 126 81

HSL 153, 0.66%, 0.3%

LAB 46.63, -38.94, 16.76

 

CMYK 79 / 0 / 15 / 51

HEX #1A7E6B

RGB 26 126 107

HSL 168.6, 0.66%, 0.3%

LAB 47.24, -32.36, 2.44

 

CMYK 79 / 7 / 0 / 51

HEX #1A757E

RGB 26 117 126

HSL 185.4, 0.66%, 0.3%

LAB 44.87, -22.05, -12.36

 

CMYK 79 / 0 / 36 / 77

HEX #0C3A25

RGB 12 58 37

HSL 152.61, 0.66%, 0.14%

LAB 20.97, -21.36, 8.7

 

CMYK 79 / 0 / 35 / 64

HEX #135C3C

RGB 19 92 60

HSL 153.7, 0.66%, 0.22%

LAB 34.23, -30.27, 12.3

 

CMYK 79 / 0 / 35 / 51

HEX #1A7E52

RGB 26 126 82

HSL 153.6, 0.66%, 0.3%

LAB 46.65, -38.72, 16.22

 

CMYK 79 / 0 / 35 / 37

HEX #21A068

RGB 33 160 104

HSL 153.54, 0.66%, 0.38%

LAB 58.48, -46.69, 19.92

 

CMYK 79 / 0 / 35 / 24

HEX #29C27E

RGB 41 194 126

HSL 153.33, 0.65%, 0.46%

LAB 69.87, -54.21, 23.49

 

CMYK 79 / 0 / 35 / 50

HEX #1B7F53

RGB 27 127 83

HSL 153.6, 0.65%, 0.3%

LAB 47.02, -38.77, 16.16

 

CMYK 79 / 60 / 0 / 51

HEX #1A337E

RGB 26 51 126

HSL 225, 0.66%, 0.3%

LAB 23.98, 19.61, -45.22

 

CMYK 0 / 67 / 79 / 51

HEX #7E291A

RGB 126 41 26

HSL 9, 0.66%, 0.3%

LAB 29.65, 35.94, 29.23

 

CMYK 79 / 0 / 35 / 50

HEX #1B7F53

RGB 27 127 83

HSL 153.6, 0.65%, 0.3%

LAB 47.02, -38.77, 16.16

 

CMYK 36 / 79 / 0 / 51

HEX #511A7E

RGB 81 26 126

HSL 273, 0.66%, 0.3%

LAB 23.65, 43.81, -45.54

 

CMYK 0 / 36 / 79 / 51

HEX #7E511A

RGB 126 81 26

HSL 33, 0.66%, 0.3%

LAB 38.54, 13.86, 38.23

 

CMYK 79 / 0 / 35 / 50

HEX #1B7F53

RGB 27 127 83

HSL 153.6, 0.65%, 0.3%

LAB 47.02, -38.77, 16.16

 

CMYK 79 / 60 / 0 / 51

HEX #1A337E

RGB 26 51 126

HSL 225, 0.66%, 0.3%

LAB 23.98, 19.61, -45.22

 

CMYK 0 / 79 / 44 / 51

HEX #7E1A47

RGB 126 26 71

HSL 333, 0.66%, 0.3%

LAB 28.46, 45.29, -1.57

 

CMYK 0 / 20 / 79 / 51

HEX #7E651A

RGB 126 101 26

HSL 45, 0.66%, 0.3%

LAB 43.97, 2.03, 43.42

 

CMYK 79 / 0 / 35 / 50

HEX #1B7F53

RGB 27 127 83

HSL 153.6, 0.65%, 0.3%

LAB 47.02, -38.77, 16.16

 

CMYK 75 / 79 / 0 / 51

HEX #1F1A7E

RGB 31 26 126

HSL 243, 0.66%, 0.3%

LAB 18.08, 36.62, -54.89

 

CMYK 0 / 79 / 44 / 51

HEX #7E1A47

RGB 126 26 71

HSL 333, 0.66%, 0.3%

LAB 28.46, 45.29, -1.57

 

CMYK 4 / 0 / 79 / 51

HEX #797E1A

RGB 121 126 26

HSL 63, 0.66%, 0.3%

LAB 50.76, -14.39, 49.53

 

Description

Color code: HEX #1B7F53 | qconv.com Color code: HEX #1B7F53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 127 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 127 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 35 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 35% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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