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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B87D4 it is the complementary color #E4782B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B87D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B87D4 shade: #2087CF, #3199E2, #42ABF5, #53BDFF and #64CFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B87D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B87D4 shade: #1B87D4, #0A75C1, #0063AE, #00519B and #003F88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B87D4 shade: #1B87D4, #1B55D4, #1B23D4, #451BD4 and #761BD4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B87D4 shade: #1B87D4, #1B55D4, #1B23D4 and #1B1BD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B87D4 shade matches the following richer shades: #1B87D4 and #088AE7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B87D4 shade: #1B87D4, #2E84C0, #4280AD, #557D99 and #697A86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B87D4 shade: #1BD4BB, #1BBBD4, #1B8AD4, #1B59D4 and #1B27D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B87D4 shade: #12588B, #1670AF, #1B87D4, #349BE4 and #58ADE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B87D4 shade: #1B87D4, #8A1BD4 and #D4D41B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B87D4 shade: #1B87D4, #D41B8A and #8AD41B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B87D4 shade: #1B87D4, #8A1BD4, #D4651B and #65D41B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B87D4 shade: #1B87D4, #C11BD4, #D4651B and #2ED41B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 36 / 0 / 17

HEX #1B87D4

RGB 27 135 212

HSL 204.97, 0.77%, 0.47%

LAB 54.36, -1, -47.51

 

Complementary color

CMYK 0 / 47 / 81 / 11

HEX #E4782B

RGB 228 120 43

HSL 24.97, 0.77%, 0.53%

LAB 61.74, 36.92, 57.79

 

CMYK 85 / 35 / 0 / 19

HEX #2087CF

RGB 32 135 207

HSL 204.69, 0.73%, 0.47%

LAB 54.18, -2.52, -44.98

 

CMYK 78 / 32 / 0 / 11

HEX #3199E2

RGB 49 153 226

HSL 204.75, 0.75%, 0.54%

LAB 60.72, -4.5, -45.25

 

CMYK 73 / 30 / 0 / 4

HEX #42ABF5

RGB 66 171 245

HSL 204.8, 0.9%, 0.61%

LAB 67.18, -6.1, -45.48

 

CMYK 67 / 26 / 0 / 0

HEX #53BDFF

RGB 83 189 255

HSL 203.02, 1%, 0.66%

LAB 73.19, -10.32, -41.46

 

CMYK 61 / 19 / 0 / 0

HEX #64CFFF

RGB 100 207 255

HSL 198.58, 1%, 0.7%

LAB 78.78, -17.08, -32.74

 

CMYK 87 / 36 / 0 / 17

HEX #1B87D4

RGB 27 135 212

HSL 204.97, 0.77%, 0.47%

LAB 54.36, -1, -47.51

 

CMYK 95 / 39 / 0 / 24

HEX #0A75C1

RGB 10 117 193

HSL 204.92, 0.9%, 0.4%

LAB 47.8, 1.72, -47.14

 

CMYK 100 / 43 / 0 / 32

HEX #0063AE

RGB 0 99 174

HSL 205.86, 1%, 0.34%

LAB 41.18, 5.06, -46.67

 

CMYK 100 / 48 / 0 / 39

HEX #00519B

RGB 0 81 155

HSL 208.65, 1%, 0.3%

LAB 34.5, 9.02, -46.09

 

CMYK 100 / 54 / 0 / 47

HEX #003F88

RGB 0 63 136

HSL 212.21, 1%, 0.27%

LAB 27.66, 13.31, -45.52

 

CMYK 87 / 36 / 0 / 17

HEX #1B87D4

RGB 27 135 212

HSL 204.97, 0.77%, 0.47%

LAB 54.36, -1, -47.51

 

CMYK 87 / 60 / 0 / 17

HEX #1B55D4

RGB 27 85 212

HSL 221.19, 0.77%, 0.47%

LAB 40.38, 30.63, -70.04

 

CMYK 87 / 83 / 0 / 17

HEX #1B23D4

RGB 27 35 212

HSL 237.41, 0.77%, 0.47%

LAB 29.88, 59.42, -87.37

 

CMYK 67 / 87 / 0 / 17

HEX #451BD4

RGB 69 27 212

HSL 253.62, 0.77%, 0.47%

LAB 31.35, 64.46, -84.86

 

CMYK 44 / 87 / 0 / 17

HEX #761BD4

RGB 118 27 212

HSL 269.51, 0.77%, 0.47%

LAB 36.72, 68.88, -75.81

 

CMYK 87 / 36 / 0 / 17

HEX #1B87D4

RGB 27 135 212

HSL 204.97, 0.77%, 0.47%

LAB 54.36, -1, -47.51

 

CMYK 87 / 60 / 0 / 17

HEX #1B55D4

RGB 27 85 212

HSL 221.19, 0.77%, 0.47%

LAB 40.38, 30.63, -70.04

 

CMYK 87 / 83 / 0 / 17

HEX #1B23D4

RGB 27 35 212

HSL 237.41, 0.77%, 0.47%

LAB 29.88, 59.42, -87.37

 

CMYK 87 / 87 / 0 / 17

HEX #1B1BD4

RGB 27 27 212

HSL 240, 0.77%, 0.47%

LAB 28.83, 62.59, -89.13

 

CMYK 87 / 36 / 0 / 17

HEX #1B87D4

RGB 27 135 212

HSL 204.97, 0.77%, 0.47%

LAB 54.36, -1, -47.51

 

CMYK 97 / 40 / 0 / 9

HEX #088AE7

RGB 8 138 231

HSL 205.02, 0.93%, 0.47%

LAB 56.09, 3.6, -55.42

 

CMYK 87 / 36 / 0 / 17

HEX #1B87D4

RGB 27 135 212

HSL 204.97, 0.77%, 0.47%

LAB 54.36, -1, -47.51

 

CMYK 76 / 31 / 0 / 25

HEX #2E84C0

RGB 46 132 192

HSL 204.66, 0.61%, 0.47%

LAB 52.83, -4.87, -38.56

 

CMYK 62 / 26 / 0 / 32

HEX #4280AD

RGB 66 128 173

HSL 205.23, 0.45%, 0.47%

LAB 51.4, -6.01, -29.84

 

CMYK 44 / 18 / 0 / 40

HEX #557D99

RGB 85 125 153

HSL 204.71, 0.29%, 0.47%

LAB 50.57, -6.16, -19.43

 

CMYK 22 / 9 / 0 / 47

HEX #697A86

RGB 105 122 134

HSL 204.83, 0.12%, 0.47%

LAB 50.27, -3.44, -8.62

 

CMYK 87 / 0 / 12 / 17

HEX #1BD4BB

RGB 27 212 187

HSL 171.89, 0.77%, 0.47%

LAB 76.62, -47.94, 0.32

 

CMYK 87 / 12 / 0 / 17

HEX #1BBBD4

RGB 27 187 212

HSL 188.11, 0.77%, 0.47%

LAB 69.84, -29.18, -23.39

 

CMYK 87 / 35 / 0 / 17

HEX #1B8AD4

RGB 27 138 212

HSL 204, 0.77%, 0.47%

LAB 55.24, -2.78, -46.12

 

CMYK 87 / 58 / 0 / 17

HEX #1B59D4

RGB 27 89 212

HSL 219.89, 0.77%, 0.47%

LAB 41.42, 28.03, -68.34

 

CMYK 87 / 82 / 0 / 17

HEX #1B27D4

RGB 27 39 212

HSL 236.11, 0.77%, 0.47%

LAB 30.49, 57.63, -86.36

 

CMYK 87 / 37 / 0 / 45

HEX #12588B

RGB 18 88 139

HSL 205.29, 0.77%, 0.31%

LAB 35.93, -1.13, -34.09

 

CMYK 87 / 36 / 0 / 31

HEX #1670AF

RGB 22 112 175

HSL 204.71, 0.78%, 0.39%

LAB 45.43, -1.61, -40.47

 

CMYK 87 / 36 / 0 / 17

HEX #1B87D4

RGB 27 135 212

HSL 204.97, 0.77%, 0.47%

LAB 54.36, -1, -47.51

 

CMYK 77 / 32 / 0 / 11

HEX #349BE4

RGB 52 155 228

HSL 204.89, 0.77%, 0.55%

LAB 61.46, -4.62, -45.19

 

CMYK 62 / 26 / 0 / 9

HEX #58ADE9

RGB 88 173 233

HSL 204.83, 0.77%, 0.63%

LAB 67.91, -7.86, -37.75

 

CMYK 87 / 36 / 0 / 17

HEX #1B87D4

RGB 27 135 212

HSL 204.97, 0.77%, 0.47%

LAB 54.36, -1, -47.51

 

CMYK 35 / 87 / 0 / 17

HEX #8A1BD4

RGB 138 27 212

HSL 276, 0.77%, 0.47%

LAB 39.48, 71.34, -71.18

 

CMYK 0 / 0 / 87 / 17

HEX #D4D41B

RGB 212 212 27

HSL 60, 0.77%, 0.47%

LAB 82.47, -18.41, 79.05

 

CMYK 87 / 36 / 0 / 17

HEX #1B87D4

RGB 27 135 212

HSL 204.97, 0.77%, 0.47%

LAB 54.36, -1, -47.51

 

CMYK 0 / 87 / 35 / 17

HEX #D41B8A

RGB 212 27 138

HSL 324, 0.77%, 0.47%

LAB 47.77, 73.43, -13.42

 

CMYK 35 / 0 / 87 / 17

HEX #8AD41B

RGB 138 212 27

HSL 84, 0.77%, 0.47%

LAB 77.62, -47.83, 73.08

 

CMYK 87 / 36 / 0 / 17

HEX #1B87D4

RGB 27 135 212

HSL 204.97, 0.77%, 0.47%

LAB 54.36, -1, -47.51

 

CMYK 35 / 87 / 0 / 17

HEX #8A1BD4

RGB 138 27 212

HSL 276, 0.77%, 0.47%

LAB 39.48, 71.34, -71.18

 

CMYK 0 / 52 / 87 / 17

HEX #D4651B

RGB 212 101 27

HSL 24, 0.77%, 0.47%

LAB 55.47, 39.81, 57.49

 

CMYK 52 / 0 / 87 / 17

HEX #65D41B

RGB 101 212 27

HSL 96, 0.77%, 0.47%

LAB 76.03, -59.65, 71.1

 

CMYK 87 / 36 / 0 / 17

HEX #1B87D4

RGB 27 135 212

HSL 204.97, 0.77%, 0.47%

LAB 54.36, -1, -47.51

 

CMYK 9 / 87 / 0 / 17

HEX #C11BD4

RGB 193 27 212

HSL 293.84, 0.77%, 0.47%

LAB 48.1, 79.56, -56.79

 

CMYK 0 / 52 / 87 / 17

HEX #D4651B

RGB 212 101 27

HSL 24, 0.77%, 0.47%

LAB 55.47, 39.81, 57.49

 

CMYK 78 / 0 / 87 / 17

HEX #2ED41B

RGB 46 212 27

HSL 113.84, 0.77%, 0.47%

LAB 74.67, -71, 69.38

 

Description

Color code: HEX #1B87D4 | qconv.com Color code: HEX #1B87D4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 135 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 135 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 36 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 36% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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