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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B87D9 it is the complementary color #E47826. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B87D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B87D9 shade: #2087D4, #3199E7, #42ABFA, #53BDFF and #64CFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B87D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B87D9 shade: #1B87D9, #0A75C6, #0063B3, #0051A0 and #003F8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B87D9 shade: #1A87D9, #1A53D9, #1A20D9, #481AD9 and #7C1AD9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B87D9 shade: #1A87D9, #1A53D9, #1A20D9 and #1A1AD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B87D9 shade matches the following richer shades: #1A87D9 and #078AED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B87D9 shade: #1A87D9, #2E84C6, #4282B2, #567F9E and #6A7C8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B87D9 shade: #1AD9C3, #1ABDD9, #1A8AD9, #1A57D9 and #1A24D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B87D9 shade: #115990, #1670B5, #1A87D9, #379AE6 and #5CADEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B87D9 shade: #1B87D9, #901AD9 and #D6D91A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B87D9 shade: #1B87D9, #D91A8A and #8AD91A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B87D9 shade: #1B87D9, #901AD9, #D96A1A and #64D91A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B87D9 shade: #1B87D9, #C91AD9, #D96A1A and #2AD91A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 38 / 0 / 15

HEX #1B87D9

RGB 27 135 217

HSL 205.89, 0.78%, 0.48%

LAB 54.63, 0.88, -49.9

 

Complementary color

CMYK 0 / 47 / 83 / 11

HEX #E47826

RGB 228 120 38

HSL 25.89, 0.78%, 0.52%

LAB 61.71, 36.77, 59.7

 

CMYK 85 / 36 / 0 / 17

HEX #2087D4

RGB 32 135 212

HSL 205.67, 0.74%, 0.48%

LAB 54.44, -0.65, -47.39

 

CMYK 79 / 34 / 0 / 9

HEX #3199E7

RGB 49 153 231

HSL 205.71, 0.79%, 0.55%

LAB 60.96, -2.72, -47.64

 

CMYK 74 / 32 / 0 / 2

HEX #42ABFA

RGB 66 171 250

HSL 205.76, 0.95%, 0.62%

LAB 67.42, -4.39, -47.84

 

CMYK 67 / 26 / 0 / 0

HEX #53BDFF

RGB 83 189 255

HSL 203.02, 1%, 0.66%

LAB 73.19, -10.32, -41.46

 

CMYK 61 / 19 / 0 / 0

HEX #64CFFF

RGB 100 207 255

HSL 198.58, 1%, 0.7%

LAB 78.78, -17.08, -32.74

 

CMYK 88 / 38 / 0 / 15

HEX #1B87D9

RGB 27 135 217

HSL 205.89, 0.78%, 0.48%

LAB 54.63, 0.88, -49.9

 

CMYK 95 / 41 / 0 / 22

HEX #0A75C6

RGB 10 117 198

HSL 205.85, 0.9%, 0.41%

LAB 48.09, 3.69, -49.55

 

CMYK 100 / 45 / 0 / 30

HEX #0063B3

RGB 0 99 179

HSL 206.82, 1%, 0.35%

LAB 41.5, 7.1, -49.1

 

CMYK 100 / 49 / 0 / 37

HEX #0051A0

RGB 0 81 160

HSL 209.63, 1%, 0.31%

LAB 34.85, 11.12, -48.54

 

CMYK 100 / 55 / 0 / 45

HEX #003F8D

RGB 0 63 141

HSL 213.19, 1%, 0.28%

LAB 28.06, 15.46, -47.98

 

CMYK 88 / 38 / 0 / 15

HEX #1A87D9

RGB 26 135 217

HSL 205.76, 0.79%, 0.48%

LAB 54.61, 0.82, -49.92

 

CMYK 88 / 62 / 0 / 15

HEX #1A53D9

RGB 26 83 217

HSL 222.09, 0.79%, 0.48%

LAB 40.27, 33.78, -73.09

 

CMYK 88 / 85 / 0 / 15

HEX #1A20D9

RGB 26 32 217

HSL 238.12, 0.79%, 0.48%

LAB 30.07, 62.11, -89.96

 

CMYK 67 / 88 / 0 / 15

HEX #481AD9

RGB 72 26 217

HSL 254.45, 0.79%, 0.48%

LAB 32.09, 66.26, -86.51

 

CMYK 43 / 88 / 0 / 15

HEX #7C1AD9

RGB 124 26 217

HSL 270.79, 0.79%, 0.48%

LAB 37.9, 70.92, -76.72

 

CMYK 88 / 38 / 0 / 15

HEX #1A87D9

RGB 26 135 217

HSL 205.76, 0.79%, 0.48%

LAB 54.61, 0.82, -49.92

 

CMYK 88 / 62 / 0 / 15

HEX #1A53D9

RGB 26 83 217

HSL 222.09, 0.79%, 0.48%

LAB 40.27, 33.78, -73.09

 

CMYK 88 / 85 / 0 / 15

HEX #1A20D9

RGB 26 32 217

HSL 238.12, 0.79%, 0.48%

LAB 30.07, 62.11, -89.96

 

CMYK 88 / 88 / 0 / 15

HEX #1A1AD9

RGB 26 26 217

HSL 240, 0.79%, 0.48%

LAB 29.33, 64.31, -91.18

 

CMYK 88 / 38 / 0 / 15

HEX #1A87D9

RGB 26 135 217

HSL 205.76, 0.79%, 0.48%

LAB 54.61, 0.82, -49.92

 

CMYK 97 / 42 / 0 / 7

HEX #078AED

RGB 7 138 237

HSL 205.83, 0.94%, 0.48%

LAB 56.42, 5.88, -58.22

 

CMYK 88 / 38 / 0 / 15

HEX #1A87D9

RGB 26 135 217

HSL 205.76, 0.79%, 0.48%

LAB 54.61, 0.82, -49.92

 

CMYK 77 / 33 / 0 / 22

HEX #2E84C6

RGB 46 132 198

HSL 206.05, 0.62%, 0.48%

LAB 53.12, -2.7, -41.52

 

CMYK 63 / 27 / 0 / 30

HEX #4282B2

RGB 66 130 178

HSL 205.71, 0.46%, 0.48%

LAB 52.22, -5.5, -31.45

 

CMYK 46 / 20 / 0 / 38

HEX #567F9E

RGB 86 127 158

HSL 205.83, 0.3%, 0.48%

LAB 51.41, -5.58, -21.05

 

CMYK 23 / 10 / 0 / 46

HEX #6A7C8A

RGB 106 124 138

HSL 206.25, 0.13%, 0.48%

LAB 51.05, -3.28, -9.79

 

CMYK 88 / 0 / 10 / 15

HEX #1AD9C3

RGB 26 217 195

HSL 173.09, 0.79%, 0.48%

LAB 78.34, -47.94, -1.47

 

CMYK 88 / 13 / 0 / 15

HEX #1ABDD9

RGB 26 189 217

HSL 188.8, 0.79%, 0.48%

LAB 70.61, -28.6, -24.94

 

CMYK 88 / 36 / 0 / 15

HEX #1A8AD9

RGB 26 138 217

HSL 204.82, 0.79%, 0.48%

LAB 55.49, -0.96, -48.53

 

CMYK 88 / 60 / 0 / 15

HEX #1A57D9

RGB 26 87 217

HSL 220.84, 0.79%, 0.48%

LAB 41.29, 31.19, -71.43

 

CMYK 88 / 83 / 0 / 15

HEX #1A24D9

RGB 26 36 217

HSL 236.86, 0.79%, 0.48%

LAB 30.62, 60.45, -89.04

 

CMYK 88 / 38 / 0 / 44

HEX #115990

RGB 17 89 144

HSL 205.98, 0.79%, 0.32%

LAB 36.51, 0.17, -36.2

 

CMYK 88 / 38 / 0 / 29

HEX #1670B5

RGB 22 112 181

HSL 206.04, 0.78%, 0.4%

LAB 45.76, 0.73, -43.44

 

CMYK 88 / 38 / 0 / 15

HEX #1A87D9

RGB 26 135 217

HSL 205.76, 0.79%, 0.48%

LAB 54.61, 0.82, -49.92

 

CMYK 76 / 33 / 0 / 10

HEX #379AE6

RGB 55 154 230

HSL 206.06, 0.78%, 0.56%

LAB 61.34, -3, -46.48

 

CMYK 61 / 26 / 0 / 8

HEX #5CADEA

RGB 92 173 234

HSL 205.77, 0.77%, 0.64%

LAB 68.1, -6.82, -37.99

 

CMYK 88 / 38 / 0 / 15

HEX #1B87D9

RGB 27 135 217

HSL 205.89, 0.78%, 0.48%

LAB 54.63, 0.88, -49.9

 

CMYK 34 / 88 / 0 / 15

HEX #901AD9

RGB 144 26 217

HSL 277.07, 0.79%, 0.48%

LAB 40.7, 73.36, -72.03

 

CMYK 1 / 0 / 88 / 15

HEX #D6D91A

RGB 214 217 26

HSL 60.94, 0.79%, 0.48%

LAB 83.96, -20.03, 80.49

 

CMYK 88 / 38 / 0 / 15

HEX #1B87D9

RGB 27 135 217

HSL 205.89, 0.78%, 0.48%

LAB 54.63, 0.88, -49.9

 

CMYK 0 / 88 / 36 / 15

HEX #D91A8A

RGB 217 26 138

HSL 324.82, 0.79%, 0.48%

LAB 48.67, 74.7, -11.98

 

CMYK 36 / 0 / 88 / 15

HEX #8AD91A

RGB 138 217 26

HSL 84.82, 0.79%, 0.48%

LAB 79.1, -49.9, 74.51

 

CMYK 88 / 38 / 0 / 15

HEX #1B87D9

RGB 27 135 217

HSL 205.89, 0.78%, 0.48%

LAB 54.63, 0.88, -49.9

 

CMYK 34 / 88 / 0 / 15

HEX #901AD9

RGB 144 26 217

HSL 277.07, 0.79%, 0.48%

LAB 40.7, 73.36, -72.03

 

CMYK 0 / 51 / 88 / 15

HEX #D96A1A

RGB 217 106 26

HSL 25.13, 0.79%, 0.48%

LAB 57.21, 39.24, 59.52

 

CMYK 54 / 0 / 88 / 15

HEX #64D91A

RGB 100 217 26

HSL 96.75, 0.79%, 0.48%

LAB 77.53, -61.73, 72.55

 

CMYK 88 / 38 / 0 / 15

HEX #1B87D9

RGB 27 135 217

HSL 205.89, 0.78%, 0.48%

LAB 54.63, 0.88, -49.9

 

CMYK 7 / 88 / 0 / 15

HEX #C91AD9

RGB 201 26 217

HSL 294.97, 0.79%, 0.48%

LAB 49.7, 81.84, -57.01

 

CMYK 0 / 51 / 88 / 15

HEX #D96A1A

RGB 217 106 26

HSL 25.13, 0.79%, 0.48%

LAB 57.21, 39.24, 59.52

 

CMYK 81 / 0 / 88 / 15

HEX #2AD91A

RGB 42 217 26

HSL 114.97, 0.79%, 0.48%

LAB 76.19, -72.97, 70.87

 

Description

Color code: HEX #1B87D9 | qconv.com Color code: HEX #1B87D9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 135 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 135 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 38 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 38% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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