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Color name
HEX #1B9185

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B9185 it is the complementary color #E46E7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B9185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B9185 shade: #209180, #31A393, #42B5A6, #53C7B9 and #64D9CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B9185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B9185 shade: #1B9185, #0A7F72, #006D5F, #005B4C and #004939

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B9185 shade: #1A9286, #1A9266, #1A9245, #1A9225 and #30921A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B9185 shade: #1A9286, #1A7E92, #1A5E92, #1A3D92 and #1A1D92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B9185 shade matches the following richer shades: #1A9286 and #0CA091

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B9185 shade: #1A9286, #28847B, #367670, #446864 and #525A59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B9185 shade: #1A9244, #1A9264, #1A9284, #1A8092 and #1A6092

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B9185 shade: #0E4C46, #146F66, #1A9286, #21B5A6 and #28D7C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B9185 shade: #1B9185, #241A92 and #92541A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B9185 shade: #1B9185, #841A92 and #92841A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B9185 shade: #1B9185, #241A92, #921A28 and #88921A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B9185 shade: #1B9185, #481A92, #921A28 and #64921A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 8 / 43

HEX #1B9185

RGB 27 145 133

HSL 173.9, 0.69%, 0.34%

LAB 54.21, -33.59, -2.53

 

Complementary color

CMYK 0 / 52 / 46 / 11

HEX #E46E7A

RGB 228 110 122

HSL 353.9, 0.69%, 0.66%

LAB 60.83, 46.9, 15.36

 

CMYK 78 / 0 / 12 / 43

HEX #209180

RGB 32 145 128

HSL 170.97, 0.64%, 0.35%

LAB 54.15, -34.49, 0.27

 

CMYK 70 / 0 / 10 / 36

HEX #31A393

RGB 49 163 147

HSL 171.58, 0.54%, 0.42%

LAB 60.74, -35.23, -0.88

 

CMYK 64 / 0 / 8 / 29

HEX #42B5A6

RGB 66 181 166

HSL 172.17, 0.47%, 0.48%

LAB 67.25, -35.69, -1.9

 

CMYK 58 / 0 / 7 / 22

HEX #53C7B9

RGB 83 199 185

HSL 172.76, 0.51%, 0.55%

LAB 73.67, -35.98, -2.81

 

CMYK 54 / 0 / 6 / 15

HEX #64D9CC

RGB 100 217 204

HSL 173.33, 0.61%, 0.62%

LAB 80.01, -36.13, -3.65

 

CMYK 81 / 0 / 8 / 43

HEX #1B9185

RGB 27 145 133

HSL 173.9, 0.69%, 0.34%

LAB 54.21, -33.59, -2.53

 

CMYK 92 / 0 / 10 / 50

HEX #0A7F72

RGB 10 127 114

HSL 173.33, 0.85%, 0.27%

LAB 47.57, -32.19, -1.23

 

CMYK 100 / 0 / 13 / 57

HEX #006D5F

RGB 0 109 95

HSL 172.29, 1%, 0.21%

LAB 40.84, -30.21, 0.28

 

CMYK 100 / 0 / 16 / 64

HEX #005B4C

RGB 0 91 76

HSL 170.11, 1%, 0.18%

LAB 33.99, -27.56, 2.02

 

CMYK 100 / 0 / 22 / 71

HEX #004939

RGB 0 73 57

HSL 166.85, 1%, 0.14%

LAB 26.91, -24.83, 3.9

 

CMYK 82 / 0 / 8 / 43

HEX #1A9286

RGB 26 146 134

HSL 174, 0.7%, 0.34%

LAB 54.55, -33.85, -2.61

 

CMYK 82 / 0 / 30 / 43

HEX #1A9266

RGB 26 146 102

HSL 158, 0.7%, 0.34%

LAB 53.75, -42.34, 14.55

 

CMYK 82 / 0 / 53 / 43

HEX #1A9245

RGB 26 146 69

HSL 141.5, 0.7%, 0.34%

LAB 53.18, -48.89, 31.82

 

CMYK 82 / 0 / 75 / 43

HEX #1A9225

RGB 26 146 37

HSL 125.5, 0.7%, 0.34%

LAB 52.85, -52.83, 46.13

 

CMYK 67 / 0 / 82 / 43

HEX #30921A

RGB 48 146 26

HSL 109, 0.7%, 0.34%

LAB 53.23, -49.81, 50.4

 

CMYK 82 / 0 / 8 / 43

HEX #1A9286

RGB 26 146 134

HSL 174, 0.7%, 0.34%

LAB 54.55, -33.85, -2.61

 

CMYK 82 / 14 / 0 / 43

HEX #1A7E92

RGB 26 126 146

HSL 190, 0.7%, 0.34%

LAB 48.53, -20.04, -18.63

 

CMYK 82 / 36 / 0 / 43

HEX #1A5E92

RGB 26 94 146

HSL 206, 0.7%, 0.34%

LAB 38.38, -1.39, -34.45

 

CMYK 82 / 58 / 0 / 43

HEX #1A3D92

RGB 26 61 146

HSL 222.5, 0.7%, 0.34%

LAB 28.47, 20.71, -50.36

 

CMYK 82 / 80 / 0 / 43

HEX #1A1D92

RGB 26 29 146

HSL 238.5, 0.7%, 0.34%

LAB 20.73, 41.37, -63.08

 

CMYK 82 / 0 / 8 / 43

HEX #1A9286

RGB 26 146 134

HSL 174, 0.7%, 0.34%

LAB 54.55, -33.85, -2.61

 

CMYK 93 / 0 / 9 / 37

HEX #0CA091

RGB 12 160 145

HSL 173.92, 0.86%, 0.34%

LAB 59.22, -37.97, -2.04

 

CMYK 82 / 0 / 8 / 43

HEX #1A9286

RGB 26 146 134

HSL 174, 0.7%, 0.34%

LAB 54.55, -33.85, -2.61

 

CMYK 70 / 0 / 7 / 48

HEX #28847B

RGB 40 132 123

HSL 174.13, 0.53%, 0.34%

LAB 49.96, -28.67, -2.95

 

CMYK 54 / 0 / 5 / 54

HEX #367670

RGB 54 118 112

HSL 174.38, 0.37%, 0.34%

LAB 45.51, -22.04, -2.96

 

CMYK 35 / 0 / 4 / 59

HEX #446864

RGB 68 104 100

HSL 173.33, 0.21%, 0.34%

LAB 41.29, -13.83, -1.86

 

CMYK 9 / 0 / 1 / 65

HEX #525A59

RGB 82 90 89

HSL 172.5, 0.05%, 0.34%

LAB 37.53, -3.36, -0.5

 

CMYK 82 / 0 / 53 / 43

HEX #1A9244

RGB 26 146 68

HSL 141, 0.7%, 0.34%

LAB 53.16, -49.05, 32.32

 

CMYK 82 / 0 / 32 / 43

HEX #1A9264

RGB 26 146 100

HSL 157, 0.7%, 0.34%

LAB 53.7, -42.8, 15.62

 

CMYK 82 / 0 / 10 / 43

HEX #1A9284

RGB 26 146 132

HSL 173, 0.7%, 0.34%

LAB 54.49, -34.44, -1.54

 

CMYK 82 / 12 / 0 / 43

HEX #1A8092

RGB 26 128 146

HSL 189, 0.7%, 0.34%

LAB 49.17, -21.11, -17.65

 

CMYK 82 / 34 / 0 / 43

HEX #1A6092

RGB 26 96 146

HSL 205, 0.7%, 0.34%

LAB 39, -2.65, -33.45

 

CMYK 82 / 0 / 8 / 70

HEX #0E4C46

RGB 14 76 70

HSL 174.19, 0.69%, 0.18%

LAB 28.65, -20.45, -1.94

 

CMYK 82 / 0 / 8 / 56

HEX #146F66

RGB 20 111 102

HSL 174.07, 0.69%, 0.26%

LAB 41.96, -27.39, -2.28

 

CMYK 82 / 0 / 8 / 43

HEX #1A9286

RGB 26 146 134

HSL 174, 0.7%, 0.34%

LAB 54.55, -33.85, -2.61

 

CMYK 82 / 0 / 8 / 29

HEX #21B5A6

RGB 33 181 166

HSL 173.92, 0.69%, 0.42%

LAB 66.61, -39.92, -2.9

 

CMYK 81 / 0 / 8 / 16

HEX #28D7C5

RGB 40 215 197

HSL 173.83, 0.69%, 0.5%

LAB 77.92, -45.6, -3.13

 

CMYK 81 / 0 / 8 / 43

HEX #1B9185

RGB 27 145 133

HSL 173.9, 0.69%, 0.34%

LAB 54.21, -33.59, -2.53

 

CMYK 75 / 82 / 0 / 43

HEX #241A92

RGB 36 26 146

HSL 245, 0.7%, 0.34%

LAB 20.79, 43.63, -62.96

 

CMYK 0 / 42 / 82 / 43

HEX #92541A

RGB 146 84 26

HSL 29, 0.7%, 0.34%

LAB 42.04, 21.29, 42.53

 

CMYK 81 / 0 / 8 / 43

HEX #1B9185

RGB 27 145 133

HSL 173.9, 0.69%, 0.34%

LAB 54.21, -33.59, -2.53

 

CMYK 10 / 82 / 0 / 43

HEX #841A92

RGB 132 26 146

HSL 293, 0.7%, 0.34%

LAB 33.39, 57.74, -41.86

 

CMYK 0 / 10 / 82 / 43

HEX #92841A

RGB 146 132 26

HSL 53, 0.7%, 0.34%

LAB 54.75, -6.12, 53.94

 

CMYK 81 / 0 / 8 / 43

HEX #1B9185

RGB 27 145 133

HSL 173.9, 0.69%, 0.34%

LAB 54.21, -33.59, -2.53

 

CMYK 75 / 82 / 0 / 43

HEX #241A92

RGB 36 26 146

HSL 245, 0.7%, 0.34%

LAB 20.79, 43.63, -62.96

 

CMYK 0 / 82 / 73 / 43

HEX #921A28

RGB 146 26 40

HSL 353, 0.7%, 0.34%

LAB 31.81, 48.9, 24.15

 

CMYK 7 / 0 / 82 / 43

HEX #88921A

RGB 136 146 26

HSL 65, 0.7%, 0.34%

LAB 57.91, -18.15, 56.37

 

CMYK 81 / 0 / 8 / 43

HEX #1B9185

RGB 27 145 133

HSL 173.9, 0.69%, 0.34%

LAB 54.21, -33.59, -2.53

 

CMYK 51 / 82 / 0 / 43

HEX #481A92

RGB 72 26 146

HSL 263, 0.7%, 0.34%

LAB 24.3, 47.52, -57.05

 

CMYK 0 / 82 / 73 / 43

HEX #921A28

RGB 146 26 40

HSL 353, 0.7%, 0.34%

LAB 31.81, 48.9, 24.15

 

CMYK 32 / 0 / 82 / 43

HEX #64921A

RGB 100 146 26

HSL 83, 0.7%, 0.34%

LAB 55.42, -33.39, 53.21

 

Description

Color code: HEX #1B9185 | qconv.com Color code: HEX #1B9185 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 145 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 145 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 8 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 8% 43% C M Y K

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Provide designers and agencies with accurate color values.

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