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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BA61E it is the complementary color #E459E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BA61E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BA61E shade: #20A619, #31B82C, #42CA3F, #53DC52 and #64EE65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BA61E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BA61E shade: #1BA61E, #0A940B, #008200, #007000 and #005E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BA61E shade: #1BA61E, #3DA61B, #63A61B, #89A61B and #A69E1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BA61E shade: #1BA61E, #1BA643, #1BA669, #1BA68F and #1B98A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BA61E shade matches the following richer shades: #1BA61E and #0BB60F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BA61E shade: #1BA61E, #2A962D, #3A873C, #4A774B and #59675A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BA61E shade: #63A61B, #3EA61B, #1BA61D, #1BA642 and #1BA667

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BA61E shade: #0F5F11, #158317, #1BA61E, #20CA24 and #36DE39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BA61E shade: #1BA61E, #1B88A6 and #A61B50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BA61E shade: #1BA61E, #1D1BA6 and #A61D1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BA61E shade: #1BA61E, #1B88A6, #A61BA4 and #A6391B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BA61E shade: #1BA61E, #1B5EA6, #A61BA4 and #A6631B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 82 / 35

HEX #1BA61E

RGB 27 166 30

HSL 121.29, 0.72%, 0.38%

LAB 59.52, -59.47, 54.96

 

Complementary color

CMYK 0 / 61 / 1 / 11

HEX #E459E1

RGB 228 89 225

HSL 301.29, 0.72%, 0.62%

LAB 60.85, 70.11, -43.55

 

CMYK 81 / 0 / 85 / 35

HEX #20A619

RGB 32 166 25

HSL 117.02, 0.74%, 0.37%

LAB 59.57, -59.14, 56.38

 

CMYK 73 / 0 / 76 / 28

HEX #31B82C

RGB 49 184 44

HSL 117.86, 0.61%, 0.45%

LAB 65.84, -61.11, 56.76

 

CMYK 67 / 0 / 69 / 21

HEX #42CA3F

RGB 66 202 63

HSL 118.71, 0.57%, 0.52%

LAB 72.07, -62.41, 56.3

 

CMYK 62 / 0 / 63 / 14

HEX #53DC52

RGB 83 220 82

HSL 119.57, 0.66%, 0.59%

LAB 78.25, -63.24, 55.4

 

CMYK 58 / 0 / 58 / 7

HEX #64EE65

RGB 100 238 101

HSL 120.43, 0.8%, 0.66%

LAB 84.38, -63.75, 54.29

 

CMYK 84 / 0 / 82 / 35

HEX #1BA61E

RGB 27 166 30

HSL 121.29, 0.72%, 0.38%

LAB 59.52, -59.47, 54.96

 

CMYK 93 / 0 / 93 / 42

HEX #0A940B

RGB 10 148 11

HSL 120.43, 0.87%, 0.31%

LAB 53.24, -56.46, 53.72

 

CMYK 100 / 0 / 100 / 49

HEX #008200

RGB 0 130 0

HSL 120, 1%, 0.25%

LAB 46.93, -52.28, 50.46

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 100 / 0 / 100 / 63

HEX #005E00

RGB 0 94 0

HSL 120, 1%, 0.18%

LAB 33.99, -41.54, 40.09

 

CMYK 84 / 0 / 82 / 35

HEX #1BA61E

RGB 27 166 30

HSL 121.29, 0.72%, 0.38%

LAB 59.52, -59.47, 54.96

 

CMYK 63 / 0 / 84 / 35

HEX #3DA61B

RGB 61 166 27

HSL 105.32, 0.72%, 0.38%

LAB 60.2, -53.76, 56.66

 

CMYK 40 / 0 / 84 / 35

HEX #63A61B

RGB 99 166 27

HSL 88.92, 0.72%, 0.38%

LAB 61.66, -42.48, 58.52

 

CMYK 17 / 0 / 84 / 35

HEX #89A61B

RGB 137 166 27

HSL 72.52, 0.72%, 0.38%

LAB 63.89, -27.68, 61.34

 

CMYK 0 / 5 / 84 / 35

HEX #A69E1B

RGB 166 158 27

HSL 56.55, 0.72%, 0.38%

LAB 63.87, -10.97, 62.22

 

CMYK 84 / 0 / 82 / 35

HEX #1BA61E

RGB 27 166 30

HSL 121.29, 0.72%, 0.38%

LAB 59.52, -59.47, 54.96

 

CMYK 84 / 0 / 60 / 35

HEX #1BA643

RGB 27 166 67

HSL 137.27, 0.72%, 0.38%

LAB 59.81, -55.95, 40.77

 

CMYK 84 / 0 / 37 / 35

HEX #1BA669

RGB 27 166 105

HSL 153.67, 0.72%, 0.38%

LAB 60.36, -49.44, 21.9

 

CMYK 84 / 0 / 14 / 35

HEX #1BA68F

RGB 27 166 143

HSL 170.07, 0.72%, 0.38%

LAB 61.21, -40.21, 2.01

 

CMYK 84 / 8 / 0 / 35

HEX #1B98A6

RGB 27 152 166

HSL 186.04, 0.72%, 0.38%

LAB 57.5, -26.73, -16.52

 

CMYK 84 / 0 / 82 / 35

HEX #1BA61E

RGB 27 166 30

HSL 121.29, 0.72%, 0.38%

LAB 59.52, -59.47, 54.96

 

CMYK 94 / 0 / 92 / 29

HEX #0BB60F

RGB 11 182 15

HSL 121.4, 0.89%, 0.38%

LAB 64.61, -66.02, 62.73

 

CMYK 84 / 0 / 82 / 35

HEX #1BA61E

RGB 27 166 30

HSL 121.29, 0.72%, 0.38%

LAB 59.52, -59.47, 54.96

 

CMYK 72 / 0 / 70 / 41

HEX #2A962D

RGB 42 150 45

HSL 121.67, 0.56%, 0.38%

LAB 54.55, -50.94, 44.8

 

CMYK 57 / 0 / 56 / 47

HEX #3A873C

RGB 58 135 60

HSL 121.56, 0.4%, 0.38%

LAB 50.16, -39.87, 32.95

 

CMYK 38 / 0 / 37 / 53

HEX #4A774B

RGB 74 119 75

HSL 121.33, 0.23%, 0.38%

LAB 45.85, -25.23, 19.45

 

CMYK 14 / 0 / 13 / 60

HEX #59675A

RGB 89 103 90

HSL 124.29, 0.07%, 0.38%

LAB 42.1, -8.12, 5.55

 

CMYK 40 / 0 / 84 / 35

HEX #63A61B

RGB 99 166 27

HSL 88.92, 0.72%, 0.38%

LAB 61.66, -42.48, 58.52

 

CMYK 63 / 0 / 84 / 35

HEX #3EA61B

RGB 62 166 27

HSL 104.89, 0.72%, 0.38%

LAB 60.23, -53.52, 56.7

 

CMYK 84 / 0 / 83 / 35

HEX #1BA61D

RGB 27 166 29

HSL 120.86, 0.72%, 0.38%

LAB 59.52, -59.53, 55.24

 

CMYK 84 / 0 / 60 / 35

HEX #1BA642

RGB 27 166 66

HSL 136.83, 0.72%, 0.38%

LAB 59.8, -56.08, 41.22

 

CMYK 84 / 0 / 38 / 35

HEX #1BA667

RGB 27 166 103

HSL 152.81, 0.72%, 0.38%

LAB 60.32, -49.85, 22.94

 

CMYK 84 / 0 / 82 / 63

HEX #0F5F11

RGB 15 95 17

HSL 121.5, 0.73%, 0.22%

LAB 34.65, -38.93, 35.4

 

CMYK 84 / 0 / 82 / 49

HEX #158317

RGB 21 131 23

HSL 121.09, 0.72%, 0.3%

LAB 47.56, -49.69, 45.8

 

CMYK 84 / 0 / 82 / 35

HEX #1BA61E

RGB 27 166 30

HSL 121.29, 0.72%, 0.38%

LAB 59.52, -59.47, 54.96

 

CMYK 84 / 0 / 82 / 21

HEX #20CA24

RGB 32 202 36

HSL 121.41, 0.73%, 0.46%

LAB 71.33, -69.28, 64.29

 

CMYK 76 / 0 / 74 / 13

HEX #36DE39

RGB 54 222 57

HSL 121.07, 0.72%, 0.54%

LAB 78.06, -71.26, 64.55

 

CMYK 84 / 0 / 82 / 35

HEX #1BA61E

RGB 27 166 30

HSL 121.29, 0.72%, 0.38%

LAB 59.52, -59.47, 54.96

 

CMYK 84 / 18 / 0 / 35

HEX #1B88A6

RGB 27 136 166

HSL 192.95, 0.72%, 0.38%

LAB 52.5, -18.4, -24.17

 

CMYK 0 / 84 / 52 / 35

HEX #A61B50

RGB 166 27 80

HSL 337.12, 0.72%, 0.38%

LAB 36.87, 56.9, 5.71

 

CMYK 84 / 0 / 82 / 35

HEX #1BA61E

RGB 27 166 30

HSL 121.29, 0.72%, 0.38%

LAB 59.52, -59.47, 54.96

 

CMYK 83 / 84 / 0 / 35

HEX #1D1BA6

RGB 29 27 166

HSL 240.86, 0.72%, 0.38%

LAB 22.99, 49.04, -71.58

 

CMYK 0 / 83 / 84 / 35

HEX #A61D1B

RGB 166 29 27

HSL 0.86, 0.72%, 0.38%

LAB 36.11, 53.54, 37.75

 

CMYK 84 / 0 / 82 / 35

HEX #1BA61E

RGB 27 166 30

HSL 121.29, 0.72%, 0.38%

LAB 59.52, -59.47, 54.96

 

CMYK 84 / 18 / 0 / 35

HEX #1B88A6

RGB 27 136 166

HSL 192.95, 0.72%, 0.38%

LAB 52.5, -18.4, -24.17

 

CMYK 0 / 84 / 1 / 35

HEX #A61BA4

RGB 166 27 164

HSL 300.86, 0.72%, 0.38%

LAB 40.53, 67.11, -41.03

 

CMYK 0 / 66 / 84 / 35

HEX #A6391B

RGB 166 57 27

HSL 12.95, 0.72%, 0.38%

LAB 39.77, 43.45, 41.15

 

CMYK 84 / 0 / 82 / 35

HEX #1BA61E

RGB 27 166 30

HSL 121.29, 0.72%, 0.38%

LAB 59.52, -59.47, 54.96

 

CMYK 84 / 43 / 0 / 35

HEX #1B5EA6

RGB 27 94 166

HSL 211.08, 0.72%, 0.38%

LAB 39.57, 6.62, -44.51

 

CMYK 0 / 84 / 1 / 35

HEX #A61BA4

RGB 166 27 164

HSL 300.86, 0.72%, 0.38%

LAB 40.53, 67.11, -41.03

 

CMYK 0 / 40 / 84 / 35

HEX #A6631B

RGB 166 99 27

HSL 31.08, 0.72%, 0.38%

LAB 48.4, 21.72, 48.9

HEX #A6631B

Description

Color code: HEX #1BA61E | qconv.com Color code: HEX #1BA61E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 166 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 166 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 82 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 82% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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