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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BC496 it is the complementary color #E43B69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BC496. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BC496 shade: #20C491, #31D6A4, #42E8B7, #53FACA and #64FFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BC496. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BC496 shade: #1BC496, #0AB283, #00A070, #008E5D and #007C4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BC496 shade: #1AC597, #1AC569, #1AC53B, #28C51A and #56C51A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BC496 shade: #1AC597, #1AC5C5, #1A97C5, #1A69C5 and #1A3BC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BC496 shade matches the following richer shades: #1AC597 and #08D79F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BC496 shade: #1AC597, #2DB38E, #3FA186, #518F7E and #637C75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BC496 shade: #1AC53A, #1AC567, #1AC595, #1AC5C2 and #1A9AC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BC496 shade: #117C5F, #15A17B, #1AC597, #27E1AF and #4CE6BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BC496 shade: #1BC496, #1A29C5 and #C5501A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BC496 shade: #1BC496, #951AC5 and #C5951A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BC496 shade: #1BC496, #1A29C5, #C51A4B and #C5B71A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BC496 shade: #1BC496, #3F1AC5, #C51A4B and #A0C51A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 23 / 23

HEX #1BC496

RGB 27 196 150

HSL 163.67, 0.76%, 0.44%

LAB 70.81, -50.88, 11.91

 

Complementary color

CMYK 0 / 74 / 54 / 11

HEX #E43B69

RGB 228 59 105

HSL 343.67, 0.76%, 0.56%

LAB 52.56, 66.63, 13.89

 

CMYK 84 / 0 / 26 / 23

HEX #20C491

RGB 32 196 145

HSL 161.34, 0.72%, 0.45%

LAB 70.75, -51.69, 14.53

 

CMYK 77 / 0 / 23 / 16

HEX #31D6A4

RGB 49 214 164

HSL 161.82, 0.67%, 0.52%

LAB 76.94, -52.7, 13.09

 

CMYK 72 / 0 / 21 / 9

HEX #42E8B7

RGB 66 232 183

HSL 162.29, 0.78%, 0.58%

LAB 83.07, -53.42, 11.78

 

CMYK 67 / 0 / 19 / 2

HEX #53FACA

RGB 83 250 202

HSL 162.75, 0.94%, 0.65%

LAB 89.15, -53.9, 10.58

 

CMYK 61 / 0 / 13 / 0

HEX #64FFDD

RGB 100 255 221

HSL 166.84, 1%, 0.7%

LAB 91.44, -48.81, 4.1

 

CMYK 86 / 0 / 23 / 23

HEX #1BC496

RGB 27 196 150

HSL 163.67, 0.76%, 0.44%

LAB 70.81, -50.88, 11.91

 

CMYK 94 / 0 / 26 / 30

HEX #0AB283

RGB 10 178 131

HSL 163.21, 0.89%, 0.37%

LAB 64.6, -49.31, 13.49

 

CMYK 100 / 0 / 30 / 37

HEX #00A070

RGB 0 160 112

HSL 162, 1%, 0.31%

LAB 58.33, -47.25, 15.25

 

CMYK 100 / 0 / 35 / 44

HEX #008E5D

RGB 0 142 93

HSL 159.3, 1%, 0.28%

LAB 51.99, -44.7, 17.18

 

CMYK 100 / 0 / 40 / 51

HEX #007C4A

RGB 0 124 74

HSL 155.81, 1%, 0.24%

LAB 45.51, -42.03, 19.22

 

CMYK 87 / 0 / 23 / 23

HEX #1AC597

RGB 26 197 151

HSL 163.86, 0.77%, 0.44%

LAB 71.14, -51.1, 11.82

 

CMYK 87 / 0 / 47 / 23

HEX #1AC569

RGB 26 197 105

HSL 147.72, 0.77%, 0.44%

LAB 70.3, -60.65, 34.9

 

CMYK 87 / 0 / 70 / 23

HEX #1AC53B

RGB 26 197 59

HSL 131.58, 0.77%, 0.44%

LAB 69.8, -66.69, 55.26

 

CMYK 80 / 0 / 87 / 23

HEX #28C51A

RGB 40 197 26

HSL 115.09, 0.77%, 0.44%

LAB 69.79, -67.4, 65.29

 

CMYK 56 / 0 / 87 / 23

HEX #56C51A

RGB 86 197 26

HSL 98.95, 0.77%, 0.44%

LAB 70.86, -58.41, 66.64

 

CMYK 87 / 0 / 23 / 23

HEX #1AC597

RGB 26 197 151

HSL 163.86, 0.77%, 0.44%

LAB 71.14, -51.1, 11.82

 

CMYK 87 / 0 / 0 / 23

HEX #1AC5C5

RGB 26 197 197

HSL 180, 0.77%, 0.44%

LAB 72.35, -38.62, -11.41

 

CMYK 87 / 23 / 0 / 23

HEX #1A97C5

RGB 26 151 197

HSL 196.14, 0.77%, 0.44%

LAB 58.4, -15.7, -32.7

 

CMYK 87 / 47 / 0 / 23

HEX #1A69C5

RGB 26 105 197

HSL 212.28, 0.77%, 0.44%

LAB 44.74, 11.7, -54.34

 

CMYK 87 / 70 / 0 / 23

HEX #1A3BC5

RGB 26 59 197

HSL 228.42, 0.77%, 0.44%

LAB 32.65, 41.59, -74.04

 

CMYK 87 / 0 / 23 / 23

HEX #1AC597

RGB 26 197 151

HSL 163.86, 0.77%, 0.44%

LAB 71.14, -51.1, 11.82

 

CMYK 96 / 0 / 26 / 16

HEX #08D79F

RGB 8 215 159

HSL 163.77, 0.93%, 0.44%

LAB 76.77, -56.98, 15.46

 

CMYK 87 / 0 / 23 / 23

HEX #1AC597

RGB 26 197 151

HSL 163.86, 0.77%, 0.44%

LAB 71.14, -51.1, 11.82

 

CMYK 75 / 0 / 21 / 30

HEX #2DB38E

RGB 45 179 142

HSL 163.43, 0.6%, 0.44%

LAB 65.55, -44.14, 8.85

 

CMYK 61 / 0 / 17 / 37

HEX #3FA186

RGB 63 161 134

HSL 163.47, 0.44%, 0.44%

LAB 60.13, -35.29, 5.6

 

CMYK 43 / 0 / 12 / 44

HEX #518F7E

RGB 81 143 126

HSL 163.55, 0.28%, 0.44%

LAB 54.97, -24.29, 2.8

 

CMYK 20 / 0 / 6 / 51

HEX #637C75

RGB 99 124 117

HSL 163.2, 0.11%, 0.44%

LAB 49.92, -10.59, 0.82

 

CMYK 87 / 0 / 71 / 23

HEX #1AC53A

RGB 26 197 58

HSL 131.23, 0.77%, 0.44%

LAB 69.79, -66.78, 55.64

 

CMYK 87 / 0 / 48 / 23

HEX #1AC567

RGB 26 197 103

HSL 147.02, 0.77%, 0.44%

LAB 70.27, -60.99, 35.87

 

CMYK 87 / 0 / 24 / 23

HEX #1AC595

RGB 26 197 149

HSL 163.16, 0.77%, 0.44%

LAB 71.09, -51.59, 12.84

 

CMYK 87 / 0 / 2 / 23

HEX #1AC5C2

RGB 26 197 194

HSL 178.95, 0.77%, 0.44%

LAB 72.26, -39.51, -9.91

 

CMYK 87 / 22 / 0 / 23

HEX #1A9AC5

RGB 26 154 197

HSL 195.09, 0.77%, 0.44%

LAB 59.31, -17.33, -31.29

 

CMYK 86 / 0 / 23 / 51

HEX #117C5F

RGB 17 124 95

HSL 163.74, 0.76%, 0.28%

LAB 46.12, -35.7, 7.9

 

CMYK 87 / 0 / 24 / 37

HEX #15A17B

RGB 21 161 123

HSL 163.71, 0.77%, 0.36%

LAB 59.05, -43.83, 10.13

 

CMYK 87 / 0 / 23 / 23

HEX #1AC597

RGB 26 197 151

HSL 163.86, 0.77%, 0.44%

LAB 71.14, -51.1, 11.82

 

CMYK 83 / 0 / 22 / 12

HEX #27E1AF

RGB 39 225 175

HSL 163.87, 0.76%, 0.52%

LAB 80.39, -55.4, 12.14

 

CMYK 67 / 0 / 18 / 10

HEX #4CE6BC

RGB 76 230 188

HSL 163.64, 0.75%, 0.6%

LAB 82.79, -50, 8.78

 

CMYK 86 / 0 / 23 / 23

HEX #1BC496

RGB 27 196 150

HSL 163.67, 0.76%, 0.44%

LAB 70.81, -50.88, 11.91

 

CMYK 87 / 79 / 0 / 23

HEX #1A29C5

RGB 26 41 197

HSL 234.74, 0.77%, 0.44%

LAB 29, 51.88, -80.1

 

CMYK 0 / 59 / 87 / 23

HEX #C5501A

RGB 197 80 26

HSL 18.95, 0.77%, 0.44%

LAB 49.11, 44.27, 51.74

 

CMYK 86 / 0 / 23 / 23

HEX #1BC496

RGB 27 196 150

HSL 163.67, 0.76%, 0.44%

LAB 70.81, -50.88, 11.91

 

CMYK 24 / 87 / 0 / 23

HEX #951AC5

RGB 149 26 197

HSL 283.16, 0.77%, 0.44%

LAB 39.85, 70.14, -61.8

 

CMYK 0 / 24 / 87 / 23

HEX #C5951A

RGB 197 149 26

HSL 43.16, 0.77%, 0.44%

LAB 64.52, 7.75, 64.26

 

CMYK 86 / 0 / 23 / 23

HEX #1BC496

RGB 27 196 150

HSL 163.67, 0.76%, 0.44%

LAB 70.81, -50.88, 11.91

 

CMYK 87 / 79 / 0 / 23

HEX #1A29C5

RGB 26 41 197

HSL 234.74, 0.77%, 0.44%

LAB 29, 51.88, -80.1

 

CMYK 0 / 87 / 62 / 23

HEX #C51A4B

RGB 197 26 75

HSL 342.81, 0.77%, 0.44%

LAB 42.94, 64.88, 18.24

 

CMYK 0 / 7 / 87 / 23

HEX #C5B71A

RGB 197 183 26

HSL 55.09, 0.77%, 0.44%

LAB 73.42, -10.3, 71.46

 

CMYK 86 / 0 / 23 / 23

HEX #1BC496

RGB 27 196 150

HSL 163.67, 0.76%, 0.44%

LAB 70.81, -50.88, 11.91

 

CMYK 68 / 87 / 0 / 23

HEX #3F1AC5

RGB 63 26 197

HSL 252.98, 0.77%, 0.44%

LAB 28.97, 60.41, -80.08

 

CMYK 0 / 87 / 62 / 23

HEX #C51A4B

RGB 197 26 75

HSL 342.81, 0.77%, 0.44%

LAB 42.94, 64.88, 18.24

 

CMYK 19 / 0 / 87 / 23

HEX #A0C51A

RGB 160 197 26

HSL 72.98, 0.77%, 0.44%

LAB 74.5, -32.89, 71.17

 

Description

Color code: HEX #1BC496 | qconv.com Color code: HEX #1BC496 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 196 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 196 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 23 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 23% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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