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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BC1C9 it is the complementary color #E43E36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BC1C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BC1C9 shade: #20C1C4, #31D3D7, #42E5EA, #53F7FD and #64FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BC1C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BC1C9 shade: #1BC1C9, #0AAFB6, #009DA3, #008B90 and #00797D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BC1C9 shade: #1BC1C9, #1B92C9, #1B63C9, #1B34C9 and #311BC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BC1C9 shade: #1BC1C9, #1B92C9, #1B63C9, #1B34C9 and #1B1BC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BC1C9 shade matches the following richer shades: #1BC1C9 and #08D2DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BC1C9 shade: #1BC1C9, #2EB1B7, #40A0A4, #538F92 and #657E7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BC1C9 shade: #1BC972, #1BC9A1, #1BC4C9, #1B95C9 and #1B67C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BC1C9 shade: #117C81, #169FA5, #1BC1C9, #2CD9E2 and #50E0E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BC1C9 shade: #1BC1C9, #441BC9 and #C98A1B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BC1C9 shade: #1BC1C9, #C91BC4 and #C4C91B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BC1C9 shade: #1BC1C9, #441BC9, #C9211B and #A1C91B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BC1C9 shade: #1BC1C9, #781BC9, #C9211B and #6CC91B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 4 / 0 / 21

HEX #1BC1C9

RGB 27 193 201

HSL 182.76, 0.76%, 0.45%

LAB 71.28, -35.51, -15.2

 

Complementary color

CMYK 0 / 73 / 76 / 11

HEX #E43E36

RGB 228 62 54

HSL 2.76, 0.76%, 0.55%

LAB 52.07, 62.87, 43.08

 

CMYK 84 / 2 / 0 / 23

HEX #20C1C4

RGB 32 193 196

HSL 181.1, 0.72%, 0.45%

LAB 71.17, -36.7, -12.63

 

CMYK 77 / 2 / 0 / 16

HEX #31D3D7

RGB 49 211 215

HSL 181.45, 0.67%, 0.52%

LAB 77.37, -37.94, -13.6

 

CMYK 72 / 2 / 0 / 8

HEX #42E5EA

RGB 66 229 234

HSL 181.79, 0.8%, 0.59%

LAB 83.51, -38.91, -14.47

 

CMYK 67 / 2 / 0 / 1

HEX #53F7FD

RGB 83 247 253

HSL 182.12, 0.98%, 0.66%

LAB 89.6, -39.66, -15.28

 

CMYK 61 / 0 / 0 / 0

HEX #64FFFF

RGB 100 255 255

HSL 180, 1%, 0.7%

LAB 92.33, -40.27, -12.2

 

CMYK 87 / 4 / 0 / 21

HEX #1BC1C9

RGB 27 193 201

HSL 182.76, 0.76%, 0.45%

LAB 71.28, -35.51, -15.2

 

CMYK 95 / 4 / 0 / 29

HEX #0AAFB6

RGB 10 175 182

HSL 182.44, 0.9%, 0.38%

LAB 65.04, -33.74, -14.14

 

CMYK 100 / 4 / 0 / 36

HEX #009DA3

RGB 0 157 163

HSL 182.21, 1%, 0.32%

LAB 58.75, -31.56, -12.95

 

CMYK 100 / 3 / 0 / 44

HEX #008B90

RGB 0 139 144

HSL 182.08, 1%, 0.28%

LAB 52.37, -28.99, -11.65

 

CMYK 100 / 3 / 0 / 51

HEX #00797D

RGB 0 121 125

HSL 181.92, 1%, 0.25%

LAB 45.85, -26.37, -10.32

 

CMYK 87 / 4 / 0 / 21

HEX #1BC1C9

RGB 27 193 201

HSL 182.76, 0.76%, 0.45%

LAB 71.28, -35.51, -15.2

 

CMYK 87 / 27 / 0 / 21

HEX #1B92C9

RGB 27 146 201

HSL 198.97, 0.76%, 0.45%

LAB 57.08, -11.44, -37.01

 

CMYK 87 / 51 / 0 / 21

HEX #1B63C9

RGB 27 99 201

HSL 215.17, 0.76%, 0.45%

LAB 43.32, 17.22, -58.93

 

CMYK 87 / 74 / 0 / 21

HEX #1B34C9

RGB 27 52 201

HSL 231.38, 0.76%, 0.45%

LAB 31.59, 47.24, -78.13

 

CMYK 76 / 87 / 0 / 21

HEX #311BC9

RGB 49 27 201

HSL 247.59, 0.76%, 0.45%

LAB 28.52, 60.32, -83.2

 

CMYK 87 / 4 / 0 / 21

HEX #1BC1C9

RGB 27 193 201

HSL 182.76, 0.76%, 0.45%

LAB 71.28, -35.51, -15.2

 

CMYK 87 / 27 / 0 / 21

HEX #1B92C9

RGB 27 146 201

HSL 198.97, 0.76%, 0.45%

LAB 57.08, -11.44, -37.01

 

CMYK 87 / 51 / 0 / 21

HEX #1B63C9

RGB 27 99 201

HSL 215.17, 0.76%, 0.45%

LAB 43.32, 17.22, -58.93

 

CMYK 87 / 74 / 0 / 21

HEX #1B34C9

RGB 27 52 201

HSL 231.38, 0.76%, 0.45%

LAB 31.59, 47.24, -78.13

 

CMYK 87 / 87 / 0 / 21

HEX #1B1BC9

RGB 27 27 201

HSL 240, 0.76%, 0.45%

LAB 27.39, 59.45, -85.11

 

CMYK 87 / 4 / 0 / 21

HEX #1BC1C9

RGB 27 193 201

HSL 182.76, 0.76%, 0.45%

LAB 71.28, -35.51, -15.2

 

CMYK 96 / 5 / 0 / 14

HEX #08D2DC

RGB 8 210 220

HSL 182.83, 0.93%, 0.45%

LAB 76.87, -38.31, -17.07

 

CMYK 87 / 4 / 0 / 21

HEX #1BC1C9

RGB 27 193 201

HSL 182.76, 0.76%, 0.45%

LAB 71.28, -35.51, -15.2

 

CMYK 75 / 3 / 0 / 28

HEX #2EB1B7

RGB 46 177 183

HSL 182.63, 0.6%, 0.45%

LAB 66.09, -31.81, -13.07

 

CMYK 61 / 2 / 0 / 36

HEX #40A0A4

RGB 64 160 164

HSL 182.4, 0.44%, 0.45%

LAB 60.7, -26.51, -10.48

 

CMYK 43 / 2 / 0 / 43

HEX #538F92

RGB 83 143 146

HSL 182.86, 0.28%, 0.45%

LAB 55.64, -18.64, -7.71

 

CMYK 20 / 1 / 0 / 50

HEX #657E7F

RGB 101 126 127

HSL 182.31, 0.11%, 0.45%

LAB 50.94, -8.74, -3.54

 

CMYK 87 / 0 / 43 / 21

HEX #1BC972

RGB 27 201 114

HSL 150, 0.76%, 0.45%

LAB 71.7, -60.37, 32.14

 

CMYK 87 / 0 / 20 / 21

HEX #1BC9A1

RGB 27 201 161

HSL 166.21, 0.76%, 0.45%

LAB 72.61, -50.17, 8.53

 

CMYK 87 / 2 / 0 / 21

HEX #1BC4C9

RGB 27 196 201

HSL 181.72, 0.76%, 0.45%

LAB 72.18, -36.9, -13.84

 

CMYK 87 / 26 / 0 / 21

HEX #1B95C9

RGB 27 149 201

HSL 197.93, 0.76%, 0.45%

LAB 57.98, -13.11, -35.6

 

CMYK 87 / 49 / 0 / 21

HEX #1B67C9

RGB 27 103 201

HSL 213.79, 0.76%, 0.45%

LAB 44.45, 14.63, -57.11

 

CMYK 87 / 4 / 0 / 49

HEX #117C81

RGB 17 124 129

HSL 182.68, 0.77%, 0.29%

LAB 47.13, -25.53, -10.75

 

CMYK 87 / 4 / 0 / 35

HEX #169FA5

RGB 22 159 165

HSL 182.52, 0.76%, 0.37%

LAB 59.6, -30.87, -12.79

 

CMYK 87 / 4 / 0 / 21

HEX #1BC1C9

RGB 27 193 201

HSL 182.76, 0.76%, 0.45%

LAB 71.28, -35.51, -15.2

 

CMYK 81 / 4 / 0 / 11

HEX #2CD9E2

RGB 44 217 226

HSL 182.97, 0.76%, 0.53%

LAB 79.42, -37.9, -16.42

 

CMYK 65 / 3 / 0 / 9

HEX #50E0E7

RGB 80 224 231

HSL 182.78, 0.76%, 0.61%

LAB 82.26, -35.63, -14.73

 

CMYK 87 / 4 / 0 / 21

HEX #1BC1C9

RGB 27 193 201

HSL 182.76, 0.76%, 0.45%

LAB 71.28, -35.51, -15.2

 

CMYK 66 / 87 / 0 / 21

HEX #441BC9

RGB 68 27 201

HSL 254.14, 0.76%, 0.45%

LAB 29.99, 61.49, -80.73

 

CMYK 0 / 31 / 87 / 21

HEX #C98A1B

RGB 201 138 27

HSL 38.28, 0.76%, 0.45%

LAB 62.23, 15.54, 62.33

 

CMYK 87 / 4 / 0 / 21

HEX #1BC1C9

RGB 27 193 201

HSL 182.76, 0.76%, 0.45%

LAB 71.28, -35.51, -15.2

 

CMYK 0 / 87 / 2 / 21

HEX #C91BC4

RGB 201 27 196

HSL 301.72, 0.76%, 0.45%

LAB 48.49, 78.48, -46.84

 

CMYK 2 / 0 / 87 / 21

HEX #C4C91B

RGB 196 201 27

HSL 61.72, 0.76%, 0.45%

LAB 78.22, -19.78, 75.11

 

CMYK 87 / 4 / 0 / 21

HEX #1BC1C9

RGB 27 193 201

HSL 182.76, 0.76%, 0.45%

LAB 71.28, -35.51, -15.2

 

CMYK 66 / 87 / 0 / 21

HEX #441BC9

RGB 68 27 201

HSL 254.14, 0.76%, 0.45%

LAB 29.99, 61.49, -80.73

 

CMYK 0 / 84 / 87 / 21

HEX #C9211B

RGB 201 33 27

HSL 2.07, 0.76%, 0.45%

LAB 43.63, 62.6, 47.13

 

CMYK 20 / 0 / 87 / 21

HEX #A1C91B

RGB 161 201 27

HSL 73.79, 0.76%, 0.45%

LAB 75.72, -34.3, 72.02

 

CMYK 87 / 4 / 0 / 21

HEX #1BC1C9

RGB 27 193 201

HSL 182.76, 0.76%, 0.45%

LAB 71.28, -35.51, -15.2

 

CMYK 40 / 87 / 0 / 21

HEX #781BC9

RGB 120 27 201

HSL 272.07, 0.76%, 0.45%

LAB 35.97, 66.68, -70.64

 

CMYK 0 / 84 / 87 / 21

HEX #C9211B

RGB 201 33 27

HSL 2.07, 0.76%, 0.45%

LAB 43.63, 62.6, 47.13

 

CMYK 46 / 0 / 87 / 21

HEX #6CC91B

RGB 108 201 27

HSL 92.07, 0.76%, 0.45%

LAB 72.92, -53.5, 68.53

 

Description

Color code: HEX #1BC1C9 | qconv.com Color code: HEX #1BC1C9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 193 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 193 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 4 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 4% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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