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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BCEDE it is the complementary color #E43121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BCEDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BCEDE shade: #20CED9, #31E0EC, #42F2FF, #53FFFF and #64FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BCEDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BCEDE shade: #1BCEDE, #0ABCCB, #00AAB8, #0098A5 and #008692

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BCEDE shade: #1BCEDE, #1B99DE, #1B65DE, #1B30DE and #3A1BDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BCEDE shade: #1BCEDE, #1B99DE, #1B65DE, #1B30DE and #1B1BDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BCEDE shade matches the following richer shades: #1BCEDE and #07DFF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BCEDE shade: #1BCEDE, #2FBDCA, #43ACB5, #589BA1 and #6C8A8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BCEDE shade: #1BDE83, #1BDEB7, #1BD1DE, #1B9DDE and #1B69DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BCEDE shade: #128A94, #16ACB9, #1BCEDE, #3CD8E6 and #60E0EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BCEDE shade: #1BCEDE, #4F1BDE and #DE9D1B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BCEDE shade: #1BCEDE, #DE1BD1 and #D1DE1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BCEDE shade: #1BCEDE, #4F1BDE, #DE281B and #AADE1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BCEDE shade: #1BCEDE, #891BDE, #DE281B and #6FDE1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 7 / 0 / 13

HEX #1BCEDE

RGB 27 206 222

HSL 184.92, 0.78%, 0.49%

LAB 75.85, -35.14, -19.67

 

Complementary color

CMYK 0 / 79 / 86 / 11

HEX #E43121

RGB 228 49 33

HSL 4.92, 0.78%, 0.51%

LAB 50.45, 66.29, 52.16

 

CMYK 85 / 5 / 0 / 15

HEX #20CED9

RGB 32 206 217

HSL 183.57, 0.74%, 0.49%

LAB 75.74, -36.38, -17.15

 

CMYK 79 / 5 / 0 / 7

HEX #31E0EC

RGB 49 224 236

HSL 183.85, 0.83%, 0.56%

LAB 81.85, -37.74, -18.06

 

CMYK 74 / 5 / 0 / 0

HEX #42F2FF

RGB 66 242 255

HSL 184.13, 1%, 0.63%

LAB 87.91, -38.83, -18.9

 

CMYK 67 / 0 / 0 / 0

HEX #53FFFF

RGB 83 255 255

HSL 180, 1%, 0.66%

LAB 91.94, -42.7, -12.81

 

CMYK 61 / 0 / 0 / 0

HEX #64FFFF

RGB 100 255 255

HSL 180, 1%, 0.7%

LAB 92.33, -40.27, -12.2

 

CMYK 88 / 7 / 0 / 13

HEX #1BCEDE

RGB 27 206 222

HSL 184.92, 0.78%, 0.49%

LAB 75.85, -35.14, -19.67

 

CMYK 95 / 7 / 0 / 20

HEX #0ABCCB

RGB 10 188 203

HSL 184.66, 0.91%, 0.42%

LAB 69.71, -33.28, -18.67

 

CMYK 100 / 8 / 0 / 28

HEX #00AAB8

RGB 0 170 184

HSL 184.57, 1%, 0.36%

LAB 63.52, -31.04, -17.56

 

CMYK 100 / 8 / 0 / 35

HEX #0098A5

RGB 0 152 165

HSL 184.73, 1%, 0.32%

LAB 57.24, -28.47, -16.37

 

CMYK 100 / 8 / 0 / 43

HEX #008692

RGB 0 134 146

HSL 184.93, 1%, 0.29%

LAB 50.83, -25.83, -15.15

 

CMYK 88 / 7 / 0 / 13

HEX #1BCEDE

RGB 27 206 222

HSL 184.92, 0.78%, 0.49%

LAB 75.85, -35.14, -19.67

 

CMYK 88 / 31 / 0 / 13

HEX #1B99DE

RGB 27 153 222

HSL 201.23, 0.78%, 0.49%

LAB 60.15, -7.75, -43.95

 

CMYK 88 / 55 / 0 / 13

HEX #1B65DE

RGB 27 101 222

HSL 217.23, 0.78%, 0.49%

LAB 45.38, 24.1, -67.61

 

CMYK 88 / 78 / 0 / 13

HEX #1B30DE

RGB 27 48 222

HSL 233.54, 0.78%, 0.49%

LAB 33.18, 56.37, -87.66

 

CMYK 74 / 88 / 0 / 13

HEX #3A1BDE

RGB 58 27 222

HSL 249.54, 0.78%, 0.49%

LAB 31.71, 66.47, -90.06

 

CMYK 88 / 7 / 0 / 13

HEX #1BCEDE

RGB 27 206 222

HSL 184.92, 0.78%, 0.49%

LAB 75.85, -35.14, -19.67

 

CMYK 88 / 31 / 0 / 13

HEX #1B99DE

RGB 27 153 222

HSL 201.23, 0.78%, 0.49%

LAB 60.15, -7.75, -43.95

 

CMYK 88 / 55 / 0 / 13

HEX #1B65DE

RGB 27 101 222

HSL 217.23, 0.78%, 0.49%

LAB 45.38, 24.1, -67.61

 

CMYK 88 / 78 / 0 / 13

HEX #1B30DE

RGB 27 48 222

HSL 233.54, 0.78%, 0.49%

LAB 33.18, 56.37, -87.66

 

CMYK 88 / 88 / 0 / 13

HEX #1B1BDE

RGB 27 27 222

HSL 240, 0.78%, 0.49%

LAB 30.13, 65.38, -92.73

 

CMYK 88 / 7 / 0 / 13

HEX #1BCEDE

RGB 27 206 222

HSL 184.92, 0.78%, 0.49%

LAB 75.85, -35.14, -19.67

 

CMYK 97 / 8 / 0 / 5

HEX #07DFF2

RGB 7 223 242

HSL 184.85, 0.94%, 0.49%

LAB 81.42, -37.56, -21.93

 

CMYK 88 / 7 / 0 / 13

HEX #1BCEDE

RGB 27 206 222

HSL 184.92, 0.78%, 0.49%

LAB 75.85, -35.14, -19.67

 

CMYK 77 / 6 / 0 / 21

HEX #2FBDCA

RGB 47 189 202

HSL 185.03, 0.62%, 0.49%

LAB 70.36, -31.69, -17.1

 

CMYK 63 / 5 / 0 / 29

HEX #43ACB5

RGB 67 172 181

HSL 184.74, 0.46%, 0.49%

LAB 64.99, -27, -13.57

 

CMYK 45 / 4 / 0 / 37

HEX #589BA1

RGB 88 155 161

HSL 184.93, 0.29%, 0.49%

LAB 59.97, -19.63, -9.79

 

CMYK 23 / 2 / 0 / 45

HEX #6C8A8D

RGB 108 138 141

HSL 185.45, 0.13%, 0.49%

LAB 55.37, -9.83, -5.09

 

CMYK 88 / 0 / 41 / 13

HEX #1BDE83

RGB 27 222 131

HSL 152, 0.78%, 0.49%

LAB 78.53, -64.5, 32.4

 

CMYK 88 / 0 / 18 / 13

HEX #1BDEB7

RGB 27 222 183

HSL 168, 0.78%, 0.49%

LAB 79.55, -53.08, 6.69

 

CMYK 88 / 6 / 0 / 13

HEX #1BD1DE

RGB 27 209 222

HSL 184, 0.78%, 0.49%

LAB 76.74, -36.54, -18.32

 

CMYK 88 / 29 / 0 / 13

HEX #1B9DDE

RGB 27 157 222

HSL 200, 0.78%, 0.49%

LAB 61.33, -10, -42.1

 

CMYK 88 / 53 / 0 / 13

HEX #1B69DE

RGB 27 105 222

HSL 216, 0.78%, 0.49%

LAB 46.46, 21.53, -65.85

 

CMYK 88 / 7 / 0 / 42

HEX #128A94

RGB 18 138 148

HSL 184.62, 0.78%, 0.33%

LAB 52.34, -26.26, -14.02

 

CMYK 88 / 7 / 0 / 27

HEX #16ACB9

RGB 22 172 185

HSL 184.79, 0.79%, 0.41%

LAB 64.31, -30.82, -16.91

 

CMYK 88 / 7 / 0 / 13

HEX #1BCEDE

RGB 27 206 222

HSL 184.92, 0.78%, 0.49%

LAB 75.85, -35.14, -19.67

 

CMYK 74 / 6 / 0 / 10

HEX #3CD8E6

RGB 60 216 230

HSL 184.94, 0.77%, 0.57%

LAB 79.49, -34.73, -18.41

 

CMYK 59 / 5 / 0 / 8

HEX #60E0EB

RGB 96 224 235

HSL 184.75, 0.78%, 0.65%

LAB 82.8, -31.97, -16

 

CMYK 88 / 7 / 0 / 13

HEX #1BCEDE

RGB 27 206 222

HSL 184.92, 0.78%, 0.49%

LAB 75.85, -35.14, -19.67

 

CMYK 64 / 88 / 0 / 13

HEX #4F1BDE

RGB 79 27 222

HSL 256, 0.78%, 0.49%

LAB 33.39, 67.71, -87.22

 

CMYK 0 / 29 / 88 / 13

HEX #DE9D1B

RGB 222 157 27

HSL 40, 0.78%, 0.49%

LAB 69.27, 14.43, 68.97

 

CMYK 88 / 7 / 0 / 13

HEX #1BCEDE

RGB 27 206 222

HSL 184.92, 0.78%, 0.49%

LAB 75.85, -35.14, -19.67

 

CMYK 0 / 88 / 6 / 13

HEX #DE1BD1

RGB 222 27 209

HSL 304, 0.78%, 0.49%

LAB 52.86, 84.11, -47.18

 

CMYK 6 / 0 / 88 / 13

HEX #D1DE1B

RGB 209 222 27

HSL 64, 0.78%, 0.49%

LAB 84.93, -24.52, 80.93

 

CMYK 88 / 7 / 0 / 13

HEX #1BCEDE

RGB 27 206 222

HSL 184.92, 0.78%, 0.49%

LAB 75.85, -35.14, -19.67

 

CMYK 64 / 88 / 0 / 13

HEX #4F1BDE

RGB 79 27 222

HSL 256, 0.78%, 0.49%

LAB 33.39, 67.71, -87.22

 

CMYK 0 / 82 / 88 / 13

HEX #DE281B

RGB 222 40 27

HSL 4, 0.78%, 0.49%

LAB 48.42, 66.81, 52.71

 

CMYK 23 / 0 / 88 / 13

HEX #AADE1B

RGB 170 222 27

HSL 76, 0.78%, 0.49%

LAB 82.31, -40.21, 77.71

 

CMYK 88 / 7 / 0 / 13

HEX #1BCEDE

RGB 27 206 222

HSL 184.92, 0.78%, 0.49%

LAB 75.85, -35.14, -19.67

 

CMYK 38 / 88 / 0 / 13

HEX #891BDE

RGB 137 27 222

HSL 273.85, 0.78%, 0.49%

LAB 40.21, 73.29, -75.74

 

CMYK 0 / 82 / 88 / 13

HEX #DE281B

RGB 222 40 27

HSL 4, 0.78%, 0.49%

LAB 48.42, 66.81, 52.71

 

CMYK 50 / 0 / 88 / 13

HEX #6FDE1B

RGB 111 222 27

HSL 94.15, 0.78%, 0.49%

LAB 79.44, -60.42, 74.16

 

Description

Color code: HEX #1BCEDE | qconv.com Color code: HEX #1BCEDE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 206 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 206 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 7 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 7% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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