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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BE95B it is the complementary color #E416A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BE95B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BE95B shade: #20E956, #31FB69, #42FF7C, #53FF8F and #64FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BE95B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BE95B shade: #1BE95B, #0AD748, #00C535, #00B322 and #00A10F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BE95B shade: #1BE85B, #1BE823, #4AE81B, #81E81B and #B8E81B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BE95B shade: #1BE85B, #1BE892, #1BE8C9, #1BCFE8 and #1B98E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BE95B shade matches the following richer shades: #1BE85B and #07FC53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BE95B shade: #1BE85B, #2FD462, #44C06A, #58AB72 and #6C9779

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BE95B shade: #4BE81B, #1BE822, #1BE859, #1BE88F and #1BE8C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BE95B shade: #0FA13D, #13C74B, #1BE85B, #41EC76 and #66EF91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BE95B shade: #1BE95B, #1B82E8 and #E81B30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BE95B shade: #1BE95B, #591BE8 and #E8591B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BE95B shade: #1BE95B, #1B82E8, #E81BAB and #E8821B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BE95B shade: #1BE95B, #1B44E8, #E81BAB and #E8BF1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 61 / 9

HEX #1BE95B

RGB 27 233 91

HSL 138.64, 0.82%, 0.51%

LAB 81.44, -74.05, 54.92

 

Complementary color

CMYK 0 / 90 / 28 / 11

HEX #E416A4

RGB 228 22 164

HSL 318.64, 0.82%, 0.49%

LAB 51.55, 80.32, -22.95

 

CMYK 86 / 0 / 63 / 9

HEX #20E956

RGB 32 233 86

HSL 136.12, 0.82%, 0.52%

LAB 81.43, -74.27, 57.04

 

CMYK 80 / 0 / 58 / 2

HEX #31FB69

RGB 49 251 105

HSL 136.63, 0.96%, 0.59%

LAB 87.32, -76.01, 55.7

 

CMYK 74 / 0 / 51 / 0

HEX #42FF7C

RGB 66 255 124

HSL 138.41, 1%, 0.63%

LAB 88.99, -72.76, 49.18

 

CMYK 67 / 0 / 44 / 0

HEX #53FF8F

RGB 83 255 143

HSL 140.93, 1%, 0.66%

LAB 89.55, -67.35, 40.94

 

CMYK 61 / 0 / 36 / 0

HEX #64FFA2

RGB 100 255 162

HSL 144, 1%, 0.7%

LAB 90.25, -61.07, 32.56

 

CMYK 88 / 0 / 61 / 9

HEX #1BE95B

RGB 27 233 91

HSL 138.64, 0.82%, 0.51%

LAB 81.44, -74.05, 54.92

 

CMYK 95 / 0 / 67 / 16

HEX #0AD748

RGB 10 215 72

HSL 138.15, 0.91%, 0.44%

LAB 75.53, -71.66, 56.24

 

CMYK 100 / 0 / 73 / 23

HEX #00C535

RGB 0 197 53

HSL 136.14, 1%, 0.39%

LAB 69.6, -68.6, 57.24

 

CMYK 100 / 0 / 81 / 30

HEX #00B322

RGB 0 179 34

HSL 131.4, 1%, 0.35%

LAB 63.64, -64.85, 57.59

 

CMYK 100 / 0 / 91 / 37

HEX #00A10F

RGB 0 161 15

HSL 125.59, 1%, 0.32%

LAB 57.58, -60.67, 56.7

 

CMYK 88 / 0 / 61 / 9

HEX #1BE85B

RGB 27 232 91

HSL 138.73, 0.82%, 0.51%

LAB 81.13, -73.75, 54.57

 

CMYK 88 / 0 / 85 / 9

HEX #1BE823

RGB 27 232 35

HSL 122.34, 0.82%, 0.51%

LAB 80.78, -78.18, 73.04

 

CMYK 68 / 0 / 88 / 9

HEX #4AE81B

RGB 74 232 27

HSL 106.24, 0.82%, 0.51%

LAB 81.43, -72.55, 75.42

 

CMYK 44 / 0 / 88 / 9

HEX #81E81B

RGB 129 232 27

HSL 90.15, 0.82%, 0.51%

LAB 83.16, -58.71, 77.58

 

CMYK 21 / 0 / 88 / 9

HEX #B8E81B

RGB 184 232 27

HSL 74.05, 0.82%, 0.51%

LAB 86, -39.21, 81.09

 

CMYK 88 / 0 / 61 / 9

HEX #1BE85B

RGB 27 232 91

HSL 138.73, 0.82%, 0.51%

LAB 81.13, -73.75, 54.57

 

CMYK 88 / 0 / 37 / 9

HEX #1BE892

RGB 27 232 146

HSL 154.83, 0.82%, 0.51%

LAB 81.85, -65.11, 29.19

 

CMYK 88 / 0 / 13 / 9

HEX #1BE8C9

RGB 27 232 201

HSL 170.93, 0.82%, 0.51%

LAB 83, -52.5, 2.15

 

CMYK 88 / 11 / 0 / 9

HEX #1BCFE8

RGB 27 207 232

HSL 187.32, 0.82%, 0.51%

LAB 76.49, -32.49, -24.08

 

CMYK 88 / 34 / 0 / 9

HEX #1B98E8

RGB 27 152 232

HSL 203.41, 0.82%, 0.51%

LAB 60.35, -3.51, -49.18

 

CMYK 88 / 0 / 61 / 9

HEX #1BE85B

RGB 27 232 91

HSL 138.73, 0.82%, 0.51%

LAB 81.13, -73.75, 54.57

 

CMYK 97 / 0 / 67 / 1

HEX #07FC53

RGB 7 252 83

HSL 138.61, 0.98%, 0.51%

LAB 87.14, -81.27, 64.46

 

CMYK 88 / 0 / 61 / 9

HEX #1BE85B

RGB 27 232 91

HSL 138.73, 0.82%, 0.51%

LAB 81.13, -73.75, 54.57

 

CMYK 78 / 0 / 54 / 17

HEX #2FD462

RGB 47 212 98

HSL 138.55, 0.66%, 0.51%

LAB 75.18, -64.68, 44.46

 

CMYK 65 / 0 / 45 / 25

HEX #44C06A

RGB 68 192 106

HSL 138.39, 0.5%, 0.51%

LAB 69.45, -53, 33.46

 

CMYK 49 / 0 / 33 / 33

HEX #58AB72

RGB 88 171 114

HSL 138.8, 0.33%, 0.51%

LAB 63.68, -38.23, 21.77

 

CMYK 28 / 0 / 20 / 41

HEX #6C9779

RGB 108 151 121

HSL 138.14, 0.17%, 0.51%

LAB 58.7, -21.14, 11.16

 

CMYK 68 / 0 / 88 / 9

HEX #4BE81B

RGB 75 232 27

HSL 105.95, 0.82%, 0.51%

LAB 81.45, -72.37, 75.45

 

CMYK 88 / 0 / 85 / 9

HEX #1BE822

RGB 27 232 34

HSL 122.05, 0.82%, 0.51%

LAB 80.77, -78.22, 73.25

 

CMYK 88 / 0 / 62 / 9

HEX #1BE859

RGB 27 232 89

HSL 138.15, 0.82%, 0.51%

LAB 81.11, -73.98, 55.4

 

CMYK 88 / 0 / 38 / 9

HEX #1BE88F

RGB 27 232 143

HSL 153.95, 0.82%, 0.51%

LAB 81.8, -65.69, 30.65

 

CMYK 88 / 0 / 15 / 9

HEX #1BE8C6

RGB 27 232 198

HSL 170.05, 0.82%, 0.51%

LAB 82.93, -53.27, 3.63

 

CMYK 91 / 0 / 62 / 37

HEX #0FA13D

RGB 15 161 61

HSL 138.9, 0.83%, 0.35%

LAB 57.97, -56.14, 41.41

 

CMYK 90 / 0 / 62 / 22

HEX #13C74B

RGB 19 199 75

HSL 138.67, 0.83%, 0.43%

LAB 70.52, -66.11, 49.42

 

CMYK 88 / 0 / 61 / 9

HEX #1BE85B

RGB 27 232 91

HSL 138.73, 0.82%, 0.51%

LAB 81.13, -73.75, 54.57

 

CMYK 72 / 0 / 50 / 7

HEX #41EC76

RGB 65 236 118

HSL 138.6, 0.82%, 0.59%

LAB 83.14, -67.42, 44.78

 

CMYK 57 / 0 / 39 / 6

HEX #66EF91

RGB 102 239 145

HSL 138.83, 0.81%, 0.67%

LAB 85.3, -57.46, 34.52

 

CMYK 88 / 0 / 61 / 9

HEX #1BE95B

RGB 27 233 91

HSL 138.64, 0.82%, 0.51%

LAB 81.44, -74.05, 54.92

 

CMYK 88 / 44 / 0 / 9

HEX #1B82E8

RGB 27 130 232

HSL 209.85, 0.82%, 0.51%

LAB 54.05, 9.63, -59.22

 

CMYK 0 / 88 / 79 / 9

HEX #E81B30

RGB 232 27 48

HSL 353.85, 0.82%, 0.51%

LAB 49.68, 72.54, 44.11

 

CMYK 88 / 0 / 61 / 9

HEX #1BE95B

RGB 27 233 91

HSL 138.64, 0.82%, 0.51%

LAB 81.44, -74.05, 54.92

 

CMYK 62 / 88 / 0 / 9

HEX #591BE8

RGB 89 27 232

HSL 258.15, 0.82%, 0.51%

LAB 35.47, 70.91, -89.47

 

CMYK 0 / 62 / 88 / 9

HEX #E8591B

RGB 232 89 27

HSL 18.15, 0.82%, 0.51%

LAB 56.47, 52.89, 59.64

 

CMYK 88 / 0 / 61 / 9

HEX #1BE95B

RGB 27 233 91

HSL 138.64, 0.82%, 0.51%

LAB 81.44, -74.05, 54.92

 

CMYK 88 / 44 / 0 / 9

HEX #1B82E8

RGB 27 130 232

HSL 209.85, 0.82%, 0.51%

LAB 54.05, 9.63, -59.22

 

CMYK 0 / 88 / 26 / 9

HEX #E81BAB

RGB 232 27 171

HSL 317.85, 0.82%, 0.51%

LAB 52.82, 81.23, -25.06

 

CMYK 0 / 44 / 88 / 9

HEX #E8821B

RGB 232 130 27

HSL 30.15, 0.82%, 0.51%

LAB 64.32, 32.98, 65.65

 

CMYK 88 / 0 / 61 / 9

HEX #1BE95B

RGB 27 233 91

HSL 138.64, 0.82%, 0.51%

LAB 81.44, -74.05, 54.92

 

CMYK 88 / 71 / 0 / 9

HEX #1B44E8

RGB 27 68 232

HSL 228, 0.82%, 0.51%

LAB 38.19, 48.61, -85.08

 

CMYK 0 / 88 / 26 / 9

HEX #E81BAB

RGB 232 27 171

HSL 317.85, 0.82%, 0.51%

LAB 52.82, 81.23, -25.06

 

CMYK 0 / 18 / 88 / 9

HEX #E8BF1B

RGB 232 191 27

HSL 48, 0.82%, 0.51%

LAB 78.75, 0.81, 76.86

 

Description

Color code: HEX #1BE95B | qconv.com Color code: HEX #1BE95B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 233 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 233 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 61 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 61% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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