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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BED2C it is the complementary color #E412D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BED2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BED2C shade: #20ED27, #31FF3A, #42FF4D, #53FF60 and #64FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BED2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BED2C shade: #1BED2C, #0ADB19, #00C906, #00B700 and #00A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BED2C shade: #1CEC2D, #43EC1C, #7BEC1C, #B4EC1C and #ECEC1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BED2C shade: #1CEC2D, #1CEC65, #1CEC9D, #1CECD5 and #1CCBEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BED2C shade matches the following richer shades: #1CEC2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BED2C shade: #1CEC2D, #30D83E, #44C54E, #57B15F and #6B9D6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BED2C shade: #7DEC1C, #46EC1C, #1CEC2A, #1CEC61 and #1CEC99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BED2C shade: #0DA81A, #10CF20, #1CEC2D, #42EF50 and #68F274

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BED2C shade: #1BED2C, #1CB5EC and #EC1C61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BED2C shade: #1BED2C, #2A1CEC and #EC2A1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BED2C shade: #1BED2C, #1CB5EC, #EC1CDE and #EC541C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BED2C shade: #1BED2C, #1C76EC, #EC1CDE and #EC921C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 81 / 7

HEX #1BED2C

RGB 27 237 44

HSL 124.86, 0.85%, 0.52%

LAB 82.37, -79.13, 72.37

 

Complementary color

CMYK 0 / 92 / 7 / 11

HEX #E412D3

RGB 228 18 211

HSL 304.86, 0.85%, 0.48%

LAB 53.63, 86.56, -47.03

 

CMYK 86 / 0 / 84 / 7

HEX #20ED27

RGB 32 237 39

HSL 122.05, 0.85%, 0.53%

LAB 82.39, -79.02, 73.61

 

CMYK 81 / 0 / 77 / 0

HEX #31FF3A

RGB 49 255 58

HSL 122.62, 1%, 0.6%

LAB 88.2, -81.47, 74.11

 

CMYK 74 / 0 / 70 / 0

HEX #42FF4D

RGB 66 255 77

HSL 123.49, 1%, 0.63%

LAB 88.55, -78, 68.34

 

CMYK 67 / 0 / 62 / 0

HEX #53FF60

RGB 83 255 96

HSL 124.53, 1%, 0.66%

LAB 89.02, -73.53, 61.6

 

CMYK 61 / 0 / 55 / 0

HEX #64FF73

RGB 100 255 115

HSL 125.81, 1%, 0.7%

LAB 89.61, -68.11, 54.21

 

CMYK 89 / 0 / 81 / 7

HEX #1BED2C

RGB 27 237 44

HSL 124.86, 0.85%, 0.52%

LAB 82.37, -79.13, 72.37

 

CMYK 95 / 0 / 89 / 14

HEX #0ADB19

RGB 10 219 25

HSL 124.31, 0.91%, 0.45%

LAB 76.56, -75.91, 71.27

 

CMYK 100 / 0 / 97 / 21

HEX #00C906

RGB 0 201 6

HSL 121.79, 1%, 0.39%

LAB 70.72, -71.92, 68.89

 

CMYK 100 / 0 / 100 / 28

HEX #00B700

RGB 0 183 0

HSL 120, 1%, 0.36%

LAB 64.86, -67.18, 64.83

 

CMYK 100 / 0 / 100 / 35

HEX #00A500

RGB 0 165 0

HSL 120, 1%, 0.32%

LAB 58.89, -62.22, 60.05

 

CMYK 88 / 0 / 81 / 7

HEX #1CEC2D

RGB 28 236 45

HSL 124.9, 0.85%, 0.52%

LAB 82.07, -78.73, 71.84

 

CMYK 72 / 0 / 88 / 7

HEX #43EC1C

RGB 67 236 28

HSL 108.75, 0.85%, 0.52%

LAB 82.52, -74.96, 76.13

 

CMYK 48 / 0 / 88 / 7

HEX #7BEC1C

RGB 123 236 28

HSL 92.6, 0.85%, 0.52%

LAB 84.11, -61.98, 78.11

 

CMYK 24 / 0 / 88 / 7

HEX #B4EC1C

RGB 180 236 28

HSL 76.15, 0.85%, 0.52%

LAB 86.89, -42.49, 81.55

 

CMYK 0 / 0 / 88 / 7

HEX #ECEC1C

RGB 236 236 28

HSL 60, 0.85%, 0.52%

LAB 90.74, -20.02, 86.26

 

CMYK 88 / 0 / 81 / 7

HEX #1CEC2D

RGB 28 236 45

HSL 124.9, 0.85%, 0.52%

LAB 82.07, -78.73, 71.84

 

CMYK 88 / 0 / 57 / 7

HEX #1CEC65

RGB 28 236 101

HSL 141.06, 0.85%, 0.52%

LAB 82.47, -73.66, 51.73

 

CMYK 88 / 0 / 33 / 7

HEX #1CEC9D

RGB 28 236 157

HSL 157.21, 0.85%, 0.52%

LAB 83.27, -64.26, 25.49

 

CMYK 88 / 0 / 10 / 7

HEX #1CECD5

RGB 28 236 213

HSL 173.37, 0.85%, 0.52%

LAB 84.51, -50.92, -1.97

 

CMYK 88 / 14 / 0 / 7

HEX #1CCBEC

RGB 28 203 236

HSL 189.52, 0.85%, 0.52%

LAB 75.46, -29.23, -27.8

 

CMYK 88 / 0 / 81 / 7

HEX #1CEC2D

RGB 28 236 45

HSL 124.9, 0.85%, 0.52%

LAB 82.07, -78.73, 71.84

 

CMYK 88 / 0 / 81 / 7

HEX #1CEC2D

RGB 28 236 45

HSL 124.9, 0.85%, 0.52%

LAB 82.07, -78.73, 71.84

 

CMYK 78 / 0 / 71 / 15

HEX #30D83E

RGB 48 216 62

HSL 125, 0.68%, 0.52%

LAB 76.12, -69.85, 60.8

 

CMYK 65 / 0 / 60 / 23

HEX #44C54E

RGB 68 197 78

HSL 124.65, 0.53%, 0.52%

LAB 70.67, -58.77, 48.47

 

CMYK 51 / 0 / 46 / 31

HEX #57B15F

RGB 87 177 95

HSL 125.33, 0.37%, 0.52%

LAB 65.2, -44.31, 33.8

 

CMYK 32 / 0 / 29 / 38

HEX #6B9D6F

RGB 107 157 111

HSL 124.8, 0.2%, 0.52%

LAB 60.24, -26.39, 18.88

 

CMYK 47 / 0 / 88 / 7

HEX #7DEC1C

RGB 125 236 28

HSL 92.02, 0.85%, 0.52%

LAB 84.19, -61.39, 78.21

 

CMYK 70 / 0 / 88 / 7

HEX #46EC1C

RGB 70 236 28

HSL 107.88, 0.85%, 0.52%

LAB 82.58, -74.45, 76.2

 

CMYK 88 / 0 / 82 / 7

HEX #1CEC2A

RGB 28 236 42

HSL 124.04, 0.85%, 0.52%

LAB 82.06, -78.89, 72.59

 

CMYK 88 / 0 / 59 / 7

HEX #1CEC61

RGB 28 236 97

HSL 139.9, 0.85%, 0.52%

LAB 82.43, -74.17, 53.46

 

CMYK 88 / 0 / 35 / 7

HEX #1CEC99

RGB 28 236 153

HSL 156.06, 0.85%, 0.52%

LAB 83.2, -65.07, 27.44

 

CMYK 92 / 0 / 85 / 34

HEX #0DA81A

RGB 13 168 26

HSL 125.03, 0.86%, 0.35%

LAB 60.04, -61.48, 56.47

 

CMYK 92 / 0 / 85 / 19

HEX #10CF20

RGB 16 207 32

HSL 125.03, 0.86%, 0.44%

LAB 72.79, -72.09, 66.54

 

CMYK 88 / 0 / 81 / 7

HEX #1CEC2D

RGB 28 236 45

HSL 124.9, 0.85%, 0.52%

LAB 82.07, -78.73, 71.84

 

CMYK 72 / 0 / 67 / 6

HEX #42EF50

RGB 66 239 80

HSL 124.86, 0.84%, 0.6%

LAB 83.69, -72.82, 62.07

 

CMYK 57 / 0 / 52 / 5

HEX #68F274

RGB 104 242 116

HSL 125.22, 0.84%, 0.68%

LAB 85.86, -62.45, 49.27

 

CMYK 89 / 0 / 81 / 7

HEX #1BED2C

RGB 27 237 44

HSL 124.86, 0.85%, 0.52%

LAB 82.37, -79.13, 72.37

 

CMYK 88 / 23 / 0 / 7

HEX #1CB5EC

RGB 28 181 236

HSL 195.87, 0.85%, 0.52%

LAB 69, -18.05, -37.78

 

CMYK 0 / 88 / 59 / 7

HEX #EC1C61

RGB 236 28 97

HSL 340.1, 0.85%, 0.52%

LAB 51.3, 75.55, 17.25

 

CMYK 89 / 0 / 81 / 7

HEX #1BED2C

RGB 27 237 44

HSL 124.86, 0.85%, 0.52%

LAB 82.37, -79.13, 72.37

 

CMYK 82 / 88 / 0 / 7

HEX #2A1CEC

RGB 42 28 236

HSL 244.04, 0.85%, 0.52%

LAB 32.65, 69.27, -96.52

 

CMYK 0 / 82 / 88 / 7

HEX #EC2A1C

RGB 236 42 28

HSL 4.04, 0.85%, 0.52%

LAB 51.35, 70.21, 55.72

 

CMYK 89 / 0 / 81 / 7

HEX #1BED2C

RGB 27 237 44

HSL 124.86, 0.85%, 0.52%

LAB 82.37, -79.13, 72.37

 

CMYK 88 / 23 / 0 / 7

HEX #1CB5EC

RGB 28 181 236

HSL 195.87, 0.85%, 0.52%

LAB 69, -18.05, -37.78

 

CMYK 0 / 88 / 6 / 7

HEX #EC1CDE

RGB 236 28 222

HSL 304.04, 0.85%, 0.52%

LAB 56.02, 88.25, -49.4

 

CMYK 0 / 64 / 88 / 7

HEX #EC541C

RGB 236 84 28

HSL 16.15, 0.85%, 0.52%

LAB 56.34, 56.42, 59.49

 

CMYK 89 / 0 / 81 / 7

HEX #1BED2C

RGB 27 237 44

HSL 124.86, 0.85%, 0.52%

LAB 82.37, -79.13, 72.37

 

CMYK 88 / 50 / 0 / 7

HEX #1C76EC

RGB 28 118 236

HSL 214.04, 0.85%, 0.52%

LAB 50.99, 18.7, -66.4

 

CMYK 0 / 88 / 6 / 7

HEX #EC1CDE

RGB 236 28 222

HSL 304.04, 0.85%, 0.52%

LAB 56.02, 88.25, -49.4

 

CMYK 0 / 38 / 88 / 7

HEX #EC921C

RGB 236 146 28

HSL 34.04, 0.85%, 0.52%

LAB 68.37, 26.27, 68.73

 

Description

Color code: HEX #1BED2C | qconv.com Color code: HEX #1BED2C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 237 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 237 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 81 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 81% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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