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Color name
HEX #1BF35F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BF35F it is the complementary color #E40CA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BF35F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BF35F shade: #20F35A, #31FF6D, #42FF80, #53FF93 and #64FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BF35F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BF35F shade: #1BF35F, #0AE14C, #00CF39, #00BD26 and #00AB13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BF35F shade: #1BF35F, #1BF325, #4BF31B, #85F31B and #C0F31B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BF35F shade: #1BF35F, #1BF399, #1BF3D3, #1BD8F3 and #1B9EF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BF35F shade matches the following richer shades: #1BF35F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BF35F shade: #1BF35F, #2EDF66, #42CC6D, #55B874 and #68A57B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BF35F shade: #4DF31B, #1BF322, #1BF35C, #1BF395 and #1BF3CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BF35F shade: #09B23E, #0BD94C, #1BF35F, #42F57A and #69F796

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BF35F shade: #1BF35F, #1B87F3 and #F31B30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BF35F shade: #1BF35F, #5C1BF3 and #F35C1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BF35F shade: #1BF35F, #1B87F3, #F31BB2 and #F3871B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BF35F shade: #1BF35F, #1B46F3, #F31BB2 and #F3C71B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 61 / 5

HEX #1BF35F

RGB 27 243 95

HSL 138.89, 0.9%, 0.53%

LAB 84.57, -76.57, 56.78

 

Complementary color

CMYK 0 / 95 / 30 / 11

HEX #E40CA0

RGB 228 12 160

HSL 318.89, 0.9%, 0.47%

LAB 51.03, 80.93, -21.37

 

CMYK 87 / 0 / 63 / 5

HEX #20F35A

RGB 32 243 90

HSL 136.49, 0.9%, 0.54%

LAB 84.56, -76.81, 58.88

 

CMYK 81 / 0 / 57 / 0

HEX #31FF6D

RGB 49 255 109

HSL 137.48, 1%, 0.6%

LAB 88.58, -76.75, 55.42

 

CMYK 74 / 0 / 50 / 0

HEX #42FF80

RGB 66 255 128

HSL 139.68, 1%, 0.63%

LAB 89.03, -72.19, 47.37

 

CMYK 67 / 0 / 42 / 0

HEX #53FF93

RGB 83 255 147

HSL 142.33, 1%, 0.66%

LAB 89.61, -66.7, 39.06

 

CMYK 61 / 0 / 35 / 0

HEX #64FFA6

RGB 100 255 166

HSL 145.55, 1%, 0.7%

LAB 90.31, -60.36, 30.65

 

CMYK 89 / 0 / 61 / 5

HEX #1BF35F

RGB 27 243 95

HSL 138.89, 0.9%, 0.53%

LAB 84.57, -76.57, 56.78

 

CMYK 96 / 0 / 66 / 12

HEX #0AE14C

RGB 10 225 76

HSL 138.42, 0.91%, 0.46%

LAB 78.72, -74.17, 58.09

 

CMYK 100 / 0 / 72 / 19

HEX #00CF39

RGB 0 207 57

HSL 136.52, 1%, 0.41%

LAB 72.84, -71.12, 59.11

 

CMYK 100 / 0 / 80 / 26

HEX #00BD26

RGB 0 189 38

HSL 132.06, 1%, 0.37%

LAB 66.93, -67.43, 59.53

 

CMYK 100 / 0 / 89 / 33

HEX #00AB13

RGB 0 171 19

HSL 126.67, 1%, 0.34%

LAB 60.93, -63.34, 58.83

 

CMYK 89 / 0 / 61 / 5

HEX #1BF35F

RGB 27 243 95

HSL 138.89, 0.9%, 0.53%

LAB 84.57, -76.57, 56.78

 

CMYK 89 / 0 / 85 / 5

HEX #1BF325

RGB 27 243 37

HSL 122.78, 0.9%, 0.53%

LAB 84.21, -81.09, 75.67

 

CMYK 69 / 0 / 89 / 5

HEX #4BF31B

RGB 75 243 27

HSL 106.67, 0.9%, 0.53%

LAB 84.83, -75.72, 78.33

 

CMYK 45 / 0 / 89 / 5

HEX #85F31B

RGB 133 243 27

HSL 90.56, 0.9%, 0.53%

LAB 86.59, -61.58, 80.51

 

CMYK 21 / 0 / 89 / 5

HEX #C0F31B

RGB 192 243 27

HSL 74.17, 0.9%, 0.53%

LAB 89.57, -40.98, 84.2

 

CMYK 89 / 0 / 61 / 5

HEX #1BF35F

RGB 27 243 95

HSL 138.89, 0.9%, 0.53%

LAB 84.57, -76.57, 56.78

 

CMYK 89 / 0 / 37 / 5

HEX #1BF399

RGB 27 243 153

HSL 155, 0.9%, 0.53%

LAB 85.32, -67.56, 30.28

 

CMYK 89 / 0 / 13 / 5

HEX #1BF3D3

RGB 27 243 211

HSL 171.11, 0.9%, 0.53%

LAB 86.52, -54.36, 2.02

 

CMYK 89 / 11 / 0 / 5

HEX #1BD8F3

RGB 27 216 243

HSL 187.5, 0.9%, 0.53%

LAB 79.51, -33.32, -25.36

 

CMYK 89 / 35 / 0 / 5

HEX #1B9EF3

RGB 27 158 243

HSL 203.61, 0.9%, 0.53%

LAB 62.64, -2.92, -51.61

 

CMYK 89 / 0 / 61 / 5

HEX #1BF35F

RGB 27 243 95

HSL 138.89, 0.9%, 0.53%

LAB 84.57, -76.57, 56.78

 

CMYK 89 / 0 / 61 / 5

HEX #1BF35F

RGB 27 243 95

HSL 138.89, 0.9%, 0.53%

LAB 84.57, -76.57, 56.78

 

CMYK 79 / 0 / 54 / 13

HEX #2EDF66

RGB 46 223 102

HSL 138.98, 0.73%, 0.53%

LAB 78.65, -67.85, 46.76

 

CMYK 68 / 0 / 47 / 20

HEX #42CC6D

RGB 66 204 109

HSL 138.7, 0.58%, 0.53%

LAB 73.19, -57.37, 36.7

 

CMYK 54 / 0 / 37 / 28

HEX #55B874

RGB 85 184 116

HSL 138.79, 0.41%, 0.53%

LAB 67.63, -44.28, 25.97

 

CMYK 37 / 0 / 25 / 35

HEX #68A57B

RGB 104 165 123

HSL 138.69, 0.25%, 0.53%

LAB 62.75, -29.03, 15.67

 

CMYK 68 / 0 / 89 / 5

HEX #4DF31B

RGB 77 243 27

HSL 106.11, 0.9%, 0.53%

LAB 84.87, -75.36, 78.38

 

CMYK 89 / 0 / 86 / 5

HEX #1BF322

RGB 27 243 34

HSL 121.94, 0.9%, 0.53%

LAB 84.2, -81.21, 76.27

 

CMYK 89 / 0 / 62 / 5

HEX #1BF35C

RGB 27 243 92

HSL 138.06, 0.9%, 0.53%

LAB 84.54, -76.92, 58.01

 

CMYK 89 / 0 / 39 / 5

HEX #1BF395

RGB 27 243 149

HSL 153.89, 0.9%, 0.53%

LAB 85.25, -68.33, 32.21

 

CMYK 89 / 0 / 15 / 5

HEX #1BF3CF

RGB 27 243 207

HSL 170, 0.9%, 0.53%

LAB 86.42, -55.38, 3.97

 

CMYK 95 / 0 / 65 / 30

HEX #09B23E

RGB 9 178 62

HSL 138.82, 0.9%, 0.37%

LAB 63.55, -61.7, 47.24

 

CMYK 95 / 0 / 65 / 15

HEX #0BD94C

RGB 11 217 76

HSL 138.93, 0.9%, 0.45%

LAB 76.2, -71.79, 55.34

 

CMYK 89 / 0 / 61 / 5

HEX #1BF35F

RGB 27 243 95

HSL 138.89, 0.9%, 0.53%

LAB 84.57, -76.57, 56.78

 

CMYK 73 / 0 / 50 / 4

HEX #42F57A

RGB 66 245 122

HSL 138.77, 0.9%, 0.61%

LAB 85.94, -69.73, 46.36

 

CMYK 57 / 0 / 39 / 3

HEX #69F796

RGB 105 247 150

HSL 139.01, 0.9%, 0.69%

LAB 87.84, -59.06, 35.37

 

CMYK 89 / 0 / 61 / 5

HEX #1BF35F

RGB 27 243 95

HSL 138.89, 0.9%, 0.53%

LAB 84.57, -76.57, 56.78

 

CMYK 89 / 44 / 0 / 5

HEX #1B87F3

RGB 27 135 243

HSL 210, 0.9%, 0.53%

LAB 56.12, 10.75, -62.02

 

CMYK 0 / 89 / 80 / 5

HEX #F31B30

RGB 243 27 48

HSL 354.17, 0.9%, 0.53%

LAB 51.9, 75.32, 47.05

 

CMYK 89 / 0 / 61 / 5

HEX #1BF35F

RGB 27 243 95

HSL 138.89, 0.9%, 0.53%

LAB 84.57, -76.57, 56.78

 

CMYK 62 / 89 / 0 / 5

HEX #5C1BF3

RGB 92 27 243

HSL 258.06, 0.9%, 0.53%

LAB 36.99, 73.8, -93.18

 

CMYK 0 / 62 / 89 / 5

HEX #F35C1B

RGB 243 92 27

HSL 18.06, 0.9%, 0.53%

LAB 58.78, 55.43, 62.18

 

CMYK 89 / 0 / 61 / 5

HEX #1BF35F

RGB 27 243 95

HSL 138.89, 0.9%, 0.53%

LAB 84.57, -76.57, 56.78

 

CMYK 89 / 44 / 0 / 5

HEX #1B87F3

RGB 27 135 243

HSL 210, 0.9%, 0.53%

LAB 56.12, 10.75, -62.02

 

CMYK 0 / 89 / 27 / 5

HEX #F31BB2

RGB 243 27 178

HSL 318.06, 0.9%, 0.53%

LAB 55.13, 84.24, -25.43

 

CMYK 0 / 44 / 89 / 5

HEX #F3871B

RGB 243 135 27

HSL 30, 0.9%, 0.53%

LAB 66.87, 34.86, 68.24

 

CMYK 89 / 0 / 61 / 5

HEX #1BF35F

RGB 27 243 95

HSL 138.89, 0.9%, 0.53%

LAB 84.57, -76.57, 56.78

 

CMYK 89 / 71 / 0 / 5

HEX #1B46F3

RGB 27 70 243

HSL 228.06, 0.9%, 0.53%

LAB 39.72, 51.24, -88.76

 

CMYK 0 / 89 / 27 / 5

HEX #F31BB2

RGB 243 27 178

HSL 318.06, 0.9%, 0.53%

LAB 55.13, 84.24, -25.43

 

CMYK 0 / 18 / 89 / 5

HEX #F3C71B

RGB 243 199 27

HSL 47.78, 0.9%, 0.53%

LAB 81.83, 1.41, 79.72

 

Description

Color code: HEX #1BF35F | qconv.com Color code: HEX #1BF35F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 243 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 243 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 61 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 61% 5% C M Y K

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