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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BFDB2 it is the complementary color #E4024D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BFDB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BFDB2 shade: #20FDAD, #31FFC0, #42FFD3, #53FFE6 and #64FFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BFDB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BFDB2 shade: #1BFDB2, #0AEB9F, #00D98C, #00C779 and #00B566

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BFDB2 shade: #1BFCB2, #1BFC75, #1BFC38, #3BFC1B and #78FC1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BFDB2 shade: #1BFCB2, #1BFCEE, #1BCEFC, #1B91FC and #1B54FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BFDB2 shade matches the following richer shades: #1BFCB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BFDB2 shade: #1BFCB2, #2EEAAB, #40D7A5, #53C59F and #66B299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BFDB2 shade: #1BFC39, #1BFC75, #1BFCB1, #1BFCED and #1BCFFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BFDB2 shade: #01C483, #02EC9F, #1BFCB2, #44FDBF and #6DFDCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BFDB2 shade: #1BFDB2, #1B39FC and #FC571B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BFDB2 shade: #1BFDB2, #B11BFC and #FCB11B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BFDB2 shade: #1BFDB2, #1B39FC, #FC1B66 and #FCDE1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BFDB2 shade: #1BFDB2, #411BFC, #FC1B66 and #D7FC1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 30 / 1

HEX #1BFDB2

RGB 27 253 178

HSL 160.09, 0.98%, 0.55%

LAB 88.78, -65.98, 22.3

 

Complementary color

CMYK 0 / 99 / 66 / 11

HEX #E4024D

RGB 228 2 77

HSL 340.09, 0.98%, 0.45%

LAB 48.35, 75.3, 25.28

 

CMYK 87 / 0 / 32 / 1

HEX #20FDAD

RGB 32 253 173

HSL 158.28, 0.98%, 0.56%

LAB 88.72, -66.76, 24.77

 

CMYK 81 / 0 / 25 / 0

HEX #31FFC0

RGB 49 255 192

HSL 161.65, 1%, 0.6%

LAB 89.85, -62.15, 16.66

 

CMYK 74 / 0 / 17 / 0

HEX #42FFD3

RGB 66 255 211

HSL 166.03, 1%, 0.63%

LAB 90.5, -56.05, 7.82

 

CMYK 67 / 0 / 10 / 0

HEX #53FFE6

RGB 83 255 230

HSL 171.28, 1%, 0.66%

LAB 91.27, -49.24, -0.86

 

CMYK 61 / 0 / 2 / 0

HEX #64FFF9

RGB 100 255 249

HSL 177.68, 1%, 0.7%

LAB 92.16, -41.84, -9.34

 

CMYK 89 / 0 / 30 / 1

HEX #1BFDB2

RGB 27 253 178

HSL 160.09, 0.98%, 0.55%

LAB 88.78, -65.98, 22.3

 

CMYK 96 / 0 / 32 / 8

HEX #0AEB9F

RGB 10 235 159

HSL 159.73, 0.92%, 0.48%

LAB 82.91, -64.25, 23.95

 

CMYK 100 / 0 / 35 / 15

HEX #00D98C

RGB 0 217 140

HSL 158.71, 1%, 0.43%

LAB 76.99, -62.12, 25.72

 

CMYK 100 / 0 / 39 / 22

HEX #00C779

RGB 0 199 121

HSL 156.48, 1%, 0.39%

LAB 71.03, -59.64, 27.61

 

CMYK 100 / 0 / 44 / 29

HEX #00B566

RGB 0 181 102

HSL 153.81, 1%, 0.35%

LAB 64.97, -57.05, 29.56

 

CMYK 89 / 0 / 29 / 1

HEX #1BFCB2

RGB 27 252 178

HSL 160.27, 0.97%, 0.55%

LAB 88.48, -65.62, 21.89

 

CMYK 89 / 0 / 54 / 1

HEX #1BFC75

RGB 27 252 117

HSL 144, 0.97%, 0.55%

LAB 87.55, -76.48, 50.55

 

CMYK 89 / 0 / 78 / 1

HEX #1BFC38

RGB 27 252 56

HSL 127.73, 0.97%, 0.55%

LAB 87.07, -82.56, 73.53

 

CMYK 77 / 0 / 89 / 1

HEX #3BFC1B

RGB 59 252 27

HSL 111.47, 0.97%, 0.55%

LAB 87.3, -80.82, 80.32

 

CMYK 52 / 0 / 89 / 1

HEX #78FC1B

RGB 120 252 27

HSL 95.2, 0.97%, 0.55%

LAB 88.78, -68.52, 82.15

 

CMYK 89 / 0 / 29 / 1

HEX #1BFCB2

RGB 27 252 178

HSL 160.27, 0.97%, 0.55%

LAB 88.48, -65.62, 21.89

 

CMYK 89 / 0 / 6 / 1

HEX #1BFCEE

RGB 27 252 238

HSL 176.27, 0.97%, 0.55%

LAB 89.87, -50.86, -7.15

 

CMYK 89 / 18 / 0 / 1

HEX #1BCEFC

RGB 27 206 252

HSL 192.27, 0.97%, 0.55%

LAB 76.92, -25.54, -34.13

 

CMYK 89 / 42 / 0 / 1

HEX #1B91FC

RGB 27 145 252

HSL 208.53, 0.97%, 0.55%

LAB 59.45, 8.08, -61.65

 

CMYK 89 / 67 / 0 / 1

HEX #1B54FC

RGB 27 84 252

HSL 224.8, 0.97%, 0.55%

LAB 43.66, 46.05, -87.31

 

CMYK 89 / 0 / 29 / 1

HEX #1BFCB2

RGB 27 252 178

HSL 160.27, 0.97%, 0.55%

LAB 88.48, -65.62, 21.89

 

CMYK 89 / 0 / 29 / 1

HEX #1BFCB2

RGB 27 252 178

HSL 160.27, 0.97%, 0.55%

LAB 88.48, -65.62, 21.89

 

CMYK 80 / 0 / 27 / 8

HEX #2EEAAB

RGB 46 234 171

HSL 159.89, 0.82%, 0.55%

LAB 83.11, -59.17, 18.06

 

CMYK 70 / 0 / 23 / 16

HEX #40D7A5

RGB 64 215 165

HSL 160.13, 0.65%, 0.55%

LAB 77.52, -50.97, 13.43

 

CMYK 58 / 0 / 19 / 23

HEX #53C59F

RGB 83 197 159

HSL 160, 0.5%, 0.55%

LAB 72.41, -41.44, 9.46

 

CMYK 43 / 0 / 14 / 30

HEX #66B299

RGB 102 178 153

HSL 160.26, 0.33%, 0.55%

LAB 67.25, -29.55, 5.44

 

CMYK 89 / 0 / 77 / 1

HEX #1BFC39

RGB 27 252 57

HSL 128, 0.97%, 0.55%

LAB 87.07, -82.5, 73.25

 

CMYK 89 / 0 / 54 / 1

HEX #1BFC75

RGB 27 252 117

HSL 144, 0.97%, 0.55%

LAB 87.55, -76.48, 50.55

 

CMYK 89 / 0 / 30 / 1

HEX #1BFCB1

RGB 27 252 177

HSL 160, 0.97%, 0.55%

LAB 88.46, -65.84, 22.37

 

CMYK 89 / 0 / 6 / 1

HEX #1BFCED

RGB 27 252 237

HSL 176, 0.97%, 0.55%

LAB 89.84, -51.13, -6.67

 

CMYK 89 / 18 / 0 / 1

HEX #1BCFFC

RGB 27 207 252

HSL 192, 0.97%, 0.55%

LAB 77.21, -26.04, -33.68

 

CMYK 99 / 0 / 33 / 23

HEX #01C483

RGB 1 196 131

HSL 160, 0.99%, 0.39%

LAB 70.26, -56.46, 21.31

 

CMYK 99 / 0 / 33 / 7

HEX #02EC9F

RGB 2 236 159

HSL 160.26, 0.98%, 0.47%

LAB 83.18, -64.82, 24.32

 

CMYK 89 / 0 / 29 / 1

HEX #1BFCB2

RGB 27 252 178

HSL 160.27, 0.97%, 0.55%

LAB 88.48, -65.62, 21.89

 

CMYK 73 / 0 / 25 / 1

HEX #44FDBF

RGB 68 253 191

HSL 159.89, 0.98%, 0.63%

LAB 89.51, -59.62, 16.73

 

CMYK 57 / 0 / 19 / 1

HEX #6DFDCD

RGB 109 253 205

HSL 160, 0.97%, 0.71%

LAB 90.74, -49.96, 11.39

 

CMYK 89 / 0 / 30 / 1

HEX #1BFDB2

RGB 27 253 178

HSL 160.09, 0.98%, 0.55%

LAB 88.78, -65.98, 22.3

 

CMYK 89 / 77 / 0 / 1

HEX #1B39FC

RGB 27 57 252

HSL 232, 0.97%, 0.55%

LAB 38.18, 61.3, -96.38

 

CMYK 0 / 65 / 89 / 1

HEX #FC571B

RGB 252 87 27

HSL 16, 0.97%, 0.55%

LAB 59.52, 60.55, 63.4

 

CMYK 89 / 0 / 30 / 1

HEX #1BFDB2

RGB 27 253 178

HSL 160.09, 0.98%, 0.55%

LAB 88.78, -65.98, 22.3

 

CMYK 30 / 89 / 0 / 1

HEX #B11BFC

RGB 177 27 252

HSL 280, 0.97%, 0.55%

LAB 48.46, 84.23, -78.96

 

CMYK 0 / 30 / 89 / 1

HEX #FCB11B

RGB 252 177 27

HSL 40, 0.97%, 0.55%

LAB 77.41, 16.69, 76.73

 

CMYK 89 / 0 / 30 / 1

HEX #1BFDB2

RGB 27 253 178

HSL 160.09, 0.98%, 0.55%

LAB 88.78, -65.98, 22.3

 

CMYK 89 / 77 / 0 / 1

HEX #1B39FC

RGB 27 57 252

HSL 232, 0.97%, 0.55%

LAB 38.18, 61.3, -96.38

 

CMYK 0 / 89 / 60 / 1

HEX #FC1B66

RGB 252 27 102

HSL 340, 0.97%, 0.55%

LAB 54.49, 79.81, 19.08

 

CMYK 0 / 12 / 89 / 1

HEX #FCDE1B

RGB 252 222 27

HSL 52, 0.97%, 0.55%

LAB 88.46, -6.44, 85.21

 

CMYK 89 / 0 / 30 / 1

HEX #1BFDB2

RGB 27 253 178

HSL 160.09, 0.98%, 0.55%

LAB 88.78, -65.98, 22.3

 

CMYK 74 / 89 / 0 / 1

HEX #411BFC

RGB 65 27 252

HSL 250.13, 0.97%, 0.55%

LAB 35.86, 74.56, -100.18

 

CMYK 0 / 89 / 60 / 1

HEX #FC1B66

RGB 252 27 102

HSL 340, 0.97%, 0.55%

LAB 54.49, 79.81, 19.08

 

CMYK 15 / 0 / 89 / 1

HEX #D7FC1B

RGB 215 252 27

HSL 69.87, 0.97%, 0.55%

LAB 93.51, -36.02, 87.98

 

Description

Color code: HEX #1BFDB2 | qconv.com Color code: HEX #1BFDB2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 253 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 253 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 30 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 30% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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