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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C4942 it is the complementary color #E3B6BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C4942. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C4942 shade: #21493D, #325B50, #436D63, #547F76 and #659189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C4942. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C4942 shade: #1C4942, #0B372F, #00251C, #001309 and #000100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C4942 shade: #1C4942, #1C4936, #1C492A, #1C491D and #26491C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C4942 shade: #1C4942, #1C4449, #1C3849, #1C2B49 and #1C1F49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C4942 shade matches the following richer shades: #1C4942, #135248, #0B5A4E and #036253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C4942 shade: #1C4942, #24413D, #2C3937, #343131 and #3D282C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C4942 shade: #1C4929, #1C4936, #1C4942, #1C4549 and #1C3949

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C4942 shade: #050E0C, #102C27, #1C4942, #27675D and #328578

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C4942 shade: #1C4942, #1D1C49 and #492F1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C4942 shade: #1C4942, #421C49 and #49421C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C4942 shade: #1C4942, #1D1C49, #491C23 and #48491C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C4942 shade: #1C4942, #2B1C49, #491C23 and #3A491C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 10 / 71

HEX #1C4942

RGB 28 73 66

HSL 170.67, 0.45%, 0.2%

LAB 27.86, -17.41, -0.47

 

Complementary color

CMYK 0 / 20 / 17 / 11

HEX #E3B6BD

RGB 227 182 189

HSL 350.67, 0.45%, 0.8%

LAB 78.15, 17.3, 2.63

 

CMYK 55 / 0 / 16 / 71

HEX #21493D

RGB 33 73 61

HSL 162, 0.38%, 0.21%

LAB 27.91, -17.54, 2.88

 

CMYK 45 / 0 / 12 / 64

HEX #325B50

RGB 50 91 80

HSL 163.9, 0.29%, 0.28%

LAB 35.48, -17.37, 1.85

 

CMYK 39 / 0 / 9 / 57

HEX #436D63

RGB 67 109 99

HSL 165.71, 0.24%, 0.35%

LAB 42.81, -17.17, 0.96

 

CMYK 34 / 0 / 7 / 50

HEX #547F76

RGB 84 127 118

HSL 167.44, 0.2%, 0.41%

LAB 49.94, -16.98, 0.16

 

CMYK 30 / 0 / 6 / 43

HEX #659189

RGB 101 145 137

HSL 169.09, 0.18%, 0.48%

LAB 56.9, -16.81, -0.58

 

CMYK 62 / 0 / 10 / 71

HEX #1C4942

RGB 28 73 66

HSL 170.67, 0.45%, 0.2%

LAB 27.86, -17.41, -0.47

 

CMYK 80 / 0 / 15 / 78

HEX #0B372F

RGB 11 55 47

HSL 169.09, 0.67%, 0.13%

LAB 20.08, -17.08, 0.72

 

CMYK 100 / 0 / 24 / 85

HEX #00251C

RGB 0 37 28

HSL 165.41, 1%, 0.07%

LAB 12, -16.07, 2.29

 

CMYK 100 / 0 / 53 / 93

HEX #001309

RGB 0 19 9

HSL 148.42, 1%, 0.04%

LAB 4.39, -7.34, 2.74

 

CMYK 100 / 0 / 100 / 100

HEX #000100

RGB 0 1 0

HSL 120, 1%, 0%

LAB 0.2, -0.4, 0.29

 

CMYK 62 / 0 / 10 / 71

HEX #1C4942

RGB 28 73 66

HSL 170.67, 0.45%, 0.2%

LAB 27.86, -17.41, -0.47

 

CMYK 62 / 0 / 26 / 71

HEX #1C4936

RGB 28 73 54

HSL 154.67, 0.45%, 0.2%

LAB 27.51, -20.78, 6.79

 

CMYK 62 / 0 / 42 / 71

HEX #1C492A

RGB 28 73 42

HSL 138.67, 0.45%, 0.2%

LAB 27.24, -23.6, 14.03

 

CMYK 62 / 0 / 60 / 71

HEX #1C491D

RGB 28 73 29

HSL 121.33, 0.45%, 0.2%

LAB 27.02, -25.97, 21.54

 

CMYK 48 / 0 / 62 / 71

HEX #26491C

RGB 38 73 28

HSL 106.67, 0.45%, 0.2%

LAB 27.47, -22.74, 22.75

 

CMYK 62 / 0 / 10 / 71

HEX #1C4942

RGB 28 73 66

HSL 170.67, 0.45%, 0.2%

LAB 27.86, -17.41, -0.47

 

CMYK 62 / 7 / 0 / 71

HEX #1C4449

RGB 28 68 73

HSL 186.67, 0.45%, 0.2%

LAB 26.34, -12.3, -7.29

 

CMYK 62 / 23 / 0 / 71

HEX #1C3849

RGB 28 56 73

HSL 202.67, 0.45%, 0.2%

LAB 22.15, -4.75, -13.68

 

CMYK 62 / 41 / 0 / 71

HEX #1C2B49

RGB 28 43 73

HSL 220, 0.45%, 0.2%

LAB 17.72, 4.26, -20.6

 

CMYK 62 / 58 / 0 / 71

HEX #1C1F49

RGB 28 31 73

HSL 236, 0.45%, 0.2%

LAB 13.87, 13.11, -26.73

 

CMYK 62 / 0 / 10 / 71

HEX #1C4942

RGB 28 73 66

HSL 170.67, 0.45%, 0.2%

LAB 27.86, -17.41, -0.47

 

CMYK 77 / 0 / 12 / 68

HEX #135248

RGB 19 82 72

HSL 170.48, 0.62%, 0.2%

LAB 30.98, -22.19, 0.2

 

CMYK 88 / 0 / 13 / 65

HEX #0B5A4E

RGB 11 90 78

HSL 170.89, 0.78%, 0.2%

LAB 33.84, -25.41, 0.57

 

CMYK 97 / 0 / 15 / 62

HEX #036253

RGB 3 98 83

HSL 170.53, 0.94%, 0.2%

LAB 36.7, -28.46, 1.61

 

CMYK 62 / 0 / 10 / 71

HEX #1C4942

RGB 28 73 66

HSL 170.67, 0.45%, 0.2%

LAB 27.86, -17.41, -0.47

 

CMYK 45 / 0 / 6 / 75

HEX #24413D

RGB 36 65 61

HSL 171.72, 0.29%, 0.2%

LAB 25.24, -12.03, -0.99

 

CMYK 23 / 0 / 4 / 78

HEX #2C3937

RGB 44 57 55

HSL 170.77, 0.13%, 0.2%

LAB 22.78, -5.87, -0.53

 

CMYK 0 / 6 / 6 / 80

HEX #343131

RGB 52 49 49

HSL 0, 0.03%, 0.2%

LAB 20.63, 1.33, 0.47

 

CMYK 0 / 34 / 28 / 76

HEX #3D282C

RGB 61 40 44

HSL 348.57, 0.21%, 0.2%

LAB 18.76, 10.56, 1.35

 

CMYK 62 / 0 / 44 / 71

HEX #1C4929

RGB 28 73 41

HSL 137.33, 0.45%, 0.2%

LAB 27.22, -23.81, 14.62

 

CMYK 62 / 0 / 26 / 71

HEX #1C4936

RGB 28 73 54

HSL 154.67, 0.45%, 0.2%

LAB 27.51, -20.78, 6.79

 

CMYK 62 / 0 / 10 / 71

HEX #1C4942

RGB 28 73 66

HSL 170.67, 0.45%, 0.2%

LAB 27.86, -17.41, -0.47

 

CMYK 62 / 5 / 0 / 71

HEX #1C4549

RGB 28 69 73

HSL 185.33, 0.45%, 0.2%

LAB 26.69, -12.89, -6.76

 

CMYK 62 / 22 / 0 / 71

HEX #1C3949

RGB 28 57 73

HSL 201.33, 0.45%, 0.2%

LAB 22.49, -5.41, -13.15

 

CMYK 64 / 0 / 14 / 95

HEX #050E0C

RGB 5 14 12

HSL 166.67, 0.47%, 0.04%

LAB 3.37, -2.8, 0.02

 

CMYK 64 / 0 / 11 / 83

HEX #102C27

RGB 16 44 39

HSL 169.29, 0.47%, 0.12%

LAB 15.79, -12.15, 0.02

 

CMYK 62 / 0 / 10 / 71

HEX #1C4942

RGB 28 73 66

HSL 170.67, 0.45%, 0.2%

LAB 27.86, -17.41, -0.47

 

CMYK 62 / 0 / 10 / 60

HEX #27675D

RGB 39 103 93

HSL 170.63, 0.45%, 0.28%

LAB 39.45, -23.01, -0.45

 

CMYK 62 / 0 / 10 / 48

HEX #328578

RGB 50 133 120

HSL 170.6, 0.45%, 0.36%

LAB 50.46, -28.25, -0.43

 

CMYK 62 / 0 / 10 / 71

HEX #1C4942

RGB 28 73 66

HSL 170.67, 0.45%, 0.2%

LAB 27.86, -17.41, -0.47

 

CMYK 60 / 62 / 0 / 71

HEX #1D1C49

RGB 29 28 73

HSL 241.33, 0.45%, 0.2%

LAB 13.06, 15.57, -28.04

 

CMYK 0 / 36 / 62 / 71

HEX #492F1C

RGB 73 47 28

HSL 25.33, 0.45%, 0.2%

LAB 22.06, 9.47, 16.94

 

CMYK 62 / 0 / 10 / 71

HEX #1C4942

RGB 28 73 66

HSL 170.67, 0.45%, 0.2%

LAB 27.86, -17.41, -0.47

 

CMYK 10 / 62 / 0 / 71

HEX #421C49

RGB 66 28 73

HSL 290.67, 0.45%, 0.2%

LAB 17.78, 26.32, -20.23

 

CMYK 0 / 10 / 62 / 71

HEX #49421C

RGB 73 66 28

HSL 50.67, 0.45%, 0.2%

LAB 27.84, -2.79, 23.87

 

CMYK 62 / 0 / 10 / 71

HEX #1C4942

RGB 28 73 66

HSL 170.67, 0.45%, 0.2%

LAB 27.86, -17.41, -0.47

 

CMYK 60 / 62 / 0 / 71

HEX #1D1C49

RGB 29 28 73

HSL 241.33, 0.45%, 0.2%

LAB 13.06, 15.57, -28.04

 

CMYK 0 / 62 / 52 / 71

HEX #491C23

RGB 73 28 35

HSL 350.67, 0.45%, 0.2%

LAB 17.31, 22.22, 5.88

 

CMYK 1 / 0 / 62 / 71

HEX #48491C

RGB 72 73 28

HSL 61.33, 0.45%, 0.2%

LAB 29.98, -7.58, 26.3

 

CMYK 62 / 0 / 10 / 71

HEX #1C4942

RGB 28 73 66

HSL 170.67, 0.45%, 0.2%

LAB 27.86, -17.41, -0.47

 

CMYK 41 / 62 / 0 / 71

HEX #2B1C49

RGB 43 28 73

HSL 260, 0.45%, 0.2%

LAB 14.54, 19.28, -25.58

 

CMYK 0 / 62 / 52 / 71

HEX #491C23

RGB 73 28 35

HSL 350.67, 0.45%, 0.2%

LAB 17.31, 22.22, 5.88

 

CMYK 21 / 0 / 62 / 71

HEX #3A491C

RGB 58 73 28

HSL 80, 0.45%, 0.2%

LAB 28.77, -14.3, 24.6

 

Description

Color code: HEX #1C4942 | qconv.com Color code: HEX #1C4942 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 73 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 73 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 10 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 10% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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