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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C57EC it is the complementary color #E3A813. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C57EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C57EC shade: #2157E7, #3269FA, #437BFF, #548DFF and #659FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C57EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C57EC shade: #1C57EC, #0B45D9, #0033C6, #0021B3 and #000FA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C57EC shade: #1C57EC, #1C1FEC, #511CEC, #891CEC and #C11CEC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C57EC shade: #1C57EC, #1C1FEC and #1C1CEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C57EC shade matches the following richer shades: #1C57EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C57EC shade: #1C57EC, #3060D8, #4468C5, #5771B1 and #6B799D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C57EC shade: #1CC9EC, #1C92EC, #1C5AEC, #1C23EC and #4D1CEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C57EC shade: #0D39A8, #1046CF, #1C57EC, #4273EF and #6890F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C57EC shade: #1C57EC, #D71CEC and #AEEC1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C57EC shade: #1C57EC, #EC1C5A and #5AEC1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C57EC shade: #1C57EC, #D71CEC, #ECAE1C and #31EC1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C57EC shade: #1C57EC, #EC1CC3, #ECAE1C and #1CEC46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 63 / 0 / 7

HEX #1C57EC

RGB 28 87 236

HSL 222.98, 0.85%, 0.52%

LAB 42.94, 38.43, -79.51

 

Complementary color

CMYK 0 / 26 / 92 / 11

HEX #E3A813

RGB 227 168 19

HSL 42.98, 0.85%, 0.48%

LAB 72.48, 10.59, 73.33

 

CMYK 86 / 62 / 0 / 9

HEX #2157E7

RGB 33 87 231

HSL 223.64, 0.8%, 0.52%

LAB 42.63, 36.85, -77.2

 

CMYK 80 / 58 / 0 / 2

HEX #3269FA

RGB 50 105 250

HSL 223.5, 0.95%, 0.59%

LAB 49.11, 33.72, -77.24

 

CMYK 74 / 52 / 0 / 0

HEX #437BFF

RGB 67 123 255

HSL 222.13, 1%, 0.63%

LAB 54.64, 26.02, -71

 

CMYK 67 / 45 / 0 / 0

HEX #548DFF

RGB 84 141 255

HSL 220, 1%, 0.66%

LAB 60.03, 17.32, -62.28

 

CMYK 60 / 38 / 0 / 0

HEX #659FFF

RGB 101 159 255

HSL 217.4, 1%, 0.7%

LAB 65.58, 9.51, -53.38

 

CMYK 88 / 63 / 0 / 7

HEX #1C57EC

RGB 28 87 236

HSL 222.98, 0.85%, 0.52%

LAB 42.94, 38.43, -79.51

 

CMYK 95 / 68 / 0 / 15

HEX #0B45D9

RGB 11 69 217

HSL 223.11, 0.9%, 0.45%

LAB 36.63, 42.1, -79.1

 

CMYK 100 / 74 / 0 / 22

HEX #0033C6

RGB 0 51 198

HSL 224.55, 1%, 0.39%

LAB 30.51, 45.95, -78.19

 

CMYK 100 / 82 / 0 / 30

HEX #0021B3

RGB 0 33 179

HSL 228.94, 1%, 0.35%

LAB 24.77, 49.42, -76.47

 

CMYK 100 / 91 / 0 / 37

HEX #000FA0

RGB 0 15 160

HSL 234.38, 1%, 0.31%

LAB 19.56, 51.38, -73.68

 

CMYK 88 / 63 / 0 / 7

HEX #1C57EC

RGB 28 87 236

HSL 222.98, 0.85%, 0.52%

LAB 42.94, 38.43, -79.51

 

CMYK 88 / 87 / 0 / 7

HEX #1C1FEC

RGB 28 31 236

HSL 239.13, 0.85%, 0.52%

LAB 32.44, 67.9, -96.88

 

CMYK 66 / 88 / 0 / 7

HEX #511CEC

RGB 81 28 236

HSL 255.29, 0.85%, 0.52%

LAB 35.27, 71.08, -92.09

 

CMYK 42 / 88 / 0 / 7

HEX #891CEC

RGB 137 28 236

HSL 271.44, 0.85%, 0.52%

LAB 41.54, 76.02, -81.53

 

CMYK 18 / 88 / 0 / 7

HEX #C11CEC

RGB 193 28 236

HSL 287.6, 0.85%, 0.52%

LAB 49.77, 83.4, -67.75

 

CMYK 88 / 63 / 0 / 7

HEX #1C57EC

RGB 28 87 236

HSL 222.98, 0.85%, 0.52%

LAB 42.94, 38.43, -79.51

 

CMYK 88 / 87 / 0 / 7

HEX #1C1FEC

RGB 28 31 236

HSL 239.13, 0.85%, 0.52%

LAB 32.44, 67.9, -96.88

 

CMYK 88 / 88 / 0 / 7

HEX #1C1CEC

RGB 28 28 236

HSL 240, 0.85%, 0.52%

LAB 32.11, 68.91, -97.44

 

CMYK 88 / 63 / 0 / 7

HEX #1C57EC

RGB 28 87 236

HSL 222.98, 0.85%, 0.52%

LAB 42.94, 38.43, -79.51

 

CMYK 88 / 63 / 0 / 7

HEX #1C57EC

RGB 28 87 236

HSL 222.98, 0.85%, 0.52%

LAB 42.94, 38.43, -79.51

 

CMYK 78 / 56 / 0 / 15

HEX #3060D8

RGB 48 96 216

HSL 222.86, 0.68%, 0.52%

LAB 44.16, 26.72, -66.14

 

CMYK 65 / 47 / 0 / 23

HEX #4468C5

RGB 68 104 197

HSL 223.26, 0.53%, 0.52%

LAB 45.85, 17.36, -52.47

 

CMYK 51 / 36 / 0 / 31

HEX #5771B1

RGB 87 113 177

HSL 222.67, 0.37%, 0.52%

LAB 48.27, 8.87, -36.98

 

CMYK 32 / 23 / 0 / 38

HEX #6B799D

RGB 107 121 157

HSL 223.2, 0.2%, 0.52%

LAB 50.96, 3.66, -21.04

 

CMYK 88 / 15 / 0 / 7

HEX #1CC9EC

RGB 28 201 236

HSL 190.1, 0.85%, 0.52%

LAB 74.87, -28.24, -28.71

 

CMYK 88 / 38 / 0 / 7

HEX #1C92EC

RGB 28 146 236

HSL 205.96, 0.85%, 0.52%

LAB 58.85, 1.54, -53.78

 

CMYK 88 / 62 / 0 / 7

HEX #1C5AEC

RGB 28 90 236

HSL 222.12, 0.85%, 0.52%

LAB 43.68, 36.53, -78.31

 

CMYK 88 / 85 / 0 / 7

HEX #1C23EC

RGB 28 35 236

HSL 237.98, 0.85%, 0.52%

LAB 32.93, 66.43, -96.07

 

CMYK 67 / 88 / 0 / 7

HEX #4D1CEC

RGB 77 28 236

HSL 254.13, 0.85%, 0.52%

LAB 34.93, 70.84, -92.66

 

CMYK 92 / 66 / 0 / 34

HEX #0D39A8

RGB 13 57 168

HSL 222.97, 0.86%, 0.35%

LAB 29, 31.33, -62.87

 

CMYK 92 / 66 / 0 / 19

HEX #1046CF

RGB 16 70 207

HSL 223.04, 0.86%, 0.44%

LAB 35.98, 37.91, -74.4

 

CMYK 88 / 63 / 0 / 7

HEX #1C57EC

RGB 28 87 236

HSL 222.98, 0.85%, 0.52%

LAB 42.94, 38.43, -79.51

 

CMYK 72 / 52 / 0 / 6

HEX #4273EF

RGB 66 115 239

HSL 223.01, 0.84%, 0.6%

LAB 51.44, 25.15, -67.29

 

CMYK 57 / 40 / 0 / 5

HEX #6890F2

RGB 104 144 242

HSL 222.61, 0.84%, 0.68%

LAB 61.05, 14.68, -53.45

 

CMYK 88 / 63 / 0 / 7

HEX #1C57EC

RGB 28 87 236

HSL 222.98, 0.85%, 0.52%

LAB 42.94, 38.43, -79.51

 

CMYK 9 / 88 / 0 / 7

HEX #D71CEC

RGB 215 28 236

HSL 293.94, 0.85%, 0.52%

LAB 53.31, 86.79, -61.85

 

CMYK 26 / 0 / 88 / 7

HEX #AEEC1C

RGB 174 236 28

HSL 77.88, 0.85%, 0.52%

LAB 86.54, -44.75, 81.12

 

CMYK 88 / 63 / 0 / 7

HEX #1C57EC

RGB 28 87 236

HSL 222.98, 0.85%, 0.52%

LAB 42.94, 38.43, -79.51

 

CMYK 0 / 88 / 62 / 7

HEX #EC1C5A

RGB 236 28 90

HSL 342.12, 0.85%, 0.52%

LAB 51.15, 75.14, 21.31

 

CMYK 62 / 0 / 88 / 7

HEX #5AEC1C

RGB 90 236 28

HSL 102.12, 0.85%, 0.52%

LAB 83.05, -70.52, 76.78

 

CMYK 88 / 63 / 0 / 7

HEX #1C57EC

RGB 28 87 236

HSL 222.98, 0.85%, 0.52%

LAB 42.94, 38.43, -79.51

 

CMYK 9 / 88 / 0 / 7

HEX #D71CEC

RGB 215 28 236

HSL 293.94, 0.85%, 0.52%

LAB 53.31, 86.79, -61.85

 

CMYK 0 / 26 / 88 / 7

HEX #ECAE1C

RGB 236 174 28

HSL 42.12, 0.85%, 0.52%

LAB 74.94, 11.46, 73.85

 

CMYK 79 / 0 / 88 / 7

HEX #31EC1C

RGB 49 236 28

HSL 113.94, 0.85%, 0.52%

LAB 82.23, -77.5, 75.76

 

CMYK 88 / 63 / 0 / 7

HEX #1C57EC

RGB 28 87 236

HSL 222.98, 0.85%, 0.52%

LAB 42.94, 38.43, -79.51

 

CMYK 0 / 88 / 17 / 7

HEX #EC1CC3

RGB 236 28 195

HSL 311.83, 0.85%, 0.52%

LAB 54.66, 84.71, -36.12

 

CMYK 0 / 26 / 88 / 7

HEX #ECAE1C

RGB 236 174 28

HSL 42.12, 0.85%, 0.52%

LAB 74.94, 11.46, 73.85

 

CMYK 88 / 0 / 70 / 7

HEX #1CEC46

RGB 28 236 70

HSL 132.12, 0.85%, 0.52%

LAB 82.21, -77, 64.13

 

Description

Color code: HEX #1C57EC | qconv.com Color code: HEX #1C57EC | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 87 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 87 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 63 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 63% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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