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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C5E49 it is the complementary color #E3A1B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C5E49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C5E49 shade: #215E44, #327057, #43826A, #54947D and #65A690

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C5E49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C5E49 shade: #1C5E49, #0B4C36, #003A23, #002810 and #001600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C5E49 shade: #1C5E49, #1C5E37, #1C5E25, #245E1C and #365E1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C5E49 shade: #1C5E49, #1C5E5B, #1C4F5E, #1C3D5E and #1C2B5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C5E49 shade matches the following richer shades: #1C5E49, #12684C and #087250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C5E49 shade: #1C5E49, #265445, #2F4A42, #39403E and #43363A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C5E49 shade: #1C5E24, #1C5E36, #1C5E48, #1C5E59 and #1C515E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C5E49 shade: #091E17, #123E30, #1C5E49, #257E61 and #2F9D7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C5E49 shade: #1C5E49, #1C245E and #5E2D1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C5E49 shade: #1C5E49, #481C5E and #5E481C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C5E49 shade: #1C5E49, #1C245E, #5E1C32 and #5E551C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C5E49 shade: #1C5E49, #271C5E, #5E1C32 and #535E1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 22 / 63

HEX #1C5E49

RGB 28 94 73

HSL 160.91, 0.54%, 0.24%

LAB 35.47, -26.3, 6.07

 

Complementary color

CMYK 0 / 29 / 20 / 11

HEX #E3A1B6

RGB 227 161 182

HSL 340.91, 0.54%, 0.76%

LAB 73.02, 27.48, -1.01

 

CMYK 65 / 0 / 28 / 63

HEX #215E44

RGB 33 94 68

HSL 154.43, 0.48%, 0.25%

LAB 35.49, -26.54, 9.2

 

CMYK 55 / 0 / 22 / 56

HEX #327057

RGB 50 112 87

HSL 155.81, 0.38%, 0.32%

LAB 42.69, -26.54, 7.9

 

CMYK 48 / 0 / 18 / 49

HEX #43826A

RGB 67 130 106

HSL 157.14, 0.32%, 0.39%

LAB 49.74, -26.4, 6.78

 

CMYK 43 / 0 / 16 / 42

HEX #54947D

RGB 84 148 125

HSL 158.44, 0.28%, 0.45%

LAB 56.63, -26.21, 5.78

 

CMYK 39 / 0 / 13 / 35

HEX #65A690

RGB 101 166 144

HSL 159.69, 0.27%, 0.52%

LAB 63.39, -25.99, 4.87

 

CMYK 70 / 0 / 22 / 63

HEX #1C5E49

RGB 28 94 73

HSL 160.91, 0.54%, 0.24%

LAB 35.47, -26.3, 6.07

 

CMYK 86 / 0 / 29 / 70

HEX #0B4C36

RGB 11 76 54

HSL 159.69, 0.75%, 0.17%

LAB 28.13, -25.66, 7.59

 

CMYK 100 / 0 / 40 / 77

HEX #003A23

RGB 0 58 35

HSL 156.21, 1%, 0.11%

LAB 20.63, -24.19, 9.5

 

CMYK 100 / 0 / 60 / 84

HEX #002810

RGB 0 40 16

HSL 144, 1%, 0.08%

LAB 12.95, -20.92, 11.67

 

CMYK 100 / 0 / 100 / 91

HEX #001600

RGB 0 22 0

HSL 120, 1%, 0.04%

LAB 5.18, -10.59, 7.57

 

CMYK 70 / 0 / 22 / 63

HEX #1C5E49

RGB 28 94 73

HSL 160.91, 0.54%, 0.24%

LAB 35.47, -26.3, 6.07

 

CMYK 70 / 0 / 41 / 63

HEX #1C5E37

RGB 28 94 55

HSL 144.55, 0.54%, 0.24%

LAB 35.06, -30.62, 16.47

 

CMYK 70 / 0 / 61 / 63

HEX #1C5E25

RGB 28 94 37

HSL 128.18, 0.54%, 0.24%

LAB 34.77, -33.84, 26.37

 

CMYK 62 / 0 / 70 / 63

HEX #245E1C

RGB 36 94 28

HSL 112.73, 0.54%, 0.24%

LAB 34.93, -32.94, 31.18

 

CMYK 43 / 0 / 70 / 63

HEX #365E1C

RGB 54 94 28

HSL 96.36, 0.54%, 0.24%

LAB 35.74, -26.92, 32.29

 

CMYK 70 / 0 / 22 / 63

HEX #1C5E49

RGB 28 94 73

HSL 160.91, 0.54%, 0.24%

LAB 35.47, -26.3, 6.07

 

CMYK 70 / 0 / 3 / 63

HEX #1C5E5B

RGB 28 94 91

HSL 177.27, 0.54%, 0.24%

LAB 36, -21.04, -4.34

 

CMYK 70 / 16 / 0 / 63

HEX #1C4F5E

RGB 28 79 94

HSL 193.64, 0.54%, 0.24%

LAB 30.99, -11.58, -13.78

 

CMYK 70 / 35 / 0 / 63

HEX #1C3D5E

RGB 28 61 94

HSL 210, 0.54%, 0.24%

LAB 24.93, -0.1, -23.19

 

CMYK 70 / 54 / 0 / 63

HEX #1C2B5E

RGB 28 43 94

HSL 226.36, 0.54%, 0.24%

LAB 19.15, 12.63, -32.4

 

CMYK 70 / 0 / 22 / 63

HEX #1C5E49

RGB 28 94 73

HSL 160.91, 0.54%, 0.24%

LAB 35.47, -26.3, 6.07

 

CMYK 83 / 0 / 27 / 59

HEX #12684C

RGB 18 104 76

HSL 160.47, 0.7%, 0.24%

LAB 38.81, -31.75, 8.92

 

CMYK 93 / 0 / 30 / 55

HEX #087250

RGB 8 114 80

HSL 160.75, 0.87%, 0.24%

LAB 42.25, -36.02, 11.31

 

CMYK 70 / 0 / 22 / 63

HEX #1C5E49

RGB 28 94 73

HSL 160.91, 0.54%, 0.24%

LAB 35.47, -26.3, 6.07

 

CMYK 55 / 0 / 18 / 67

HEX #265445

RGB 38 84 69

HSL 160.43, 0.38%, 0.24%

LAB 32.22, -19.95, 3.98

 

CMYK 36 / 0 / 11 / 71

HEX #2F4A42

RGB 47 74 66

HSL 162.22, 0.22%, 0.24%

LAB 29.15, -12.33, 1.52

 

CMYK 11 / 0 / 3 / 75

HEX #39403E

RGB 57 64 62

HSL 162.86, 0.06%, 0.24%

LAB 26.4, -3.37, 0.23

 

CMYK 0 / 19 / 13 / 74

HEX #43363A

RGB 67 54 58

HSL 341.54, 0.11%, 0.24%

LAB 24.12, 6.57, -0.33

 

CMYK 70 / 0 / 62 / 63

HEX #1C5E24

RGB 28 94 36

HSL 127.27, 0.54%, 0.24%

LAB 34.76, -33.98, 26.89

 

CMYK 70 / 0 / 43 / 63

HEX #1C5E36

RGB 28 94 54

HSL 143.64, 0.54%, 0.24%

LAB 35.04, -30.83, 17.04

 

CMYK 70 / 0 / 23 / 63

HEX #1C5E48

RGB 28 94 72

HSL 160, 0.54%, 0.24%

LAB 35.44, -26.57, 6.65

 

CMYK 70 / 0 / 5 / 63

HEX #1C5E59

RGB 28 94 89

HSL 175.45, 0.54%, 0.24%

LAB 35.93, -21.66, -3.19

 

CMYK 70 / 14 / 0 / 63

HEX #1C515E

RGB 28 81 94

HSL 191.82, 0.54%, 0.24%

LAB 31.67, -12.76, -12.74

 

CMYK 70 / 0 / 23 / 88

HEX #091E17

RGB 9 30 23

HSL 160, 0.54%, 0.08%

LAB 9.39, -10.5, 2.25

 

CMYK 71 / 0 / 23 / 76

HEX #123E30

RGB 18 62 48

HSL 160.91, 0.55%, 0.16%

LAB 22.96, -19.1, 4.21

 

CMYK 70 / 0 / 22 / 63

HEX #1C5E49

RGB 28 94 73

HSL 160.91, 0.54%, 0.24%

LAB 35.47, -26.3, 6.07

 

CMYK 71 / 0 / 23 / 51

HEX #257E61

RGB 37 126 97

HSL 160.45, 0.55%, 0.32%

LAB 47.21, -33.44, 8.31

 

CMYK 70 / 0 / 22 / 38

HEX #2F9D7A

RGB 47 157 122

HSL 160.91, 0.54%, 0.4%

LAB 58.15, -39.35, 9.48

 

CMYK 70 / 0 / 22 / 63

HEX #1C5E49

RGB 28 94 73

HSL 160.91, 0.54%, 0.24%

LAB 35.47, -26.3, 6.07

 

CMYK 70 / 62 / 0 / 63

HEX #1C245E

RGB 28 36 94

HSL 232.73, 0.54%, 0.24%

LAB 17.07, 17.73, -35.77

 

CMYK 0 / 52 / 70 / 63

HEX #5E2D1C

RGB 94 45 28

HSL 15.45, 0.54%, 0.24%

LAB 24.77, 20.73, 20.97

 

CMYK 70 / 0 / 22 / 63

HEX #1C5E49

RGB 28 94 73

HSL 160.91, 0.54%, 0.24%

LAB 35.47, -26.3, 6.07

 

CMYK 23 / 70 / 0 / 63

HEX #481C5E

RGB 72 28 94

HSL 280, 0.54%, 0.24%

LAB 20.11, 33.04, -30.62

 

CMYK 0 / 23 / 70 / 63

HEX #5E481C

RGB 94 72 28

HSL 40, 0.54%, 0.24%

LAB 32.03, 3.98, 29.24

 

CMYK 70 / 0 / 22 / 63

HEX #1C5E49

RGB 28 94 73

HSL 160.91, 0.54%, 0.24%

LAB 35.47, -26.3, 6.07

 

CMYK 70 / 62 / 0 / 63

HEX #1C245E

RGB 28 36 94

HSL 232.73, 0.54%, 0.24%

LAB 17.07, 17.73, -35.77

 

CMYK 0 / 70 / 47 / 63

HEX #5E1C32

RGB 94 28 50

HSL 340, 0.54%, 0.24%

LAB 21.73, 32.02, 2.15

 

CMYK 0 / 10 / 70 / 63

HEX #5E551C

RGB 94 85 28

HSL 51.82, 0.54%, 0.24%

LAB 35.91, -3.94, 33.4

 

CMYK 70 / 0 / 22 / 63

HEX #1C5E49

RGB 28 94 73

HSL 160.91, 0.54%, 0.24%

LAB 35.47, -26.3, 6.07

 

CMYK 59 / 70 / 0 / 63

HEX #271C5E

RGB 39 28 94

HSL 250, 0.54%, 0.24%

LAB 15.85, 25.37, -37.71

 

CMYK 0 / 70 / 47 / 63

HEX #5E1C32

RGB 94 28 50

HSL 340, 0.54%, 0.24%

LAB 21.73, 32.02, 2.15

 

CMYK 12 / 0 / 70 / 63

HEX #535E1C

RGB 83 94 28

HSL 70, 0.54%, 0.24%

LAB 37.71, -14.43, 34.98

 

Description

Color code: HEX #1C5E49 | qconv.com Color code: HEX #1C5E49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 94 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 94 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 22 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 22% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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