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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C60AA it is the complementary color #E39F55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C60AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C60AA shade: #2160A5, #3272B8, #4384CB, #5496DE and #65A8F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C60AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C60AA shade: #1C60AA, #0B4E97, #003C84, #002A71 and #00185E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C60AA shade: #1B60AB, #1B39AB, #241BAB, #4B1BAB and #711BAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C60AA shade: #1B60AB, #1B39AB and #1B1BAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C60AA shade matches the following richer shades: #1B60AB and #0B5FBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C60AA shade: #1B60AB, #2B619A, #3C618A, #4C627A and #5C636A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C60AA shade: #1BABA8, #1B87AB, #1B61AB, #1B3AAB and #231BAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C60AA shade: #103864, #164C87, #1B60AB, #2174CE and #3A89DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C60AA shade: #1C60AA, #821BAB and #9AAB1B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C60AA shade: #1C60AA, #AB1B61 and #61AB1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C60AA shade: #1C60AA, #821BAB, #AB651B and #44AB1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C60AA shade: #1C60AA, #AB1BA8, #AB651B and #1BAB1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 44 / 0 / 33

HEX #1C60AA

RGB 28 96 170

HSL 211.27, 0.72%, 0.39%

LAB 40.43, 7, -45.49

 

Complementary color

CMYK 0 / 30 / 63 / 11

HEX #E39F55

RGB 227 159 85

HSL 31.27, 0.72%, 0.61%

LAB 70.72, 17.96, 47.98

 

CMYK 80 / 42 / 0 / 35

HEX #2160A5

RGB 33 96 165

HSL 211.36, 0.67%, 0.39%

LAB 40.26, 5.54, -42.81

 

CMYK 73 / 38 / 0 / 28

HEX #3272B8

RGB 50 114 184

HSL 211.34, 0.57%, 0.46%

LAB 47.2, 3.57, -42.85

 

CMYK 67 / 35 / 0 / 20

HEX #4384CB

RGB 67 132 203

HSL 211.32, 0.57%, 0.53%

LAB 54.04, 2.04, -42.87

 

CMYK 62 / 32 / 0 / 13

HEX #5496DE

RGB 84 150 222

HSL 211.3, 0.68%, 0.6%

LAB 60.76, 0.84, -42.9

 

CMYK 58 / 30 / 0 / 5

HEX #65A8F1

RGB 101 168 241

HSL 211.29, 0.83%, 0.67%

LAB 67.37, -0.13, -42.93

 

CMYK 84 / 44 / 0 / 33

HEX #1C60AA

RGB 28 96 170

HSL 211.27, 0.72%, 0.39%

LAB 40.43, 7, -45.49

 

CMYK 93 / 48 / 0 / 41

HEX #0B4E97

RGB 11 78 151

HSL 211.29, 0.86%, 0.32%

LAB 33.47, 9.93, -45.33

 

CMYK 100 / 55 / 0 / 48

HEX #003C84

RGB 0 60 132

HSL 212.73, 1%, 0.26%

LAB 26.44, 13.69, -45.02

 

CMYK 100 / 63 / 0 / 56

HEX #002A71

RGB 0 42 113

HSL 217.7, 1%, 0.22%

LAB 19.43, 18.4, -44.4

 

CMYK 100 / 74 / 0 / 63

HEX #00185E

RGB 0 24 94

HSL 224.68, 1%, 0.18%

LAB 12.36, 23.36, -43.53

 

CMYK 84 / 44 / 0 / 33

HEX #1B60AB

RGB 27 96 171

HSL 211.25, 0.73%, 0.39%

LAB 40.47, 7.31, -46.02

 

CMYK 84 / 67 / 0 / 33

HEX #1B39AB

RGB 27 57 171

HSL 227.5, 0.73%, 0.39%

LAB 29.66, 33.3, -63.57

 

CMYK 79 / 84 / 0 / 33

HEX #241BAB

RGB 36 27 171

HSL 243.75, 0.73%, 0.39%

LAB 24, 50.93, -72.92

 

CMYK 56 / 84 / 0 / 33

HEX #4B1BAB

RGB 75 27 171

HSL 260, 0.73%, 0.39%

LAB 27.35, 54.14, -67.26

 

CMYK 34 / 84 / 0 / 33

HEX #711BAB

RGB 113 27 171

HSL 275.83, 0.73%, 0.39%

LAB 32.34, 59.14, -58.89

 

CMYK 84 / 44 / 0 / 33

HEX #1B60AB

RGB 27 96 171

HSL 211.25, 0.73%, 0.39%

LAB 40.47, 7.31, -46.02

 

CMYK 84 / 67 / 0 / 33

HEX #1B39AB

RGB 27 57 171

HSL 227.5, 0.73%, 0.39%

LAB 29.66, 33.3, -63.57

 

CMYK 84 / 84 / 0 / 33

HEX #1B1BAB

RGB 27 27 171

HSL 240, 0.73%, 0.39%

LAB 23.53, 50.5, -73.71

 

CMYK 84 / 44 / 0 / 33

HEX #1B60AB

RGB 27 96 171

HSL 211.25, 0.73%, 0.39%

LAB 40.47, 7.31, -46.02

 

CMYK 94 / 49 / 0 / 27

HEX #0B5FBB

RGB 11 95 187

HSL 211.36, 0.89%, 0.39%

LAB 40.97, 13.38, -54.63

 

CMYK 84 / 44 / 0 / 33

HEX #1B60AB

RGB 27 96 171

HSL 211.25, 0.73%, 0.39%

LAB 40.47, 7.31, -46.02

 

CMYK 72 / 37 / 0 / 40

HEX #2B619A

RGB 43 97 154

HSL 210.81, 0.56%, 0.39%

LAB 40.24, 2.01, -36.26

 

CMYK 57 / 30 / 0 / 46

HEX #3C618A

RGB 60 97 138

HSL 211.54, 0.39%, 0.39%

LAB 40.16, -0.43, -26.73

 

CMYK 38 / 20 / 0 / 52

HEX #4C627A

RGB 76 98 122

HSL 211.3, 0.23%, 0.39%

LAB 40.7, -1.76, -16.11

 

CMYK 13 / 7 / 0 / 58

HEX #5C636A

RGB 92 99 106

HSL 210, 0.07%, 0.39%

LAB 41.59, -1.12, -4.89

 

CMYK 84 / 0 / 2 / 33

HEX #1BABA8

RGB 27 171 168

HSL 178.75, 0.73%, 0.39%

LAB 63.5, -35.28, -8.63

 

CMYK 84 / 21 / 0 / 33

HEX #1B87AB

RGB 27 135 171

HSL 195, 0.73%, 0.39%

LAB 52.4, -16.09, -27.22

 

CMYK 84 / 43 / 0 / 33

HEX #1B61AB

RGB 27 97 171

HSL 210.83, 0.73%, 0.39%

LAB 40.77, 6.66, -45.54

 

CMYK 84 / 66 / 0 / 33

HEX #1B3AAB

RGB 27 58 171

HSL 227.08, 0.73%, 0.39%

LAB 29.91, 32.64, -63.16

 

CMYK 80 / 84 / 0 / 33

HEX #231BAB

RGB 35 27 171

HSL 243.33, 0.73%, 0.39%

LAB 23.94, 50.88, -73.02

 

CMYK 84 / 44 / 0 / 61

HEX #103864

RGB 16 56 100

HSL 211.43, 0.72%, 0.23%

LAB 23.2, 3.91, -29.86

 

CMYK 84 / 44 / 0 / 47

HEX #164C87

RGB 22 76 135

HSL 211.33, 0.72%, 0.31%

LAB 32.01, 5.49, -37.88

 

CMYK 84 / 44 / 0 / 33

HEX #1B60AB

RGB 27 96 171

HSL 211.25, 0.73%, 0.39%

LAB 40.47, 7.31, -46.02

 

CMYK 84 / 44 / 0 / 19

HEX #2174CE

RGB 33 116 206

HSL 211.21, 0.72%, 0.47%

LAB 48.6, 8.76, -53.3

 

CMYK 74 / 38 / 0 / 13

HEX #3A89DE

RGB 58 137 222

HSL 211.1, 0.71%, 0.55%

LAB 56.15, 4.48, -50.24

 

CMYK 84 / 44 / 0 / 33

HEX #1C60AA

RGB 28 96 170

HSL 211.27, 0.72%, 0.39%

LAB 40.43, 7, -45.49

 

CMYK 24 / 84 / 0 / 33

HEX #821BAB

RGB 130 27 171

HSL 282.92, 0.73%, 0.39%

LAB 34.94, 61.85, -54.53

 

CMYK 10 / 0 / 84 / 33

HEX #9AAB1B

RGB 154 171 27

HSL 67.08, 0.73%, 0.39%

LAB 66.58, -22.9, 64.13

 

CMYK 84 / 44 / 0 / 33

HEX #1C60AA

RGB 28 96 170

HSL 211.27, 0.72%, 0.39%

LAB 40.43, 7, -45.49

 

CMYK 0 / 84 / 43 / 33

HEX #AB1B61

RGB 171 27 97

HSL 330.83, 0.73%, 0.39%

LAB 38.38, 59.69, -2.86

 

CMYK 43 / 0 / 84 / 33

HEX #61AB1B

RGB 97 171 27

HSL 90.83, 0.73%, 0.39%

LAB 63.13, -45.24, 59.8

 

CMYK 84 / 44 / 0 / 33

HEX #1C60AA

RGB 28 96 170

HSL 211.27, 0.72%, 0.39%

LAB 40.43, 7, -45.49

 

CMYK 24 / 84 / 0 / 33

HEX #821BAB

RGB 130 27 171

HSL 282.92, 0.73%, 0.39%

LAB 34.94, 61.85, -54.53

 

CMYK 0 / 41 / 84 / 33

HEX #AB651B

RGB 171 101 27

HSL 30.83, 0.73%, 0.39%

LAB 49.55, 22.8, 50.17

 

CMYK 60 / 0 / 84 / 33

HEX #44AB1B

RGB 68 171 27

HSL 102.92, 0.73%, 0.39%

LAB 62.03, -53.81, 58.39

 

CMYK 84 / 44 / 0 / 33

HEX #1C60AA

RGB 28 96 170

HSL 211.27, 0.72%, 0.39%

LAB 40.43, 7, -45.49

 

CMYK 0 / 84 / 2 / 33

HEX #AB1BA8

RGB 171 27 168

HSL 301.25, 0.73%, 0.39%

LAB 41.64, 68.69, -41.6

 

CMYK 0 / 41 / 84 / 33

HEX #AB651B

RGB 171 101 27

HSL 30.83, 0.73%, 0.39%

LAB 49.55, 22.8, 50.17

 

CMYK 84 / 0 / 82 / 33

HEX #1BAB1E

RGB 27 171 30

HSL 121.25, 0.73%, 0.39%

LAB 61.18, -60.98, 56.5

 

Description

Color code: HEX #1C60AA | qconv.com Color code: HEX #1C60AA | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 96 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 96 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 44 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 44% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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