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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C6A91 it is the complementary color #E3956E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C6A91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C6A91 shade: #216A8C, #327C9F, #438EB2, #54A0C5 and #65B2D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C6A91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C6A91 shade: #1C6A91, #0B587E, #00466B, #003458 and #002245

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C6A91 shade: #1B6A91, #1B4A91, #1B2A91, #2C1B91 and #4C1B91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C6A91 shade: #1B6A91, #1B4A91, #1B2A91 and #1B1B91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C6A91 shade matches the following richer shades: #1B6A91 and #0D6F9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C6A91 shade: #1B6A91, #296583, #376075, #455C67 and #535759

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C6A91 shade: #1B917A, #1B8991, #1B6A91, #1B4A91 and #1B2B91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C6A91 shade: #0E374C, #15516E, #1B6A91, #2283B4 and #299CD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C6A91 shade: #1C6A91, #5A1B91 and #91891B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C6A91 shade: #1C6A91, #911B6A and #6A911B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C6A91 shade: #1C6A91, #5A1B91, #91431B and #52911B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C6A91 shade: #1C6A91, #7E1B91, #91431B and #2F911B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 27 / 0 / 43

HEX #1C6A91

RGB 28 106 145

HSL 200, 0.68%, 0.34%

LAB 42.15, -8.9, -27.9

 

Complementary color

CMYK 0 / 34 / 52 / 11

HEX #E3956E

RGB 227 149 110

HSL 20, 0.68%, 0.66%

LAB 68.72, 25.23, 32.59

 

CMYK 76 / 24 / 0 / 45

HEX #216A8C

RGB 33 106 140

HSL 199.07, 0.62%, 0.34%

LAB 42.04, -10.14, -25.08

 

CMYK 69 / 22 / 0 / 38

HEX #327C9F

RGB 50 124 159

HSL 199.27, 0.52%, 0.41%

LAB 49, -11.31, -25.47

 

CMYK 62 / 20 / 0 / 30

HEX #438EB2

RGB 67 142 178

HSL 199.46, 0.45%, 0.48%

LAB 55.84, -12.14, -25.83

 

CMYK 57 / 19 / 0 / 23

HEX #54A0C5

RGB 84 160 197

HSL 199.65, 0.49%, 0.55%

LAB 62.56, -12.77, -26.15

 

CMYK 53 / 18 / 0 / 15

HEX #65B2D8

RGB 101 178 216

HSL 199.83, 0.6%, 0.62%

LAB 69.16, -13.24, -26.47

 

CMYK 81 / 27 / 0 / 43

HEX #1C6A91

RGB 28 106 145

HSL 200, 0.68%, 0.34%

LAB 42.15, -8.9, -27.9

 

CMYK 91 / 30 / 0 / 51

HEX #0B587E

RGB 11 88 126

HSL 199.83, 0.84%, 0.27%

LAB 35.12, -6.89, -27.42

 

CMYK 100 / 35 / 0 / 58

HEX #00466B

RGB 0 70 107

HSL 200.75, 1%, 0.21%

LAB 27.96, -4.1, -26.82

 

CMYK 100 / 41 / 0 / 65

HEX #003458

RGB 0 52 88

HSL 204.55, 1%, 0.17%

LAB 20.68, -0.26, -26.04

 

CMYK 100 / 51 / 0 / 73

HEX #002245

RGB 0 34 69

HSL 210.43, 1%, 0.14%

LAB 13.07, 4.07, -25.34

 

CMYK 81 / 27 / 0 / 43

HEX #1B6A91

RGB 27 106 145

HSL 199.83, 0.69%, 0.34%

LAB 42.13, -9.01, -27.94

 

CMYK 81 / 49 / 0 / 43

HEX #1B4A91

RGB 27 74 145

HSL 216.1, 0.69%, 0.34%

LAB 32.2, 11.46, -43.7

 

CMYK 81 / 71 / 0 / 43

HEX #1B2A91

RGB 27 42 145

HSL 232.37, 0.69%, 0.34%

LAB 23.45, 33.28, -57.96

 

CMYK 70 / 81 / 0 / 43

HEX #2C1B91

RGB 44 27 145

HSL 248.64, 0.69%, 0.34%

LAB 21.45, 43.5, -61.23

 

CMYK 48 / 81 / 0 / 43

HEX #4C1B91

RGB 76 27 145

HSL 264.92, 0.69%, 0.34%

LAB 24.84, 47.4, -55.52

 

CMYK 81 / 27 / 0 / 43

HEX #1B6A91

RGB 27 106 145

HSL 199.83, 0.69%, 0.34%

LAB 42.13, -9.01, -27.94

 

CMYK 81 / 49 / 0 / 43

HEX #1B4A91

RGB 27 74 145

HSL 216.1, 0.69%, 0.34%

LAB 32.2, 11.46, -43.7

 

CMYK 81 / 71 / 0 / 43

HEX #1B2A91

RGB 27 42 145

HSL 232.37, 0.69%, 0.34%

LAB 23.45, 33.28, -57.96

 

CMYK 81 / 81 / 0 / 43

HEX #1B1B91

RGB 27 27 145

HSL 240, 0.69%, 0.34%

LAB 20.29, 42.17, -63.19

 

CMYK 81 / 27 / 0 / 43

HEX #1B6A91

RGB 27 106 145

HSL 199.83, 0.69%, 0.34%

LAB 42.13, -9.01, -27.94

 

CMYK 92 / 30 / 0 / 38

HEX #0D6F9F

RGB 13 111 159

HSL 199.73, 0.85%, 0.34%

LAB 44.17, -7.78, -33.07

 

CMYK 81 / 27 / 0 / 43

HEX #1B6A91

RGB 27 106 145

HSL 199.83, 0.69%, 0.34%

LAB 42.13, -9.01, -27.94

 

CMYK 69 / 23 / 0 / 49

HEX #296583

RGB 41 101 131

HSL 200, 0.52%, 0.34%

LAB 40.27, -9.19, -22.37

 

CMYK 53 / 18 / 0 / 54

HEX #376075

RGB 55 96 117

HSL 200.32, 0.36%, 0.34%

LAB 38.66, -7.96, -16.28

 

CMYK 33 / 11 / 0 / 60

HEX #455C67

RGB 69 92 103

HSL 199.41, 0.2%, 0.34%

LAB 37.66, -5.7, -9.1

 

CMYK 7 / 2 / 0 / 65

HEX #535759

RGB 83 87 89

HSL 200, 0.03%, 0.34%

LAB 36.7, -1.14, -1.71

 

CMYK 81 / 0 / 16 / 43

HEX #1B917A

RGB 27 145 122

HSL 168.31, 0.69%, 0.34%

LAB 53.91, -36.71, 3.36

 

CMYK 81 / 6 / 0 / 43

HEX #1B8991

RGB 27 137 145

HSL 184.07, 0.69%, 0.34%

LAB 52.03, -26, -12.73

 

CMYK 81 / 27 / 0 / 43

HEX #1B6A91

RGB 27 106 145

HSL 199.83, 0.69%, 0.34%

LAB 42.13, -9.01, -27.94

 

CMYK 81 / 49 / 0 / 43

HEX #1B4A91

RGB 27 74 145

HSL 216.1, 0.69%, 0.34%

LAB 32.2, 11.46, -43.7

 

CMYK 81 / 70 / 0 / 43

HEX #1B2B91

RGB 27 43 145

HSL 231.86, 0.69%, 0.34%

LAB 23.69, 32.63, -57.57

 

CMYK 82 / 28 / 0 / 70

HEX #0E374C

RGB 14 55 76

HSL 200.32, 0.69%, 0.18%

LAB 21.39, -5.77, -16.92

 

CMYK 81 / 26 / 0 / 57

HEX #15516E

RGB 21 81 110

HSL 199.55, 0.68%, 0.26%

LAB 32.19, -7.9, -22.05

 

CMYK 81 / 27 / 0 / 43

HEX #1B6A91

RGB 27 106 145

HSL 199.83, 0.69%, 0.34%

LAB 42.13, -9.01, -27.94

 

CMYK 81 / 27 / 0 / 29

HEX #2283B4

RGB 34 131 180

HSL 200.14, 0.68%, 0.42%

LAB 51.69, -9.97, -33.5

 

CMYK 81 / 27 / 0 / 16

HEX #299CD6

RGB 41 156 214

HSL 200.12, 0.68%, 0.5%

LAB 60.87, -11.24, -38.35

 

CMYK 81 / 27 / 0 / 43

HEX #1C6A91

RGB 28 106 145

HSL 200, 0.68%, 0.34%

LAB 42.15, -8.9, -27.9

 

CMYK 38 / 81 / 0 / 43

HEX #5A1B91

RGB 90 27 145

HSL 272.03, 0.69%, 0.34%

LAB 26.74, 49.59, -52.33

 

CMYK 0 / 6 / 81 / 43

HEX #91891B

RGB 145 137 27

HSL 55.93, 0.69%, 0.34%

LAB 56.08, -9.27, 54.77

 

CMYK 81 / 27 / 0 / 43

HEX #1C6A91

RGB 28 106 145

HSL 200, 0.68%, 0.34%

LAB 42.15, -8.9, -27.9

 

CMYK 0 / 81 / 27 / 43

HEX #911B6A

RGB 145 27 106

HSL 319.83, 0.69%, 0.34%

LAB 33.66, 54.17, -16.23

 

CMYK 27 / 0 / 81 / 43

HEX #6A911B

RGB 106 145 27

HSL 79.83, 0.69%, 0.34%

LAB 55.48, -30.48, 53.1

 

CMYK 81 / 27 / 0 / 43

HEX #1C6A91

RGB 28 106 145

HSL 200, 0.68%, 0.34%

LAB 42.15, -8.9, -27.9

 

CMYK 38 / 81 / 0 / 43

HEX #5A1B91

RGB 90 27 145

HSL 272.03, 0.69%, 0.34%

LAB 26.74, 49.59, -52.33

 

CMYK 0 / 54 / 81 / 43

HEX #91431B

RGB 145 67 27

HSL 20.34, 0.69%, 0.34%

LAB 38.04, 30.36, 38.24

 

CMYK 43 / 0 / 81 / 43

HEX #52911B

RGB 82 145 27

HSL 92.03, 0.69%, 0.34%

LAB 54.16, -39.59, 51.41

 

CMYK 81 / 27 / 0 / 43

HEX #1C6A91

RGB 28 106 145

HSL 200, 0.68%, 0.34%

LAB 42.15, -8.9, -27.9

 

CMYK 13 / 81 / 0 / 43

HEX #7E1B91

RGB 126 27 145

HSL 290.34, 0.69%, 0.34%

LAB 32.4, 56.11, -42.89

 

CMYK 0 / 54 / 81 / 43

HEX #91431B

RGB 145 67 27

HSL 20.34, 0.69%, 0.34%

LAB 38.04, 30.36, 38.24

 

CMYK 68 / 0 / 81 / 43

HEX #2F911B

RGB 47 145 27

HSL 109.83, 0.69%, 0.34%

LAB 52.88, -49.62, 49.75

 

Description

Color code: HEX #1C6A91 | qconv.com Color code: HEX #1C6A91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 106 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 106 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 27 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 27% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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