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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C7866 it is the complementary color #E38799. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C7866. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C7866 shade: #217861, #328A74, #439C87, #54AE9A and #65C0AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C7866. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C7866 shade: #1C7866, #0B6653, #005440, #00422D and #00301A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C7866 shade: #1C7765, #1C774D, #1C7734, #1C771C and #35771C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C7866 shade: #1C7765, #1C7177, #1C5877, #1C3F77 and #1C2677

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C7866 shade matches the following richer shades: #1C7765, #10836D and #048F74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C7866 shade: #1C7765, #286B5E, #345F57, #3F5350 and #4B4748

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C7866 shade: #1C7734, #1C774D, #1C7765, #1C7177 and #1C5977

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C7866 shade: #0C342D, #145649, #1C7765, #239982 and #2BBA9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C7866 shade: #1C7866, #1C1C77 and #77401C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C7866 shade: #1C7866, #651C77 and #77651C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C7866 shade: #1C7866, #1C1C77, #771C2E and #77771C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C7866 shade: #1C7866, #371C77, #771C2E and #5C771C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 15 / 53

HEX #1C7866

RGB 28 120 102

HSL 168.26, 0.62%, 0.29%

LAB 45.14, -30.72, 2.37

 

Complementary color

CMYK 0 / 41 / 33 / 11

HEX #E38799

RGB 227 135 153

HSL 348.26, 0.62%, 0.71%

LAB 66.49, 37.27, 5.68

 

CMYK 73 / 0 / 19 / 53

HEX #217861

RGB 33 120 97

HSL 164.14, 0.57%, 0.3%

LAB 45.11, -31.35, 5.31

 

CMYK 64 / 0 / 16 / 46

HEX #328A74

RGB 50 138 116

HSL 165, 0.47%, 0.37%

LAB 51.97, -31.73, 4.09

 

CMYK 57 / 0 / 13 / 39

HEX #439C87

RGB 67 156 135

HSL 165.84, 0.4%, 0.44%

LAB 58.71, -31.88, 3.01

 

CMYK 52 / 0 / 11 / 32

HEX #54AE9A

RGB 84 174 154

HSL 166.67, 0.36%, 0.51%

LAB 65.35, -31.9, 2.05

 

CMYK 47 / 0 / 10 / 25

HEX #65C0AD

RGB 101 192 173

HSL 167.47, 0.42%, 0.57%

LAB 71.88, -31.84, 1.17

 

CMYK 77 / 0 / 15 / 53

HEX #1C7866

RGB 28 120 102

HSL 168.26, 0.62%, 0.29%

LAB 45.14, -30.72, 2.37

 

CMYK 89 / 0 / 19 / 60

HEX #0B6653

RGB 11 102 83

HSL 167.47, 0.81%, 0.22%

LAB 38.2, -29.65, 3.78

 

CMYK 100 / 0 / 24 / 67

HEX #005440

RGB 0 84 64

HSL 165.71, 1%, 0.16%

LAB 31.14, -27.89, 5.46

 

CMYK 100 / 0 / 32 / 74

HEX #00422D

RGB 0 66 45

HSL 160.91, 1%, 0.13%

LAB 23.95, -25.08, 7.53

 

CMYK 100 / 0 / 46 / 81

HEX #00301A

RGB 0 48 26

HSL 152.5, 1%, 0.09%

LAB 16.45, -22.04, 9.83

 

CMYK 76 / 0 / 15 / 53

HEX #1C7765

RGB 28 119 101

HSL 168.13, 0.62%, 0.29%

LAB 44.77, -30.53, 2.44

 

CMYK 76 / 0 / 35 / 53

HEX #1C774D

RGB 28 119 77

HSL 152.31, 0.62%, 0.29%

LAB 44.2, -36.63, 15.79

 

CMYK 76 / 0 / 56 / 53

HEX #1C7734

RGB 28 119 52

HSL 135.82, 0.62%, 0.29%

LAB 43.78, -41.38, 29.21

 

CMYK 76 / 0 / 76 / 53

HEX #1C771C

RGB 28 119 28

HSL 120, 0.62%, 0.29%

LAB 43.54, -44.26, 40.15

 

CMYK 55 / 0 / 76 / 53

HEX #35771C

RGB 53 119 28

HSL 103.52, 0.62%, 0.29%

LAB 44.28, -38.24, 41.13

 

CMYK 76 / 0 / 15 / 53

HEX #1C7765

RGB 28 119 101

HSL 168.13, 0.62%, 0.29%

LAB 44.77, -30.53, 2.44

 

CMYK 76 / 5 / 0 / 53

HEX #1C7177

RGB 28 113 119

HSL 183.96, 0.62%, 0.29%

LAB 43.34, -22.02, -10.47

 

CMYK 76 / 26 / 0 / 53

HEX #1C5877

RGB 28 88 119

HSL 200.44, 0.62%, 0.29%

LAB 35.12, -7.82, -23.07

 

CMYK 76 / 47 / 0 / 53

HEX #1C3F77

RGB 28 63 119

HSL 216.92, 0.62%, 0.29%

LAB 27.11, 8.57, -35.74

 

CMYK 76 / 68 / 0 / 53

HEX #1C2677

RGB 28 38 119

HSL 233.41, 0.62%, 0.29%

LAB 19.9, 26.15, -47.43

 

CMYK 76 / 0 / 15 / 53

HEX #1C7765

RGB 28 119 101

HSL 168.13, 0.62%, 0.29%

LAB 44.77, -30.53, 2.44

 

CMYK 88 / 0 / 17 / 49

HEX #10836D

RGB 16 131 109

HSL 168.52, 0.78%, 0.29%

LAB 48.82, -35.06, 3.53

 

CMYK 97 / 0 / 19 / 44

HEX #048F74

RGB 4 143 116

HSL 168.35, 0.95%, 0.29%

LAB 52.87, -39.09, 5.29

 

CMYK 76 / 0 / 15 / 53

HEX #1C7765

RGB 28 119 101

HSL 168.13, 0.62%, 0.29%

LAB 44.77, -30.53, 2.44

 

CMYK 63 / 0 / 12 / 58

HEX #286B5E

RGB 40 107 94

HSL 168.36, 0.46%, 0.29%

LAB 40.86, -24.56, 1

 

CMYK 45 / 0 / 8 / 63

HEX #345F57

RGB 52 95 87

HSL 168.84, 0.29%, 0.29%

LAB 37.12, -17.12, -0.1

 

CMYK 24 / 0 / 4 / 67

HEX #3F5350

RGB 63 83 80

HSL 171, 0.14%, 0.29%

LAB 33.61, -8.42, -0.78

 

CMYK 0 / 5 / 4 / 71

HEX #4B4748

RGB 75 71 72

HSL 345, 0.03%, 0.29%

LAB 30.57, 1.88, -0.01

 

CMYK 76 / 0 / 56 / 53

HEX #1C7734

RGB 28 119 52

HSL 135.82, 0.62%, 0.29%

LAB 43.78, -41.38, 29.21

 

CMYK 76 / 0 / 35 / 53

HEX #1C774D

RGB 28 119 77

HSL 152.31, 0.62%, 0.29%

LAB 44.2, -36.63, 15.79

 

CMYK 76 / 0 / 15 / 53

HEX #1C7765

RGB 28 119 101

HSL 168.13, 0.62%, 0.29%

LAB 44.77, -30.53, 2.44

 

CMYK 76 / 5 / 0 / 53

HEX #1C7177

RGB 28 113 119

HSL 183.96, 0.62%, 0.29%

LAB 43.34, -22.02, -10.47

 

CMYK 76 / 25 / 0 / 53

HEX #1C5977

RGB 28 89 119

HSL 199.78, 0.62%, 0.29%

LAB 35.45, -8.43, -22.56

 

CMYK 77 / 0 / 13 / 80

HEX #0C342D

RGB 12 52 45

HSL 169.5, 0.63%, 0.13%

LAB 18.9, -15.86, 0.37

 

CMYK 77 / 0 / 15 / 66

HEX #145649

RGB 20 86 73

HSL 168.18, 0.62%, 0.21%

LAB 32.45, -23.77, 1.71

 

CMYK 76 / 0 / 15 / 53

HEX #1C7765

RGB 28 119 101

HSL 168.13, 0.62%, 0.29%

LAB 44.77, -30.53, 2.44

 

CMYK 77 / 0 / 15 / 40

HEX #239982

RGB 35 153 130

HSL 168.31, 0.63%, 0.37%

LAB 56.83, -37.2, 3.03

 

CMYK 77 / 0 / 15 / 27

HEX #2BBA9E

RGB 43 186 158

HSL 168.25, 0.62%, 0.45%

LAB 68.09, -43.29, 3.69

 

CMYK 77 / 0 / 15 / 53

HEX #1C7866

RGB 28 120 102

HSL 168.26, 0.62%, 0.29%

LAB 45.14, -30.72, 2.37

 

CMYK 76 / 76 / 0 / 53

HEX #1C1C77

RGB 28 28 119

HSL 240, 0.62%, 0.29%

LAB 17.5, 32.69, -51.38

 

CMYK 0 / 46 / 76 / 53

HEX #77401C

RGB 119 64 28

HSL 23.74, 0.62%, 0.29%

LAB 33.29, 20.8, 31.6

 

CMYK 77 / 0 / 15 / 53

HEX #1C7866

RGB 28 120 102

HSL 168.26, 0.62%, 0.29%

LAB 45.14, -30.72, 2.37

 

CMYK 15 / 76 / 0 / 53

HEX #651C77

RGB 101 28 119

HSL 288.13, 0.62%, 0.29%

LAB 26.53, 45.51, -36.28

 

CMYK 0 / 15 / 76 / 53

HEX #77651C

RGB 119 101 28

HSL 48.13, 0.62%, 0.29%

LAB 43.23, -1.23, 41.64

 

CMYK 77 / 0 / 15 / 53

HEX #1C7866

RGB 28 120 102

HSL 168.26, 0.62%, 0.29%

LAB 45.14, -30.72, 2.37

 

CMYK 76 / 76 / 0 / 53

HEX #1C1C77

RGB 28 28 119

HSL 240, 0.62%, 0.29%

LAB 17.5, 32.69, -51.38

 

CMYK 0 / 76 / 61 / 53

HEX #771C2E

RGB 119 28 46

HSL 348.13, 0.62%, 0.29%

LAB 26.59, 40.16, 12.42

 

CMYK 0 / 0 / 76 / 53

HEX #77771C

RGB 119 119 28

HSL 60, 0.62%, 0.29%

LAB 48.51, -11.42, 46.69

 

CMYK 77 / 0 / 15 / 53

HEX #1C7866

RGB 28 120 102

HSL 168.26, 0.62%, 0.29%

LAB 45.14, -30.72, 2.37

 

CMYK 54 / 76 / 0 / 53

HEX #371C77

RGB 55 28 119

HSL 257.8, 0.62%, 0.29%

LAB 19.94, 36.35, -47.28

 

CMYK 0 / 76 / 61 / 53

HEX #771C2E

RGB 119 28 46

HSL 348.13, 0.62%, 0.29%

LAB 26.59, 40.16, 12.42

 

CMYK 23 / 0 / 76 / 53

HEX #5C771C

RGB 92 119 28

HSL 77.8, 0.62%, 0.29%

LAB 46.38, -23.61, 43.91

 

Description

Color code: HEX #1C7866 | qconv.com Color code: HEX #1C7866 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 120 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 120 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 15 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 15% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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