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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C813F it is the complementary color #E37EC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C813F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C813F shade: #21813A, #32934D, #43A560, #54B773 and #65C986

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C813F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C813F shade: #1C813F, #0B6F2C, #005D19, #004B06 and #003900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C813F shade: #1C813F, #1C8124, #2F811C, #4B811C and #66811C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C813F shade: #1C813F, #1C815A, #1C8176, #1C7181 and #1C5681

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C813F shade matches the following richer shades: #1C813F, #0F8E3B and #029B37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C813F shade: #1C813F, #297443, #366847, #425B4B and #4F4E4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C813F shade: #30811C, #1C8123, #1C813E, #1C8159 and #1C8174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C813F shade: #0D3D1E, #155F2E, #1C813F, #23A350 and #2BC560

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C813F shade: #1C813F, #1C4B81 and #811C23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C813F shade: #1C813F, #3E1C81 and #813E1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C813F shade: #1C813F, #1C4B81, #811C5F and #81521C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C813F shade: #1C813F, #1C2D81, #811C5F and #81701C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 51 / 49

HEX #1C813F

RGB 28 129 63

HSL 140.79, 0.64%, 0.31%

LAB 47.37, -43.37, 27.78

 

Complementary color

CMYK 0 / 44 / 15 / 11

HEX #E37EC0

RGB 227 126 192

HSL 320.79, 0.64%, 0.69%

LAB 65.79, 47.41, -17.36

 

CMYK 74 / 0 / 55 / 49

HEX #21813A

RGB 33 129 58

HSL 135.63, 0.59%, 0.32%

LAB 47.4, -43.38, 30.48

 

CMYK 66 / 0 / 48 / 42

HEX #32934D

RGB 50 147 77

HSL 136.7, 0.49%, 0.39%

LAB 54.11, -44.01, 28.9

 

CMYK 59 / 0 / 42 / 35

HEX #43A560

RGB 67 165 96

HSL 137.76, 0.42%, 0.45%

LAB 60.74, -44.26, 27.4

 

CMYK 54 / 0 / 37 / 28

HEX #54B773

RGB 84 183 115

HSL 138.79, 0.41%, 0.52%

LAB 67.27, -44.28, 26.01

 

CMYK 50 / 0 / 33 / 21

HEX #65C986

RGB 101 201 134

HSL 139.8, 0.48%, 0.59%

LAB 73.71, -44.18, 24.72

 

CMYK 78 / 0 / 51 / 49

HEX #1C813F

RGB 28 129 63

HSL 140.79, 0.64%, 0.31%

LAB 47.37, -43.37, 27.78

 

CMYK 90 / 0 / 60 / 56

HEX #0B6F2C

RGB 11 111 44

HSL 139.8, 0.82%, 0.24%

LAB 40.61, -41.9, 29.52

 

CMYK 100 / 0 / 73 / 64

HEX #005D19

RGB 0 93 25

HSL 136.13, 1%, 0.18%

LAB 33.77, -39.32, 31.1

 

CMYK 100 / 0 / 92 / 71

HEX #004B06

RGB 0 75 6

HSL 124.8, 1%, 0.15%

LAB 26.86, -35.09, 31.85

 

CMYK 100 / 0 / 100 / 78

HEX #003900

RGB 0 57 0

HSL 120, 1%, 0.11%

LAB 19.75, -29.7, 27.07

 

CMYK 78 / 0 / 51 / 49

HEX #1C813F

RGB 28 129 63

HSL 140.79, 0.64%, 0.31%

LAB 47.37, -43.37, 27.78

 

CMYK 78 / 0 / 72 / 49

HEX #1C8124

RGB 28 129 36

HSL 124.75, 0.64%, 0.31%

LAB 47.07, -46.98, 40.55

 

CMYK 64 / 0 / 78 / 49

HEX #2F811C

RGB 47 129 28

HSL 108.71, 0.64%, 0.31%

LAB 47.48, -43.78, 44.23

 

CMYK 42 / 0 / 78 / 49

HEX #4B811C

RGB 75 129 28

HSL 92.08, 0.64%, 0.31%

LAB 48.61, -35.12, 45.72

 

CMYK 21 / 0 / 78 / 49

HEX #66811C

RGB 102 129 28

HSL 76.04, 0.64%, 0.31%

LAB 50.23, -24.33, 47.83

 

CMYK 78 / 0 / 51 / 49

HEX #1C813F

RGB 28 129 63

HSL 140.79, 0.64%, 0.31%

LAB 47.37, -43.37, 27.78

 

CMYK 78 / 0 / 30 / 49

HEX #1C815A

RGB 28 129 90

HSL 156.83, 0.64%, 0.31%

LAB 47.86, -37.86, 13.27

 

CMYK 78 / 0 / 9 / 49

HEX #1C8176

RGB 28 129 118

HSL 173.47, 0.64%, 0.31%

LAB 48.58, -30.35, -2.08

 

CMYK 78 / 12 / 0 / 49

HEX #1C7181

RGB 28 113 129

HSL 189.5, 0.64%, 0.31%

LAB 43.72, -18.66, -15.91

 

CMYK 78 / 33 / 0 / 49

HEX #1C5681

RGB 28 86 129

HSL 205.54, 0.64%, 0.31%

LAB 34.98, -2.74, -29.46

 

CMYK 78 / 0 / 51 / 49

HEX #1C813F

RGB 28 129 63

HSL 140.79, 0.64%, 0.31%

LAB 47.37, -43.37, 27.78

 

CMYK 89 / 0 / 58 / 44

HEX #0F8E3B

RGB 15 142 59

HSL 140.79, 0.81%, 0.31%

LAB 51.57, -50.12, 34.91

 

CMYK 99 / 0 / 65 / 39

HEX #029B37

RGB 2 155 55

HSL 140.78, 0.97%, 0.31%

LAB 55.82, -55.73, 41.7

 

CMYK 78 / 0 / 51 / 49

HEX #1C813F

RGB 28 129 63

HSL 140.79, 0.64%, 0.31%

LAB 47.37, -43.37, 27.78

 

CMYK 65 / 0 / 42 / 55

HEX #297443

RGB 41 116 67

HSL 140.8, 0.48%, 0.31%

LAB 43.31, -34.96, 20.42

 

CMYK 48 / 0 / 32 / 59

HEX #366847

RGB 54 104 71

HSL 140.4, 0.32%, 0.31%

LAB 39.81, -25.09, 13.49

 

CMYK 27 / 0 / 18 / 64

HEX #425B4B

RGB 66 91 75

HSL 141.6, 0.16%, 0.31%

LAB 36.27, -13.17, 6.21

 

CMYK 0 / 1 / 0 / 69

HEX #4F4E4F

RGB 79 78 79

HSL 300, 0.01%, 0.31%

LAB 33.3, 0.63, -0.45

 

CMYK 63 / 0 / 78 / 49

HEX #30811C

RGB 48 129 28

HSL 108.12, 0.64%, 0.31%

LAB 47.51, -43.53, 44.27

 

CMYK 78 / 0 / 73 / 49

HEX #1C8123

RGB 28 129 35

HSL 124.16, 0.64%, 0.31%

LAB 47.06, -47.08, 40.96

 

CMYK 78 / 0 / 52 / 49

HEX #1C813E

RGB 28 129 62

HSL 140.2, 0.64%, 0.31%

LAB 47.36, -43.54, 28.3

 

CMYK 78 / 0 / 31 / 49

HEX #1C8159

RGB 28 129 89

HSL 156.24, 0.64%, 0.31%

LAB 47.84, -38.09, 13.82

 

CMYK 78 / 0 / 10 / 49

HEX #1C8174

RGB 28 129 116

HSL 172.28, 0.64%, 0.31%

LAB 48.52, -30.94, -0.99

 

CMYK 79 / 0 / 51 / 76

HEX #0D3D1E

RGB 13 61 30

HSL 141.25, 0.65%, 0.15%

LAB 22, -24.2, 14.6

 

CMYK 78 / 0 / 52 / 63

HEX #155F2E

RGB 21 95 46

HSL 140.27, 0.64%, 0.23%

LAB 35.09, -34.17, 21.73

 

CMYK 78 / 0 / 51 / 49

HEX #1C813F

RGB 28 129 63

HSL 140.79, 0.64%, 0.31%

LAB 47.37, -43.37, 27.78

 

CMYK 79 / 0 / 51 / 36

HEX #23A350

RGB 35 163 80

HSL 141.09, 0.65%, 0.39%

LAB 59.1, -52.06, 33.52

 

CMYK 78 / 0 / 51 / 23

HEX #2BC560

RGB 43 197 96

HSL 140.65, 0.64%, 0.47%

LAB 70.38, -60.41, 39.53

 

CMYK 78 / 0 / 51 / 49

HEX #1C813F

RGB 28 129 63

HSL 140.79, 0.64%, 0.31%

LAB 47.37, -43.37, 27.78

 

CMYK 78 / 42 / 0 / 49

HEX #1C4B81

RGB 28 75 129

HSL 212.08, 0.64%, 0.31%

LAB 31.5, 4.44, -34.98

 

CMYK 0 / 78 / 73 / 49

HEX #811C23

RGB 129 28 35

HSL 355.84, 0.64%, 0.31%

LAB 28.43, 42.73, 22.47

 

CMYK 78 / 0 / 51 / 49

HEX #1C813F

RGB 28 129 63

HSL 140.79, 0.64%, 0.31%

LAB 47.37, -43.37, 27.78

 

CMYK 52 / 78 / 0 / 49

HEX #3E1C81

RGB 62 28 129

HSL 260.2, 0.64%, 0.31%

LAB 21.72, 40.43, -50.69

 

CMYK 0 / 52 / 78 / 49

HEX #813E1C

RGB 129 62 28

HSL 20.2, 0.64%, 0.31%

LAB 34.39, 26.36, 33.23

 

CMYK 78 / 0 / 51 / 49

HEX #1C813F

RGB 28 129 63

HSL 140.79, 0.64%, 0.31%

LAB 47.37, -43.37, 27.78

 

CMYK 78 / 42 / 0 / 49

HEX #1C4B81

RGB 28 75 129

HSL 212.08, 0.64%, 0.31%

LAB 31.5, 4.44, -34.98

 

CMYK 0 / 78 / 26 / 49

HEX #811C5F

RGB 129 28 95

HSL 320.2, 0.64%, 0.31%

LAB 30.22, 48.34, -14.69

 

CMYK 0 / 36 / 78 / 49

HEX #81521C

RGB 129 82 28

HSL 32.08, 0.64%, 0.31%

LAB 39.22, 14.77, 38.11

 

CMYK 78 / 0 / 51 / 49

HEX #1C813F

RGB 28 129 63

HSL 140.79, 0.64%, 0.31%

LAB 47.37, -43.37, 27.78

 

CMYK 78 / 65 / 0 / 49

HEX #1C2D81

RGB 28 45 129

HSL 229.9, 0.64%, 0.31%

LAB 22.68, 25.23, -49.23

 

CMYK 0 / 78 / 26 / 49

HEX #811C5F

RGB 129 28 95

HSL 320.2, 0.64%, 0.31%

LAB 30.22, 48.34, -14.69

 

CMYK 0 / 13 / 78 / 49

HEX #81701C

RGB 129 112 28

HSL 49.9, 0.64%, 0.31%

LAB 47.42, -2.8, 46

 

Description

Color code: HEX #1C813F | qconv.com Color code: HEX #1C813F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 129 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 129 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 51 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 51% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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