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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C965E it is the complementary color #E369A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C965E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C965E shade: #219659, #32A86C, #43BA7F, #54CC92 and #65DEA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C965E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C965E shade: #1C965E, #0B844B, #007238, #006025 and #004E12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C965E shade: #1B965E, #1B963D, #1B961B, #3C961B and #5D961B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C965E shade: #1B965E, #1B967F, #1B8C96, #1B6B96 and #1B4A96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C965E shade matches the following richer shades: #1B965E and #0DA55F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C965E shade: #1B965E, #2A885D, #38795B, #466B5A and #555D59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C965E shade: #1B961B, #1B963C, #1B965D, #1B967E and #1B8E96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C965E shade: #0E5132, #157348, #1B965E, #22B974 and #2CD889

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C965E shade: #1C965E, #1B3C96 and #962C1B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C965E shade: #1C965E, #5D1B96 and #965D1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C965E shade: #1C965E, #1B3C96, #961B55 and #96751B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C965E shade: #1C965E, #1F1B96, #961B55 and #92961B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 37 / 41

HEX #1C965E

RGB 28 150 94

HSL 152.46, 0.69%, 0.35%

LAB 54.94, -45.49, 20.65

 

Complementary color

CMYK 0 / 54 / 29 / 11

HEX #E369A1

RGB 227 105 161

HSL 332.46, 0.69%, 0.65%

LAB 60.79, 53.34, -7.23

 

CMYK 78 / 0 / 41 / 41

HEX #219659

RGB 33 150 89

HSL 148.72, 0.64%, 0.36%

LAB 54.93, -45.89, 23.4

 

CMYK 70 / 0 / 36 / 34

HEX #32A86C

RGB 50 168 108

HSL 149.49, 0.54%, 0.43%

LAB 61.45, -46.58, 21.81

 

CMYK 64 / 0 / 32 / 27

HEX #43BA7F

RGB 67 186 127

HSL 150.25, 0.47%, 0.5%

LAB 67.91, -46.93, 20.37

 

CMYK 59 / 0 / 28 / 20

HEX #54CC92

RGB 84 204 146

HSL 151, 0.54%, 0.56%

LAB 74.28, -47.07, 19.06

 

CMYK 55 / 0 / 26 / 13

HEX #65DEA5

RGB 101 222 165

HSL 151.74, 0.65%, 0.63%

LAB 80.59, -47.08, 17.86

 

CMYK 81 / 0 / 37 / 41

HEX #1C965E

RGB 28 150 94

HSL 152.46, 0.69%, 0.35%

LAB 54.94, -45.49, 20.65

 

CMYK 92 / 0 / 43 / 48

HEX #0B844B

RGB 11 132 75

HSL 151.74, 0.85%, 0.28%

LAB 48.36, -44.1, 22.44

 

CMYK 100 / 0 / 51 / 55

HEX #007238

RGB 0 114 56

HSL 149.47, 1%, 0.22%

LAB 41.72, -41.93, 24.42

 

CMYK 100 / 0 / 61 / 62

HEX #006025

RGB 0 96 37

HSL 143.13, 1%, 0.19%

LAB 35, -38.73, 26.52

 

CMYK 100 / 0 / 77 / 69

HEX #004E12

RGB 0 78 18

HSL 133.85, 1%, 0.15%

LAB 28.09, -35.02, 28.26

 

CMYK 82 / 0 / 37 / 41

HEX #1B965E

RGB 27 150 94

HSL 152.68, 0.69%, 0.35%

LAB 54.92, -45.6, 20.63

 

CMYK 82 / 0 / 59 / 41

HEX #1B963D

RGB 27 150 61

HSL 136.59, 0.69%, 0.35%

LAB 54.43, -51.36, 37.34

 

CMYK 82 / 0 / 82 / 41

HEX #1B961B

RGB 27 150 27

HSL 120, 0.69%, 0.35%

LAB 54.16, -54.71, 50.81

 

CMYK 60 / 0 / 82 / 41

HEX #3C961B

RGB 60 150 27

HSL 103.9, 0.69%, 0.35%

LAB 54.92, -48.29, 51.8

 

CMYK 38 / 0 / 82 / 41

HEX #5D961B

RGB 93 150 27

HSL 87.8, 0.69%, 0.35%

LAB 56.31, -37.8, 53.58

 

CMYK 82 / 0 / 37 / 41

HEX #1B965E

RGB 27 150 94

HSL 152.68, 0.69%, 0.35%

LAB 54.92, -45.6, 20.63

 

CMYK 82 / 0 / 15 / 41

HEX #1B967F

RGB 27 150 127

HSL 168.78, 0.69%, 0.35%

LAB 55.66, -37.56, 3.03

 

CMYK 82 / 7 / 0 / 41

HEX #1B8C96

RGB 27 140 150

HSL 184.88, 0.69%, 0.35%

LAB 53.16, -25.9, -13.92

 

CMYK 82 / 29 / 0 / 41

HEX #1B6B96

RGB 27 107 150

HSL 200.98, 0.69%, 0.35%

LAB 42.69, -7.73, -30.05

 

CMYK 82 / 51 / 0 / 41

HEX #1B4A96

RGB 27 74 150

HSL 217.07, 0.69%, 0.35%

LAB 32.55, 13.49, -46.18

 

CMYK 82 / 0 / 37 / 41

HEX #1B965E

RGB 27 150 94

HSL 152.68, 0.69%, 0.35%

LAB 54.92, -45.6, 20.63

 

CMYK 92 / 0 / 42 / 35

HEX #0DA55F

RGB 13 165 95

HSL 152.37, 0.85%, 0.35%

LAB 59.73, -52.15, 26.43

 

CMYK 82 / 0 / 37 / 41

HEX #1B965E

RGB 27 150 94

HSL 152.68, 0.69%, 0.35%

LAB 54.92, -45.6, 20.63

 

CMYK 69 / 0 / 32 / 47

HEX #2A885D

RGB 42 136 93

HSL 152.55, 0.53%, 0.35%

LAB 50.56, -37.92, 15.32

 

CMYK 54 / 0 / 25 / 53

HEX #38795B

RGB 56 121 91

HSL 152.31, 0.37%, 0.35%

LAB 46, -28.44, 10.22

 

CMYK 35 / 0 / 16 / 58

HEX #466B5A

RGB 70 107 90

HSL 152.43, 0.21%, 0.35%

LAB 42.09, -17.28, 5.37

 

CMYK 9 / 0 / 4 / 64

HEX #555D59

RGB 85 93 89

HSL 150, 0.04%, 0.35%

LAB 38.69, -4, 1.22

 

CMYK 82 / 0 / 82 / 41

HEX #1B961B

RGB 27 150 27

HSL 120, 0.69%, 0.35%

LAB 54.16, -54.71, 50.81

 

CMYK 82 / 0 / 60 / 41

HEX #1B963C

RGB 27 150 60

HSL 136.1, 0.69%, 0.35%

LAB 54.42, -51.49, 37.82

 

CMYK 82 / 0 / 38 / 41

HEX #1B965D

RGB 27 150 93

HSL 152.2, 0.69%, 0.35%

LAB 54.9, -45.81, 21.16

 

CMYK 82 / 0 / 16 / 41

HEX #1B967E

RGB 27 150 126

HSL 168.29, 0.69%, 0.35%

LAB 55.64, -37.83, 3.56

 

CMYK 82 / 5 / 0 / 41

HEX #1B8E96

RGB 27 142 150

HSL 183.9, 0.69%, 0.35%

LAB 53.79, -26.9, -12.96

 

CMYK 83 / 0 / 38 / 68

HEX #0E5132

RGB 14 81 50

HSL 152.24, 0.71%, 0.19%

LAB 29.93, -28.54, 12.59

 

CMYK 82 / 0 / 37 / 55

HEX #157348

RGB 21 115 72

HSL 152.55, 0.69%, 0.27%

LAB 42.6, -37.07, 16.51

 

CMYK 82 / 0 / 37 / 41

HEX #1B965E

RGB 27 150 94

HSL 152.68, 0.69%, 0.35%

LAB 54.92, -45.6, 20.63

 

CMYK 82 / 0 / 37 / 27

HEX #22B974

RGB 34 185 116

HSL 152.58, 0.69%, 0.43%

LAB 66.75, -53.63, 24.58

 

CMYK 80 / 0 / 37 / 15

HEX #2CD889

RGB 44 216 137

HSL 152.44, 0.69%, 0.51%

LAB 76.95, -59.81, 27.28

 

CMYK 81 / 0 / 37 / 41

HEX #1C965E

RGB 28 150 94

HSL 152.46, 0.69%, 0.35%

LAB 54.94, -45.49, 20.65

 

CMYK 82 / 60 / 0 / 41

HEX #1B3C96

RGB 27 60 150

HSL 223.9, 0.69%, 0.35%

LAB 28.56, 23.1, -52.67

 

CMYK 0 / 71 / 82 / 41

HEX #962C1B

RGB 150 44 27

HSL 8.29, 0.69%, 0.35%

LAB 34.73, 43.34, 35.31

 

CMYK 81 / 0 / 37 / 41

HEX #1C965E

RGB 28 150 94

HSL 152.46, 0.69%, 0.35%

LAB 54.94, -45.49, 20.65

 

CMYK 38 / 82 / 0 / 41

HEX #5D1B96

RGB 93 27 150

HSL 272.2, 0.69%, 0.35%

LAB 27.61, 51.27, -53.98

 

CMYK 0 / 38 / 82 / 41

HEX #965D1B

RGB 150 93 27

HSL 32.2, 0.69%, 0.35%

LAB 44.79, 17.96, 44.84

 

CMYK 81 / 0 / 37 / 41

HEX #1C965E

RGB 28 150 94

HSL 152.46, 0.69%, 0.35%

LAB 54.94, -45.49, 20.65

 

CMYK 82 / 60 / 0 / 41

HEX #1B3C96

RGB 27 60 150

HSL 223.9, 0.69%, 0.35%

LAB 28.56, 23.1, -52.67

 

CMYK 0 / 82 / 43 / 41

HEX #961B55

RGB 150 27 85

HSL 331.71, 0.69%, 0.35%

LAB 33.82, 53.08, -2.35

 

CMYK 0 / 22 / 82 / 41

HEX #96751B

RGB 150 117 27

HSL 43.9, 0.69%, 0.35%

LAB 51.02, 4.17, 50.48

 

CMYK 81 / 0 / 37 / 41

HEX #1C965E

RGB 28 150 94

HSL 152.46, 0.69%, 0.35%

LAB 54.94, -45.49, 20.65

 

CMYK 79 / 82 / 0 / 41

HEX #1F1B96

RGB 31 27 150

HSL 241.95, 0.69%, 0.35%

LAB 21.12, 44.06, -64.89

 

CMYK 0 / 82 / 43 / 41

HEX #961B55

RGB 150 27 85

HSL 331.71, 0.69%, 0.35%

LAB 33.82, 53.08, -2.35

 

CMYK 3 / 0 / 82 / 41

HEX #92961B

RGB 146 150 27

HSL 61.95, 0.69%, 0.35%

LAB 59.89, -15.73, 58.14

 

Description

Color code: HEX #1C965E | qconv.com Color code: HEX #1C965E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 150 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 150 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 37 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 37% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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