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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D5741 it is the complementary color #E2A8BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D5741. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D5741 shade: #22573C, #33694F, #447B62, #558D75 and #669F88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D5741. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D5741 shade: #1D5741, #0C452E, #00331B, #002108 and #000F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D5741 shade: #1D5741, #1D5731, #1D5722, #28571D and #38571D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D5741 shade: #1D5741, #1D5751, #1D4E57, #1D3E57 and #1D2E57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D5741 shade matches the following richer shades: #1D5741, #136144, #0A6A46 and #007448

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D5741 shade: #1D5741, #264E3F, #30443D, #393B3A and #433238

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D5741 shade: #1D5722, #1D5731, #1D5741, #1D5751 and #1D4F57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D5741 shade: #081A13, #13392A, #1D5741, #277658 and #31956F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D5741 shade: #1D5741, #1D2857 and #572A1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D5741 shade: #1D5741, #411D57 and #57411D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D5741 shade: #1D5741, #1D2857, #571D33 and #574D1D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D5741 shade: #1D5741, #241D57, #571D33 and #51571D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 25 / 66

HEX #1D5741

RGB 29 87 65

HSL 157.24, 0.5%, 0.23%

LAB 32.83, -24.78, 7.31

 

Complementary color

CMYK 0 / 26 / 16 / 11

HEX #E2A8BE

RGB 226 168 190

HSL 337.24, 0.5%, 0.77%

LAB 74.76, 24.61, -2.88

 

CMYK 61 / 0 / 31 / 66

HEX #22573C

RGB 34 87 60

HSL 149.43, 0.44%, 0.24%

LAB 32.88, -24.82, 10.52

 

CMYK 51 / 0 / 25 / 59

HEX #33694F

RGB 51 105 79

HSL 151.11, 0.35%, 0.31%

LAB 40.2, -24.7, 9.2

 

CMYK 45 / 0 / 20 / 52

HEX #447B62

RGB 68 123 98

HSL 152.73, 0.29%, 0.37%

LAB 47.34, -24.48, 8.06

 

CMYK 40 / 0 / 17 / 45

HEX #558D75

RGB 85 141 117

HSL 154.29, 0.25%, 0.44%

LAB 54.31, -24.23, 7.04

 

CMYK 36 / 0 / 14 / 38

HEX #669F88

RGB 102 159 136

HSL 155.79, 0.23%, 0.51%

LAB 61.13, -23.98, 6.12

 

CMYK 67 / 0 / 25 / 66

HEX #1D5741

RGB 29 87 65

HSL 157.24, 0.5%, 0.23%

LAB 32.83, -24.78, 7.31

 

CMYK 83 / 0 / 33 / 73

HEX #0C452E

RGB 12 69 46

HSL 155.79, 0.7%, 0.16%

LAB 25.36, -24.34, 8.86

 

CMYK 100 / 0 / 47 / 80

HEX #00331B

RGB 0 51 27

HSL 151.76, 1%, 0.1%

LAB 17.68, -23.13, 10.81

 

CMYK 100 / 0 / 76 / 87

HEX #002108

RGB 0 33 8

HSL 134.55, 1%, 0.06%

LAB 9.84, -18.34, 11.07

 

CMYK 100 / 0 / 100 / 94

HEX #000F00

RGB 0 15 0

HSL 120, 1%, 0.03%

LAB 3.09, -6.3, 4.51

 

CMYK 67 / 0 / 25 / 66

HEX #1D5741

RGB 29 87 65

HSL 157.24, 0.5%, 0.23%

LAB 32.83, -24.78, 7.31

 

CMYK 67 / 0 / 44 / 66

HEX #1D5731

RGB 29 87 49

HSL 140.69, 0.5%, 0.23%

LAB 32.48, -28.49, 16.66

 

CMYK 67 / 0 / 61 / 66

HEX #1D5722

RGB 29 87 34

HSL 125.17, 0.5%, 0.23%

LAB 32.24, -31.12, 25

 

CMYK 54 / 0 / 67 / 66

HEX #28571D

RGB 40 87 29

HSL 108.62, 0.5%, 0.23%

LAB 32.6, -28.55, 28.16

 

CMYK 36 / 0 / 67 / 66

HEX #38571D

RGB 56 87 29

HSL 92.07, 0.5%, 0.23%

LAB 33.45, -22.59, 29.33

 

CMYK 67 / 0 / 25 / 66

HEX #1D5741

RGB 29 87 65

HSL 157.24, 0.5%, 0.23%

LAB 32.83, -24.78, 7.31

 

CMYK 67 / 0 / 7 / 66

HEX #1D5751

RGB 29 87 81

HSL 173.79, 0.5%, 0.23%

LAB 33.29, -20.24, -2.08

 

CMYK 67 / 10 / 0 / 66

HEX #1D4E57

RGB 29 78 87

HSL 189.31, 0.5%, 0.23%

LAB 30.4, -13.24, -10.22

 

CMYK 67 / 29 / 0 / 66

HEX #1D3E57

RGB 29 62 87

HSL 205.86, 0.5%, 0.23%

LAB 24.94, -3.26, -18.61

 

CMYK 67 / 47 / 0 / 66

HEX #1D2E57

RGB 29 46 87

HSL 222.41, 0.5%, 0.23%

LAB 19.65, 7.84, -26.95

 

CMYK 67 / 0 / 25 / 66

HEX #1D5741

RGB 29 87 65

HSL 157.24, 0.5%, 0.23%

LAB 32.83, -24.78, 7.31

 

CMYK 80 / 0 / 30 / 62

HEX #136144

RGB 19 97 68

HSL 157.69, 0.67%, 0.23%

LAB 36.19, -30.53, 10.12

 

CMYK 91 / 0 / 34 / 58

HEX #0A6A46

RGB 10 106 70

HSL 157.5, 0.83%, 0.23%

LAB 39.27, -34.97, 13.14

 

CMYK 100 / 0 / 38 / 55

HEX #007448

RGB 0 116 72

HSL 157.24, 1%, 0.23%

LAB 42.7, -39.37, 16.61

 

CMYK 67 / 0 / 25 / 66

HEX #1D5741

RGB 29 87 65

HSL 157.24, 0.5%, 0.23%

LAB 32.83, -24.78, 7.31

 

CMYK 51 / 0 / 19 / 69

HEX #264E3F

RGB 38 78 63

HSL 157.5, 0.34%, 0.23%

LAB 29.96, -18.29, 4.56

 

CMYK 29 / 0 / 10 / 73

HEX #30443D

RGB 48 68 61

HSL 159, 0.17%, 0.23%

LAB 27.02, -9.66, 1.69

 

CMYK 3 / 0 / 2 / 77

HEX #393B3A

RGB 57 59 58

HSL 150, 0.02%, 0.23%

LAB 24.65, -1.08, 0.32

 

CMYK 0 / 25 / 16 / 74

HEX #433238

RGB 67 50 56

HSL 338.82, 0.15%, 0.23%

LAB 22.86, 8.83, -0.83

 

CMYK 67 / 0 / 61 / 66

HEX #1D5722

RGB 29 87 34

HSL 125.17, 0.5%, 0.23%

LAB 32.24, -31.12, 25

 

CMYK 67 / 0 / 44 / 66

HEX #1D5731

RGB 29 87 49

HSL 140.69, 0.5%, 0.23%

LAB 32.48, -28.49, 16.66

 

CMYK 67 / 0 / 25 / 66

HEX #1D5741

RGB 29 87 65

HSL 157.24, 0.5%, 0.23%

LAB 32.83, -24.78, 7.31

 

CMYK 67 / 0 / 7 / 66

HEX #1D5751

RGB 29 87 81

HSL 173.79, 0.5%, 0.23%

LAB 33.29, -20.24, -2.08

 

CMYK 67 / 9 / 0 / 66

HEX #1D4F57

RGB 29 79 87

HSL 188.28, 0.5%, 0.23%

LAB 30.74, -13.83, -9.7

 

CMYK 69 / 0 / 27 / 90

HEX #081A13

RGB 8 26 19

HSL 156.67, 0.53%, 0.07%

LAB 7.56, -8.56, 2.36

 

CMYK 67 / 0 / 26 / 78

HEX #13392A

RGB 19 57 42

HSL 156.32, 0.5%, 0.15%

LAB 20.95, -17.87, 5.38

 

CMYK 67 / 0 / 25 / 66

HEX #1D5741

RGB 29 87 65

HSL 157.24, 0.5%, 0.23%

LAB 32.83, -24.78, 7.31

 

CMYK 67 / 0 / 25 / 54

HEX #277658

RGB 39 118 88

HSL 157.22, 0.5%, 0.31%

LAB 44.37, -31.66, 9.61

 

CMYK 67 / 0 / 26 / 42

HEX #31956F

RGB 49 149 111

HSL 157.2, 0.51%, 0.39%

LAB 55.38, -38.15, 11.79

 

CMYK 67 / 0 / 25 / 66

HEX #1D5741

RGB 29 87 65

HSL 157.24, 0.5%, 0.23%

LAB 32.83, -24.78, 7.31

 

CMYK 67 / 54 / 0 / 66

HEX #1D2857

RGB 29 40 87

HSL 228.62, 0.5%, 0.23%

LAB 17.77, 12.21, -29.97

 

CMYK 0 / 52 / 67 / 66

HEX #572A1D

RGB 87 42 29

HSL 13.45, 0.5%, 0.23%

LAB 22.9, 19.43, 17.8

 

CMYK 67 / 0 / 25 / 66

HEX #1D5741

RGB 29 87 65

HSL 157.24, 0.5%, 0.23%

LAB 32.83, -24.78, 7.31

 

CMYK 25 / 67 / 0 / 66

HEX #411D57

RGB 65 29 87

HSL 277.24, 0.5%, 0.23%

LAB 18.76, 28.88, -28.17

 

CMYK 0 / 25 / 67 / 66

HEX #57411D

RGB 87 65 29

HSL 37.24, 0.5%, 0.23%

LAB 29.15, 4.95, 25.23

 

CMYK 67 / 0 / 25 / 66

HEX #1D5741

RGB 29 87 65

HSL 157.24, 0.5%, 0.23%

LAB 32.83, -24.78, 7.31

 

CMYK 67 / 54 / 0 / 66

HEX #1D2857

RGB 29 40 87

HSL 228.62, 0.5%, 0.23%

LAB 17.77, 12.21, -29.97

 

CMYK 0 / 67 / 41 / 66

HEX #571D33

RGB 87 29 51

HSL 337.24, 0.5%, 0.23%

LAB 20.61, 29.13, -0.33

 

CMYK 0 / 11 / 67 / 66

HEX #574D1D

RGB 87 77 29

HSL 49.66, 0.5%, 0.23%

LAB 32.75, -2.5, 29.28

 

CMYK 67 / 0 / 25 / 66

HEX #1D5741

RGB 29 87 65

HSL 157.24, 0.5%, 0.23%

LAB 32.83, -24.78, 7.31

 

CMYK 59 / 67 / 0 / 66

HEX #241D57

RGB 36 29 87

HSL 247.24, 0.5%, 0.23%

LAB 15.18, 21.62, -34.13

 

CMYK 0 / 67 / 41 / 66

HEX #571D33

RGB 87 29 51

HSL 337.24, 0.5%, 0.23%

LAB 20.61, 29.13, -0.33

 

CMYK 7 / 0 / 67 / 66

HEX #51571D

RGB 81 87 29

HSL 66.21, 0.5%, 0.23%

LAB 35.31, -11.35, 31.91

 

Description

Color code: HEX #1D5741 | qconv.com Color code: HEX #1D5741 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 87 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 87 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 25 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 25% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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