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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D6C3B it is the complementary color #E293C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D6C3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D6C3B shade: #226C36, #337E49, #44905C, #55A26F and #66B482

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D6C3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D6C3B shade: #1D6C3B, #0C5A28, #004815, #003602 and #002400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D6C3B shade: #1C6C3B, #1C6C25, #296C1C, #3F6C1C and #546C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D6C3B shade: #1C6C3B, #1C6C50, #1C6C66, #1C5D6C and #1C486C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D6C3B shade matches the following richer shades: #1C6C3B, #117738 and #068335

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D6C3B shade: #1C6C3B, #28613D, #335640, #3E4B43 and #494045

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D6C3B shade: #2A6C1C, #1C6C24, #1C6C3A, #1C6C4F and #1C6C64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D6C3B shade: #0B2B17, #144C29, #1C6C3B, #258D4C and #2EAD5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D6C3B shade: #1D6C3B, #1C3F6C and #6C1C1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D6C3B shade: #1D6C3B, #3A1C6C and #6C3A1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D6C3B shade: #1D6C3B, #1C3F6C, #6C1C4F and #6C4A1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D6C3B shade: #1D6C3B, #1C276C, #6C1C4F and #6C621C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 45 / 58

HEX #1D6C3B

RGB 29 108 59

HSL 142.78, 0.58%, 0.27%

LAB 40.08, -35.62, 20.72

 

Complementary color

CMYK 0 / 35 / 13 / 11

HEX #E293C4

RGB 226 147 196

HSL 322.78, 0.58%, 0.73%

LAB 70.19, 36.8, -12.97

 

CMYK 69 / 0 / 50 / 58

HEX #226C36

RGB 34 108 54

HSL 136.22, 0.52%, 0.28%

LAB 40.13, -35.53, 23.64

 

CMYK 60 / 0 / 42 / 51

HEX #337E49

RGB 51 126 73

HSL 137.6, 0.42%, 0.35%

LAB 47.11, -35.77, 22.07

 

CMYK 53 / 0 / 36 / 44

HEX #44905C

RGB 68 144 92

HSL 138.95, 0.36%, 0.42%

LAB 53.97, -35.74, 20.65

 

CMYK 48 / 0 / 31 / 36

HEX #55A26F

RGB 85 162 111

HSL 140.26, 0.31%, 0.48%

LAB 60.71, -35.57, 19.35

 

CMYK 43 / 0 / 28 / 29

HEX #66B482

RGB 102 180 130

HSL 141.54, 0.34%, 0.55%

LAB 67.34, -35.34, 18.17

 

CMYK 73 / 0 / 45 / 58

HEX #1D6C3B

RGB 29 108 59

HSL 142.78, 0.58%, 0.27%

LAB 40.08, -35.62, 20.72

 

CMYK 87 / 0 / 56 / 65

HEX #0C5A28

RGB 12 90 40

HSL 141.54, 0.76%, 0.2%

LAB 33.01, -34.63, 22.51

 

CMYK 100 / 0 / 71 / 72

HEX #004815

RGB 0 72 21

HSL 137.5, 1%, 0.14%

LAB 25.83, -32.54, 24.33

 

CMYK 100 / 0 / 96 / 79

HEX #003602

RGB 0 54 2

HSL 122.22, 1%, 0.11%

LAB 18.55, -28.44, 24.87

 

CMYK 100 / 0 / 100 / 86

HEX #002400

RGB 0 36 0

HSL 120, 1%, 0.07%

LAB 11.01, -21.59, 15.97

 

CMYK 74 / 0 / 45 / 58

HEX #1C6C3B

RGB 28 108 59

HSL 143.25, 0.59%, 0.27%

LAB 40.06, -35.81, 20.69

 

CMYK 74 / 0 / 66 / 58

HEX #1C6C25

RGB 28 108 37

HSL 126.75, 0.59%, 0.27%

LAB 39.76, -39.33, 32.13

 

CMYK 62 / 0 / 74 / 58

HEX #296C1C

RGB 41 108 28

HSL 110.25, 0.59%, 0.27%

LAB 40.05, -37.26, 36.68

 

CMYK 42 / 0 / 74 / 58

HEX #3F6C1C

RGB 63 108 28

HSL 93.75, 0.59%, 0.27%

LAB 41, -30.08, 37.96

 

CMYK 22 / 0 / 74 / 58

HEX #546C1C

RGB 84 108 28

HSL 78, 0.59%, 0.27%

LAB 42.3, -21.48, 39.69

 

CMYK 74 / 0 / 45 / 58

HEX #1C6C3B

RGB 28 108 59

HSL 143.25, 0.59%, 0.27%

LAB 40.06, -35.81, 20.69

 

CMYK 74 / 0 / 26 / 58

HEX #1C6C50

RGB 28 108 80

HSL 159, 0.59%, 0.27%

LAB 40.49, -31.07, 8.9

 

CMYK 74 / 0 / 6 / 58

HEX #1C6C66

RGB 28 108 102

HSL 175.5, 0.59%, 0.27%

LAB 41.11, -24.86, -3.53

 

CMYK 74 / 14 / 0 / 58

HEX #1C5D6C

RGB 28 93 108

HSL 191.25, 0.59%, 0.27%

LAB 36.29, -14.8, -14.46

 

CMYK 74 / 33 / 0 / 58

HEX #1C486C

RGB 28 72 108

HSL 207, 0.59%, 0.27%

LAB 29.32, -1.92, -25.26

 

CMYK 74 / 0 / 45 / 58

HEX #1C6C3B

RGB 28 108 59

HSL 143.25, 0.59%, 0.27%

LAB 40.06, -35.81, 20.69

 

CMYK 86 / 0 / 53 / 53

HEX #117738

RGB 17 119 56

HSL 142.94, 0.75%, 0.27%

LAB 43.65, -42.26, 26.87

 

CMYK 95 / 0 / 60 / 49

HEX #068335

RGB 6 131 53

HSL 142.56, 0.91%, 0.27%

LAB 47.66, -47.91, 33.26

 

CMYK 74 / 0 / 45 / 58

HEX #1C6C3B

RGB 28 108 59

HSL 143.25, 0.59%, 0.27%

LAB 40.06, -35.81, 20.69

 

CMYK 59 / 0 / 37 / 62

HEX #28613D

RGB 40 97 61

HSL 142.11, 0.42%, 0.27%

LAB 36.63, -27.84, 15.05

 

CMYK 41 / 0 / 26 / 66

HEX #335640

RGB 51 86 64

HSL 142.29, 0.26%, 0.27%

LAB 33.41, -18.21, 8.89

 

CMYK 17 / 0 / 11 / 71

HEX #3E4B43

RGB 62 75 67

HSL 143.08, 0.09%, 0.27%

LAB 30.55, -7.06, 3.04

 

CMYK 0 / 12 / 5 / 71

HEX #494045

RGB 73 64 69

HSL 326.67, 0.07%, 0.27%

LAB 28.15, 4.9, -1.63

 

CMYK 61 / 0 / 74 / 58

HEX #2A6C1C

RGB 42 108 28

HSL 109.5, 0.59%, 0.27%

LAB 40.08, -36.99, 36.72

 

CMYK 74 / 0 / 67 / 58

HEX #1C6C24

RGB 28 108 36

HSL 126, 0.59%, 0.27%

LAB 39.75, -39.45, 32.6

 

CMYK 74 / 0 / 46 / 58

HEX #1C6C3A

RGB 28 108 58

HSL 142.5, 0.59%, 0.27%

LAB 40.04, -36, 21.24

 

CMYK 74 / 0 / 27 / 58

HEX #1C6C4F

RGB 28 108 79

HSL 158.25, 0.59%, 0.27%

LAB 40.47, -31.33, 9.47

 

CMYK 74 / 0 / 7 / 58

HEX #1C6C64

RGB 28 108 100

HSL 174, 0.59%, 0.27%

LAB 41.04, -25.47, -2.41

 

CMYK 74 / 0 / 47 / 83

HEX #0B2B17

RGB 11 43 23

HSL 142.5, 0.59%, 0.11%

LAB 14.74, -17.49, 9.65

 

CMYK 74 / 0 / 46 / 70

HEX #144C29

RGB 20 76 41

HSL 142.5, 0.58%, 0.19%

LAB 28.05, -27.22, 15.67

 

CMYK 74 / 0 / 45 / 58

HEX #1C6C3B

RGB 28 108 59

HSL 143.25, 0.59%, 0.27%

LAB 40.06, -35.81, 20.69

 

CMYK 74 / 0 / 46 / 45

HEX #258D4C

RGB 37 141 76

HSL 142.5, 0.58%, 0.35%

LAB 51.8, -44.27, 26.42

 

CMYK 73 / 0 / 46 / 32

HEX #2EAD5E

RGB 46 173 94

HSL 142.68, 0.58%, 0.43%

LAB 62.74, -51.78, 30.94

 

CMYK 73 / 0 / 45 / 58

HEX #1D6C3B

RGB 29 108 59

HSL 142.78, 0.58%, 0.27%

LAB 40.08, -35.62, 20.72

 

CMYK 74 / 42 / 0 / 58

HEX #1C3F6C

RGB 28 63 108

HSL 213.75, 0.59%, 0.27%

LAB 26.4, 4.11, -29.88

 

CMYK 0 / 74 / 71 / 58

HEX #6C1C1F

RGB 108 28 31

HSL 357.75, 0.59%, 0.27%

LAB 24.06, 35.39, 18.78

 

CMYK 73 / 0 / 45 / 58

HEX #1D6C3B

RGB 29 108 59

HSL 142.78, 0.58%, 0.27%

LAB 40.08, -35.62, 20.72

 

CMYK 46 / 74 / 0 / 58

HEX #3A1C6C

RGB 58 28 108

HSL 262.5, 0.59%, 0.27%

LAB 19.28, 33.61, -41.25

 

CMYK 0 / 46 / 74 / 58

HEX #6C3A1C

RGB 108 58 28

HSL 22.5, 0.59%, 0.27%

LAB 30.15, 19.34, 27.72

 

CMYK 73 / 0 / 45 / 58

HEX #1D6C3B

RGB 29 108 59

HSL 142.78, 0.58%, 0.27%

LAB 40.08, -35.62, 20.72

 

CMYK 74 / 42 / 0 / 58

HEX #1C3F6C

RGB 28 63 108

HSL 213.75, 0.59%, 0.27%

LAB 26.4, 4.11, -29.88

 

CMYK 0 / 74 / 27 / 58

HEX #6C1C4F

RGB 108 28 79

HSL 321.75, 0.59%, 0.27%

LAB 25.51, 40.29, -11.7

 

CMYK 0 / 31 / 74 / 58

HEX #6C4A1C

RGB 108 74 28

HSL 34.5, 0.59%, 0.27%

LAB 34.33, 9.61, 32.23

 

CMYK 73 / 0 / 45 / 58

HEX #1D6C3B

RGB 29 108 59

HSL 142.78, 0.58%, 0.27%

LAB 40.08, -35.62, 20.72

 

CMYK 74 / 64 / 0 / 58

HEX #1C276C

RGB 28 39 108

HSL 231.75, 0.59%, 0.27%

LAB 19.14, 21.14, -41.58

 

CMYK 0 / 74 / 27 / 58

HEX #6C1C4F

RGB 108 28 79

HSL 321.75, 0.59%, 0.27%

LAB 25.51, 40.29, -11.7

 

CMYK 0 / 9 / 74 / 58

HEX #6C621C

RGB 108 98 28

HSL 52.5, 0.59%, 0.27%

LAB 41.23, -4.78, 39.29

 

Description

Color code: HEX #1D6C3B | qconv.com Color code: HEX #1D6C3B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 108 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 108 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 45 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 45% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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