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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D701D it is the complementary color #E28FE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D701D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D701D shade: #227018, #33822B, #44943E, #55A651 and #66B864

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D701D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D701D shade: #1D701D, #0C5E0A, #004C00, #003A00 and #002800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D701D shade: #1D711D, #33711D, #4A711D, #61711D and #716A1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D701D shade: #1D711D, #1D7133, #1D714A, #1D7161 and #1D6A71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D701D shade matches the following richer shades: #1D711D, #117D11 and #068806

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D701D shade: #1D711D, #286528, #345A34, #3F4E3F and #4B434B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D701D shade: #4A711D, #33711D, #1D711D, #1D7133 and #1D714A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D701D shade: #0C2F0C, #145014, #1D711D, #259225 and #2EB32E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D701D shade: #1D701D, #1D6071 and #711D3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D701D shade: #1D701D, #1D1D71 and #711D1D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D701D shade: #1D701D, #1D6071, #711D71 and #712E1D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D701D shade: #1D701D, #1D4771, #711D71 and #71471D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 74 / 56

HEX #1D701D

RGB 29 112 29

HSL 120, 0.59%, 0.28%

LAB 41.12, -41.49, 37.26

 

Complementary color

CMYK 0 / 37 / 0 / 11

HEX #E28FE2

RGB 226 143 226

HSL 300, 0.59%, 0.72%

LAB 70.39, 44.07, -29.26

 

CMYK 70 / 0 / 79 / 56

HEX #227018

RGB 34 112 24

HSL 113.18, 0.65%, 0.27%

LAB 41.21, -40.88, 39.39

 

CMYK 61 / 0 / 67 / 49

HEX #33822B

RGB 51 130 43

HSL 114.48, 0.5%, 0.34%

LAB 48.06, -41.8, 38.73

 

CMYK 54 / 0 / 58 / 42

HEX #44943E

RGB 68 148 62

HSL 115.81, 0.41%, 0.41%

LAB 54.82, -42.19, 37.58

 

CMYK 49 / 0 / 51 / 35

HEX #55A651

RGB 85 166 81

HSL 117.18, 0.34%, 0.48%

LAB 61.48, -42.29, 36.27

 

CMYK 45 / 0 / 46 / 28

HEX #66B864

RGB 102 184 100

HSL 118.57, 0.37%, 0.56%

LAB 68.04, -42.22, 34.96

 

CMYK 74 / 0 / 74 / 56

HEX #1D701D

RGB 29 112 29

HSL 120, 0.59%, 0.28%

LAB 41.12, -41.49, 37.26

 

CMYK 87 / 0 / 89 / 63

HEX #0C5E0A

RGB 12 94 10

HSL 118.57, 0.81%, 0.2%

LAB 34.2, -39.49, 37.26

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 100 / 0 / 100 / 84

HEX #002800

RGB 0 40 0

HSL 120, 1%, 0.08%

LAB 12.72, -23.74, 18.31

 

CMYK 74 / 0 / 74 / 56

HEX #1D711D

RGB 29 113 29

HSL 120, 0.59%, 0.28%

LAB 41.47, -41.85, 37.62

 

CMYK 55 / 0 / 74 / 56

HEX #33711D

RGB 51 113 29

HSL 104.29, 0.59%, 0.28%

LAB 42.16, -36.3, 38.55

 

CMYK 35 / 0 / 74 / 56

HEX #4A711D

RGB 74 113 29

HSL 87.86, 0.59%, 0.28%

LAB 43.29, -28.09, 40.07

 

CMYK 14 / 0 / 74 / 56

HEX #61711D

RGB 97 113 29

HSL 71.43, 0.59%, 0.28%

LAB 44.86, -18.24, 42.15

 

CMYK 0 / 6 / 74 / 56

HEX #716A1D

RGB 113 106 29

HSL 55, 0.59%, 0.28%

LAB 44.1, -6.93, 41.87

 

CMYK 74 / 0 / 74 / 56

HEX #1D711D

RGB 29 113 29

HSL 120, 0.59%, 0.28%

LAB 41.47, -41.85, 37.62

 

CMYK 74 / 0 / 55 / 56

HEX #1D7133

RGB 29 113 51

HSL 135.71, 0.59%, 0.28%

LAB 41.71, -39.05, 27.22

 

CMYK 74 / 0 / 35 / 56

HEX #1D714A

RGB 29 113 74

HSL 152.14, 0.59%, 0.28%

LAB 42.1, -34.58, 14.7

 

CMYK 74 / 0 / 14 / 56

HEX #1D7161

RGB 29 113 97

HSL 168.57, 0.59%, 0.28%

LAB 42.66, -28.66, 1.78

 

CMYK 74 / 6 / 0 / 56

HEX #1D6A71

RGB 29 106 113

HSL 185, 0.59%, 0.28%

LAB 40.83, -20.15, -10.62

 

CMYK 74 / 0 / 74 / 56

HEX #1D711D

RGB 29 113 29

HSL 120, 0.59%, 0.28%

LAB 41.47, -41.85, 37.62

 

CMYK 86 / 0 / 86 / 51

HEX #117D11

RGB 17 125 17

HSL 120, 0.76%, 0.28%

LAB 45.4, -48.61, 45.53

 

CMYK 96 / 0 / 96 / 47

HEX #068806

RGB 6 136 6

HSL 120, 0.92%, 0.28%

LAB 49.08, -53.37, 51.06

 

CMYK 74 / 0 / 74 / 56

HEX #1D711D

RGB 29 113 29

HSL 120, 0.59%, 0.28%

LAB 41.47, -41.85, 37.62

 

CMYK 60 / 0 / 60 / 60

HEX #286528

RGB 40 101 40

HSL 120, 0.43%, 0.28%

LAB 37.68, -33.29, 28.31

 

CMYK 42 / 0 / 42 / 65

HEX #345A34

RGB 52 90 52

HSL 120, 0.27%, 0.28%

LAB 34.58, -22.4, 17.81

 

CMYK 19 / 0 / 19 / 69

HEX #3F4E3F

RGB 63 78 63

HSL 120, 0.11%, 0.28%

LAB 31.5, -9.34, 6.95

 

CMYK 0 / 11 / 0 / 71

HEX #4B434B

RGB 75 67 75

HSL 300, 0.06%, 0.28%

LAB 29.46, 5.1, -3.58

 

CMYK 35 / 0 / 74 / 56

HEX #4A711D

RGB 74 113 29

HSL 87.86, 0.59%, 0.28%

LAB 43.29, -28.09, 40.07

 

CMYK 55 / 0 / 74 / 56

HEX #33711D

RGB 51 113 29

HSL 104.29, 0.59%, 0.28%

LAB 42.16, -36.3, 38.55

 

CMYK 74 / 0 / 74 / 56

HEX #1D711D

RGB 29 113 29

HSL 120, 0.59%, 0.28%

LAB 41.47, -41.85, 37.62

 

CMYK 74 / 0 / 55 / 56

HEX #1D7133

RGB 29 113 51

HSL 135.71, 0.59%, 0.28%

LAB 41.71, -39.05, 27.22

 

CMYK 74 / 0 / 35 / 56

HEX #1D714A

RGB 29 113 74

HSL 152.14, 0.59%, 0.28%

LAB 42.1, -34.58, 14.7

 

CMYK 74 / 0 / 74 / 82

HEX #0C2F0C

RGB 12 47 12

HSL 120, 0.59%, 0.12%

LAB 16.19, -21.24, 17.97

 

CMYK 75 / 0 / 75 / 69

HEX #145014

RGB 20 80 20

HSL 120, 0.6%, 0.2%

LAB 29.25, -32.21, 28.68

 

CMYK 74 / 0 / 74 / 56

HEX #1D711D

RGB 29 113 29

HSL 120, 0.59%, 0.28%

LAB 41.47, -41.85, 37.62

 

CMYK 75 / 0 / 75 / 43

HEX #259225

RGB 37 146 37

HSL 120, 0.6%, 0.36%

LAB 53.04, -51.19, 46.38

 

CMYK 74 / 0 / 74 / 30

HEX #2EB32E

RGB 46 179 46

HSL 120, 0.59%, 0.44%

LAB 64.18, -59.84, 54.39

 

CMYK 74 / 0 / 74 / 56

HEX #1D701D

RGB 29 112 29

HSL 120, 0.59%, 0.28%

LAB 41.12, -41.49, 37.26

 

CMYK 74 / 15 / 0 / 56

HEX #1D6071

RGB 29 96 113

HSL 192.14, 0.59%, 0.28%

LAB 37.52, -14.6, -15.67

 

CMYK 0 / 74 / 45 / 56

HEX #711D3E

RGB 113 29 62

HSL 336.43, 0.59%, 0.28%

LAB 25.97, 39.29, 0.54

 

CMYK 74 / 0 / 74 / 56

HEX #1D701D

RGB 29 112 29

HSL 120, 0.59%, 0.28%

LAB 41.12, -41.49, 37.26

 

CMYK 74 / 74 / 0 / 56

HEX #1D1D71

RGB 29 29 113

HSL 240, 0.59%, 0.28%

LAB 17.14, 30, -48.1

 

CMYK 0 / 74 / 74 / 56

HEX #711D1D

RGB 113 29 29

HSL 0, 0.59%, 0.28%

LAB 25.19, 36.63, 21.7

 

CMYK 74 / 0 / 74 / 56

HEX #1D701D

RGB 29 112 29

HSL 120, 0.59%, 0.28%

LAB 41.12, -41.49, 37.26

 

CMYK 74 / 15 / 0 / 56

HEX #1D6071

RGB 29 96 113

HSL 192.14, 0.59%, 0.28%

LAB 37.52, -14.6, -15.67

 

CMYK 0 / 74 / 0 / 56

HEX #711D71

RGB 113 29 113

HSL 300, 0.59%, 0.28%

LAB 28.33, 46.75, -29.46

 

CMYK 0 / 59 / 74 / 56

HEX #712E1D

RGB 113 46 29

HSL 12.14, 0.59%, 0.28%

LAB 28.26, 28.44, 25.24

 

CMYK 74 / 0 / 74 / 56

HEX #1D701D

RGB 29 112 29

HSL 120, 0.59%, 0.28%

LAB 41.12, -41.49, 37.26

 

CMYK 74 / 37 / 0 / 56

HEX #1D4771

RGB 29 71 113

HSL 210, 0.59%, 0.28%

LAB 29.31, 0.87, -28.44

 

CMYK 0 / 74 / 0 / 56

HEX #711D71

RGB 113 29 113

HSL 300, 0.59%, 0.28%

LAB 28.33, 46.75, -29.46

 

CMYK 0 / 37 / 74 / 56

HEX #71471D

RGB 113 71 29

HSL 30, 0.59%, 0.28%

LAB 34.2, 13.89, 31.77

 

Description

Color code: HEX #1D701D | qconv.com Color code: HEX #1D701D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 112 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 112 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 74 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 74% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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