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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D713C it is the complementary color #E28EC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D713C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D713C shade: #227137, #33834A, #44955D, #55A770 and #66B983

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D713C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D713C shade: #1D713C, #0C5F29, #004D16, #003B03 and #002900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D713C shade: #1D713C, #1D7125, #2B711D, #42711D and #59711D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D713C shade: #1D713C, #1D7153, #1D7169, #1D6271 and #1D4B71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D713C shade matches the following richer shades: #1D713C, #117D39 and #068836

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D713C shade: #1D713C, #28653F, #345A42, #3F4E45 and #4B4348

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D713C shade: #2B711D, #1D7125, #1D713C, #1D7152 and #1D7169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D713C shade: #0C2F19, #14502A, #1D713C, #25924D and #2EB35F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D713C shade: #1D713C, #1D4171 and #711D20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D713C shade: #1D713C, #3C1D71 and #713C1D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D713C shade: #1D713C, #1D4171, #711D52 and #714D1D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D713C shade: #1D713C, #1D2871, #711D52 and #71661D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 47 / 56

HEX #1D713C

RGB 29 113 60

HSL 142.14, 0.59%, 0.28%

LAB 41.84, -37.49, 22.42

 

Complementary color

CMYK 0 / 37 / 14 / 11

HEX #E28EC3

RGB 226 142 195

HSL 322.14, 0.59%, 0.72%

LAB 69.08, 39.28, -14.09

 

CMYK 70 / 0 / 51 / 56

HEX #227137

RGB 34 113 55

HSL 135.95, 0.54%, 0.29%

LAB 41.89, -37.41, 25.29

 

CMYK 61 / 0 / 44 / 49

HEX #33834A

RGB 51 131 74

HSL 137.25, 0.44%, 0.36%

LAB 48.8, -37.74, 23.71

 

CMYK 54 / 0 / 38 / 42

HEX #44955D

RGB 68 149 93

HSL 138.52, 0.37%, 0.43%

LAB 55.6, -37.77, 22.26

 

CMYK 49 / 0 / 33 / 35

HEX #55A770

RGB 85 167 112

HSL 139.76, 0.33%, 0.49%

LAB 62.29, -37.64, 20.94

 

CMYK 45 / 0 / 29 / 27

HEX #66B983

RGB 102 185 131

HSL 140.96, 0.37%, 0.56%

LAB 68.87, -37.43, 19.73

 

CMYK 74 / 0 / 47 / 56

HEX #1D713C

RGB 29 113 60

HSL 142.14, 0.59%, 0.28%

LAB 41.84, -37.49, 22.42

 

CMYK 87 / 0 / 57 / 63

HEX #0C5F29

RGB 12 95 41

HSL 140.96, 0.78%, 0.21%

LAB 34.85, -36.38, 24.21

 

CMYK 100 / 0 / 71 / 70

HEX #004D16

RGB 0 77 22

HSL 137.14, 1%, 0.15%

LAB 27.75, -34.19, 25.97

 

CMYK 100 / 0 / 95 / 77

HEX #003B03

RGB 0 59 3

HSL 123.05, 1%, 0.12%

LAB 20.57, -30.03, 26.78

 

CMYK 100 / 0 / 100 / 84

HEX #002900

RGB 0 41 0

HSL 120, 1%, 0.08%

LAB 13.14, -24.17, 18.88

 

CMYK 74 / 0 / 47 / 56

HEX #1D713C

RGB 29 113 60

HSL 142.14, 0.59%, 0.28%

LAB 41.84, -37.49, 22.42

 

CMYK 74 / 0 / 67 / 56

HEX #1D7125

RGB 29 113 37

HSL 125.71, 0.59%, 0.28%

LAB 41.54, -41, 34.13

 

CMYK 62 / 0 / 74 / 56

HEX #2B711D

RGB 43 113 29

HSL 110, 0.59%, 0.28%

LAB 41.86, -38.61, 38.16

 

CMYK 42 / 0 / 74 / 56

HEX #42711D

RGB 66 113 29

HSL 93.57, 0.59%, 0.28%

LAB 42.85, -31.18, 39.48

 

CMYK 21 / 0 / 74 / 56

HEX #59711D

RGB 89 113 29

HSL 77.14, 0.59%, 0.28%

LAB 44.27, -21.8, 41.37

 

CMYK 74 / 0 / 47 / 56

HEX #1D713C

RGB 29 113 60

HSL 142.14, 0.59%, 0.28%

LAB 41.84, -37.49, 22.42

 

CMYK 74 / 0 / 27 / 56

HEX #1D7153

RGB 29 113 83

HSL 158.57, 0.59%, 0.28%

LAB 42.3, -32.42, 9.65

 

CMYK 74 / 0 / 7 / 56

HEX #1D7169

RGB 29 113 105

HSL 174.29, 0.59%, 0.28%

LAB 42.9, -26.31, -2.69

 

CMYK 74 / 13 / 0 / 56

HEX #1D6271

RGB 29 98 113

HSL 190.71, 0.59%, 0.28%

LAB 38.18, -15.74, -14.65

 

CMYK 74 / 34 / 0 / 56

HEX #1D4B71

RGB 29 75 113

HSL 207.14, 0.59%, 0.28%

LAB 30.61, -1.76, -26.4

 

CMYK 74 / 0 / 47 / 56

HEX #1D713C

RGB 29 113 60

HSL 142.14, 0.59%, 0.28%

LAB 41.84, -37.49, 22.42

 

CMYK 86 / 0 / 54 / 51

HEX #117D39

RGB 17 125 57

HSL 142.22, 0.76%, 0.28%

LAB 45.75, -44.29, 28.92

 

CMYK 96 / 0 / 60 / 47

HEX #068836

RGB 6 136 54

HSL 142.15, 0.92%, 0.28%

LAB 49.39, -49.45, 34.8

 

CMYK 74 / 0 / 47 / 56

HEX #1D713C

RGB 29 113 60

HSL 142.14, 0.59%, 0.28%

LAB 41.84, -37.49, 22.42

 

CMYK 60 / 0 / 38 / 60

HEX #28653F

RGB 40 101 63

HSL 142.62, 0.43%, 0.28%

LAB 38.05, -29.29, 15.77

 

CMYK 42 / 0 / 27 / 65

HEX #345A42

RGB 52 90 66

HSL 142.11, 0.27%, 0.28%

LAB 34.87, -19.59, 9.7

 

CMYK 19 / 0 / 12 / 69

HEX #3F4E45

RGB 63 78 69

HSL 144, 0.11%, 0.28%

LAB 31.66, -8.03, 3.37

 

CMYK 0 / 11 / 4 / 71

HEX #4B4348

RGB 75 67 72

HSL 322.5, 0.06%, 0.28%

LAB 29.36, 4.45, -1.78

 

CMYK 62 / 0 / 74 / 56

HEX #2B711D

RGB 43 113 29

HSL 110, 0.59%, 0.28%

LAB 41.86, -38.61, 38.16

 

CMYK 74 / 0 / 67 / 56

HEX #1D7125

RGB 29 113 37

HSL 125.71, 0.59%, 0.28%

LAB 41.54, -41, 34.13

 

CMYK 74 / 0 / 47 / 56

HEX #1D713C

RGB 29 113 60

HSL 142.14, 0.59%, 0.28%

LAB 41.84, -37.49, 22.42

 

CMYK 74 / 0 / 27 / 56

HEX #1D7152

RGB 29 113 82

HSL 157.86, 0.59%, 0.28%

LAB 42.28, -32.67, 10.21

 

CMYK 74 / 0 / 7 / 56

HEX #1D7169

RGB 29 113 105

HSL 174.29, 0.59%, 0.28%

LAB 42.9, -26.31, -2.69

 

CMYK 74 / 0 / 47 / 82

HEX #0C2F19

RGB 12 47 25

HSL 142.29, 0.59%, 0.12%

LAB 16.41, -18.81, 10.53

 

CMYK 75 / 0 / 48 / 69

HEX #14502A

RGB 20 80 42

HSL 142, 0.6%, 0.2%

LAB 29.55, -28.79, 17

 

CMYK 74 / 0 / 47 / 56

HEX #1D713C

RGB 29 113 60

HSL 142.14, 0.59%, 0.28%

LAB 41.84, -37.49, 22.42

 

CMYK 75 / 0 / 47 / 43

HEX #25924D

RGB 37 146 77

HSL 142.02, 0.6%, 0.36%

LAB 53.48, -46.01, 28.03

 

CMYK 74 / 0 / 47 / 30

HEX #2EB35F

RGB 46 179 95

HSL 142.11, 0.59%, 0.44%

LAB 64.68, -53.82, 32.9

 

CMYK 74 / 0 / 47 / 56

HEX #1D713C

RGB 29 113 60

HSL 142.14, 0.59%, 0.28%

LAB 41.84, -37.49, 22.42

 

CMYK 74 / 42 / 0 / 56

HEX #1D4171

RGB 29 65 113

HSL 214.29, 0.59%, 0.28%

LAB 27.39, 4.92, -31.49

 

CMYK 0 / 74 / 72 / 56

HEX #711D20

RGB 113 29 32

HSL 357.86, 0.59%, 0.28%

LAB 25.24, 36.79, 19.8

 

CMYK 74 / 0 / 47 / 56

HEX #1D713C

RGB 29 113 60

HSL 142.14, 0.59%, 0.28%

LAB 41.84, -37.49, 22.42

 

CMYK 47 / 74 / 0 / 56

HEX #3C1D71

RGB 60 29 113

HSL 262.14, 0.59%, 0.28%

LAB 20.17, 34.92, -43.02

 

CMYK 0 / 47 / 74 / 56

HEX #713C1D

RGB 113 60 29

HSL 22.14, 0.59%, 0.28%

LAB 31.42, 20.49, 28.77

 

CMYK 74 / 0 / 47 / 56

HEX #1D713C

RGB 29 113 60

HSL 142.14, 0.59%, 0.28%

LAB 41.84, -37.49, 22.42

 

CMYK 74 / 42 / 0 / 56

HEX #1D4171

RGB 29 65 113

HSL 214.29, 0.59%, 0.28%

LAB 27.39, 4.92, -31.49

 

CMYK 0 / 74 / 27 / 56

HEX #711D52

RGB 113 29 82

HSL 322.14, 0.59%, 0.28%

LAB 26.73, 41.77, -11.75

 

CMYK 0 / 32 / 74 / 56

HEX #714D1D

RGB 113 77 29

HSL 34.29, 0.59%, 0.28%

LAB 35.8, 10.25, 33.47

 

CMYK 74 / 0 / 47 / 56

HEX #1D713C

RGB 29 113 60

HSL 142.14, 0.59%, 0.28%

LAB 41.84, -37.49, 22.42

 

CMYK 74 / 65 / 0 / 56

HEX #1D2871

RGB 29 40 113

HSL 232.14, 0.59%, 0.28%

LAB 19.93, 22.55, -43.54

 

CMYK 0 / 74 / 27 / 56

HEX #711D52

RGB 113 29 82

HSL 322.14, 0.59%, 0.28%

LAB 26.73, 41.77, -11.75

 

CMYK 0 / 10 / 74 / 56

HEX #71661D

RGB 113 102 29

HSL 52.14, 0.59%, 0.28%

LAB 42.92, -4.64, 40.71

 

Description

Color code: HEX #1D713C | qconv.com Color code: HEX #1D713C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 113 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 113 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 47 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 47% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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