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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D7D07 it is the complementary color #E282F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D7D07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D7D07 shade: #227D02, #338F15, #44A128, #55B33B and #66C54E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D7D07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D7D07 shade: #1D7D07, #0C6B00, #005900, #004700 and #003500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D7D07 shade: #1D7D07, #3D7D07, #5C7D07, #7C7D07 and #7D5E07

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D7D07 shade: #1D7D07, #077D11, #077D30, #077D50 and #077D70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D7D07 shade matches the following richer shades: #1D7D07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D7D07 shade: #1D7D07, #247212, #2A671C, #315D27 and #385232

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D7D07 shade: #5D7D07, #3E7D07, #1E7D07, #077D0F and #077D2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D7D07 shade: #0B2F02, #145605, #1D7D07, #26A409 and #2FCB0B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D7D07 shade: #1D7D07, #077D7D and #7D074E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D7D07 shade: #1D7D07, #071E7D and #7D071E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D7D07 shade: #1D7D07, #077D7D, #65077D and #7D0707

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D7D07 shade: #1D7D07, #07597D, #65077D and #7D2A07

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 94 / 51

HEX #1D7D07

RGB 29 125 7

HSL 108.81, 0.89%, 0.26%

LAB 45.56, -47.32, 48.03

 

Complementary color

CMYK 9 / 48 / 0 / 3

HEX #E282F8

RGB 226 130 248

HSL 288.81, 0.89%, 0.74%

LAB 68.69, 54.86, -43.99

 

CMYK 73 / 0 / 98 / 51

HEX #227D02

RGB 34 125 2

HSL 104.39, 0.97%, 0.25%

LAB 45.65, -46.57, 49.2

 

CMYK 64 / 0 / 85 / 44

HEX #338F15

RGB 51 143 21

HSL 105.25, 0.74%, 0.32%

LAB 52.29, -48.33, 50.97

 

CMYK 58 / 0 / 75 / 37

HEX #44A128

RGB 68 161 40

HSL 106.12, 0.6%, 0.39%

LAB 58.86, -49.41, 51.39

 

CMYK 53 / 0 / 67 / 30

HEX #55B33B

RGB 85 179 59

HSL 107, 0.5%, 0.47%

LAB 65.35, -50.02, 50.91

 

CMYK 48 / 0 / 60 / 23

HEX #66C54E

RGB 102 197 78

HSL 107.9, 0.51%, 0.54%

LAB 71.76, -50.33, 50

 

CMYK 77 / 0 / 94 / 51

HEX #1D7D07

RGB 29 125 7

HSL 108.81, 0.89%, 0.26%

LAB 45.56, -47.32, 48.03

 

CMYK 89 / 0 / 100 / 58

HEX #0C6B00

RGB 12 107 0

HSL 113.27, 1%, 0.21%

LAB 38.89, -44.26, 44.07

 

CMYK 100 / 0 / 100 / 65

HEX #005900

RGB 0 89 0

HSL 120, 1%, 0.17%

LAB 32.13, -39.99, 38.6

 

CMYK 100 / 0 / 100 / 72

HEX #004700

RGB 0 71 0

HSL 120, 1%, 0.14%

LAB 25.28, -34.3, 32.84

 

CMYK 100 / 0 / 100 / 79

HEX #003500

RGB 0 53 0

HSL 120, 1%, 0.1%

LAB 18.13, -28.35, 25.18

 

CMYK 77 / 0 / 94 / 51

HEX #1D7D07

RGB 29 125 7

HSL 108.81, 0.89%, 0.26%

LAB 45.56, -47.32, 48.03

 

CMYK 51 / 0 / 94 / 51

HEX #3D7D07

RGB 61 125 7

HSL 92.54, 0.89%, 0.26%

LAB 46.54, -39.22, 49.25

 

CMYK 26 / 0 / 94 / 51

HEX #5C7D07

RGB 92 125 7

HSL 76.78, 0.89%, 0.26%

LAB 48.21, -27.42, 51.3

 

CMYK 1 / 0 / 94 / 51

HEX #7C7D07

RGB 124 125 7

HSL 60.51, 0.89%, 0.26%

LAB 50.65, -13.03, 54.27

 

CMYK 0 / 25 / 94 / 51

HEX #7D5E07

RGB 125 94 7

HSL 44.24, 0.89%, 0.26%

LAB 41.81, 5.06, 47.52

 

CMYK 77 / 0 / 94 / 51

HEX #1D7D07

RGB 29 125 7

HSL 108.81, 0.89%, 0.26%

LAB 45.56, -47.32, 48.03

 

CMYK 94 / 0 / 86 / 51

HEX #077D11

RGB 7 125 17

HSL 125.08, 0.89%, 0.26%

LAB 45.29, -49.53, 45.4

 

CMYK 94 / 0 / 62 / 51

HEX #077D30

RGB 7 125 48

HSL 140.85, 0.89%, 0.26%

LAB 45.53, -46.52, 33.26

 

CMYK 94 / 0 / 36 / 51

HEX #077D50

RGB 7 125 80

HSL 157.12, 0.89%, 0.26%

LAB 46.03, -40.59, 16.49

 

CMYK 94 / 0 / 10 / 51

HEX #077D70

RGB 7 125 112

HSL 173.39, 0.89%, 0.26%

LAB 46.82, -32.04, -1.15

 

CMYK 77 / 0 / 94 / 51

HEX #1D7D07

RGB 29 125 7

HSL 108.81, 0.89%, 0.26%

LAB 45.56, -47.32, 48.03

 

CMYK 77 / 0 / 94 / 51

HEX #1D7D07

RGB 29 125 7

HSL 108.81, 0.89%, 0.26%

LAB 45.56, -47.32, 48.03

 

CMYK 68 / 0 / 84 / 55

HEX #247212

RGB 36 114 18

HSL 108.75, 0.73%, 0.26%

LAB 41.93, -41.57, 42.17

 

CMYK 59 / 0 / 73 / 60

HEX #2A671C

RGB 42 103 28

HSL 108.8, 0.57%, 0.26%

LAB 38.33, -34.95, 34.89

 

CMYK 47 / 0 / 58 / 64

HEX #315D27

RGB 49 93 39

HSL 108.89, 0.41%, 0.26%

LAB 35.26, -26.99, 26.07

 

CMYK 32 / 0 / 39 / 68

HEX #385232

RGB 56 82 50

HSL 108.75, 0.24%, 0.26%

LAB 32.05, -16.99, 15.73

 

CMYK 26 / 0 / 94 / 51

HEX #5D7D07

RGB 93 125 7

HSL 76.27, 0.89%, 0.26%

LAB 48.27, -27, 51.38

 

CMYK 50 / 0 / 94 / 51

HEX #3E7D07

RGB 62 125 7

HSL 92.03, 0.89%, 0.26%

LAB 46.59, -38.89, 49.3

 

CMYK 76 / 0 / 94 / 51

HEX #1E7D07

RGB 30 125 7

HSL 108.31, 0.89%, 0.26%

LAB 45.58, -47.15, 48.05

 

CMYK 94 / 0 / 88 / 51

HEX #077D0F

RGB 7 125 15

HSL 124.07, 0.89%, 0.26%

LAB 45.29, -49.63, 45.92

 

CMYK 94 / 0 / 63 / 51

HEX #077D2E

RGB 7 125 46

HSL 139.83, 0.89%, 0.26%

LAB 45.51, -46.79, 34.22

 

CMYK 77 / 0 / 96 / 82

HEX #0B2F02

RGB 11 47 2

HSL 108, 0.92%, 0.1%

LAB 16.05, -22.83, 21.9

 

CMYK 77 / 0 / 94 / 66

HEX #145605

RGB 20 86 5

HSL 108.89, 0.89%, 0.18%

LAB 31.38, -35.64, 36.37

 

CMYK 77 / 0 / 94 / 51

HEX #1D7D07

RGB 29 125 7

HSL 108.81, 0.89%, 0.26%

LAB 45.56, -47.32, 48.03

 

CMYK 77 / 0 / 95 / 36

HEX #26A409

RGB 38 164 9

HSL 108.77, 0.9%, 0.34%

LAB 58.96, -58.26, 58.97

 

CMYK 77 / 0 / 95 / 20

HEX #2FCB0B

RGB 47 203 11

HSL 108.75, 0.9%, 0.42%

LAB 71.79, -68.68, 69.4

 

CMYK 77 / 0 / 94 / 51

HEX #1D7D07

RGB 29 125 7

HSL 108.81, 0.89%, 0.26%

LAB 45.56, -47.32, 48.03

 

CMYK 94 / 0 / 0 / 51

HEX #077D7D

RGB 7 125 125

HSL 180, 0.89%, 0.26%

LAB 47.23, -27.96, -8.24

 

CMYK 0 / 94 / 38 / 51

HEX #7D074E

RGB 125 7 78

HSL 323.9, 0.89%, 0.26%

LAB 26.91, 50.36, -8.59

 

CMYK 77 / 0 / 94 / 51

HEX #1D7D07

RGB 29 125 7

HSL 108.81, 0.89%, 0.26%

LAB 45.56, -47.32, 48.03

 

CMYK 94 / 76 / 0 / 51

HEX #071E7D

RGB 7 30 125

HSL 228.31, 0.89%, 0.26%

LAB 17.71, 32.21, -54.9

 

CMYK 0 / 94 / 76 / 51

HEX #7D071E

RGB 125 7 30

HSL 348.31, 0.89%, 0.26%

LAB 25.58, 46.69, 22.15

 

CMYK 77 / 0 / 94 / 51

HEX #1D7D07

RGB 29 125 7

HSL 108.81, 0.89%, 0.26%

LAB 45.56, -47.32, 48.03

 

CMYK 94 / 0 / 0 / 51

HEX #077D7D

RGB 7 125 125

HSL 180, 0.89%, 0.26%

LAB 47.23, -27.96, -8.24

 

CMYK 19 / 94 / 0 / 51

HEX #65077D

RGB 101 7 125

HSL 287.8, 0.89%, 0.26%

LAB 24.95, 52.6, -42.65

 

CMYK 0 / 94 / 94 / 51

HEX #7D0707

RGB 125 7 7

HSL 0, 0.89%, 0.26%

LAB 25.34, 46.02, 34.78

 

CMYK 77 / 0 / 94 / 51

HEX #1D7D07

RGB 29 125 7

HSL 108.81, 0.89%, 0.26%

LAB 45.56, -47.32, 48.03

 

CMYK 94 / 29 / 0 / 51

HEX #07597D

RGB 7 89 125

HSL 198.31, 0.89%, 0.26%

LAB 35.34, -8.17, -26.46

 

CMYK 19 / 94 / 0 / 51

HEX #65077D

RGB 101 7 125

HSL 287.8, 0.89%, 0.26%

LAB 24.95, 52.6, -42.65

 

CMYK 0 / 66 / 94 / 51

HEX #7D2A07

RGB 125 42 7

HSL 17.8, 0.89%, 0.26%

LAB 29.49, 34.51, 38.35

 

Description

Color code: HEX #1D7D07 | qconv.com Color code: HEX #1D7D07 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 125 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 125 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 94 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 94% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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