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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D853A it is the complementary color #E27AC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D853A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D853A shade: #228535, #339748, #44A95B, #55BB6E and #66CD81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D853A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D853A shade: #1D853A, #0C7327, #006114, #004F01 and #003D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D853A shade: #1D853A, #1D851E, #38851D, #54851D and #70851D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D853A shade: #1D853A, #1D8556, #1D8572, #1D7C85 and #1D6085

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D853A shade matches the following richer shades: #1D853A, #109334 and #02A02E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D853A shade: #1D853A, #2A7840, #376B46, #445E4C and #525151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D853A shade: #39851D, #1D851D, #1D8539, #1D8555 and #1D8570

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D853A shade: #0E421C, #15632B, #1D853A, #24A749 and #2CC958

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D853A shade: #1D853A, #1D5585 and #851D2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D853A shade: #1D853A, #391D85 and #85391D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D853A shade: #1D853A, #1D5585, #851D69 and #854E1D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D853A shade: #1D853A, #1D3585, #851D69 and #856D1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 56 / 48

HEX #1D853A

RGB 29 133 58

HSL 136.73, 0.64%, 0.32%

LAB 48.69, -45.51, 32.02

 

Complementary color

CMYK 0 / 46 / 13 / 11

HEX #E27AC5

RGB 226 122 197

HSL 316.73, 0.64%, 0.68%

LAB 65.06, 49.9, -21.3

 

CMYK 74 / 0 / 60 / 48

HEX #228535

RGB 34 133 53

HSL 131.52, 0.59%, 0.33%

LAB 48.73, -45.41, 34.61

 

CMYK 66 / 0 / 52 / 41

HEX #339748

RGB 51 151 72

HSL 132.6, 0.5%, 0.4%

LAB 55.39, -46.16, 33.11

 

CMYK 60 / 0 / 46 / 34

HEX #44A95B

RGB 68 169 91

HSL 133.66, 0.43%, 0.46%

LAB 61.96, -46.49, 31.62

 

CMYK 55 / 0 / 41 / 27

HEX #55BB6E

RGB 85 187 110

HSL 134.71, 0.43%, 0.53%

LAB 68.46, -46.57, 30.21

 

CMYK 50 / 0 / 37 / 20

HEX #66CD81

RGB 102 205 129

HSL 135.73, 0.51%, 0.6%

LAB 74.87, -46.5, 28.89

 

CMYK 78 / 0 / 56 / 48

HEX #1D853A

RGB 29 133 58

HSL 136.73, 0.64%, 0.32%

LAB 48.69, -45.51, 32.02

 

CMYK 90 / 0 / 66 / 55

HEX #0C7327

RGB 12 115 39

HSL 135.73, 0.81%, 0.25%

LAB 41.98, -43.89, 33.59

 

CMYK 100 / 0 / 79 / 62

HEX #006114

RGB 0 97 20

HSL 132.37, 1%, 0.19%

LAB 35.2, -41.15, 34.73

 

CMYK 100 / 0 / 99 / 69

HEX #004F01

RGB 0 79 1

HSL 120.76, 1%, 0.15%

LAB 28.36, -36.78, 35.16

 

CMYK 100 / 0 / 100 / 76

HEX #003D00

RGB 0 61 0

HSL 120, 1%, 0.12%

LAB 21.35, -31.03, 28.85

 

CMYK 78 / 0 / 56 / 48

HEX #1D853A

RGB 29 133 58

HSL 136.73, 0.64%, 0.32%

LAB 48.69, -45.51, 32.02

 

CMYK 78 / 0 / 77 / 48

HEX #1D851E

RGB 29 133 30

HSL 120.58, 0.64%, 0.32%

LAB 48.42, -48.71, 44.29

 

CMYK 58 / 0 / 78 / 48

HEX #38851D

RGB 56 133 29

HSL 104.42, 0.64%, 0.32%

LAB 49.14, -42.84, 45.6

 

CMYK 37 / 0 / 78 / 48

HEX #54851D

RGB 84 133 29

HSL 88.27, 0.64%, 0.32%

LAB 50.39, -33.5, 47.24

 

CMYK 16 / 0 / 78 / 48

HEX #70851D

RGB 112 133 29

HSL 72.12, 0.64%, 0.32%

LAB 52.18, -21.96, 49.58

 

CMYK 78 / 0 / 56 / 48

HEX #1D853A

RGB 29 133 58

HSL 136.73, 0.64%, 0.32%

LAB 48.69, -45.51, 32.02

 

CMYK 78 / 0 / 35 / 48

HEX #1D8556

RGB 29 133 86

HSL 152.88, 0.64%, 0.32%

LAB 49.14, -40.3, 17.32

 

CMYK 78 / 0 / 14 / 48

HEX #1D8572

RGB 29 133 114

HSL 169.04, 0.64%, 0.32%

LAB 49.8, -33.26, 2.05

 

CMYK 78 / 7 / 0 / 48

HEX #1D7C85

RGB 29 124 133

HSL 185.19, 0.64%, 0.32%

LAB 47.46, -23.05, -12.6

 

CMYK 78 / 28 / 0 / 48

HEX #1D6085

RGB 29 96 133

HSL 201.35, 0.64%, 0.32%

LAB 38.41, -7.29, -26.52

 

CMYK 78 / 0 / 56 / 48

HEX #1D853A

RGB 29 133 58

HSL 136.73, 0.64%, 0.32%

LAB 48.69, -45.51, 32.02

 

CMYK 89 / 0 / 65 / 42

HEX #109334

RGB 16 147 52

HSL 136.49, 0.8%, 0.32%

LAB 53.2, -52.64, 40.14

 

CMYK 99 / 0 / 71 / 37

HEX #02A02E

RGB 2 160 46

HSL 136.71, 0.98%, 0.32%

LAB 57.42, -58.25, 47.28

 

CMYK 78 / 0 / 56 / 48

HEX #1D853A

RGB 29 133 58

HSL 136.73, 0.64%, 0.32%

LAB 48.69, -45.51, 32.02

 

CMYK 65 / 0 / 47 / 53

HEX #2A7840

RGB 42 120 64

HSL 136.92, 0.48%, 0.32%

LAB 44.65, -37, 23.86

 

CMYK 49 / 0 / 35 / 58

HEX #376B46

RGB 55 107 70

HSL 137.31, 0.32%, 0.32%

LAB 40.85, -26.47, 15.49

 

CMYK 28 / 0 / 19 / 63

HEX #445E4C

RGB 68 94 76

HSL 138.46, 0.16%, 0.32%

LAB 37.4, -13.91, 7.22

 

CMYK 0 / 1 / 1 / 68

HEX #525151

RGB 82 81 81

HSL 0, 0.01%, 0.32%

LAB 34.54, 0.41, 0.14

 

CMYK 57 / 0 / 78 / 48

HEX #39851D

RGB 57 133 29

HSL 103.85, 0.64%, 0.32%

LAB 49.17, -42.56, 45.64

 

CMYK 78 / 0 / 78 / 48

HEX #1D851D

RGB 29 133 29

HSL 120, 0.64%, 0.32%

LAB 48.42, -48.79, 44.65

 

CMYK 78 / 0 / 57 / 48

HEX #1D8539

RGB 29 133 57

HSL 136.15, 0.64%, 0.32%

LAB 48.68, -45.66, 32.52

 

CMYK 78 / 0 / 36 / 48

HEX #1D8555

RGB 29 133 85

HSL 152.31, 0.64%, 0.32%

LAB 49.12, -40.52, 17.86

 

CMYK 78 / 0 / 16 / 48

HEX #1D8570

RGB 29 133 112

HSL 167.88, 0.64%, 0.32%

LAB 49.75, -33.82, 3.14

 

CMYK 79 / 0 / 58 / 74

HEX #0E421C

RGB 14 66 28

HSL 136.15, 0.65%, 0.16%

LAB 23.91, -26.61, 18.23

 

CMYK 79 / 0 / 57 / 61

HEX #15632B

RGB 21 99 43

HSL 136.92, 0.65%, 0.24%

LAB 36.48, -36.29, 25.13

 

CMYK 78 / 0 / 56 / 48

HEX #1D853A

RGB 29 133 58

HSL 136.73, 0.64%, 0.32%

LAB 48.69, -45.51, 32.02

 

CMYK 78 / 0 / 56 / 35

HEX #24A749

RGB 36 167 73

HSL 136.95, 0.65%, 0.4%

LAB 60.33, -54.39, 38.53

 

CMYK 78 / 0 / 56 / 21

HEX #2CC958

RGB 44 201 88

HSL 136.82, 0.64%, 0.48%

LAB 71.56, -62.78, 44.81

 

CMYK 78 / 0 / 56 / 48

HEX #1D853A

RGB 29 133 58

HSL 136.73, 0.64%, 0.32%

LAB 48.69, -45.51, 32.02

 

CMYK 78 / 36 / 0 / 48

HEX #1D5585

RGB 29 85 133

HSL 207.69, 0.64%, 0.32%

LAB 34.91, -0.4, -32.03

 

CMYK 0 / 78 / 68 / 48

HEX #851D2B

RGB 133 29 43

HSL 351.92, 0.64%, 0.32%

LAB 29.51, 44.11, 18.77

 

CMYK 78 / 0 / 56 / 48

HEX #1D853A

RGB 29 133 58

HSL 136.73, 0.64%, 0.32%

LAB 48.69, -45.51, 32.02

 

CMYK 57 / 78 / 0 / 48

HEX #391D85

RGB 57 29 133

HSL 256.15, 0.64%, 0.32%

LAB 21.73, 40.35, -53.22

 

CMYK 0 / 57 / 78 / 48

HEX #85391D

RGB 133 57 29

HSL 16.15, 0.64%, 0.32%

LAB 33.99, 30.82, 32.48

 

CMYK 78 / 0 / 56 / 48

HEX #1D853A

RGB 29 133 58

HSL 136.73, 0.64%, 0.32%

LAB 48.69, -45.51, 32.02

 

CMYK 78 / 36 / 0 / 48

HEX #1D5585

RGB 29 85 133

HSL 207.69, 0.64%, 0.32%

LAB 34.91, -0.4, -32.03

 

CMYK 0 / 78 / 21 / 48

HEX #851D69

RGB 133 29 105

HSL 316.15, 0.64%, 0.32%

LAB 31.54, 50.43, -19.04

 

CMYK 0 / 41 / 78 / 48

HEX #854E1D

RGB 133 78 29

HSL 28.27, 0.64%, 0.32%

LAB 38.77, 19.01, 37.36

 

CMYK 78 / 0 / 56 / 48

HEX #1D853A

RGB 29 133 58

HSL 136.73, 0.64%, 0.32%

LAB 48.69, -45.51, 32.02

 

CMYK 78 / 60 / 0 / 48

HEX #1D3585

RGB 29 53 133

HSL 226.15, 0.64%, 0.32%

LAB 25.26, 21.38, -47.52

 

CMYK 0 / 78 / 21 / 48

HEX #851D69

RGB 133 29 105

HSL 316.15, 0.64%, 0.32%

LAB 31.54, 50.43, -19.04

 

CMYK 0 / 18 / 78 / 48

HEX #856D1D

RGB 133 109 29

HSL 46.15, 0.64%, 0.32%

LAB 46.99, 0.85, 45.36

 

Description

Color code: HEX #1D853A | qconv.com Color code: HEX #1D853A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 133 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 133 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 56 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 56% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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