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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D8AF0 it is the complementary color #E2750F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D8AF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D8AF0 shade: #228AEB, #339CFE, #44AEFF, #55C0FF and #66D2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D8AF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D8AF0 shade: #1D8AF0, #0C78DD, #0066CA, #0054B7 and #0042A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D8AF0 shade: #1D8AF0, #1D51F0, #221DF0, #5B1DF0 and #941DF0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D8AF0 shade: #1D8AF0, #1D51F0 and #1D1DF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D8AF0 shade matches the following richer shades: #1D8AF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D8AF0 shade: #1D8AF0, #318ADD, #4489C9, #5788B6 and #6B88A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D8AF0 shade: #1DF0E6, #1DC2F0, #1D8AF0, #1D52F0 and #211DF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D8AF0 shade: #0B60B0, #0D75D7, #1D8AF0, #449EF3 and #6BB2F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D8AF0 shade: #1D8AF0, #AD1DF0 and #DFF01D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D8AF0 shade: #1D8AF0, #F01D8A and #8AF01D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D8AF0 shade: #1D8AF0, #AD1DF0, #F0831D and #60F01D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D8AF0 shade: #1D8AF0, #ED1DF0, #F0831D and #21F01D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 43 / 0 / 6

HEX #1D8AF0

RGB 29 138 240

HSL 209, 0.88%, 0.53%

LAB 56.81, 7.89, -59.25

 

Complementary color

CMYK 0 / 48 / 93 / 11

HEX #E2750F

RGB 226 117 15

HSL 29, 0.88%, 0.47%

LAB 60.72, 37.06, 65.55

 

CMYK 86 / 41 / 0 / 8

HEX #228AEB

RGB 34 138 235

HSL 208.96, 0.83%, 0.53%

LAB 56.6, 6.33, -56.81

 

CMYK 80 / 39 / 0 / 0

HEX #339CFE

RGB 51 156 254

HSL 208.97, 0.99%, 0.6%

LAB 63.04, 4.01, -56.97

 

CMYK 73 / 32 / 0 / 0

HEX #44AEFF

RGB 68 174 255

HSL 205.99, 1%, 0.63%

LAB 68.55, -4.12, -48.77

 

CMYK 67 / 25 / 0 / 0

HEX #55C0FF

RGB 85 192 255

HSL 202.24, 1%, 0.67%

LAB 74.09, -11.64, -40.04

 

CMYK 60 / 18 / 0 / 0

HEX #66D2FF

RGB 102 210 255

HSL 197.65, 1%, 0.7%

LAB 79.69, -18.27, -31.34

 

CMYK 88 / 43 / 0 / 6

HEX #1D8AF0

RGB 29 138 240

HSL 209, 0.88%, 0.53%

LAB 56.81, 7.89, -59.25

 

CMYK 95 / 46 / 0 / 13

HEX #0C78DD

RGB 12 120 221

HSL 209, 0.9%, 0.46%

LAB 50.37, 10.91, -58.98

 

CMYK 100 / 50 / 0 / 21

HEX #0066CA

RGB 0 102 202

HSL 209.7, 1%, 0.4%

LAB 43.9, 14.48, -58.6

 

CMYK 100 / 54 / 0 / 28

HEX #0054B7

RGB 0 84 183

HSL 212.46, 1%, 0.36%

LAB 37.41, 18.65, -58.06

 

CMYK 100 / 60 / 0 / 36

HEX #0042A4

RGB 0 66 164

HSL 215.85, 1%, 0.32%

LAB 30.82, 23.07, -57.48

 

CMYK 88 / 43 / 0 / 6

HEX #1D8AF0

RGB 29 138 240

HSL 209, 0.88%, 0.53%

LAB 56.81, 7.89, -59.25

 

CMYK 88 / 66 / 0 / 6

HEX #1D51F0

RGB 29 81 240

HSL 225.21, 0.88%, 0.53%

LAB 41.9, 43.68, -83.47

 

CMYK 86 / 88 / 0 / 6

HEX #221DF0

RGB 34 29 240

HSL 241.42, 0.88%, 0.53%

LAB 32.94, 69.8, -98.32

 

CMYK 62 / 88 / 0 / 6

HEX #5B1DF0

RGB 91 29 240

HSL 257.63, 0.88%, 0.53%

LAB 36.73, 72.47, -91.91

 

CMYK 38 / 88 / 0 / 6

HEX #941DF0

RGB 148 29 240

HSL 273.84, 0.88%, 0.53%

LAB 43.46, 77.91, -80.58

 

CMYK 88 / 43 / 0 / 6

HEX #1D8AF0

RGB 29 138 240

HSL 209, 0.88%, 0.53%

LAB 56.81, 7.89, -59.25

 

CMYK 88 / 66 / 0 / 6

HEX #1D51F0

RGB 29 81 240

HSL 225.21, 0.88%, 0.53%

LAB 41.9, 43.68, -83.47

 

CMYK 88 / 88 / 0 / 6

HEX #1D1DF0

RGB 29 29 240

HSL 240, 0.88%, 0.53%

LAB 32.77, 69.69, -98.61

 

CMYK 88 / 43 / 0 / 6

HEX #1D8AF0

RGB 29 138 240

HSL 209, 0.88%, 0.53%

LAB 56.81, 7.89, -59.25

 

CMYK 88 / 43 / 0 / 6

HEX #1D8AF0

RGB 29 138 240

HSL 209, 0.88%, 0.53%

LAB 56.81, 7.89, -59.25

 

CMYK 78 / 38 / 0 / 13

HEX #318ADD

RGB 49 138 221

HSL 208.95, 0.72%, 0.53%

LAB 56.14, 2.46, -49.72

 

CMYK 66 / 32 / 0 / 21

HEX #4489C9

RGB 68 137 201

HSL 208.87, 0.55%, 0.53%

LAB 55.42, -1.44, -39.56

 

CMYK 52 / 25 / 0 / 29

HEX #5788B6

RGB 87 136 182

HSL 209.05, 0.39%, 0.53%

LAB 55.08, -3.28, -29.21

 

CMYK 34 / 17 / 0 / 36

HEX #6B88A3

RGB 107 136 163

HSL 208.93, 0.23%, 0.53%

LAB 55.46, -3.47, -17.64

 

CMYK 88 / 0 / 4 / 6

HEX #1DF0E6

RGB 29 240 230

HSL 177.16, 0.88%, 0.53%

LAB 86.15, -47.9, -8.48

 

CMYK 88 / 19 / 0 / 6

HEX #1DC2F0

RGB 29 194 240

HSL 193.08, 0.88%, 0.53%

LAB 72.98, -23.37, -33.78

 

CMYK 88 / 43 / 0 / 6

HEX #1D8AF0

RGB 29 138 240

HSL 209, 0.88%, 0.53%

LAB 56.81, 7.89, -59.25

 

CMYK 88 / 66 / 0 / 6

HEX #1D52F0

RGB 29 82 240

HSL 224.93, 0.88%, 0.53%

LAB 42.13, 43.06, -83.09

 

CMYK 86 / 88 / 0 / 6

HEX #211DF0

RGB 33 29 240

HSL 241.14, 0.88%, 0.53%

LAB 32.9, 69.78, -98.38

 

CMYK 94 / 45 / 0 / 31

HEX #0B60B0

RGB 11 96 176

HSL 209.09, 0.88%, 0.37%

LAB 40.53, 8.27, -48.9

 

CMYK 94 / 46 / 0 / 16

HEX #0D75D7

RGB 13 117 215

HSL 209.11, 0.89%, 0.45%

LAB 49.15, 10.48, -57.55

 

CMYK 88 / 43 / 0 / 6

HEX #1D8AF0

RGB 29 138 240

HSL 209, 0.88%, 0.53%

LAB 56.81, 7.89, -59.25

 

CMYK 72 / 35 / 0 / 5

HEX #449EF3

RGB 68 158 243

HSL 209.14, 0.88%, 0.61%

LAB 63.47, 0.85, -50.25

 

CMYK 56 / 27 / 0 / 4

HEX #6BB2F5

RGB 107 178 245

HSL 209.13, 0.87%, 0.69%

LAB 70.57, -3.29, -40.09

 

CMYK 88 / 43 / 0 / 6

HEX #1D8AF0

RGB 29 138 240

HSL 209, 0.88%, 0.53%

LAB 56.81, 7.89, -59.25

 

CMYK 28 / 88 / 0 / 6

HEX #AD1DF0

RGB 173 29 240

HSL 280.95, 0.88%, 0.53%

LAB 47.05, 81.09, -74.57

 

CMYK 7 / 0 / 88 / 6

HEX #DFF01D

RGB 223 240 29

HSL 64.83, 0.88%, 0.53%

LAB 90.82, -27.25, 85.75

 

CMYK 88 / 43 / 0 / 6

HEX #1D8AF0

RGB 29 138 240

HSL 209, 0.88%, 0.53%

LAB 56.81, 7.89, -59.25

 

CMYK 0 / 88 / 43 / 6

HEX #F01D8A

RGB 240 29 138

HSL 329, 0.88%, 0.53%

LAB 53.21, 79.36, -4.73

 

CMYK 43 / 0 / 88 / 6

HEX #8AF01D

RGB 138 240 29

HSL 89, 0.88%, 0.53%

LAB 85.91, -58.85, 79.7

 

CMYK 88 / 43 / 0 / 6

HEX #1D8AF0

RGB 29 138 240

HSL 209, 0.88%, 0.53%

LAB 56.81, 7.89, -59.25

 

CMYK 28 / 88 / 0 / 6

HEX #AD1DF0

RGB 173 29 240

HSL 280.95, 0.88%, 0.53%

LAB 47.05, 81.09, -74.57

 

CMYK 0 / 45 / 88 / 6

HEX #F0831D

RGB 240 131 29

HSL 29, 0.88%, 0.53%

LAB 65.63, 35.74, 66.56

 

CMYK 60 / 0 / 88 / 6

HEX #60F01D

RGB 96 240 29

HSL 100.95, 0.88%, 0.53%

LAB 84.43, -70.44, 77.85

 

CMYK 88 / 43 / 0 / 6

HEX #1D8AF0

RGB 29 138 240

HSL 209, 0.88%, 0.53%

LAB 56.81, 7.89, -59.25

 

CMYK 1 / 88 / 0 / 6

HEX #ED1DF0

RGB 237 29 240

HSL 299.15, 0.88%, 0.53%

LAB 57.25, 90.83, -57.58

 

CMYK 0 / 45 / 88 / 6

HEX #F0831D

RGB 240 131 29

HSL 29, 0.88%, 0.53%

LAB 65.63, 35.74, 66.56

 

CMYK 86 / 0 / 88 / 6

HEX #21F01D

RGB 33 240 29

HSL 118.86, 0.88%, 0.53%

LAB 83.3, -80.15, 76.44

 

Description

Color code: HEX #1D8AF0 | qconv.com Color code: HEX #1D8AF0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 138 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 138 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 43 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 43% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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