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Color name
HEX #1DA48C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DA48C it is the complementary color #E25B73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DA48C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DA48C shade: #22A487, #33B69A, #44C8AD, #55DAC0 and #66ECD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DA48C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DA48C shade: #1DA48C, #0C9279, #008066, #006E53 and #005C40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DA48C shade: #1DA48C, #1DA468, #1DA443, #1DA41E and #3FA41D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DA48C shade: #1DA48C, #1D98A4, #1D73A4, #1D4FA4 and #1D2AA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DA48C shade matches the following richer shades: #1DA48C and #0DB496

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DA48C shade: #1DA48C, #2C9582, #3C8578, #4C756E and #5B6664

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DA48C shade: #1DA443, #1DA467, #1DA48B, #1D99A4 and #1D75A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DA48C shade: #105E50, #16816E, #1DA48C, #23C7AA and #38DBBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DA48C shade: #1DA48C, #1F1DA4 and #A4551D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DA48C shade: #1DA48C, #8B1DA4 and #A48B1D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DA48C shade: #1DA48C, #1F1DA4, #A41D35 and #A2A41D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DA48C shade: #1DA48C, #481DA4, #A41D35 and #79A41D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 15 / 36

HEX #1DA48C

RGB 29 164 140

HSL 169.33, 0.7%, 0.38%

LAB 60.52, -39.98, 2.7

 

Complementary color

CMYK 0 / 60 / 49 / 11

HEX #E25B73

RGB 226 91 115

HSL 349.33, 0.7%, 0.62%

LAB 56.97, 54.47, 14.02

 

CMYK 79 / 0 / 18 / 36

HEX #22A487

RGB 34 164 135

HSL 166.62, 0.66%, 0.39%

LAB 60.46, -40.82, 5.43

 

CMYK 72 / 0 / 15 / 29

HEX #33B69A

RGB 51 182 154

HSL 167.18, 0.56%, 0.46%

LAB 66.89, -41.6, 4.17

 

CMYK 66 / 0 / 14 / 22

HEX #44C8AD

RGB 68 200 173

HSL 167.73, 0.55%, 0.53%

LAB 73.26, -42.11, 3.04

 

CMYK 61 / 0 / 12 / 15

HEX #55DAC0

RGB 85 218 192

HSL 168.27, 0.64%, 0.59%

LAB 79.55, -42.42, 2.02

 

CMYK 57 / 0 / 11 / 7

HEX #66ECD3

RGB 102 236 211

HSL 168.81, 0.78%, 0.66%

LAB 85.77, -42.6, 1.08

 

CMYK 82 / 0 / 15 / 36

HEX #1DA48C

RGB 29 164 140

HSL 169.33, 0.7%, 0.38%

LAB 60.52, -39.98, 2.7

 

CMYK 92 / 0 / 17 / 43

HEX #0C9279

RGB 12 146 121

HSL 168.81, 0.85%, 0.31%

LAB 54.04, -38.6, 4.11

 

CMYK 100 / 0 / 20 / 50

HEX #008066

RGB 0 128 102

HSL 167.81, 1%, 0.25%

LAB 47.49, -36.71, 5.71

 

CMYK 100 / 0 / 25 / 57

HEX #006E53

RGB 0 110 83

HSL 165.27, 1%, 0.22%

LAB 40.86, -34.14, 7.56

 

CMYK 100 / 0 / 30 / 64

HEX #005C40

RGB 0 92 64

HSL 161.74, 1%, 0.18%

LAB 34.03, -31.46, 9.53

 

CMYK 82 / 0 / 15 / 36

HEX #1DA48C

RGB 29 164 140

HSL 169.33, 0.7%, 0.38%

LAB 60.52, -39.98, 2.7

 

CMYK 82 / 0 / 37 / 36

HEX #1DA468

RGB 29 164 104

HSL 153.33, 0.7%, 0.38%

LAB 59.72, -48.69, 21.59

 

CMYK 82 / 0 / 59 / 36

HEX #1DA443

RGB 29 164 67

HSL 136.89, 0.7%, 0.38%

LAB 59.17, -55.06, 40.03

 

CMYK 82 / 0 / 82 / 36

HEX #1DA41E

RGB 29 164 30

HSL 120.44, 0.7%, 0.38%

LAB 58.89, -58.63, 54.37

 

CMYK 62 / 0 / 82 / 36

HEX #3FA41D

RGB 63 164 29

HSL 104.89, 0.7%, 0.38%

LAB 59.61, -52.47, 55.6

 

CMYK 82 / 0 / 15 / 36

HEX #1DA48C

RGB 29 164 140

HSL 169.33, 0.7%, 0.38%

LAB 60.52, -39.98, 2.7

 

CMYK 82 / 7 / 0 / 36

HEX #1D98A4

RGB 29 152 164

HSL 185.33, 0.7%, 0.38%

LAB 57.46, -27.21, -15.44

 

CMYK 82 / 30 / 0 / 36

HEX #1D73A4

RGB 29 115 164

HSL 201.78, 0.7%, 0.38%

LAB 45.91, -7.03, -33.27

 

CMYK 82 / 52 / 0 / 36

HEX #1D4FA4

RGB 29 79 164

HSL 217.78, 0.7%, 0.38%

LAB 35.07, 15.94, -50.55

 

CMYK 82 / 74 / 0 / 36

HEX #1D2AA4

RGB 29 42 164

HSL 234.22, 0.7%, 0.38%

LAB 25.56, 40.33, -66.12

 

CMYK 82 / 0 / 15 / 36

HEX #1DA48C

RGB 29 164 140

HSL 169.33, 0.7%, 0.38%

LAB 60.52, -39.98, 2.7

 

CMYK 93 / 0 / 17 / 29

HEX #0DB496

RGB 13 180 150

HSL 169.22, 0.87%, 0.38%

LAB 65.69, -45.17, 4.59

 

CMYK 82 / 0 / 15 / 36

HEX #1DA48C

RGB 29 164 140

HSL 169.33, 0.7%, 0.38%

LAB 60.52, -39.98, 2.7

 

CMYK 70 / 0 / 13 / 42

HEX #2C9582

RGB 44 149 130

HSL 169.14, 0.54%, 0.38%

LAB 55.73, -34.16, 1.45

 

CMYK 55 / 0 / 10 / 48

HEX #3C8578

RGB 60 133 120

HSL 169.32, 0.38%, 0.38%

LAB 50.79, -26.12, 0.1

 

CMYK 35 / 0 / 6 / 54

HEX #4C756E

RGB 76 117 110

HSL 169.76, 0.21%, 0.38%

LAB 46.16, -16, -0.7

 

CMYK 11 / 0 / 2 / 60

HEX #5B6664

RGB 91 102 100

HSL 169.09, 0.06%, 0.38%

LAB 42.23, -4.64, -0.31

 

CMYK 82 / 0 / 59 / 36

HEX #1DA443

RGB 29 164 67

HSL 136.89, 0.7%, 0.38%

LAB 59.17, -55.06, 40.03

 

CMYK 82 / 0 / 37 / 36

HEX #1DA467

RGB 29 164 103

HSL 152.89, 0.7%, 0.38%

LAB 59.7, -48.9, 22.11

 

CMYK 82 / 0 / 15 / 36

HEX #1DA48B

RGB 29 164 139

HSL 168.89, 0.7%, 0.38%

LAB 60.49, -40.25, 3.22

 

CMYK 82 / 7 / 0 / 36

HEX #1D99A4

RGB 29 153 164

HSL 184.89, 0.7%, 0.38%

LAB 57.77, -27.71, -14.97

 

CMYK 82 / 29 / 0 / 36

HEX #1D75A4

RGB 29 117 164

HSL 200.89, 0.7%, 0.38%

LAB 46.53, -8.21, -32.29

 

CMYK 83 / 0 / 15 / 63

HEX #105E50

RGB 16 94 80

HSL 169.23, 0.71%, 0.22%

LAB 35.39, -26.21, 1.58

 

CMYK 83 / 0 / 15 / 49

HEX #16816E

RGB 22 129 110

HSL 169.35, 0.71%, 0.3%

LAB 48.26, -33.34, 2.14

 

CMYK 82 / 0 / 15 / 36

HEX #1DA48C

RGB 29 164 140

HSL 169.33, 0.7%, 0.38%

LAB 60.52, -39.98, 2.7

 

CMYK 82 / 0 / 15 / 22

HEX #23C7AA

RGB 35 199 170

HSL 169.39, 0.7%, 0.46%

LAB 72.3, -46.44, 3.21

 

CMYK 74 / 0 / 13 / 14

HEX #38DBBE

RGB 56 219 190

HSL 169.33, 0.69%, 0.54%

LAB 79.17, -47.59, 2.46

 

CMYK 82 / 0 / 15 / 36

HEX #1DA48C

RGB 29 164 140

HSL 169.33, 0.7%, 0.38%

LAB 60.52, -39.98, 2.7

 

CMYK 81 / 82 / 0 / 36

HEX #1F1DA4

RGB 31 29 164

HSL 240.89, 0.7%, 0.38%

LAB 23.17, 47.56, -70.06

 

CMYK 0 / 48 / 82 / 36

HEX #A4551D

RGB 164 85 29

HSL 24.89, 0.7%, 0.38%

LAB 44.91, 28.67, 44.83

 

CMYK 82 / 0 / 15 / 36

HEX #1DA48C

RGB 29 164 140

HSL 169.33, 0.7%, 0.38%

LAB 60.52, -39.98, 2.7

 

CMYK 15 / 82 / 0 / 36

HEX #8B1DA4

RGB 139 29 164

HSL 288.89, 0.7%, 0.38%

LAB 36.08, 61.53, -48.42

 

CMYK 0 / 15 / 82 / 36

HEX #A48B1D

RGB 164 139 29

HSL 48.89, 0.7%, 0.38%

LAB 58.46, -1.59, 56.94

 

CMYK 82 / 0 / 15 / 36

HEX #1DA48C

RGB 29 164 140

HSL 169.33, 0.7%, 0.38%

LAB 60.52, -39.98, 2.7

 

CMYK 81 / 82 / 0 / 36

HEX #1F1DA4

RGB 31 29 164

HSL 240.89, 0.7%, 0.38%

LAB 23.17, 47.56, -70.06

 

CMYK 0 / 82 / 68 / 36

HEX #A41D35

RGB 164 29 53

HSL 349.33, 0.7%, 0.38%

LAB 36.04, 54.01, 21.9

 

CMYK 1 / 0 / 82 / 36

HEX #A2A41D

RGB 162 164 29

HSL 60.89, 0.7%, 0.38%

LAB 65.22, -15.81, 62.71

 

CMYK 82 / 0 / 15 / 36

HEX #1DA48C

RGB 29 164 140

HSL 169.33, 0.7%, 0.38%

LAB 60.52, -39.98, 2.7

 

CMYK 56 / 82 / 0 / 36

HEX #481DA4

RGB 72 29 164

HSL 259.11, 0.7%, 0.38%

LAB 26.55, 51.14, -64.36

 

CMYK 0 / 82 / 68 / 36

HEX #A41D35

RGB 164 29 53

HSL 349.33, 0.7%, 0.38%

LAB 36.04, 54.01, 21.9

 

CMYK 26 / 0 / 82 / 36

HEX #79A41D

RGB 121 164 29

HSL 79.11, 0.7%, 0.38%

LAB 62.26, -33.22, 58.98

 

Description

Color code: HEX #1DA48C | qconv.com Color code: HEX #1DA48C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 164 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 164 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 15 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 15% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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